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MAC Office Hours Pro Longwear Blushes (Part 2)

MAC Stay By Me Pro Longwear Blush
MAC Stay By Me Pro Longwear Blush

Still Powdery, but Better Color

This review focuses on three new shades of MAC Pro Longwear Blushes ($23.50 for 0.21 oz.) from the latest launch, Office Hours: Stay By Me (light peach coral), Stay Pretty (light bright blue pink), and Whole Lotta Love (light blue pink).

Please see part one for a more in-depth review of the formula. I echo those sentiments overall. Stay Pretty and Whole Lotta Love had better color payoff compared to the other five I’ve reviewed. Stay By Me lasted for three hours well, then had disappeared by the sixth hour. Stay Pretty started to look a smidgen faded around the edges after four hours and had disappeared after seven hours. Whole Lotta Love didn’t look faded until five hours, and there was still a glimpse of color after eight hours. It’s less wear than I typically get out of a MAC blush (normally, I’d see six to eight hours with some fading but the majority of the color is still there).

Stay By Me is a pale peach with a barely-there shimmer. It looks mostly matte on the skin. This shade was noticeably powdery and dusty, so it did not look natural against the skin (kind of cake-y). I needed to apply four layers of product to get the color to show up in the swatch (my forearm is around NC20 in color; I did the same on cheeks, but my face is darker (around NC30), so it didn’t really show up. NARS Sex Appeal is slightly lighter.

Stay Pretty is a light-medium blue-based pink with a subtle golden shimmer. This shade wasn’t quite as powdery as the other six shades I tried. I applied three layers of product to get it to show up on my arm and four layers of product on my face. MAC Lovecloud has a stronger sheen. Bobbi Brown Nude Pink is bluer-based. NYX English Rose is similar, perhaps a bit lighter.

Whole Lotta Love is a brightened pop of medium-dark pink with a subtle sheen. I only needed to use two layers to get the color to show up on the arm, and I layered it three times on my face. The texture was a little drier compared to the other six shades, which actually was good, because it wasn’t as powdery. MAC Full Fuchsia is slightly darker. MAC Her Blooming Cheek is more fuchsia, more blue-based. Tom Ford Wicked has a smidgen of plum in it. MAC Supernova is darker, redder.

MAC Office Hours Pro Longwear Blushes (Part 2)

D-
5
Product
7
Pigmentation
6.5
Texture
6.5
Longevity
3
Application
62%
Total

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MAC Office Hours Pro Longwear Blushes (Part 1)

MAC Baby Don't Go Pro Longwear Blush
MAC Baby Don’t Go Pro Longwear Blush

Where’s Your Blush?

This review focuses on four new shades of MAC Pro Longwear Blushes ($23.50 for 0.21 oz.) from the latest launch, Office Hours: Baby Don’t Go (light cool beige), Blush All Day (light dirty rose beige), Eternal Sun (warm brown), and Rosy Outlook (light yellow pink).

This is a new product that has been added to the permanent range. MAC describes it as, “A lightweight blush with extreme colour perfection and non-fading, eight-hour wear. Ultra fine, silky powder glides on and blends easily to provide a moist, flawless, natural finish or with layering, a brighter, more dramatic look.”

Baby Don’t Go is a light beige brown with a barely-there sheen. It’s sheer when applied, and I can only see this showing up on very fair-skinned individuals–even that you may require some layering! In the full face photo of me, I applied about four layers of blush–and I’m not even sure you can really see it on. The texture is so soft, but it is powdery. Tarina Tarantino Neopolitan Lane is slightly pinker. Burberry Russet is a bit darker, browner.

Blush All Day is a soft pink with subtle yellow undertones and a golden shimmer. On the skin, the shimmer isn’t very noticeable. This shade is on the sheerer side and required layering, but it wasn’t as powdery as Baby Don’t Go. I did have to apply four layers of product to get noticeable color on my skin tone, so again, this is a color better suited for someone with very fair skin. MAC Brit Wit is grayer. Chanel Pink Cloud is lighter. MAC Pet Me has a stronger yellow undertone.

Eternal Sun is a subdued orange with a satin-like finish. It looked more matte on the skin. This one seemed to swatch better than the others, but when applied to the cheeks, it still took four layers of product to achieve noticeable color, so it’s a shade that would suit very light complexions. MAC Worldly Wealth is browner, less orange. MAC Sun Power is very similar.

Rosy Outlook is a pale pink with subtle yellow undertones and a gentle sheen. Even though I see there’s shimmer in the product, it doesn’t translate onto skin. I think that’s because these have a powdery texture, that it tends to look more matte on the skin. Illamasqua Naked Rose is darker. MAC Crew is very similar. Chanel Brompton Road is more blue-based. Chanel Horizon de Chanel is darker. MAC Stunner is comparable.

