Wednesday, November 16th, 2011

Tarina Tarantino Delightful Jewel Eyeshadow Palette
Tarina Tarantino Delightful Jewel Eyeshadow Palette

Tarina Tarantino Delightful Jewel Eyeshadow Palette ($32.00 for 0.32 oz.) is a cooler toned set of more neutral shades. I think we could hedge and say it’s more neutral-cool than really, truly cool-toned. The formula is designed to have intense color payoff, and the eyeshadows are long-wearing and can be used wet or dry (always good to know–more brands should note this!).

I reviewed Dreamy initially, which I was really digging, and I like this one a lot, too–it’s not my personal favorite just by preference, but the quality is lovely and lives up to my readjusted expectations for Tarina Tarantino’s beauty line. I think Sephora is doing these palettes an injustice by not even taking the time to describe each palette’s colors! You just get this ridiculously tiny photo of the palette, but I think with a smaller brand like this, more would be better. I noticed this mostly because I like to start off each review with the brand’s official description of the shade as well as the formula. It helps me to breakdown what I should be looking for and hit on in the review.

The top shade in the palette is a cool-toned medium-dark brown with a frosted finish; it’s almost taupe, but I don’t think it has quite enough gray tint to make it a true taupe. The pigmentation is excellent, and the texture is dense, buttery, and applies smoothly. It’s much lighter than the taupe-ish shade in Dreamy (just because at first glance, they seem similar). It’s a little darker than MAC Magical Mist, cooler-toned and less red-based than Urban Decay Wreckage, and it’s just a touch cooler-toned compared to Bare Escentuals A-Ha.

On the left, there is a bright, frosted gold-tinged white. It’s almost too light to call it a white gold. It has good color payoff and applies smoothly. It is extremely similar to the white gold shade in Dreamy, but it’s also similar to several other shades, including theBalm Envious Erin, theBalm Tempting Tara, Urban Decay Zephyr, and Bare Escentuals Breathtaking. It’s the warmest shade in the palette and definitely not neutral or cool-toned.

In the middle, there is a pale neutral pink with a white frost finish. The payoff is decent but could be better here (think 8/10); it’s not as intense as the other shades in the palette. MAC Fresh Ice is cooler-toned, almost lilac in comparison, while Bare Escentuals Muse is similar but less frosted and more opaque.

On the right, there is a barely warmed golden peach with a metallic finish. It’s smooth and soft, while the pigmentation is good. Inglot #330 reminded me most in terms of color, but it has a matte finish. I couldn’t think of anything else that was similar, though.

The last shade, on the bottom, is a slightly cool-toned dark brown with this slightly warm undertone peeking through. It’s interesting, because the sheen on this looks gray tinted, but the edging has a warmer tone to it. The texture is almost matte, kind of like half-matte, half-satin; and the color payoff is nice. It’s a bit grayer and lighter than MAC Charcoal Brown. MAC Double Feature 3 is a bit closer but not quite.

Looking at the general range, I think they could have made one or two of these colors more cool-toned, because then they’d have a genuinely cool-toned but fairly neutral palette to offer. This palette will work well universally, though, because it’s a mix of cool and warm but for the most part, nothing leans too far in either direction. The color payoff was good on all the shades except the center shade, which was so-so–better than average but not as good as the others. I tested out this palette without a primer (just used three shades on one eye), and it made it to eight hours without creasing or fading, but it had very subtle creasing after ten.

The Glossover

palette

Delightful

A+

Looking at the general range, I think they could have made one or two of these colors more cool-toned, because then they'd have a genuinely cool-toned but fairly neutral palette to offer. This palette will work well universally, though, because it's a mix of cool and warm but for the most part, nothing leans too far in either direction. The color payoff was good on all the shades except the center shade, which was so-so--better than average but not as good as the others.

Product

10/10

Pigmentation

9.5/10

Texture

10/10

Longevity

10/10

Application

5/5

Results
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Tuesday, November 15th, 2011

Lancome Color du Jour Color Design Eyeshadow
Lancome Color du Jour Color Design Eyeshadow

Lancome Color du Jour Color Design Eyeshadow

Lancome Color du Jour Color Design Eyeshadow ($18.00 for 0.042 oz.) is described as a “metallic golden eggplant.” It’s a reddish-burgundy with copper sparkle. The color payoff is decent but on the sheerer side. I’d love it if the texture was denser, because it feels a bit dry here. It’s redder, less plum, compared to MAC Trax. The color is more like MAC Star Violet but with gold shimmer and less frost.   I briefly tested this for a few hours to check on whether there would be fall out, and I’m happy to report that there was none after five hours of wear.

