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Maybelline Inked in Pink Color Tattoo Metal Eyeshadow

Maybelline Inked in Pink Color Tattoo Metal Eyeshadow
Maybelline Inked in Pink Color Tattoo Metal Eyeshadow

A Warm Pink That Works

Maybelline Inked in Pink Color Tattoo Metal Eyeshadow ($6.99 for 0.14 oz.) is a pinky-mauve with a frosted, metallic finish. When it’s sheered out, it loses some of the pinkness as it lays over my naturally warm skin tone (so on cooler complexions, it might look pinker when sheered out). MAC Sweet Acting is lighter. MAC Rose Light is a touch lighter. Urban Decay Provocateur is a bit more mauve and glittery. Urban Decay Bordello is more mauve. MAC Neo Nebula is very comparable.

I wore this alongside Barely Branded, and it lasted a full twelve hours without fading, creasing, or smudging.  It also worked well as a complement to Barely Branded and both were easy to blend into each other so it didn’t look too divided (but I didn’t want to blend too much, as I was primarily testing wear).  It applied with full color coverage without needing to layer the product on, so I would say this is quite pigmented and you’ll want to use less if you intend to sheer it out.  The consistency was creamy and lightweight, and once it dried down, it was set for the day.

Maybelline Inked in Pink Color Tattoo Metal Eyeshadow

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Maybelline Barely Branded Color Tattoo Metal Eyeshadow

Maybelline Barely Branded Color Tattoo Metal Eyeshadow
Maybelline Barely Branded Color Tattoo Metal Eyeshadow

More than Cream: Maybelline Goes Metallic with Barely Branded

Maybelline Barely Branded Color Tattoo Metal Eyeshadow ($6.99 for 0.14 oz.) is a warm, creamy beige with a frosted, metallic finish. MAC Dazzlelight is whiter, less yellow/warm. MAC Brule reminded me of it, just matte and powder. Tarina Tarantino Fantastical was the closest in color–fairly close–but is a powder product. I think MAC Bare Study is whiter, less warm-toned.

I see this shade being very versatile and easily becoming a go-to eyeshadow base for a good portion of people. The shimmer when it sheers out is nice, and what I liked more about it was that it sheered out evenly so it could be easily used as a wash of color for when you’re pressed for time. The best news of all, of course, is that it did in fact wear for a full twelve hours without creasing or fading when I tested it.  It had a nice creamy consistency that made for quick and easy application, and it built up color well–I’d say use less for sheer color, because it is was nicely pigmented. I was able to get opaque color in one layer using a flat, firm brush (like MAC’s 249).  I picked it up at my local Walgreens, but it IS available online NOW! (YAY!) at ULTA. ULTA also has a deal for $10 off any $60 purchase with code 89776.

Maybelline Barely Branded Color Tattoo Metal Eyeshadow

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Urban Decay Ammo Eyeshadow Palette (2013 Edition)

Urban Decay Ammo Eyeshadow Palette (2013 Edition)
Urban Decay Ammo Eyeshadow Palette (2013 Edition)

Everything Old is New Again

Urban Decay Ammo Eyeshadow Palette (2013 Edition) ($34.00 for 10 x 0.03 oz.) includes ten of Urban Decay’s bestselling eyeshadows, which are: Smog (deep coppery bronze shimmer), Mildew (mossy green shimmer with gold shift), Oil Slick (black matte with silver micro-glitter), Last Call (metallic plum shimmer), Chopper (copper shimmer with silver micro-glitter), Maui Wowie (metallic golden beige shimmer with silver glitter), Shattered (turquoise shimmer with a gold shift), Polyester Bride (white snow shimmer with silver micro-glitter), Grifter (sheer lavender shimmer with silver micro-glitter), and Sin (champagne shimmer).

Smog is a warm, medium-dark bronze with orange undertones and a frosted finish. It had excellent color payoff and a soft, smooth texture. bareMinerals Ritzy is slightly darker. MAC Mulch is redder. MAC Bronze is more metallic.

