Urban Decay Electric Pressed Pigment Palette
Urban Decay Electric Pressed Pigment Palette ($49.00 for 0.40 oz.) consists of ten shades in the theme of all that is bold and colorful–you know, electric. It includes two previously-seen shades, Revolt and Chaos, while the other eight are new to the palette. Each shade is 0.04 oz., which is a little shy of full-sized eyeshadow (0.05 oz.), and it also includes a dual-ended brush.
In fine print on the back of the palette, which I didn’t even see until I was grabbing size information, is the following: “Warning: Slowburn, Savage, Jilted, and Urban are not intended for the immediate eye area.” It’s not surprising to see such a warning, given that neon pigments, generally, have not been tested or approved by FDA for use on the “immediate eye area.” If you are already sensitive to red or pink eyeshadows, you should definitely heed the warning, as they all have a pink/red tinge. Neon pigments are often approved in the EU and Canada but not in the U.S., though it could be another ingredient that isn’t approved for usage on the eye (will be curious if UK/Canadian palettes have the same warning on the back). As always, use at your own discretion and risk. I am not a cosmetic scientist or medical professional. I have shown all four of those shades applied as blushes–be careful with shades like Jilted and Urban, as that frosted finish coupled with the intense pigmentation means a little goes a long, long way.
Overall, the palette had good color payoff, soft and smooth textures, and long-wear. I liked the there were more matte shades paired with rather frosted/metallic shades, though I think one or two of the metallic finishes could have been softer frosts. The high frost/metallic finishes take more patience to blend with some of the matte shades, as the frostier shades have a denser, thicker feel, while the mattes are softer and thinner, so having a satin would work well in-between. The more matte shades perform fairly well even over bare skin, adhering for the most part and applying evenly without blending away, but they do perform their best over a primer for maximum vibrancy. The frosts did not need a primer (they were the same either way for me). I also wished there was a yellow or coral shade in the palette, as the majority of the colors are medium or dark, and it would have made for a better variety of colors. All four shades indicated as not eye safe were prone to staining, with or without a primer underneath. The mattes lasted just over eight and a half hours on me before showing signs of fading, while the frosts/metallics lasted almost ten hours on me (they wore like iron). The brush seemed good – soft, easy to wash, didn’t take a long time to dry, no shedding.
Revolt is described as a “bright metallic silver shimmer with silver glitter.” It’s a brightened, light-medium silver with a metallic finish and silver micro-glitter. The pigmentation was slightly improved compared to when this was in the Anarchy palette, but it’s still not fully pigmented and has a fair amount of glitter. The problem with the glitter is that it just doesn’t bind with the rest of the powder, so it tends to fall out during application and whatever does end up on the lid does fall out later on. L’Oreal Silver Sky (757) (P, $7.99) is warmer. MAC Bleuluxe #1 (P) is lighter. MAC Virgin Silver (LE) is lighter. Bobbi Brown Tinsel (LE) is similar. See comparison swatches.
Gonzo is described as a “bright turquoise matte with floating tonal pearl.” It’s a brightened, medium blue with soft, silver micro-shimmer over a matte base–it appears mostly matte applied. It had good pigmentation, and the texture was very soft, just a little powdery. NARS Solomon Islands (P, $25.00) is darker, cream. Wet ‘n’ Wild I’m Seeing Triples Crease (LE, $2.29) is darker, cooler-toned. Disney by Sephora Royal (LE) is a smidgen darker. NARS Mad Mad World #1 (P, $24.00) is totally matte. Milani Olympian Blue (P, $5.99) is darker. MAC Electric Eel (P, $15.00) is warmer. MAC Blue Candy (LE, $15.00) is lighter. Inglot #322 (P, $6.00) is darker, warmer. See comparison swatches.
Slowburn is described as a “bright red-orange matte with floating pearl.” It’s a vibrant, medium-dark orange with strong, red tones and a mostly matte finish. It had excellent color payoff, and the texture was soft without being powdery. NARS Persia (P, $24.00) is darker, warmer, less red. MAC Orange (P, $15.00) is more orange. Inglot #123R Bottom (P, $6.00) is more muted, more orange. Sugarpill Love+ (P, $12.00) is cooler-toned, redder. Inglot #366 (P, $6.00) is darker, redder. See comparison swatches.
