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MAC Glamour Daze Extra Dimension Eyeshadows (Part 1)

MAC Divine Blue Extra Dimension Eyeshadow
MAC Divine Blue Extra Dimension Eyeshadow

When was the Last Holiday Collection Without Mineralize Eyeshadows?

MAC Glamour Daze Extra Dimension Eyeshadows ($19.50 for 0.04 oz.) includes eight shades, and this post highlights four of them: Divine Blue (mid-tone aqua), Evening Grey (steel silver), A Natural Flirt (soft peachy nude), and Ready to Party (pale lilac).

MAC first launched this formula this past March, which I reviewed here and here. The most important thing I wanted to address is that MAC is–again–squeezing customers on both ends; these were originally $20 each and contained 0.07 oz. of product. This was a mere seven months ago. Now, you’ll spend $19.50 and get 0.04 oz. This is a 43% decrease in quantity (0.03 oz. less) for a 2.5% decrease in product ($0.50 less). Say what? (And worse? MAC’s website is listing these as 0.07 oz., but the back of all of mine say 0.04 oz.)

The formula is an interesting hybrid of liquid and powder, though I couldn’t tell you where the liquid really comes into play (at least, by touch). It feels like a cross between MAC’s powder eyeshadows and their Mineralize Eyeshadows. MAC says the colors range from sheer to buildable coverage, and they can be used wet or dry. They’re supposed to last for six hours on the lids. I tested five of the eight, and after six, they were still in good shape–after eight hours, there was a little fading, so they’re true to the six hour claim. When used dry, they were a bit more prone to fading than if used damp or over a primer.

Something I noticed when I was swatching through these recently released shades was that they did not seem to be as smooth as the ten that were originally launched.  I wouldn’t say they were gritty, just not as smooth.  I think it might be that some of these have a more iridescent/shimmery finish, as Evening Grey and Ready to Party were two shades I noticed it in.  A Natural Flirt seemed more in line with the texture of the original shades.

Divine Blue is a bluish aqua with a frosted, slightly metallic finish. It’s an interesting color, because at a glance, it’s blue, but then there’s that play of aqua that turns blue on its side–it’s not enough to turn it teal, though. Make Up For Ever #25 is bluer. MAC Styledriven is bluer, but it is similar in lightness. Urban Decay Unhinged is several shades darker.

Evening Grey is a medium-dark silver-shimmered gray with subtle brown undertones. It had good color payoff both wet and dry, though it was a bit more intense when applied wet. MAC Warm Thunder is a bit darker, a little more blue-tinged. MAC Tundra is similar, though lighter/more metallic.

A Natural Flirt is a soft, light-medium peach with a golden shimmer-sheen. When applied dry, it’s a bit sheer, while it definitely turns more opaque when applied dampened. There’s a hint of duochrome-like sheen in this, though not a lot! Le Metier de Beaute Nouvelle is pinker. Dior Aurora is similar. MAC Pure Flash is darker, sheerer. Tarina Tarantino Delightful is warmer, darker. theBalm Luscious Lani is similar, a bit darker.

Ready to Party is a lilac pink with a bright metallic finish that comes out more when it is applied damp. It is very shimmery, almost iridescent. When applied dry, it’s very sheer. MAC likes these types of pinks: Fresh & Mint is a smidgen lighter, whiter; Young Venus is less metallic and iridescent; Joy & Laughter is darker; and Fresh Ice is just a bit whiter. Tarina Tarantino Diamond Dusk is similar but less metallic. Dior Garden Pastels is pinker.

MAC Extra Dimension Eyeshadow Divine Blue
9
Product
10
Pigmentation
9
Texture
8.5
Longevity
4.5
Application
91%
Total

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MAC Glamour Daze Fluidline

MAC Feminine Edge Fluidline
MAC Feminine Edge Fluidline

Paint Pots Dressed Up as Fluidlines

MAC Glamour Daze Fluidlines ($16.50 for 0.10 oz.) includes three new (and limited!) shades: Catch My Eye (cool taupe grey with dazzle pearl), Feminine Edge (pink mauve with dazzle pearl), and Little Black Bow (charcoal with dazzle pearl).

These were an odd bunch of Fluidlines. I don’t like them as Fluidlines at all; I don’t think they work well for lining–I tried using all three by applying them with MAC’s 208 brush (which is what I typically use for Fluidlines), and so little product gets dispersed. The line is uneven, and these were really, really creamy, so they tended to smudge easily while you were trying to line. All three looked significantly different when used as an eyeliner than how they appeared in the pot, and a lot of it is because they’re not very pigmented from the get-go. They’re buildable, and the Fluidline formula is very conducive to layering, but to get an opaque line, I had to re-line two to four times.

