Wednesday, March 31st, 2010

Toki Doki for Sephora

tokidoki for Sephora: Adios Star Cromatico Eyeshadow

tokidoki Adios Star Cromatico Eyeshadow ($15.00 for 0.07 oz.) is a matte black base with silver glitter strewn through it. It looked pretty in the pan, but unfortunately looks rather chalky when swatched, and it took some effort to get a decent level of pigmentation. Being a black eyeshadow, though, you could easily use this in the crease and not notice any chalkiness–but you might think of it as more of a dark gray-black than pure black.

This is the only tokidoki eyeshadow I have tried, so please don’t take this review of this single shade as representative of the whole line! I’m definitely going to check it out in person or grab another one or two shades online to see if this is just a poor man within an otherwise good range. Hopefully, Temptalia readers have also given these a try, so they can speak up on some other shade’s behalf! :)  I know the lovely Muse reviewed Carnivora, Diamante, and SavanaSavana looks way better in terms of pigmentation.

The packaging is very tokidoki inspired–if you dig it, you dig it; if it’s not your thing, that’s okay, too. I’d say that I’m neutral on the whole thing myself, but I think it’s done well. It’s not luxe, ultra high-end packaging, but it doesn’t feel like something you’d find in the dollar bin either. I like that each of the eyeshadows has a different colored lid–it’s just a nice touch. The price is also just right at $15, because these are actually cheaper than MAC eyeshadows by the ounce–MAC eyeshadows are $14.50 each, but you only get 0.05 oz. while the tokidoki eyeshadows are $15 each, but you get 0.07 oz.

So right now, though I’m disappointed in this shade, I am going to keep an eye out for more shades at my local Sephora and see how those hold up for me. I definitely want to check out Bastardino, Bruttino, Ciao Caio, Killer Candy, Savana, Skeletrina, and Soya. Shocker, I’m sure, that those are all some of the brighter shades available.

Shades: Adios Star (glitter black), Bastardino (dark green glitter), Bruttino (blue pearl), Bulletto (brown pearl), Carnivora (beige pearl), Choco (brown pearl), Ciao Ciao (pink pearl), Diamante (glitter pink), Donutella (nude multi-glitter), Killer Candy (purple pearl), Nancy Rocks (lavender pearl), Romeo (plum pearl), Samba (gray pearl), Savana (gold glitter), Skeletrina (indigo pearl), Soya (green pearl).

Have you tried these? Which shades?

If you want to know more about how products are evaluated, read out Rating System FAQ! :)

  • Product: 20/30
  • Value: 9/10
  • Ease of Use: 4/5
  • Packaging: 5/5

Recommendation: I would skip this particular shade of the Cromatico Eyeshadow line-up — I haven’t tried any of the others, so I can’t speak for those! Funny enough, the cute and just-right packaging and price save this product from a non-passing grade!

AvailabilitySephora

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Wednesday, March 31st, 2010

MAC Water-Based Mixing Medium

Mixing Medium — Don’t Use Pigments Without It!

MAC Water-Based Mixing Medium ($18.00 for 50ml) is an absolute must-have if you work with MAC Pigments or Glitters. It actually took me many years before I purchased the real deal Mixing Medium–previously, I had always done the DIY version. (For reference, the DIY version is one part glycerin and three parts water, mix, and enjoy!) To be honest, I think either version works just as well, but I know the official Mixing Medium is designed to have a much longer shelf life than the DIY version (since it lacks any preservatives).

This Mixing Medium is water-based, and as such, the texture feels just like water. I like that, because it doesn’t feel thick, goopy, or sticky. The way I use my Mixing Medium is primarily with pigments and occasionally with glitters. I usually put one drop (it dispenses by droplets) on a flat brush like the 239 or 249, pick up some pigment, and then apply on the lid (or wherever). Together, it creates an excellent eyeshadow base, but it also intensifies pigments and keeps them together–there’s no fallout here! Though I haven’t used it for such things, you can also use this with other MAC liquid or powder products. I will also say that one bottle will last me a lifetime (though I will obviously replace it before then!).

There is also an alcohol-based Mixing Medium (used from the neck down), an eyeliner Mixing Medium (comes in a tube), lash Mixing Medium (allows you to create customized shades of Pro Long Lash Mascara), and gel-based Mixing Medium (not to be used around the eye area).