Savage is described as a “bright hot pink matte.” It’s a brightened, cool-toned, medium-dark magenta pink with a matte finish. It had good pigmentation, and the texture was soft and finely-milled, but it did sheer out a little when applied, so it needs to be gently patted on to maximize color payoff. Milani Shocking Pink (P, $5.99) is cooler-toned, lighter. MAC Magenta Madness (LE, $21.00) is similar. Sugarpill Dollipop (P, $12.00) is a touch darker and less cool-toned. Make Up For Ever #75 (P, $20.00) is darker. See comparison swatches.
Fringe is described as a “bright metallic teal.” It’s a medium-dark, bluish-teal with a frosted, metallic finish. It had a really dense, buttery texture that was smooth and richly pigmented. Tarina Tarantino Ozma (LE) is bluer. Too Faced Sequin (LE, $16.00) is darker, greener. Fyrinnae Sleepy Hollow (P, $6.80) is darker. Disney by Sephora Caspian Sea (LE) is brighter, bluer. Urban Decay Deep End (P, $18.00) is bluer, darker. See comparison swatches.
Chaos is described as a “bright blue matte with floating tonal pearl.” It’s a brightened, medium-dark cobalt blue with fine, iridescent shimmer over a matte base. Wet ‘n’ Wild I Don’t Do Camouflage #3 (LE, $2.29) is darker, more muted. MAC Heroine (LE, $15.00) is darker, purpler. MAC Cobalt (P, $15.00) is darker. Illamasqua Sadist (P) is more muted. Sugarpill Royal Sugar (P, $12.00) is very similar. Sugarpill Velocity (P, $12.00) is more matte. See comparison swatches.
Jilted is described as a “bright metallic fuchsia with blue shift.” It’s a brightened, medium-dark fuchsia-berry with a soft, frosted finish. It was incredibly pigmented, and the texture was soft, smooth, and buttery. Sugarpill Smitten (LE, $12.00) is lighter. Too Faced Bright Eyes (LE, $16.00) is lighter, warmer. Too Faced Totally Fetch (LE, $16.00) is a little lighter. Urban Decay Junkshow (LE, $18.00) is slightly more muted. Estee Lauder Violet Underground #1 (LE, $21.00) is warmer. See comparison swatches.
Urban is described as a “bright metallic purple.” It’s a vibrant, medium purple with pinky-red undertones and a frosted finish. It had excellent color payoff, while the texture was buttery and smooth. Tarina Tarantino Violet Storm #5 (LE) is lighter. Urban Decay Freakshow (P, $18.00) is warmer, darker. Urban Decay Flash (P, $18.00) is lighter. MAC Push the Edge (P, $21.00) is slightly darker, warmer. Inglot #441 (P, $6.00) is lighter. Inglot #439 (P, $6.00) is slightly darker. See comparison swatches.
Freak is described as a “bright green with gold shift.” It’s a vibrant, light-medium, cool-toned green with a golden sheen, which gives it a mostly warm tone to it overall. It had good pigmentation, and the texture was soft and fairly smooth. Makeup Geek Appletini (P, $5.99) is darker, more muted. Fyrinnae Dragon’s Wing (P, $6.80) is darker. Disney by Sephora Atlantica (LE) is lighter. Illamasqua Possession (LE) is a cream product, less metallic. MAC Wondergrass (LE, $15.00) is darker. See comparison swatches.
Thrash is described as a “bright lime green matte with floating gold pearl.” It’s a light-medium, yellow-leaning chartreuse with a satin shimmer over a matte finish. It had fairly good colr payoff, but the texture is slightly powdery, even though it’s quite soft and finely-milled. MAC Chartreuse Bouquet (LE, $21.00) is more shimmery. NARS Rated R #1 (P, $24.00) is very similar. NARS Celebrate (P, $24.00) is less shimmery. MAC Bitter (P, $15.00) is lighter. Inglot #343 (P, $6.00) is lighter. See comparison swatches.