Ultimately, they felt more like Paint Pots in Fluidline clothing! They would work better as Paint Pots, too, because as a sheer wash of sparkly cream eyeshadow, they work. The Fluidline formula is great here: it’s creamy but stubbornly long-lasting, so it dries down in thirty seconds or so, and then it stays on for eight hours or longer. There is almost no fall out during the wear; I saw a couple stray sparkles but it was very, very minimal.

Catch My Eye is a gray-ish taupe with champagne sparkle. When layered heavily, it has a metallic finish and looks very taupe, but when used as an eyeliner, it looks almost mauve and is quite light and sheer. Sheered out, as kind of a base or wash of eyeshadow, it is more taupe but still mauve-y. The metallic finish is a lot less apparent unless it is layered.

Feminine Edge is a sparkly sheer medium pink with chunky sparkle. This one was the sheerest and most difficult shade to work with, because it was very sparkly and gritty. It doesn’t really show up as pink unless you use several layers of product, as it shows up as a sheer, warm-ish pink tinge as an eyeliner and mostly just sparkles.

Little Black Bow is a soft brown-black with sparkle. When it is layered heavily, you’ll see the brown tones come out, but when it is sheered out as a wash, it looks more like a soft black with mere brown tones. As an eyeliner, it looks like a faded almost taupe-like brown.

As Fluidlines, they’re disappointing, because while you can always use a Fluidline as an eyeshadow base or cream eyeshadow, that’s not really its primary purpose.  These don’t line well; they’re the kind of product that is better layered over your favorite eyeliner, because then these can add sparkle but you wouldn’t have to rely on it for providing color, too.  As more of a wash of sparkly eyeshadow, they’re better, and they are buildable to fairly opaque coverage, but it will take some layering.

For a particular type of use and for the right person, I could see some of these shades being must-haves, but for someone who’s looking for Blacktrack with sparkle, you won’t find that kind of payoff here.  They were more reminiscent of last year’s Glitter & Ice Paint Pots than the Fluidline range.

MAC Glamour Daze Fluidline

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MAC Glamour Daze Kohl Powers

MAC Kohl Power
MAC Kohl Powers

Power That Builds

MAC Glamour Daze Kohl Powers ($16.50 for 0.04 oz.) are available in four shades: Feline (intense black with black pearl), Mystery (intense black with green pearl), Orpheus (intense black with gold pearl), and Raven (intense black with red pearl).

Feline has been reviewed previously here. As of the last one I purchased (back in 2010), it was still a lovely rich, intensely pigmented black eyeliner with a smooth, creamy texture that stayed put.

I purchased the recently released versions of the other three eyeliners, even though all of them are repromotes. The colors are all exactly the same, but the texture seemed a little drier with the new versions. Not a lot drier, just somewhat, and they’re not as creamy as Feline (so if you hated how creamy Feline was, you may prefer these). It is interesting to see your own evolution, because I remember loving the Kohl Power formula in general (being particularly taken with Feline), but I’m not really into these. They require a lot more building to yield good color payoff. They also have a tendency to look uneven if you don’t, because it’s like the color isn’t actually mixed–it’s black and then pearl, and it mixes as you move the pencil back and forth.

  • Mystery is a blackened teal. I couldn’t think of a possible dupe for this one. I imagine you could try to apply a black eyeliner and then apply a brighter teal eyeliner over it to yield something similar.
  • Orpheus is a dirty gray-brown with antique gold. MAC Uniform is a bit greener–more olive than brown/gray. MAC Black Line is blacker.
  • Raven is a dark burgundy-brown. Urban Decay Rockstar has more purple, less red in it.

Mystery was the least impressive; it was a bit drier than the other two, and it required some pressure and several passes to build up the color. It’s definitely possible, but after being exposed to a number of more impressive formulas, it could use greater intensity in a single go.  The formula remains smudgeable for a few minutes after applying, but set down and on me, they wear good to great.  They make it to eight hours, though with Mystery I could see some had disappeared after eight hours.  Raven and Orpheus lasted a full eight hours.

