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NARS Mad Mad World Eyeshadow Duo

NARS Mad Mad World Eyeshadow Duo
NARS Mad Mad World Eyeshadow Duo

NARS Spring 2013: Mad Mad World

NARS Mad Mad World Eyeshadow Duo ($34.00 for 0.11 oz.) is described as “cyan” and “parakeet green.” It’s new for spring but will be added to the permanent shade range. Worth noting, most NARS eyeshadow duos are 0.14 oz., but this one was labeled as 0.11 oz.

The cyan shade is a brightened, light-medium blue with a matte finish. It is incredibly pigmented and a little stretches quite a ways.  The texture was soft, smooth, and finely-milled–not at all powdery. Wet ‘n’ Wild Drinking a Glass of Shine #3 is softer, less bright, bluer. Milani Olympian Blue is a bit darker. MAC Blue Candy is slightly bluer. MAC Electric Eel is a touch darker. Inglot #371 is very similar.

The green shade is a cool-toned, medium green–there’s something about it that says, “jade green!” to me. This shade has the pigmentation, but the texture is on the powdery side, so it easily blends (and, as a consequence, sheers out) when swatched. When I applied it to the lid, I patted it on and only lightly blended it to maintain more opaque color. It had a tendency to look a little faded no matter whether I patted and/or applied over primer, though. The brightness seen in the pan didn’t seem to translate on the skin. Wet ‘n’ Wild Drinking a Glass of Shine #2 is lighter, more aqua. Milani Green Safari is warmer. Wet ‘n’ Wild Earth Looks Small From Down Here #3 is shimmery. Inglot #385 is slightly greener.

When I tested out this duo, the blue shade lasted a full eight hours without fading or creasing, while the green shade showed some noticeable fading by that eighth hour.  Both shades were easy to blend, which is absolutely necessary given their intensities, but the blue shade was definitely the better performer overall.  I will say that blending orange into green and blue was an interesting experiment.  With the pop of gold from Corcovado in this collection, I think this duo could work well with a shimmery gold between the two.

NARS Mad Mad World Eyeshadow Duo

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NARS Corcovado Soft Touch Shadow Pencil

NARS Corcovado Soft Touch Shadow Pencil
NARS Corcovado Soft Touch Shadow Pencil

NARS Spring 2013: Corcovado

NARS Corcovado Soft Touch Shadow Pencil ($24.00 for 0.09 oz.) is described as a “24-karat gold.” It’s a bright, sunshine-yellow gold with a frosted, metallic finish. Cinderella Gus Gus is a bit darker, more orange (and a powder eyeshadow). OCC Triptych is darker, more honey-hued (and a powder). NARS Goldfinger is a paler yellow (and a powder). Inglot #403 is not quite as yellow/intense (and a powder). MAC Bright Sunshine is comparable, slightly yellower, but is also a powder.

It will come as no surprise to long-time readers that Corcovado, for all its gorgeous coloring, did not work well for me. I’m not going to do an in-depth review here, because I’ve done plenty in the past of this formula and exactly why it doesn’t work well on me. I love the color, and I really wanted it to work. NARS often produces beautiful colors in their Soft Touch Shadow Pencil, and I had hoped that the more frosted finish would have allowed for a quicker, better dry down of the product.

Here are the ways I tested Corcovado specifically: on its own, over NARS’ Smudgeproof Primer, over NARS Smudgeproof Primer + gold powder eyeshadow on top, over NARS Smudgeproof Primer + translucent powder (NARS’!) on top, over NARS powder eyeshadow, sheered out quite a bit, and as an eyeliner. I have applied with these tools: fingertips, brushes (fluffy, firm, and in-between), sponge-tip applicator, and directly from the pencil. I experienced heavy creasing within an hour or less for every way except: 1) over powder eyeshadow it took two hours; 2) sheered out, the creasing was less noticeable but still there after an hour; and 3) as an eyeliner, it took six hours to disappear and smudge fully, but there was “bleeding” color after an hour.