The texture of these is very different from their regular blush formula. It’s incredibly soft and feels silky, but all four shades were also incredibly powdery. There was just a lot of excess powder that billowed in the wind and sat upon the skin. If you have oilier skin, it might not be as noticeable on, but on my normal cheeks (at least, when swatching and testing these), they looked almost caked on and visibly powdery. Part of that is undoubtedly due to how much product I have to apply to get any color to show up on my medium skin color. If you have really fair skin, you should be able to get away with (somewhat) less product.

It feels lightweight, even though it doesn’t look that way on. The finsh is more matte than natural on; the powderiness contributes to giving it a mostly matte appearance. Though MAC says you can layer these, I did not find them very buildable, because they disappeared so readily. When you applied the product and went to layer on more product, it just swept away what you originally put on, so despite going through the steps, the result looks about the same as when initially applied.  I have to emphasize:  every swatch (whether on the arm to on the face) is layered three or four times for visible color payoff–this is three or four times the amount of product I use for 95% of swatches.

I’ve been testing the wear on these for a few days now, and the wear was disappointing. I had similar problems with the blushes that I did with the eyeshadows. Baby Don’t Go wore visibly for three hours and was gone by six; Blush All Day managed not to fade until the fourth hour, but by six, it, too, had disappeared. Eternal Sun started to fade after five hours, and it had gone into the ether after seven hours (best-wearing so far!). Rosy Outlook started to fade after four hours and was totally missing after six hours.

Not every color is going to be as wearable on every skin tone, which isn’t unexpected. What’s odd is that some of these colors I’ve come across before (by other brands) and have been able to get those to show up on my skin tone (which is medium, around NC30), but you can’t really see any of these on me except Eternal Sun.  Even in cases of lighter shades (including other blushes by MAC), I can get the same color payoff in one sweep of color as I did with four sweeps of color of these. For all of the swatches, I had to pile on the product; it’s not just a normal swatch but a swatch of desperation. The first round of swatches I took, you couldn’t even see, so I had to re-do them and really pack each one on.

I can only see these working (as far as payoff goes) on very pale skin tones (NC/NW15 or lighter)–again, Eternal Sun was more buildable, so light to light-medium complexions could get it to show up with enough packing on of the color.  And that’s assuming that you’re able to get a better wear-time out of them than I did. Unfortunately, they wore consistently poor and faded faster than many other blushes I’ve reviewed. I usually find blushes last between six and eight hours to varying degrees, but so few of them actually disappear entirely.

MAC Office Hours Pro Longwear Blushes (Part 1)

F
4
Product
6
Pigmentation
6
Texture
6
Longevity
3
Application
56%
Total

MAC Office Hours Pro Longwear Eyeshadow (Part 2)

MAC Bloom On Pro Longwear Eyeshadow
MAC Bloom On Pro Longwear Eyeshadow

Three Pinks to Think Twice About

This review focuses on three new shades of MAC Pro Longwear Eyeshadows ($21.00 for 0.11 oz.) from the latest launch, Office Hours: Bloom On (light burnt rose), Endless Passion (mid-tone rose), and More Amour (mid-tone red).

Bloom On is a pale rose-beige with neutral undertones and a matte finish. The color applies rather sheer; I had to layer it just so the swatch would show up. It requires a lot of product on the lid, and I had to use it over a primer to boost the impact (or else it wasn’t visible). It was very dusty. MAC Pink Frontier has a stronger yellow undertone and a shimmery finish. MAC Hush is lighter.

Endless Passion is a pinky-mauve with a soft, satiny finish. It had so-so color payoff when layered, but it was on the softer side, so it was prone to disappearing if you made any sweeping motions. It just didn’t sit well on the lid–imagine a “Do Not Disturb” sign hanging off your lid when you wear this. This shade also darkened when it was applied (compared to how it looked in the pan). NARS Douce France is lighter. Wet ‘n’ Wild Bright Idea is more shimmery. MAC Rose is a smidgen lighter and more shimmery.

More Amour is a muted pink-red with a matte finish. This was the most pigmented shade out of all the ones I’ve seen so far. It was also the least powdery, though it still had a fair amount of dustiness. MAC Passionate is a bit brighter. MAC Sushi Flower is quite similar.

Here’s how MAC describes these: “A unique longwearing Eye Shadow with a silky, creamy texture formulated for maximum colour impact. Easily blendable and buildable; lids are visibly smooth no matter how intense the application. Lasts 8 hours.” These should have a great texture, be nicely pigmented and blendable, while wearing for eight hours.