Mildew is a mossy green with an olive undertone and subtle forest green shimmer over a frost finish. It seemed a little less pigmented here than I remember the full-size pot, but when I applied it to the lid, I didn’t notice any pigmentation level differences. L’Oreal Golden Emerald is darker, greener, less yellow-toned. Tarina Tarantino Dandy Lion is yellower. theBalm Makeout Mary is very similar. shu uemura Smoky Velvet #2 is a cream version but similar in color.

Oil Slick is a dark black with a teal micro-shimmer–it looks mostly gray-black on the lid and blended out; the shimmer so fine and sparse that it isn’t visible. The color payoff was good, though, and the texture was soft though a little drier than the other shades. bareMinerals Penthouse is a touch darker and more matte. Buxom Black Lab is similar in color but a cream product. MAC Cinderfella has more shimmer. Bobbi Brown Lava is more matte and has larger sparkle.

Last Call is a pinky-plum with red undertones and a frosted, metallic finish. It had great pigmentation and applied smoothly. Chanel Harmonie du Soir #3 is more muted, less pink. L’Oreal Glistening Garnet is lighter, redder, less plum. MAC Stylishly Merry is much pinker.

Chopper is an orange-copper with a frosted, metallic finish. It is supposed to have micro-glitter, which is visible in the pan, but when I swatched it, all of the glitter was swept away. The color payoff of the underlying shade was full and opaque, and it had a smooth texture. bareMinerals Louder is a touch browner. Wet ‘n’ Wild Sparkle ‘Til Morning #6 is a bit more orange, less metallic. Urban Decay Penny Lane is a touch more orange.

Maui Wowie is a pale, not-quite-dirty gold with dark gold micro-glitter and a frosted finish. It had excellent pigmentation, and it was soft and smooth to the touch, but like Chopper, the majority of the micro-glitter disappears. bareMinerals First Class is darker, browner. Chanel Apparence is a cream product, and it is darker. bareMinerals Chart Topper is more muted.

Shattered is a bluish-teal with a green-teal sheen. It has a frosted, somewhat metallic finish. The payoff felt a little weaker here than I remember it being in the past. L’Oreal Endless Sea is similar. Guerlain Les Aquas #2 is lighter.

Polyester Bride is a brightened, creamy white with a frosted, metallic finish and silver micro-glitter. Again, the micro-glitter disappears as you smooth out the color. This shade was less pigmented than the others. bareMinerals Silhouette is very similar, slightly less metallic. Cinderella Midnight Hour is very close in color. Cinderella Ball Gown is also similar.

Grifter is a pink lavender with a frosted, metallic finish and silver micro-glitter. The micro-glitter tends to move around and disappear as you blend out the color. The pigmentation was decent, though Urban Decay did describe it as “sheer,” so it was as expected. Guerlain Attrape-Coeur #4 is less metallic. NARS Marie-Galante #1 is more iridescent.

Sin is a warmed-up champagne beige with a high-shine, metallic finish. It had great pigmentation, and it applied very smoothly and evenly. This color is the closest to a highlight shade in the palette, but it is very, very metallic/frosted on the brow bone. bareMinerals Libation is warmer. Giorgio Armani #8 is pinker. Inglot #397 is comparable.

If you have the original Ammo palette, you’ll have the exact same shades; this palette has a new design and includes all of the same shades but in Urban Decay’s revamped eyeshadow formula. Also, all ten shades are part of the permanent range, so they can be purchased individually if desired. You are almost never better off purchasing singles, because the palette is less than the cost of two individual shades. Chances are low that you’ll actually finish an entire pot of eyeshadow, though the individual eyeshadows are 0.05 oz. and each shade within the palette is 0.03 oz.

If you don’t want to deal with glitter and its fall out, you may want to skip this palette, as five of the ten shades have Urban Decay’s signature micro-glitter. What I will say in regards to the fall out is that 90% of it occurs while you apply it, so after you’ve finished the look, you can remove it and while you will see some stray glitter particles throughout the day (I found some on my nose, below it, and elsewhere on my under eye/upper cheek area), it’s not much.

