I reviewed several of Tarina Tarantino Eye Dream Hyperliners ($15.00 for 0.04 oz.) here, and I was extremely impressed with the formula. I have three more shades to share with you: Rockstar Love (black with iridescent shimmer), Puppeteer (dark brown with bronze shimmer), and Cute Robot (metallic deep blue violet). Can you tell I’m kind of on a quest to collect ’em all? (For reference, maybe more for me than you, I’m missing Spark of Envy and Tommy Jet.)
With Giorgio Armani #14 Eyes to Kill Intense Eyeshadow (€36.50 for 0.14 oz.) in my hot hands, my collection of Eyes to Kill Intense Eyeshadows is now complete. Major thanks to Amira for offering to ship me one from Sephora France. FRANCE. If you haven’t bought anything in Euros lately, let me say I just shelled out $64 for a product that costs $32 here in the states. Talk about you snooze, you lose! This shade came out last holiday season, which was before I discovered the awesomeness in a pot that is Eyes to Kill Intense. I took one look at photos online, and I knew I had to have it. It’s ANTIQUE GOLD. It’s so me!
MAC Guise Pigment ($32.00 for 0.07 oz.) is described as a “frosty grey.” It’s more like a bright silver with a part-frost, part-metallic finish. What’s noteworthy about the color is that it doesn’t lean cool, it’s more of a neutral silver. It was fairly pigmented when used dry and more metallic and opaque when applied wet. The texture is much chunkier compared to Deceit, and I did experience some fall out when an hour after it was applied to the eyelid. MAC Misty is a bit darker and cooler-toned. It’s smoother and grayer than Bobbi Brown Tinsel. I didn’t find anything exactly like it.
MAC Deceit Pigment ($32.00 for 0.07 oz.) is described as a “blackened plum with pink pearl.” When applied dry, it’s a burgundy brown with a satiny sheen that’s almost matte, but it’s on the sheer side. When applied damp, it comes together more better for a really rich color of burgundy tinted by purple with a pearly sheen. It’s opaque and smooth. It’s less frosted but similar in color to Illamasqua Queen of the Night. I think it’s also pretty close to MAC Deep Purple, which I don’t own so I can’t confirm 100%, which is permanent at PRO stores. Make Up For Ever #11 is redder. The dry swatch is a bit like MAC Shadowy Lady. The texture seemed very, very finely milled–it is probably one of the softest and most finely milled pigments I remember by MAC.