It is a PRO product, which means it was originally designed to be used by makeup artists and not necessarily consumers, but everyone is able to purchase PRO products, regardless of your resume. If you live near a PRO store locally, you just have to show up and shop like you would any other MAC location. If you don’t, I know in the U.S., you can place a phone order with any PRO store and they’ll ship you your items for a flat rate of $7 (this is usually how I get any PRO products). Since shipping is a flat rate, I usually make up a good list of PRO-only items I want so I can make it worth it, too :)

By the by… some PRO stores will have collections in a week early, and so if SF, LA, or SCP PRO have it out, sometimes I place a phone order and that’s how I’ll get the products a couple of days earlier than the national launch date. Secrets from a MAC addict… LOL!

If you want to know more about how products are evaluated, read out Rating System FAQ! :)

  • Product: 30/30
  • Value: 9/10
  • Ease of Use: 4/5
  • Packaging: 5/5

Recommendation: If you’ve ever had trouble with your pigments or loose color eyeshadows, you may want to check out MAC’s Mixing Medium to keep your loose color on your lid better!

Availability: MAC PRO

Tuesday, March 30th, 2010

MAC Art Supplies Collection
Pearlglide Eyeliners: Black Line, Undercurrent, Industrial,
Petrol Blue, Almost Noir, Designer Purple

MAC Art Supplies Collection: Pearlglide Intense Eye Liners Review, Photos, Swatches

MAC Art Supplies Collection launches in-stores on April 1st (late April for international locations) and online March 30th. The collection includes eight new and limited edition shades of Greasepaint Sticks ($17.50), six new and limited edition shades of Pearlglide Intense Eye Liners ($14.50), and nine new and limited edition shades of Pro Longwear Lipstain Marker ($16.00).

Pearlglide Eye Liner ($14.50)

  • Almost Noir is a darkened burgundy purple with a slight red tone to it and gold and burgundy sparkle.
  • Designer Purple is a bright pop of violet with deeper violet and iridescent purple shimmer.  Very pretty–most vibrant of the six!
  • Petrol Blue is a brightened navy blue with blue and light blue sparkle.  I would say it is similar to Fly-by-Blu (but I don’t own it to do a swatch comparison, sorry!), perhaps a little brighter.
  • Black Line is a dark black base with a mix of gold and green-gold shimmer. It’s almost like Old Gold Pigment and a black eyeliner had a baby. I’m ALL over this one!
  • Undercurrent is a bluish-teal base with teal shimmer and sheen. So pretty and lovely… but I’m a sucker for teal, so really, are you surprised? ‘Cause I’m not!
  • Industrial is a high-shimmered silvered blue. It’s almost like a sky blue but with flecks of silver lining (I couldn’t resist) throughout.

The good: Smooth, soft eyeliner with rich, intense shades that glide on easily and don’t smudge or budge. They’re similar in smoothness/softness as Urban Decay 24/7 Eye Liners, Milani Liquif’Eye Liners, and L’Oreal HIP Chrome Eyeliners.

The bad: They’re limited edition and made of awesome, so it kind of sucks, but I’ve also never run out of an eyeliner, so I’m not (personally, at least) concerned about running out of these either. I have no other complaints about Pearlglide Eyeliners. Oh, wait — the line could use more shades? Sure, that’s “bad.” MAC continuously puts out Pearlglide liners and even new shades periodically, so they should just make these permanent already! (Much like Feline Kohl Power might as well be permanent… so much for my five backups!)

My picks: All? Black Line is the most unique of the three I’ve tried so far!

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Tuesday, March 30th, 2010

MAC Art Supplies Collection:  Greasepaint Sticks
Greasepaint Sticks: Zinc Zone, Uniformly Blue, Slick Black, Greengrease,
Dirty, Charred Mauve, Brown Now, Below Ground

MAC Art Supplies Collection: Greasepaint Sticks Review, Photos, Swatches

MAC Art Supplies Collection launches in-stores on April 1st (late April for international locations) and online March 30th. The collection includes eight new and limited edition shades of Greasepaint Sticks ($17.50), six new and limited edition shades of Pearlglide Intense Eye Liners ($14.50), and nine new and limited edition shades of Pro Longwear Lipstain Marker ($16.00).