Now, the reason there actually isn’t much fall out during wear is simple: hardly any gets transferred to the lid! Ahh, the secret! The reality is that if you like the idea of glittery bits on the lid, you’re just not going to get the effect–they end up looking like the base color sans the glitter applied. The sparkle just doesn’t bind with the eyeshadow, so it sits on top and easily gets brushed elsewhere.  If you want the glitter, your best bet is to use a firm, flat brush and pat it over a sticky base.

Overall, the pigmentation of the shades was good to great, with only Polyester Bride coming in a bit short (Grifter isn’t opaque, but it is supposed to be sheer).  The textures are soft, buttery, and dense, with Oil Slick being a bit drier but seemingly softer/denser than previous iterations of it.  When I wore these shades for eight hours, I had a few sparkles of fall out, but I didn’t have any problems with fading or creasing.

Urban Decay Ammo Eyeshadow Palette (2013 Edition)

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MAC Veluxe Brow Liners

MAC Strawberry Blonde Veluxe Brow Liner
MAC Strawberry Blonde Veluxe Brow Liner

MAC Stylish Brow: Veluxe Brow Liner

MAC Veluxe Brow Liner ($19.50 for 0.042 oz.) is a new and permanent range of brow pencils that can be used to fill, define, and shape the brow. It comes in five shades: Strawberry Blonde (soft muted beige-taupe), Redhead (soft brown), Brunette (muted mid-tone gray), Deep Brunette (muted blackish-brown), and Deep Dark Brunette (dark dirty chocolate).

  • Strawberry Blonde is a light-medium brown with a gray-ish cast.
  • Redhead is a light-medium brown with subtle warm undertones.
  • Brunette is a medium brown with a subtle gray tinge.
  • Deep Brunette is a medium-dark brown with subtle, warm undertones.
  • Deep Dark Brunette is a dark brown with subtle warm, undertones. It is only marginally darker than Deep Brunette and has less red undertones.

MAC described the pencil as a “rich powdery formula.”  It is kind of odd to think of an eyeliner as powdery, but there is a little powderiness to the pencil here.  That powderiness works well with the brow pencil, because it lends it a softer finish and feel, so it looks more natural and is more readily blended along the brow so it doesn’t create harsh lines.

After using the Brow Gelcreme, the Veluxe Brow Liner was less interesting.  It’s not too soft or hard; firm enough to give a full, opaque line of color, but not so firm that it drags or pulls.  Unlike a lot of pencil eyeliners, there is no dry-down–it’s like a pressed powder eyeshadow in pencil form.  When I wore Deep Dark Brunette, I felt it was a smidgen on the light side for my natural brow color (dark brown, slightly black)–I typically use Espresso or Brun eyeshadows to fill my brows in–and it was faded in places (about 80% remained) after eight hours.  Unlike the Brow Gelcremes, this range has more shades, though I think it is lacking a really dark shade and not enough ashy colors.

The five new pencils are permanent, per a Live Chat I did with MAC yesterday (and the website corroborates, as they aren’t listed as limited edition), so you can feel free to fall in love and make it a new staple in your routine.

MAC Veluxe Brow Liners

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MAC Fluidline Brow Gelcremes

MAC Dirty Blonde Fluidline Brow Gelcreme
MAC Dirty Blonde Fluidline Brow Gelcreme

MAC Stylish Brow: Fluidline Brow Gelcreme

MAC Fluidline Brow Gelcreme ($15.00 for 0.10 fl. oz.) is a new, limited edition brow gel that’s supposed to be long-wearing, waterproof, and sets quickly. It comes in three shades: Dirty Blonde (soft taupe brown), Redhead (muted golden brown), and Deep Dark Brunette (rich brunette).

  • Dirty Blonde is an ochre-toned brown with a gray cast; it’s a bit yellow-brown to be a true taupe, but there’s a definite grayness to it that give sit a taupe-like coloring.
  • Redhead is a warm, yellowed, medium tan-brown.
  • Deep Dark Brunette is a dark brown with subtle, warm red undertones.