Out of these three shades, More Amour was the only one that was visible after six hours of wear (both over a primer and directly on bare lids); Bloom On and Endless Passion both looked faded after three hours and were missing in action after six hours.  These three had the same dusty, powdery texture that makes them difficult to use.  When you apply the color, it’s barely there, and when you attempt to layer or build the color up, it disappears very easily. The more you attempt to build the color, the more powdery it looks, which resulted in lids looking kind of dry.  More Amour may have been the best out of a bad hand, but it’s still just a so-so eyeshadow. It was somewhat powdery, and it faded substantially after six hours.

To reiterate:  when MAC released this formula originally (about a year ago), it was a lovely formula that was nicely pigmented, blendable, and long-wearing (seriously, they lasted 12-hours without a primer). The texture of these doesn’t feel like the ones from last year. They feel like different formulas entirely.

MAC Office Hours Pro Longwear Eyeshadow (Part 2)

F
4
Product
6
Pigmentation
6
Texture
5
Longevity
3
Application
53%
Total

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MAC Office Hours Pro Longwear Eyeshadows (Part 1)

MAC Always Sunny Pro Longwear Eyeshadow
MAC Always Sunny Pro Longwear Eyeshadow

What a Difference a Year Makes

This review focuses on four new shades of MAC Pro Longwear Eyeshadows ($21.00 for 0.11 oz.) from the latest launch, Office Hours: Always Sunny (light yellow brown), Ever Ivory (pale ivory), Fashion Fix (dark cool slate grey), and Linger Softly (light frosted grey blue).

Always Sunny is a muted orange with a matte finish. It had so-so pigmentation an felt soft to the touch, but it was on the powdery side. This was one of the “best” performing shades out of the four. Chanel Tigerlily is brighter, more tangerine. Inglot #368 is a bit lighter. MAC Samoa Silk is a smidgen lighter.

Ever Ivory is a pale white with a matte finish. It had decent color payoff, but it disappears if you attempt to blend it out. It was very powdery. MAC Laundry Daze is darker, less ivory. Bobbi Brown White is cooler-toned. Inglot #351 is similar, slightly less beige.

Fashion Fix is a gray-tinged brown–taupe–with a mostly matte finish. It had some powderiness, but the color payoff was the best out of the four. Chanel Premier Regard is browner. MAC Satin Taupe is darker and frostier. Inglot #363 is darker and more pigmented–if used lightly, I think you would get rather close.

Linger Softly is a pale medium-dark blue with silver micro-shimmer. It had so-so color payoff, and it was rather dusty. This shade had a tendency to disappear when you applied and blended it. MAC Bright Moon is similar. MAC Frozen Blue has a more frosted finish.

Here’s how MAC describes these: “A unique longwearing Eye Shadow with a silky, creamy texture formulated for maximum colour impact. Easily blendable and buildable; lids are visibly smooth no matter how intense the application. Lasts 8 hours.” These should have a great texture, be nicely pigmented and blendable, while wearing for eight hours.

These shades are not very pigmented, and they’re barely buildable. Trying to layer the color on doesn’t intensify the color, but it does add a layer of powdery dust to your lid that serves to make the lid look drier and drier. I couldn’t yield visible color with the majority of shades without some sort of eyeshadow base/primer underneath, which is really a shame. To show you the products in action, I had to use them over a primer. When I tested the wear, I wore them without and with a primer. Funny enough, you wouldn’t even believe I had applied eyeshadow–after six hours, it looked like I had bare lids–so the reality is they wear for about three to four hours in sum. It was the same wear for alone or over primer.

I actually quite enjoyed MAC’s Pro Longwear Eyeshadow formula! Most of the shades from Styledriven were excellent–rich color payoffs, soft, blendable textures, and long-wearing. The previous shades lasted a full 12-hours (without primer!). I don’t know what MAC did here. The texture feels different; these have a very thin, dusty texture that kicks up so much powder. They’re prone to fall out during application (because it’s so powdery), and often with powdery eyeshadows, they fade once applied–and these do that. Entirely, completely. I’m so puzzled, because I thought I could count on these being pretty good, as they were a surprise to see last year.

At least, because of how soft and powdery the shades are, they are blendable. It could be worse; they could yield patchy payoff with a stiff, dry texture that didn’t want to budge (a la Carbon from Carine Roitfeld). But these are a poor showing after MAC seemed to do so well when they introduced the formula last year. The finishes of all of these is nearly matte, whereas last year’s were more satin to frost. I don’t know if they had to muck around with the formula to accomplish the finish, but something was lost in the translation. At this price point, you can grab top notch matte eyeshadows by brands like Make Up For Ever and Illamasqua (not to mention, at a lower price point, Inglot and Sugarpill).

