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Rimmel #103 Lasting Finish Matte by Kate Moss

Rimmel #103 Lasting Finish Matte by Kate Moss
Rimmel #103 Lasting Finish Matte by Kate Moss

Rimmel #103 Lasting Finish Matte by Kate Moss ($5.49 for 0.14 oz.) is a warm, medium-dark pink with a creamy, matte finish. MAC Sunny Seoul is a bit warmer and shimmery. MAC Pink Pearl Pop is closer, but it is also shimmery. Le Metier de Beaute Fiji is a touch lighter.

It is incredibly pigmented, and it has even, opaque color coverage when initially applied. I wish I could say the texture was different from #107, but this shade had an odd graininess to the texture that made it not-quite-comfortable to wear. It has enough creaminess that you can apply the color to the lips in full, but it feels like it’s just sitting on lips as a layer of product. As it fades away, it fades from the center first, leaving behind a ring of color along the outer edges of the lips. #103 lasted five hours, and it was somewhat dehydrating during that time. On the upside, it contains 0.14 oz. of product, which is more than most lipsticks. I grabbed mine from Walgreens, but I haven’t seen them online yet.

Rimmel #103 Lasting Finish Matte by Kate Moss

B-
7
Product
10
Pigmentation
7.5
Texture
7.5
Longevity
4
Application
80%
Total

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Rimmel #107 Lasting Finish Matte by Kate Moss

Rimmel #107 Lasting Finish Matte by Kate Moss
Rimmel #107 Lasting Finish Matte by Kate Moss

A Berry-Red by Rimmel London/Kate Moss

Rimmel #107 Lasting Finish Matte by Kate Moss ($5.49 for 0.14 oz.) is a deep berry-red with cool undertones and a modern matte finish. Guerlain Orgueil has shimmer. MAC Hang Up is darker. MAC What Joy! is a touch more berry-colored. Guerlain Gigolo is a smidgen darker.

The lipstick is incredibly pigmented; you really don’t need more than a swipe to yield opaque color payoff, and the color itself will stain lips quickly. The texture is somewhat creamy, and the overall thickness was a bit heavy. It had this odd, almost grainy, texture that made it hard for me to reconcile the great color payoff with. I noticed that as the color faded, it did have a tendency to leave a ring of color (where it fades from the center and the outer edges of the lips are last to go). This doesn’t usually happen to me, but Lipglossiping also had the same fading issue. Though the color itself wore for five hours well, and then after six and a half, there was noticeable color missing from the center area of the lips.

The color itself is rich and should flatter many skin tones, because of its deep color and slightly undertones. The whole time I wore it, I wanted to love it, but there’s just something about the way it sits on the lips that feels a little heavy, slightly grainy, and not-quite-right. Even writing this review, I’m sad, because this is such a chic berry shade. It was lightly drying (not the most drying matte formula I’ve tried by a long shot), had a fruity scent, and comes in a matte red tube. It even contains 0.14 oz., which is on the larger end of the spectrum for lipsticks. I bought mine at Walgreens about two weeks ago, but I haven’t spotted them online.

Rimmel #107 Lasting Finish Matte by Kate Moss

B-
7
Product
10
Pigmentation
7.5
Texture
8
Longevity
4
Application
81%
Total

Urban Decay & Oz: Theodora Palette

Urban Decay Theodora Palette
Urban Decay Theodora Palette

Urban Decay & Oz: The Theodora Palette

Urban Decay Theodora Palette ($49.00 for 0.43 oz.) includes Broken (pale cream satin), Beware (warm brown matte), Bewitch (dark charcoal brown satin), West (deep metallic brown shimmer), Spell (black satin with green and gold shimmer/gold metallic with tonal glitter), Jealous (pale green pearl/dark green pearl), Theodora Super Saturated High Gloss Lip Color (bright red cream), and Zero 24/7 Glide-on Eye Pencil (black).

The eyeliner is 0.03 oz. ($14.25 value), while the lip pencil is 0.10 oz. ($19.00 value). There are six eyeshadow pans containing 0.05 oz. each ($108.00 value), though two of the six are split-pans, meaning they contain two eyeshadows in a single pan. The total value is $141.25. The eyeliner and six eyeshadow pans are housed within Urban Decay’s “Build Your Own Palette” interface, so all six pans can be popped out and you can insert another Urban Decay eyeshadow instead. The “empty” 6-pan palettes retail for $18.00 but include a travel-sized shadow brush and Walk of Shame eyeshadow (so it’s a wash, since you are getting an eyeshadow and an eyeliner instead, but I’ve already accounted for the value of those items).