Ooh–I really like these.  They have the same consistency and feel of MAC’s Fluidlines, which is a fantastic formula.  It’s creamy, pigmented, smooth, and it sets efficiently–not so quick that you have no time to fix mistakes, blend, or the like, but not so long that it has time to move around.  I used Deep Dark Brunette to fill in my brow using the 208 (which is the brush promoted with this launch), and it was lovely.  The creamy consistency allowed for a really crisp line and edge along the upper and lower edges of the brow.  The color wasn’t too harsh against my skin tone and with my brow color, so on dark brown (with a bit of black) brows, it’s an appropriate color.

All three shades had incredible pigmentation; the color payoff in a single pass was opaque and didn’t skip or drag.  When I tested the shade closest to my brow color, it lasted all day long.  I had no problem getting a full eight hours of wear, and even after twelve hours, 90% of it remained.  Mere water did not smudge or cause it to run, either, so it holds up to the waterproof claim as well.  I will be curious to see how suitable Dirty Blonde and Redhead are for those with lighter brows.  I wish this formula was permanent, and I could see a few more shades being added to round it out more.

MAC Fluidline Brow Gelcremes

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MAC Pressed Pigments Part Deux

MAC Amethyst Pressed Pigment
MAC Amethyst Pressed Pigment

MAC Pressed Pigments Part Deux

MAC Pressed Pigments ($21.00 for 0.10 oz.) includes nine new shades: Amethyst (purple with silver undertone), Angelic (off white), Blonde Streak (light cream), Blue Willow (light icy blue), Enlightening (deep silver), Flicker (pastel yellow), Jet Couture (charcoal black), Smoky (deep silver blue), and Sweet Acting (mid-tone pink). There are three repromoted shades: Day Gleam (high pearl powder in NC30 shade), Deeply Dashing (high pearl powder in NW55 shade), and Light Touch (high pearl powder in W10 shade). I reviewed those three shades just three months ago when they originally debuted.

Amethyst is a pale lavender with a metallic, sparkling finish. It’s sheer when used damp, more opaque when used wet. Dolce & Gabbana Jewels has a similar coloring but appears darker, as it does not have a metallic finish. MAC Light Violet is a darker lavender.

Angelic is a cool-toned white with a hint of silver. It has a frosted, metallic finish. It is a bit smoother and more metallic than it is sparkly–compared to other shades. The payoff dry is fairly sheer, while damp is better but not fully opaque. MAC She’s Got Class is very similar. shu uemura Smoky Velvet #3 is also similar.

Blonde Streak is a silver-shot off-white; it almost looks creamy at one angle, then looks silvered at another. It has a frosted, metallic finish. shu uemura Smoky Velvet #3 is whiter. MAC She’s Got Class is less metallic. Bobbi Brown Bone is yellower.

Blue Willlow is a bluish-green tinted white with a frosted, metallic finish. This one had a chunkier finish, and it never quite smoothed out, even when applied damp. The payoff was about the same whether used dry or damp. Giorgio Armani #10 is very similar in color.

Enlightening is a light-medium silver with a bright metallic sheen. This had a chunkier texture, so it did not lay down as smoothly as other shades did. Tarte Silver Burst is lighter, less metallic. Bobbi Brown Tinsel is lighter. MAC Misty is a touch lighter. Giorgio Armani #12 is a bit lighter.

Flicker is a yellow-tinged white, but it almost has this silver-ish sparkle. The color payoff was semi-sheer both wet and dry. This didn’t have a really gritty texture but did have a lot of sparkle. Bobbi Brown Bone is warmer. Too Faced Spun Sugar is darker. Tarina Tarantino Elektron is more metallic, less sparkly. Dior Khaki Design #4 is less metallic.

Jet Couture is a dark black with brown undertones and coppery-gold sparkle. It had fair pigmentation when used dry, and it was more intense when used damp. It applied more smoothly than some of the other shades. The only similar shade I cuold think of was Cinderfella, which has a silver sparkle instead.