MAC Glamour Daze Kohl Powers

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Lancome Enduring Vert Infinite Luminous Eyeshadow

Lancome Enduring Vert Infinite Luminous Eyeshadow
Lancome Enduring Vert Infinite Luminous Eyeshadow

Enduring Vert is Long on Wear, Short on Color

Lancome Enduring Vert Infinite Luminous Eyeshadow ($24.50 for 0.14 oz.) is described as a “satin pastel green.” It’s a muted sea foam green with a frosted, metallic finish. I thought Chanel Riviere was a dupe, but it’s a lot softer and lighter. MAC Sweet & Sour is greener. Dior Garden Pastels is similar. Lancome Fashion Forward is lighter. Giorgio Armani Green Jacquard is greener, slightly darker.

The Infinite Luminous Eyeshadow is supposed to “stray true for 24 hours without creasing” with a “powder-to-cream texture.” If they sound familiar, they should. Giorgio Armani Eyes to Kill Intense Eyeshadows and L’Oreal Infallible Eyeshadows are both iterations of this type of formula, and it’s not surprising that the three have more in common than not when they’re all owned by L’Oreal (parent).

Enduring Vert is sheer when applied dry, but it’s not much more pigmented when applied damp/wet.  I was able to pack it on and get more opaque color, so it’s possible, but it took several passes of color.  The texture was a little chunky, and it looked like it on the lid.  It just didn’t have a smooth finish once on.  It did, however, wear without creasing or fading for twelve hours.  There was some minor fall out that I noticed during wear.

Lancome Always Fuchsia Infinite Luminous Eyeshadow

Lancome Always Fuchsia Infinite Luminous Eyeshadow
Lancome Always Fuchsia Infinite Luminous Eyeshadow

It’s Not Always Love With This Fuchsia

Lancome Always Fuchsia Infinite Luminous Eyeshadow ($24.50 for 0.14 oz.) is described as a “metallic pink plum.” It’s a pinky purple with a metallic finish. The amount of pink in this shade is what makes it less dupeable. MAC Butterfly Party is darker, more purple. NYX Violetta is darker. Shades like Urban Decay Fishnet is cooler-toned and more fuchsia.

The Infinite Luminous Eyeshadow is supposed to “stray true for 24 hours without creasing” with a “powder-to-cream texture.” If they sound familiar, they should. Giorgio Armani Eyes to Kill Intense Eyeshadows and L’Oreal Infallible Eyeshadows are both iterations of this type of formula, and it’s not surprising that the three have more in common than not when they’re all owned by L’Oreal (parent).

Always Fuchsia is more one-note in color, which makes it more like the Infallible range. I expected the formula to be nearly flawless, but the color payoff when used dry is incredibly sheer. It really needs to be used damp or wet to achieve even, full color coverage (which is how I applied it to the lid, no base used).  When used dry, even when pressed, it doesn’t seem to bind together well, so it ends up sheer and harder to apply.  There was some fall out during application either way.  It wears well, though–I tested Always Fuchsia for twelve hours, and I didn’t experience any creasing or fading (both over and without a primer).   The texture wasn’t quite as finely-milled as some of the best shades from the Eyes to Kill Intense and Infallible ranges; it was a little chunky to me.

I was personally more than a little disappointed, and I’m wondering if I happened to receive samples of two of the poorer performing shades (because I also tried Enduring Vert, which I’ll review next, and my experience was similar there).  I’m definitely going to see if I can try some of the other shades to see; I hope this one is just one of the misses and the rest are hits (like what Perpetual Purple was for Infallibles).

Bobbi Brown Bone Sparkle Eyeshadow

Bobbi Brown Bone Sparkle Eyeshadow
Bobbi Brown Bone Sparkle Eyeshadow

Bobbi Brown Bone Sparkle Eyeshadow ($28.00 for 0.09 oz.) is described as a “cream sparkle.” It’s a pale, golden ivory with lots of sparkle and shine.  What’s really crazy is that it looks very yellow in the pan, but it’s not really yellow (just lightly warm and cream-colored) swatched and applied. Cinderella Ball Gown is similar, whiter. Guerlain by Emilio Pucci Terra Azzurra is also a bit whiter. Givenchy Lune Mysterieuse is similar. theBalm Tempting Tara is more metallic.

The Sparkle Eyeshadow formula is the brand’s take on glitter with “shimmering pearls and fine glitter” that is crease-free and long-lasting.  Bone is nicely pigmented with a good base color along with plenty of sparkle.   The sparkle felt well-embedded within the eyeshadow, so fall out during application and throughout wear was minimized.  There was some noticeable fall out that occurred throughout the eight hours I wore this, and I did have faint creasing after eight hours of wear (without a primer).

Bobbi Brown Sparkle Eye Shadow Bone
Bone
Bone

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