Sheer eyeshadow has its place, and the most important thing that a brand has to do is make sure to let buyers know that it’s sheer. Then, they still need to deliver color that applies evenly, easily, blends well, and stays in place. Sheer eyeshadow doesn’t have to be bad eyeshadow–these just leave so much to be desired (but of course, these aren’t described as sheer). I’m devestated that what was once a great formula was manipulated into something very different. I don’t think these feel, look, or perform at all like the ones released last year (which are permanent, so you can still grab ’em).

MAC Office Hours Pro Longwear Eyeshadows (Part 1)

F
4
Product
6
Pigmentation
6
Texture
4
Longevity
3
Application
51%
Total

MAC Yung Rapunxel Lipstick

MAC Yung Rapunxel Lipstick
MAC Yung Rapunxel Lipstick

Purple is a Vamp

MAC Yung Rapunxel Lipstick ($15.00 for 0.10 oz.) is described as a “deep plum” with an amplified finish. It’s a dark, vampy purple with red undertones and semi-opaque color coverage. Urban Decay Apocalypse is slightly redder. MAC Fervent is purpler. MAC Smoked Purple is more opaque, so it appears darker and the red undertones are subtler. NARS Train Bleu is more opaque, slightly darker.

It’s a collaboration color with Azealia Banks for Fashion’s Night Out. I just received this yesterday afternoon, and MAC’s website is really the only place the majority of people can access it (it is available at all NYC MAC stores, however)–right now, it says out of stock, but it also says “shipping soon” and allows you to add it to your bag.  It looks a bit more like a stain, because it’s not totally opaque, but it also looks somewhat uneven.  The consistency is creamy and thin (feels a little like a glaze in that regard).  It lasted five hours, and it did stain slightly.  MAC’s lipsticks are vanilla-scented but have no discernible taste.

MAC Lipstick Yung Rapunxel
8
Product
9
Pigmentation
9
Texture
9.5
Longevity
4
Application
88%
Total

MAC Double Shot, Mehr, Tabla, Yash Lipsticks

MAC Double Shot Lipstick
MAC Double Shot Lipstick

Plus 4 — MAC Middle Eastern Collection Adds 4 Lipsticks to Permanent Range

MAC Lipsticks ($15.00 for 0.10 oz.) are getting four new and permanent shades: Double Shot (full bodied mocha cream), Mehr (dirty blue pink), Tabla (chocolate brown), and Yash (deep neutral). Mehr and Yash are repromotes from MAC + Mickey Contractor from spring 2011. They’re available online now and will be at stores/counters on September 13th (North America). PLEASE NOTE THAT MAC HAS TITLED THIS SET OF FOUR LIPSTICKS AS MIDDLE EASTERN, NOT ME. If you have problems with how they’re titling the collection, please contact them and voice your complaints–I did not come up with it! 🙂 You can view the collection information here.

Double Shot is a subdued brown with a hint of rose and mauve. It just has the barest tinge of pink/mauve. It has an amplified finish, so the color coverage is opaque while the texture is smooth and creamy.  This shade wore for six hours.  CoverGirl Smolder is warmer, more red-orange. MAC Mocha is a smidgen more orange. MAC Kraft is browner.

Mehr is a subtly blue-toned medium pink. It has a matte finish. The color coverage is opaque, and the finish is mostly matte. The texture was soft and creamy, so it didn’t pull or tug at lips when applied. This shade wore for five and a half hours.  Tom Ford Indian Rose is darker. Chanel Paradis is shimmery, sheerer, and cooler-toned.

Tabla is an orange-toned brown with a hint of red. It has an amplified finish. This had mostly opaque color coverage, and it felt a little “wetter” than the usual amplified finish–very creamy but slicker.  This shade wore for five hours. I couldn’t think of a dupe for this, though I don’t think that means there isn’t one. MAC On the Prowl was the closest in the gallery, but it’s browner, less orange, sheerer.

Yash is a neutral peach–doesn’t read warm or cool. It has a matte finish. The color coverage is opaque, and the texture was smooth and creamy but not slick.  This shade wore for five hours. MAC Delectable is darker, more orange. MAC Peachstock is lighter, more beige. MAC Deletcable is similar, slightly darker. Cle de Peau Calliope is a smidgen darker, glossier.

MAC lipsticks are vanilla-scented but have no discernible taste.  The range is rather large, and things like wear time, texture, hydration, and so on depend more on the finish of the lipstick.  Ampflieds tend to be creamier, more opaque in color, while mattes tend to be more opaque, a bit drier. None of the four were drying, though I wouldn’t say any of them were really hydrating.

MAC Double Shot, Mehr, Tabla, Yash Lipsticks

A
9
Product
10
Pigmentation
9.5
Texture
10
Longevity
4.5
Application
96%
Total

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