Smoky is a muted, darkened blue with lots of silver sparkle. It had good pigmentation both dry and wet, though the wet version was smoother. MAC Love Cycle is darker, richer. theBalm Sensational is richer, deeper. MAC Moon’s Reflection is slightly brighter. Urban Decay Mary Jane is more metallic, darker.

Sweet Acting is a light-medium pink with yellow undertones. This one felt the grittiest/chunkiest in texture to me out of the nine new shades. It had decent color payoff both dry and wet, though, with wet making the pink appear darker. MAC Rose Light is a bit darker, less sparkly. Dior Fairy Golds #4 is lighter. MAC Love Power is darker, pinker. Giorgio Armani #7 is darker, more mauve.

I double-checked my press materials, and these are listed as “limited edition,” but the MAC website indicates they are permanent. I did a Live Chat with MAC online, and I was told that the Pressed Pigments are permanent. More interestingly, both the press release and the description online says, “Gorgeous eyes, from sheer and ethereal for day to intense and illuminating for evening.” It is further described as an “intensely creamy highlighter offering extreme pearlescence.” It can be applied dry “for a high shine” or dampened “for a dramatic wet look.”

They’re less of an utter and abject failure as a for-eyes-only product, than when they launched as the highlighter counterpart to MAC’s contouring Sculpting Creams. Some of these shades work better than others, and ultimately, it comes down to how smoothly they can be pressed into submission. The grittier, sparklier the shade, the worse it performs. With a really tacky base, you can absolutely get these to cooperate better. Dry, they’re a catastrophe of glitter fall out. I’m pretty sure more ends up below my eye than on it, no matter whether I’ve taken the 215 brush (which is what is sold alongside these shades) and done my utmost to “crush” and “press” the pigments on a separate stainless steel palette. The only way I can get the color to apply and transfer to some degree is with a fairly damp brush.

For testing, I used Blonde Streak on the inner lid and (lightly) on brow bone, Smoky on the middle of the lid, and Jet Couture on the outer lid. These are definitely products to be applied prior to foundation, because clean-up is absolutely necessary! I found that the fall out really need to be fully wiped away (I used Lancome Bi-Facil on a cotton round), rather than lightly dusted off. Throughout the day, over the course of eight hours, there was fall out. My eye was watering a lot while I wore these to test, because the fall out was getting into my eyes (or onto my lashes, and then into my eye). By the time I removed these, my eyes were bloodshot and a bit irritated.

If I use a glitter adhesive, it will hold on better and help to minimize the fall out, so if the finish of these is up your alley, I’d recommend doing something like that, rather than wearing it as MAC states–dry or damp–because neither work well. (But that is the criteria that I am rating on.) This is the type of product that is more specialized and will be loved by some, hated by others; I think they could be marketed better–and now would be a great time to make Mixing Medium available across counters and stores as a great side product. (Even with MAC opening Pro products online, it is not actually available to regular customers online at this time.) Though, Mixing Medium, from my experience, isn’t tacky enough with these guys–I like Lit Cosmetics, LA Splash, or lash glue better. You really need something wet and tacky that says, “COME TO MAMA!” to holds that glitter tight.

Loose glitter is rarely designed to be applied all on its own–this product just needs help in the form of major adhesion. A lot of glitter is like that but let’s call a spade a spade! But as is, these remain on my naughty list.  I love glitter and sparkle, especially on the eyes, but I want it to remain there!  I don’t want to find sparkle in my nose. The better performing shades were Angelic and Smoky, as they bound better and applied more smoothly; Jet Couture was the most unique.

P.S. — Does anyone else wonder what makes MAC decide to make a new formula permanent? Sometimes you’ll hear almost nothing but major raves for a new formula but you’ll never see it again… then a product like this, which is polarizing, is made permanent three months after it first launches (which likely means it was decided earlier on, though).

MAC Pressed Pigments Part Deux

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