Lancome’s eyeshadows are actually formulated to be long-wearing with “pigment-packed color.” I don’t typically get quite so long in practice, though it’s not bad without a primer. I tend to get subtle creasing after eight hours without a primer, but when I use a primer, I have no issues at all, even after twelve hours.

The Glossover

P
product

Colour du Jour

B-
I like Lancome's version much better than Trax, which can be a pain to work with. It's nice that the sparkle in this shade does translate onto the lid and doesn't end up underneath the eyes.

Product

8.5/10

Pigmentation

8/10

Texture

8/10

Longevity

8/10

Application

4/5

Results
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Tuesday, November 15th, 2011

Chanel Dragon Rouge Allure Laque
Chanel Dragon Rouge Allure Laque

An Ode to Chanel Dragon Rouge Allure Laque

What would you do if one of your holy grail beauty products was discontinued? (And I’m sure that many of you have had it happen, so what did you actually do?)

About two weeks ago, I tweeted that Chanel Customer Service confirmed, via email, that all but Coromandel were going to be discontinued in 2011. I called their customer service line to get confirmation through that route, just in case, and they had the reverse information–Coromandel was being discontinued but nothing else–but they said they would escalate my question up to corporate. Last Wednesday, I had to tweet confirmation by Chanel corporate that all shades (except Coromandel) were being discontinued in 2011.

Long-time readers know that Chanel Dragon (75) Rouge Allure Laque ($32.00 for 0.20 fl. oz.) is one of few holy grail products for me, and it really is; it’s the red I reach for on every special occasion. It’s my power red. There is no other lip color that garners as many compliments as this shade. So I did what any beauty addict would do: immediately bought back-ups upon back-ups. I haven’t finished my original tube of Dragon, though I suspect I am nearly the end, and had already repurchased a second tube for future use. I bought five more, though I plan to distribute a few of those to my favorite people this Christmas.  It’s still available (at least online) at Nordstrom and Saks.

Realistically, there are numerous other reds I love and enjoy, and while it may not be that on oh-my-goodness-this-is-perfect level, they’re close enough, and I’ll make it through. With luck, Chanel is replacing the RAL line-up with something bigger and better. With even better luck, I’ll discover a dupe or an even more fantastic red over time. Guerlain Garconne is the closest I’ve found so far.

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Tuesday, November 15th, 2011

Dior Belle de Nuit Rouge Dior Lip Color
Dior Belle de Nuit Rouge Dior Lip Color

Dior Belle de Nuit Rouge Dior Lip Color

Dior Belle de Nuit Rouge (841) Dior Lip Color ($32.00 for 0.12 oz.) is a fiery orange-red with copper micro-shimmer. It’s more orange than it is red, almost like a coral-red, but more orange than coral!  The color coverage is mostly opaque, and the texture is creamy enough to allow the color to glide on evenly without skipping but not so creamy that it moves around.  This is totally my kind of color (but I’m starting to wonder what lip color family I don’t have some love for). Make Up For Ever #20 is a little redder but doesn’t have the copper shimmer. It’s actually similar, though deeper in color, to Chanel Mandarin. The new-for-the-holidays NARS Joyous Red is more muted, less red, and not as shimmered. CoverGirl Temptation is a touch more orange but still very similar.

Belle de Nuit is supremely long-wearing; it lasts for six full hours on my lips and proceeds to linger around for another two; at eight hours, it reaches that halfway point where it’s faded enough to be reapplied but if you’ve forgotten the tube at home, you still have a bit left on your lips. The best part about the long-wear is that my lips don’t feel chapped, dry, or otherwise dehydrated, which is impressive after eight hours.  Too bad this shade is limited edition!

The Glossover

LE
product

Belle de Nuit

A
Belle de Nuit wears excellently--six hours or longer--and makes it through drinks/meals mostly intact. It has good color coverage, shine, and is a great holiday shade for warmer skin tones.

Product

9.5/10

Pigmentation

9.5/10

Texture

9.5/10

Longevity

10/10

Application

4.5/5

Results
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Monday, November 14th, 2011

Tarte Exposed Amazonian Clay Blush
Tarte Exposed Amazonian Clay Blush

Tarte Exposed Amazonian Clay Blush ($25.00 for 0.20 oz.) is described as a “nude.” The color is like a neutral plum–it’s soft but definitely plummy with a hint of pink. The overall color is muted, so it should never be too much on the skin. It can be built up to look more like the color in the pan or sheered out for just a hint of color. This is a great color for everyday or to round out a look that you just don’t know what blush to use.