Today, I’m going to review the new Greasepaint Sticks and (in a separate post) three of the six Pearlglide Intense Eye Liners. I’m going to mull over the Lipstain Markers until tomorrow, but I’ll give you my review of the three (of nine) shades I tried so far–so stay tuned! :)

Greasepaint Sticks ($17.50)

  • Below Ground is a soft bronzed chocolate brown with lighter bronze flecks. It reminded me of a lighter, less frosty version of Bronze eyeshadow.  I liked this one a lot, because I felt like it was light enough to be used in lighter looks as well as darker looks.
  • Brown, Now is a burgundy-brown. I don’t know why it’s called Brown, Now, to be honest, because it’s pretty burgundy to me.
  • Charred Mauve is a cool-toned blue-based purple with soft blue-violet flecks/sheen. It is similar to V, but it’s not the same–it’s a darker, grayer version–but the two are close enough that you don’t need both.
  • Dirty is a taupe brown with multi-colored shimmer. Kind of cool how it has all different colors of shimmer in it.
  • Greengrease is a forest green over a blackened base. It has flecks of gold, blue, and green shimmer. I found this one to be the least pigmented of the eight, though you can layer to get a more opaque look.
  • Slick Black is a matte, all-black shade. It’s rich and dark. It’s not like the original Greasepaint Stick from Style Black, because the original Greasepaint Stick is a black base with flecks of blue and violet shimmer. It reminded me a lot of Blacktrack fluidline, though.
  • Uniformly Blue is a medium-dark navy blue over a blackened blue-gray base with flecks of blue shimmer/sheen. Compared to B, it is a darker version; Uniformly Blue has a blackened base that the blue shade sits over. It’s close enough, though, that unless you’re a huge fan of Greasepaint Sticks, you only need one of the two.
  • Zinc Zone is a gunmetal silver over a lightly blackened base with silver and black shimmer/sheen. This is a fun shade, and I think it would make a nice base for a very dramatic, near-black smoky eye.

The good: I loved the variety of the shades offered in the collection. There are eight to choose from, so you aren’t stuck with just one or two like in the past. On me, I find they wear quite well–no real budging, smudging, or transferring throughout the day. They’re very smooth, soft, and easy to apply without tugging on the eyelid too much.

They’ve also improved the scent/smell of the Greasepaint Sticks this time–which is huge. My previous Greasepaint Sticks have a funky scent that’s unpleasant, but I didn’t notice any scent on these (whereas the scent on the original shades is still overwhelming!). These might have the faintest scent if you’re particularly gifted in the smelling department, but I didn’t detect anything with my sniffer.

The bad: Even though a nice dark base can be useful, I don’t necessarily need eight different variations on the theme. I’ve always found that most darker bases eat color rather than enhance it, so you’re always left with some sort of darkened smoky eye. Personally, I find that they’re a bit too thick to use as eyeliner without having to do some clean-up after application with a cotton swab.

My picks: Below Ground, Brown Now, Greengrease, Zinc Zone

Skip if you have…: Charred Mauve if you have V, Uniformly Blue if you have B, Slick Black if you have Blacktrack (Fluidline)

How to Use Greasepaint Sticks

  • As an all-over eyeshadow base — think of them as darker versions of shadesticks
  • As a smudged out eyeliner — make sure to sharpen them (sharpener is found on the opposite end) so you don’t get too thick of a line
  • As a defined crease — draw it into the crease and then smudge with a brush and/or eyeshadow

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Monday, March 29th, 2010

Guerlain Ombre Perlees

For our Natural Beauties: Guerlain’s Take on Summer

This summer, Guerlain goes supremely natural with their Meteorites Perles Collection. It is definitely different from last summer’s Summer Splash Collection.

I think those who find summer colors too bright, shimmered, or the like will find the Ombre Perlees Eyeshadow Palette ($59.00) a refreshing experience. It contains four shades: a dusty pinked white with a near matte finish, muted pinky-brown with a near matte finish, softened gray lilac with a satin finish, and grayed taupe with subtle satin shimmer.

I’ve always found Guerlain eyeshadow to have a supreme texture–soft, silken, smooth, nearly buttery–and this quad is no exception. All four shades applied smoothly and had good pigmentation. These are not bright shades in the least bit, but they swatch exactly as you’d expect given the way they look in the palette. Like most limited edition eyeshadow palettes from Guerlain, the flower design is only an overlay and will disappear after a couple of uses.