Broken is a soft, pale beige with a satiny finish. It had good color payoff, and it was soft, smooth, and applied well. Urban Decay Illusion is warmer, darker, and has a stronger sheen. Cinderella A Wish is similar. Urban Decay Anonymous is more matte and slightly pink in comparison.Urban Decay Kinky is lighter, less warm-toned, and matte. MAC Dazzlelight is more shimmery. Urban Decay Skimp has a stronger sheen and is more peach-tinted.

Beware is a medium caramel brown with soft, warm undertones and a matte finish. The pigmentation was spot-on, and the texture was soft enough to allow for easy blending and application but not so soft it became powdery or prone to fading. theBalm Allegro is browner. MAC One to Watch is slightly shimmery. MAC Moleskin is browner. MAC Tete-a-tint is just a touch lighter.

Bewitch is a dark brown with subtle reddish undertones, but it almost looks cool-toned against my warmer complexion. The texture of this one was slightly powdery, and I thought it wasn’t quite true-to-pan in color initially, but when I applied it to the lid, I had no problem getting color to show. Chanel Variation #3 is a bit darker. Wet ‘n’ Wild Sparkle ‘Til Morning #8 is richer. Urban Decay Muse is a bit darker, cooler-toned. MAC Buckwheat is a touch warmer.

West is a rich, deep red-toned brown–almost burgundy-brown–with a metallic sheen. It had very intense pigmentation, and it applied very smoothly and evenly. Wet ‘n’ Wild Sparkle ‘Til Morning #8 is browner, less red-toned. theBalm Presto is matte. Urban Decay Barlust is less red-toned and warm-toned. MAC Sable is browner, warmer.

Spell contains two shades. The first half of the pan is a rich, metallic yellow gold with a strong, dirty brown base–it’s not quite antique gold, but it’s not an orange-y gold. The color payoff was fantastic, but there are stray bits of micro-glitter that get lost when swatched as well as when applied on the lid. When I used it, the fall off seemed to occur primarily during application, as next to no glitter transferred onto the lid. Urban Decay Blitz is lighter. MAC Old Gold is warmer. NARS Paramaribo #1 is a bit darker, less metallic. The other half of the pan is a deep bluish-black with multi-colored shimmer. It had fantastic color payoff, and the texture was buttery and smooth. MAC Tall, Dark, & Handsome is less intense. Tarnia Tarantino Diamond Dusk #5 is similar.

Jealous is another duo shade. The first half is a yellowed green with an olive brown base and softly frosted finish. It had good pigmentation, and it applied smoothly. Urban Decay Mildew is very similar to this shade–perhaps a touch warmer. Tarina Tarantino Dandy Lion is darker. Wet ‘n’ Wild Earth Looks Small From Down Here #1 is more muted. MAC Sumptuous Olive is slightly browner. The other half is a lightened, not-quite-pastel green with warm, yellow undertones and a golden sheen. It had good pigmentation and applied evenly. bareMinerals Wicked is a touch lighter. MAC Juxt has more of a satiny finish. Inglot #412 is more metallic.

Theodora is a cherry red with ruby red shimmer. I think it leans just a smidgen warm. It’s extremely rich in color and has a glossy shine. I thought Urban Decay F-Bomb was darker/bluer-based, but when I swatched the two side-by-side, they were actually the same! Chanel Coromandel is more orange. MAC Eden Rouge is a touch cooler-toned. Edward Bess Midnight Bloom is a bit darker. MAC Ruffian Red is less glossy.  I’ve worn it for four hours so far, and it’s going strong, so I’m expecting six hours or so of wear.

Zero is a black with a mostly matte finish. It’s a classic black; not super, deep dark black, but not too soft that it looks gray. I have no problems with the wear–a solid eight hours without fading, migrating, or smudging.

Again, Urban Decay packs their palette with pigment; there were no weak performers in the pigmentation department within this palette.  Like Glinda, the only problem I really had was with respect to the micro-glitter found in half of Spell, but it contained far less micro-glitter than Oz (from Glinda), so the impact of it was much, much less both during application as well as when worn.  I found the majority of fall out occurred during application, but I only found one or two stray glittery bits beneath my eye (on that side of the face) after wearing it for the past eight hours.  All of the shades I wore (all but West and the black shade in Spell) lasted for a full eight hours without creasing or fading (no primer).  The textures found in this palette were easy to blend and apply, with the exception of dealing with some of the glittery fall out of Spell.