So, in summary: excellent pigmentation, and it applies rather opaquely on, but it takes me on repeated trips to Crease City in as little as ten minutes (when worn alone) or as “long” as two hours (when worn over powder eyeshadow). There are definitely readers who have had success with these, and there are others who’ve had similar experiences to mine. I just recommend trying it prior to purchase or purchasing from a retailer with a return policy, in case your experience is more like mine. I have no problem with many, many shadow pencils on the market (Milani, NYX, MAC, Urban Decay, to name a few).

NARS Soft Touch Shadow Pencil Corcovado
Corcovado

Maybelline Gold Rush Color Tattoo Metal Eyeshadow

Maybelline Gold Rush Color Tattoo Metal Eyeshadow
Maybelline Gold Rush Color Tattoo Metal Eyeshadow

A Very Sparkling Rush of Gold

Maybelline Gold Rush Color Tattoo Metal Eyeshadow ($6.99 for 0.14 oz.) is a sparkling gold with strong yellow tones and a metallic finish. Chanel Vision has a similar texture but it is a browner gold, less yellowed. Cinderella Gus Gus is less metallic and a powder product. OCC Triptych is slightly darker, more metallic, and a powder. MAC Goldmine is also similar in color but a powder eyeshadow.

This shade sets itself a part in finish from pretty much every other Color Tattoo I’ve come across, because it has a heavy sparkle effect that changes the texture of the product as a whole. There’s a slight grittiness to the touch, and it doesn’t blend smoothly or look even on the lid. It tended to make my eyelid look a bit crepe-like and wrinkled. Because of the sparkle, it seemed to bunch up in places, no matter if I used a fingertip, sponge-tipped applicator, or brush to blend and/or apply the product. I did get some fall out during the twelve hours I wore Gold Rush for, though it did not seem to really fade or crease.

Maybelline Color Tattoo Metal 24 Hour Eyeshadow Gold Rush
Gold Rush
Gold Rush
8.5
Product
8
Pigmentation
7.5
Texture
8.5
Longevity
3.5
Application
80%
Total

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Maybelline Electric Blue Color Tattoo Metal Eyeshadow

Maybelline Electric Blue Color Tattoo Metal Eyeshadow
Maybelline Electric Blue Color Tattoo Metal Eyeshadow

Someone Turned the Electricity Off

Maybelline Electric Blue Color Tattoo Metal Eyeshadow ($6.99 for 0.14 oz.) is a navy blue with a fine, frosted finish. When sheered out, it has a darker, truer navy blue coloring, while when layered more heavily, it appears bluer. Urban Decay Evidence is less blue. MAC Naval Blue is similar but a powder product. Chanel’s Apparition is darker and less blue.

This shade didn’t apply evenly or layer well. I think this product would work just fine as an eyeshadow base, but it’s not something that I’d use on its own as a cream eyeshadow.  I experienced some very light fading after twelve hours, which isn’t the norm for me when it comes to Color Tattoos.  It wasn’t much, but it was there.  The consistency of the product is thin, creamy, lightweight, and dries down quickly but not so quickly that you can’t blend out the color if you desire.  This is a shade that is very, very common as a powder eyeshadow, so I’d probably opt for one of the many navy blue eyeshadows on the market, as many perform incredibly well.

Maybelline Color Tattoo Metal 24 Hour Eyeshadow Electric Blue
8
Product
8
Pigmentation
9
Texture
8
Longevity
3.5
Application
81%
Total

Lancome Eternal Gold (101) Color Design Infinite Eyeshadow

Lancome Eternal Gold (101) Color Design Infinite Eyeshadow
Lancome Eternal Gold (101) Color Design Infinite Eyeshadow

An Eternal Gold from Lancome

Lancome Eternal Gold (101) Color Design Infinite Eyeshadow ($24.00 for 0.14 oz.) is described as a “shimmering gold.” It’s a medium yellowed gold, muted by a hint of brown, with a frosted, metallic finish. L’Oreal Gold Imperial is nearly identical. L’Oreal Eternal Sunshine is very similar–perhaps a touch warmer.