The packaging is luxe and traditional to Guerlain’s line, except it’s metallic silver, not quite the typical “metal” feel. I personally like that while Guerlain keeps the same shape and style of its palettes, the color will change based on the collection itself. Included with the palette are two sponge-tip applicators, but like all sponge applicators, they’re nothing to write home about and could easily be left out as far as I’m concerned! Brushes, please!

Being a more high-end, luxury brand, Guerlain doesn’t come cheap, but at least they’ll give you a good amount of eyeshadow (0.24 oz. — for reference, a MAC eyeshadow is 0.05 oz.) and make it look pretty while they’re at it!  There are no real low points to this product–it’s a solid natural-toned eyeshadow palette.  Price is really the only negative that I can think of!

If you want to know more about how products are evaluated, read out Rating System FAQ! :)

  • Product: 29/30
  • Value: 8/10
  • Ease of Use: 4/5
  • Packaging: 5/5

Recommendation: If you’re cool-toned and looking for more natural shades to play up your eyes with, I think this should definitely be on your list of products to keep an eye out for. Warmer skin tones can still wear this quad, because all of the shades run closer to neutral than strongly cool, but it really strikes me as exceptionally beautiful on cooler skin tones–even more so on fairer skin tones.

Availability: April/May 2010

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Saturday, March 27th, 2010

Dior Crush Glow Palette

Summer Preview: Dior Crush Glow (659) Eyeshadow Palette

Dior’s Addicted to Dior Collection is a short and sweet collection of a mere eight pieces (that’s only $365 to own it all–the fact that I say “that’s only” indicates how deeply addicted I am to beauty!).  It includes two “luggage” tags that slide open and reveal lipgloss inside, available in Coral and Pink for $60, two Eyeshadow Quints in Ready-to-Glow (649) and Crush Glow (659) for $58, Golden Spotlight Extreme Eyeshadow for $28, Rose Trendsetter (574) High Shine Lipgloss for $28, Crystal Gloss (001) for $26.50, and Nude Glow, a Bergdorf Goodman’s exclusive, for $46.

While Ready-to-Glow looks like a slightly cooler variation of Crush Glow, Crush Glow is fabulously warm. This is excellent news for those warm-toned beauties, but cooler skin tones may want to swatch in person before deciding. I personally think that cooler skin tones can still wear this palette, and I’d recommend pairing the eyeshadows with a cooler cheek and/or lip to bring everything together.

There are five shades in the Crush Glow palette: a peachy-gold with a frosty finish; lightly iced pink with champagne shimmer; muted mostly pink coral with a low frost finish; plummy-mauve with brown with a light frost finish; and ambered bronze with more of a pearly sheen than frost finish. All five shades were well-pigmented, smooth to the touch, and easy to use.

I don’t always have good luck with Dior’s Quints, but Crush Glow is definitely a palette that appeals to me, on a personal level (I am a fiend for golds and coppers!). It’s a fitting color palette for summer, because it’s warm and shimmering.  I love that all five shades coordinate really well with each other.  Sometimes you find palettes that look lovely and swatch beautifully, but you’re not always sure how you’ll make them work together. It’s a very travel-friendly palette, because you can create easy daytime looks or smoke it up with the plummy or bronzy shades in the palette for a more sultry evening look.

I think this is one of Dior’s better palettes in the past few years that I’ve followed the brand.  The eyeshadows are high-quality with good color pay off, a smooth, buttery texture, and they work exceptionally well together.  This is a palette you can take with you on your summer travels or enjoy at home.

Though the official details indicated April 2010 as a release date, I already saw the “luggage tags” available on Nordstrom.com — so I think it’s safe to say we’ll be seeing Dior’s summer collection launch in full quite soon!

If you want to know more about how products are evaluated, read out Rating System FAQ! :)

  • Product: 29/30
  • Value: 8/10
  • Ease of Use: 5/5
  • Packaging: 4/5

Recommendation: All five shades do have a shimmery appearance, so those who prefer a mix of shimmers and mattes may find themselves wanting with this palette. If you say “No thanks!” to shimmer typically, I don’t see this palette changing your mind. On the other hand, if you say “Yes, please!” to shimmer and are looking to add some warmer toned eyeshadows to your collection, this is a nice palette to own.

Availability: April 2010

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