Urban Decay & Oz: Theodora Palette

A-
9.5
Product
9.5
Pigmentation
9.5
Texture
8.5
Longevity
4.5
Application
92%
Total

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Urban Decay & Oz: The Glinda Palette

Urban Decay Glinda Palette
Urban Decay Glinda Palette

Urban Decay & Oz: The Glinda Palette

Urban Decay Glinda Palette ($49.00 for 0.43 oz.) includes Tornado (vibrant deep purple shimmer), Aura (iridescent white with blue shift/Iridescent white with red shift), Magic (pinkish purple with a golden shimmer), Illusion (pale peach satin), Oz (gold with gold glitter/silver with silver glitter), South (warm pale gray shimmer with silver micro-glitter), Glinda Super Saturated High Gloss Lip Color (light sheer nude), and Rockstar 24/7 Glide-on Eye Pencil (deep eggplant).

The eyeliner is 0.03 oz. ($14.25 value), while the lip pencil is 0.10 oz. ($19.00 value). There are six eyeshadow pans containing 0.05 oz. each ($108.00 value), though two of the six are split-pans, meaning they contain two eyeshadows in a single pan. The total value is $141.25. The eyeliner and six eyeshadow pans are housed within Urban Decay’s “Build Your Own Palette” interface, so all six pans can be popped out and you can insert another Urban Decay eyeshadow instead. The “empty” 6-pan palettes retail for $18.00 but include a travel-sized shadow brush and Walk of Shame eyeshadow.

Tornado is a rich, dark purple with pink-red undertones and a shimmered, frosted finish. The color payoff was excellent, and the texture was soft, dense, and buttery which made for a very smooth, even application. Guerlain Attrape-Coeur #3 is lighter. Urban Decay Vice is lighter. Urban Decay Gravity is lighter and less red-toned. Urban Decay Freakshow is similar but still a bit lighter–the undertones are comparable.

Aura actually contains two shades. The first is a pale white with an iridescent pink duochrome finish.  Guerlain Attrape-Coeur #1 is purpler. I suspect something like MAC Pink Opal would also be comparable (but more frosted). The other half is a pale white with an iridescent blue-violet duochrome. MAC Vellum is similar but a bit lighter. The pigmentation on both of these was good, but they weren’t as dense/buttery as other Urban Decay eyeshadows.

Magic is a pink-lavender with a golden shimmer and satiny finish. It had good color payoff, and the texture was soft and finely-milled–but a wee bit powdery. MAC Supersweet is similar but more frosted/metallic. Guerlain Boulevard du Montparnasse #3 is pinker and doesn’t have a golden shimmer.

Illusion is a soft champagne with warm, golden undertones and a frosted, metallic finish. It had a really smooth, soft feel and had great pigmentation. Estee Lauder Halo is warmer and a cream product. MAC Dew is a touch darker. MAC Baby, It’s Cold… is less metallic, more frosted. MAC Dazzlelight is lighter. Wet ‘n’ Wild Comfort Zone #1 is similar but less metallic.

Oz also contains two shades. The first is a rich, metallic gold with soft yellow undertones and a brown base (giving it a deeper look) along with a ton of silver micro-glitter. The micro-glitter absolutely gets everywhere; it is so packed with it. It was also a pain to remove with just a brush, so I had to use makeup remover to get the majority off. Urban Decay Maui Wowie is really similar, though it has less glitter (but still has some) and is perhaps a touch lighter but not by much. It is paired with a bright medium silver with a frosted, metallic finish and silver micro-glitter. The glitter in this shade was less noticeable, but it was still there.
L’Oreal Primped & Precious is very similar. MAC Silver Sleet is comparable. Inglot #448 is a touch less metallic.

South is a dark taupe with a frosted, metallic finish; it’s a mix of gray and brown with cool undertones. theBalm Selfish is less metallic. Urban Decay Mushroom is grayer. Urban Decay Pistol is similar but less frosted/metallic.

Glinda is a soft, rosy beige with gold and pink shimmer. It’s semi-opaque, and it has nice, even coverage and didn’t take a lot of product to get there for it. The texture is very lightly tacky but not something I’d describe as sticky. It lasted four hours on me. It is actually the same color as Urban Decay Naked, when I swatched them side-by-side. MAC Supreme is slightly pinker. Guerlain Chant d’Aromes is darker.

Rockstar is a dark eggplant with subtle burgundy undertones and a pearly sheen. It had good color payoff in a single pass. I’ve used this shade quite a bit, and it’s definitely one of my favorite Urban Decay eyeliners. It wears eight hours on my lash line without fading or smudging.