I’ve had the best luck with Eternal Gold when it comes to Lancome’s Infinite Eyeshadows–the other two I tried were disappointing. The pigmentation is fully opaque both wet and dry, and when dry, it looks a bit more intense and less frosted (more metallic). It has a soft, finely-milled texture that applies smoothly and evenly. I tested wear for twelve hours, and I didn’t experience any fading, creasing, or fall out.

Lancome’s Infinite formula is definitely comparable, generally, to Giorgio Armani Eyes to Kill Intense and L’Oreal Infallible Eyeshadows–all three companies are owned by L’Oreal. What I’ve noticed primarily is that Giorgio Armani’s shades are much more nuanced and complex in comparison to Lancome and L’Oreal. Lancome offers several shades, but of the three I’ve tried, they are composed like L’Oreal’s as all solid colors.  The only difference I could find was that Eternal Gold is just a little smoother/finer compared to Gold Imperial but the color and wear are the same, though the latter is a limited edition shade for the holidays, so if you want to get the same color for a lot less, you’ll need to track it down sooner rather than later.

Lancome Color Design Infinite 24H Eternal Gold

bareMinerals The Wild Thing Eyeshadow Quad

bareMinerals The Wild Thing Eyeshadow Quad
bareMinerals The Wild Thing Eyeshadow Quad

bareMinerals Remix: The Wild Thing

bareMinerals The Wild Thing Eyeshadow Quad ($30.00 for 0.17 oz.) is a limited edition palette for spring that features these shades: Sensational (iridescent aqua), Icon (electric chartreuse), Elitist (bronzed taupe), and Controversy (deep marine blue).

Sensational is a pale aqua–that leans a little sea foam green–with an iridescent gold sheen. It had pretty good pigmentation, and it was very soft. It seemed like it might be a smidgen powdery when I swatched it, but I didn’t have any fall out or powderiness when I applied it to my lid. Chanel Riviere is darker, grayer. Giorgio Armani #1 Spring 2012 #2 is lighter. Lancome Fashion Forward is very comparable.

Icon is a yellowed chartreuse with a satiny finish. It had great color payoff and applied smoothly. MAC Brilliantly Lit is a touch brighter (and a cream product). Dior Garden Pastels is darker, greener. NARS Rated R is greener–brighter, less yellow-toned. MAC Bitter is a bit lighter and matte in finish.

Elitist is a subdued khaki brown with a satiny shimmer-sheen. It was finely-milled, smooth when applied, and nicely pigmented. MAC Soba is similar but more matte. theBalm Schitzo is more golden. Giorgio Armani #26 is similar–a bit browner. Dior Golden Savannah is warmer, lighter. (This shade was also in The Star Treatment.)

Controversy is a darkened blue with a frosted, metallic finish. This shade was a bit powdery, but I didn’t encounter any powdery fall out when applied to the lid. Tom Ford Emerald Lust #4 is darker, more of a navy blue. Giorgio Armani Ecailles Black Pearl #1 is a touch greener in its base. MAC Pre-packaged is a bit brighter. bareMinerals Water is similar in color but has more of a satiny finish.

The color composition gave me a summery vibe, but from questions we’ve asked here, most readers don’t seem bound by colors on a season-by-season basis.  The four shades work well together, and Elitist makes it more approachable as a way to tone down some of the colors in it.  When I wore all four shades together, they lasted for nine hours without fading or creasing (no primer required).  I did experience a very slight powderiness in Sensational and Controversy when I swatched them, but it didn’t impact application as there was no powdery fall out or difficulty in achieving smooth, opaque color.

bareMinerals The Wild Thing Eyeshadow Quad

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