Tarte purports that the Amazonian Clay makes it suitable for all skin types, because it minimizes oil, hydrates skin, improves the skin, and gives the skin an overall smoother and more even appearance. I’m not going to comment on whether it improves the skin in the long-term, because in order to do that, one would need to wear it for six to eight weeks everyday (like skincare). I have normal-to-dry skin, though for the past month and at present, it’s normal with no dryness or dry patches. The weather is crisp and autumnal, no humidity or the like, so I would generally expect long-wearing products to perform to their best, given the conditions.

This blush does not wear 12 hours on me; it wears a good eight hours, but by ten, it has disappeared. I’m fine with my blush wearing for eight to ten hours, but I will note that several blushes last around eight hours or so on me (Burberry, Dior, Guerlain, Illamasqua, NARS, theBalm–just naming some of the ones off the top of my head). The wear is good but falls short of its 12-hour claim. The texture is very, very soft to the point where there is some powderiness if you go heavily, and I find that a blush brush kicks more product loose than you actually need for a single application. You might find that a stippling brush works better, because it will disturb the pressed powder less and waste less product that way.

Thankfully, it’s not powdery when worn, because I was initially fearful that it would be, after seeing how it swatched. It’s very pretty and soft on, and with the nearly matte finish, it looks natural on. The softness of the powder makes for effortless blending. The texture and feel of these reminded me a lot of Burberry’s Light Glow, actually. As far as the color goes, theBalm Cabana Boy is a pinker, shimmery version, while Chanel Rose Temptation is a touch darker. NARS Oasis is similar, too, but it also has shimmer.

The Glossover

P
product

Exposed

B+

It's a good blush, but it just doesn't wear the full 12 hours that Tarte claims, which is really where this product lost the most points from. It wears well (eight to ten hours on me), looks natural when applied, and has good pigmentation.

Product

9/10

Pigmentation

9.5/10

Texture

9/10

Longevity

7/10

Application

4.5/5

Results
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Monday, November 14th, 2011

Dior Couture Gold (554) 5 Couleurs Eyeshadow Palette
Dior Couture Gold (554) 5 Couleurs Eyeshadow Palette

Dior Holiday 2011: Couture Gold (554) 5 Couleurs Eyeshadow Palette

Dior Couture Gold (554) 5 Couleurs Eyeshadow Palette ($59.00 for 0.21 oz.) is a limited edition palette for the holidays that contains five shades, which tend to skew on the warmer side and keep in the spirit of all things glittery, glam, and metallic.

The first shade, on the upper left, is a white gold with a frosted finish. It has good color payoff and a really soft, buttery texture. This particular shade has several viable dupes: Tarina Tarantino Dreamy, Urban Decay Zephyr, Bare Escentuals Breathtaking, and MAC Manila Paper. Opposite that, on the upper right, is a burnt gold–more orange than yellow kind of gold–with a frosted, metallic finish and sheen. The pigmentation is good, and the eyeshadow feels silky soft. It’s similar in color to Urban Decay Blunt, Milani Drenched in Gold, and Bare Escentuals Aspire.

In the middle of the palette is a pale, sparkling gold with a really glimmering finish. The texture is a bit gritty, because this shade has more of a glitter finish than anything else. I didn’t think it was going to hold up well on the eye, but surprisingly, the fall out was minimal (and surprisingly little for this type of finish). The color seems similar to MAC Femme-fi but the finishes are completely different. It’s also similar to Bobbi Brown Gold Bar and MAC Nylon. This shade is yellower than the shade on the upper left of this palette.

On the bottom left, there is a very dark brown with flecks of ruby and gold shimmer. The texture of this is the type that separates the base color from the sparkle on top; the brown shade is dry, powdery, and only so-so in delivering true-to-pan color payoff, while the overlying sparkle tends to get lost when the shade is actually applied to the eyes. These shades are similar though the color of the sparkle differs slightly: Bobbi Brown Black Gold, Tarina Tarantino Dreamy, MAC Legendary, and Wet ‘n’ Wild Comfort Zone.  The last shade, which can be found on the bottom right, is a lightened copper with a golden sheen. The texture is really soft and smooth, and the hue has good color payoff. It’s not as copper as Urban Decay Limelight.

Couture Gold is a warm-toned palette, but it doesn’t contain a lot of strong yellow or orange-based shades, so it should be wearable on cooler complexions. This palette was a sleeper hit for me; I didn’t think I’d love it, even though it is pretty, but the way it comes together works really, really well.

The Glossover

palette

Couture Gold

B+
One of my favorite holiday palettes that I've reviewed so far! It should work on both cool and warm skin tones, because the golds are not too yellow or orange.

Product

9/10

Pigmentation

9/10

Texture

9/10

Longevity

9/10

Application

4/5

Results
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