Overall, the pigmentation of the products was good, while some were excellent and others were nice but not 100% perfect.  The biggest problem I’ve thus far encountered (I still need another four hours to fully test for wear, so I will update the longevity rating if anything falls above or below my typical wear time with Urban Decay’s eyeshadows) is in regards to the glitter fall out from the two shades with micro-glitter.

I had no problems applying, blending, or (so far) with the wear of the other shades.  The micro-glitter was frustrating to deal with while I applied the eyeshadow, but the few bits that did manage to get onto the lid, later made their way to places like my upper lip, nose, and chin.  Otherwise, the color themselves (including the ones with micro-glitter) have worn beautifully for the past four hours, and based on previous experience with Urban Decay’s formula, should wear for another four hours fairly well.  Again, I will update later tonight to reflect a full eight-hours of testing!

Urban Decay & Oz: The Glinda Palette

A-
9
Product
9.5
Pigmentation
9.5
Texture
8
Longevity
4.5
Application
90%
Total

Guerlain Rendez-vous (762) Shine Automatique Lipstick

Guerlain Rendez-vous (762) Shine Automatique Lipstick
Guerlain Rendez-vous (762) Shine Automatique Lipstick

A Spring Rendez-vous with Guerlain

Guerlain Rendez-vous (762) Shine Automatique Lipstick ($35.00 for 0.12 oz.) is a cool-toned, medium pink with blue undertones and a soft, pearly pink shimmer-sheen. MAC Love Long Distance is cooler-toned. Guerlain Rose Piquant is less cool-toned, milkier. Revlon Strawberry Shortcake is much cooler-toned, almost lavender in comparison. Chanel Charme is a touch lighter. MAC Cheers All Around is a bit warmer.

I thought this color was going to be easily duped, but I couldn’t find many that had the same level of coolness to it; potential similar shades were either much cooler-toned with a stronger blue base, or else they were more fuchsia/brighter.  Rendez-vous has mostly opaque color coverage, but there is a very light translucency and a shimmer-sheen finish that reflects light and gives off shine but doesn’t look too frosted.  It lasted for four hours on my lips, wore away evenly, and was lightly hydrating while I wore it. The formula is supposed to be long-lasting, so four hours is a bit short (I average four hours with regular lipstick formulas; six hours with long-wearing ones).  It had a lightly creamy, glide-on texture that helped during application.  There’s no discernible taste, but it is violet-scented as many Guerlain products are.

Guerlain Shine Automatique Lip Color Rendez-vous
9
Product
9
Pigmentation
9.5
Texture
7
Longevity
4.5
Application
87%
Total

Guerlain Cherry Pink (870) Kiss Kiss Gloss

Guerlain Cherry Pink (870) Kiss Kiss Gloss
Guerlain Cherry Pink (870) Kiss Kiss Gloss

A Subtly, Sparkled Pink

Guerlain Cherry Pink (870) Kiss Kiss Gloss ($32.00 for 0.20 fl. oz.) is a medium pink with subtle, cool undertones and silver sparkle. Urban Decay Flushed has no sparkle and is a touch more plum. Bobbi Brown Pink Tulle is similar, perhaps a touch lighter. MAC Fabulous Fun is more fuchsia. Benefit Back to the Fuchsia has fuchsia sparkle.

Between this and Frizzy Mango, the latter is more interesting. It is sparser on the sparkle (I’m thinking it is the “gloss effect” finish, which yields a “subtle sparkling finish”), so you get lots and lots of shine that naturally helps give an illusion of fuller, plumper lips–juicy almost. The color coverage is somewhere between semi-sheer and semi-opaque; my lip freckle is muted noticeably, but there’s translucency to the overall color is the natural lip color will still show through. When I tried it on, Cherry Kiss lasted four hours, and it was incredibly hydrating both during and after wear (no desire to race for the balm).

As advertised, Kiss Kiss Gloss is non-sticky, moisturizing, and has a thicker, cushion/gel-like consistency that doesn’t feel or look heavy on the lips, but it’s not a thin gloss. It comes with a brush-type applicator, and all of the glosses have a sweet, fruity scent. If you’re familiar with Dior’s Ultra Gloss or Hourglass’ Extreme Sheen, both have a similar texture to Guerlain’s Kiss Kiss. Depending on your preference for sheer/opaque gloss and subtle/sparkle-tastic gloss, this may or may not be interesting. Myself, I tend to prefer a really sparkling finish in my gloss, but for every sparkle fiend there is a creamy fiend right around the corner 🙂

Guerlain Kiss Kiss Gloss Cherry Pink
10
Product
10
Pigmentation
9.5
Texture
8.5
Longevity
4.5
Application
94%
Total

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