MAC Inert Nail Lacquer ($23.00 for 0.30 fl. oz.) is described as a “creamy mid-tone greyed nude” with a cream finish. It’s a neutral light-medium gray with a cream finish. It’s mostly opaque after two coats, but the consistency of the formula is on the thicker side. It’s not quite goopy or gloppy, but it’s just a few steps before it. China Glaze Pelican Grey is similar but a little grayer and has shimmer. Zoya’s Dove is also grayer but has a cream finish.
MAC Hyper Nail Lacquer ($23.00 for 0.30 fl. oz.) is described as a “deep blue with violet pearl” with a frost finish. It’s a really inky blue with fine blue shimmer and a violet edge. It flashes blue and violet, depending on the light. It’s a really cool shade, and it was the one that wowed me the most out of the three from this launch. China Glaze Blue Year’s Eve is a much lighter variation, but it’s more vibrant. It also reminded me of Orly Lunar Eclipse except a bluer variation with finer shimmer. It was opaque in two coats, and the formula had a good, fluid consistency that flowed evenly across the nail without bubbling or streaking.
MAC Ascension Nail Lacquer ($23.00 for 0.30 fl. oz.) is described as “grey with blue-violet reflective pearl.” It’s a murky grayish-green with a grayish-purple iridescence that comes together in a duochrome finish. The duochrome is definitely there, but I think some of the sheerness prevents it from really shining. When you look at the nails head-on, it is mostly a murky purple-gray, and then when you tilt and angle your nails, the murky green-gold comes through. It’s very, very similar to Wet ‘n’ Wild Grey’s Anatomy, which is a known dupe for the pricier Deborah Lippmann Wicked Game. MAC’s version is more pigmented than Grey’s Anatomy, where three coats was almost opaque, while there was still a lot of visible nail line at three coats with Grey’s Anatomy.
MAC Guise Pigment ($32.00 for 0.07 oz.) is described as a “frosty grey.” It’s more like a bright silver with a part-frost, part-metallic finish. What’s noteworthy about the color is that it doesn’t lean cool, it’s more of a neutral silver. It was fairly pigmented when used dry and more metallic and opaque when applied wet. The texture is much chunkier compared to Deceit, and I did experience some fall out when an hour after it was applied to the eyelid. MAC Misty is a bit darker and cooler-toned. It’s smoother and grayer than Bobbi Brown Tinsel. I didn’t find anything exactly like it.
MAC Deceit Pigment ($32.00 for 0.07 oz.) is described as a “blackened plum with pink pearl.” When applied dry, it’s a burgundy brown with a satiny sheen that’s almost matte, but it’s on the sheer side. When applied damp, it comes together more better for a really rich color of burgundy tinted by purple with a pearly sheen. It’s opaque and smooth. It’s less frosted but similar in color to Illamasqua Queen of the Night. I think it’s also pretty close to MAC Deep Purple, which I don’t own so I can’t confirm 100%, which is permanent at PRO stores. Make Up For Ever #11 is redder. The dry swatch is a bit like MAC Shadowy Lady. The texture seemed very, very finely milled–it is probably one of the softest and most finely milled pigments I remember by MAC.
MAC Outrage Lipglass ($22.00 for 0.16 fl. oz.) is described as a “sheer berry with blue pearl.” It’s kind of a dirty berry with hints of brown and gold and green shimmer. It looks duochrome in the tube, and it definitely looks different depending on the color–at least in the tube. On lips, it darkens and slightly tints my natural lip color while adding a lot of gold and green-gold shimmer. The closest dupe I could think of was MAC Boys Go Crazy, but it doesn’t have that greenish shimmer. MAC Jealous has the greenish shimmer but not the berry color.