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MAC Local Wares Fluidline

MAC Local Wares Fluidline
MAC Local Wares Fluidline

Not Quite Black, Not Quite Brown Eyeliner

MAC Local Wares Fluidline ($15.00 for 0.10 oz.) is described as a “dirty olive with multidimensional pearl.” It’s a muted dark brown with a gray tinge and subtle gold sparkle. The sparkle isn’t really noticeable once it is applied. It reminded me of CoverGirl Brown, without the shimmer. This collection seems to lean on the warmer side, but this eyeliner reads cooler on me–it actually looks almost gray when I tried it out.

Fluidline is a gel eyeliner that’s supposed to be long-wearing and smudge-proof. It comes inside a clear glass jar with a black screw-top lid. Local Wares has a creamy, pliable texture that glides on and goes on mostly opaque (I used MAC’s 263 brush to apply to my lower lash line), though I did need to go back to get a fully opaque line.  There was no skipping or dragging, because it has a delightfully creamy consistency.  It wore for eight hours without smudging, migrating, or fading when I tested it yesterday.

This collection also includes Dark Diversion, which I’ve reviewed previously, and Rich Ground, which I did buy as well since I can’t remember reviewing it before–though Rich Ground is part of the permanent range.

MAC Fluidline (Discontinued) Local Wares
9.5
Product
9
Pigmentation
10
Texture
10
Longevity
4.5
Application
96%
Total

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Estee Lauder Violet Underground Eyeshadow Palette

Estee Lauder Violet Underground Eyeshadow Palette
Estee Lauder Violet Underground Eyeshadow Palette

Take Me to the Violet Underground

Estee Lauder Violet Underground Eyeshadow Palette ($48.00 for 0.15 oz.) consists of five shades ranging from pink to black to brown. The formula is long-wearing and is not supposed to crease while still blending easily.

The first shade is a vibrant fuchsia pink with a subtle metallic sheen. When applied dry, it’s slightly sheer and looks like it has a soft frost finish. When applied damp, it is incredibly opaque and vibrant with a soft metallic finish. MAC Moon Rose is just a little less fuchsia. MAC Tease With Ease is softer. NARS Caravaggio is darker. Urban Decay Woodstock is very similar. MAC Bright Fuchsia is also close.

Next to the fuchsia shade is a chocolate bronze with a metallic sheen. When applied dry, it still retains a subtle metallic finish and has excellent color payoff. When applied damp, it becomes more intense but doesn’t change too much. NARS Surabaya is similar but has a less metallic finish. Make Up For Ever #14 has less red in its base. theBalm Tres Moi is less red-toned and a smidgen lighter. Le metier de Beaute Bordeaux has a stronger red undertone. Chanel Ebloui is grayer.

Moving on, we arrive at a light beige-peach with soft, warm undertones and a frosted finish. It’s nearly the same whether it is used damp or dry, though it becomes just slightly more metallic when it is used wet. The pigmentation is full and opaque both ways. Bare Escentuals Stealth is more matte in finish and a little lighter. Dolce & Gabbana Jewels is a fraction lighter. MAC Say Yeah is frostier and has a subtle golden sheen. theBalm Luscious Lani is noticeably lighter and more metallic in finish.

In the middle is a dark black with subtle shimmer that’s just barely noticeable. It has good color payoff when used dry, though it is more intense when applied damp. When applied, it does intensify better with a brush than just in a swatch even when applied dry. It’s not quite as dark as MAC Dark Dare or Milani Pitch Black. It is darker than MAC Carbon.

The final shade is a rich violet with hints of blue and an underlying dark base. It had good pigmentation dry but had less depth, whereas when applied damp, it took on a much more intense, deeper look, though both dry and damp had similar metallic finishes. I felt that this was the least dupeable shade in the palette, because it is a darker purple with only a hint of blue. Giorgio Armani Ecailles Black Pearl is lighter, less blackened. MAC Starless Night is darker, not really blue–more black in its base (so you lose some of the purple). MAC Imaginary has no blue. Givenchy Lune Mordoree is bluer. Urban Decay Frigid is the closest but it lacks the blackened base.

I think this is one of the most stunning eyeshadow palettes that has launched in the past few years. It’s utterly breathtaking–whether or not these are the kind of hues you’d feel comfortable wearing or not, it’s a showstopper. What I love is that it does deliver on the color, and all five shades work well together; not just in one color combination but multiple ones. If you prefer subtle pops of color, there are two more neutral shades (beige and bronze) that can be accented by the richer shades (pink and violet) or darkened (black).

These wore impeccably, too!  I had no problem achieving nine hours of wear with no fading or creasing with or without a primer, and I used four of the five shades in the look (no black).  They were easy to blend, didn’t have any fall out, and applied with full color without having to pack it on.  It comes in a purple metallic case with a mirror on the inside and two dual-ended sponge-tipped applicators. The only criticism I could come up with was the pink shade could be better pigmented dry.

Estee Lauder Violet Underground Eyeshadow Palette

A+
10
Product
9.5
Pigmentation
10
Texture
10
Longevity
5
Application
99%
Total

Milani Gold Dust Powder Eyeshadow

Milani Gold Dust Powder Eyeshadow
Milani Gold Dust Powder Eyeshadow

Follow the Trail of Gold Dust to Find Your Way Home

Milani Gold Dust Powder Eyeshadow ($4.49 for 0.11 oz.) is a warm gold with orange tones and a frosted, metallic finish. Giorgio Armani #1 is similar, slightly darker. Clarins Enchanted Summer contains a gold that is similar but also a little darker. Dior Couture Gold has a slightly lighter shade. Milani Drenched in Gold is less orange-toned.

The color payoff is decent to good, and it will apply mostly opaque to lid with a little packing of color but not too much is required.  In my use of this shade, what I liked least was the texture, which was on the powdery side with some dryness (it’s quite apparent in the swatch).  I wish it had a better or more binding ingredients, so it would stick together better.  This would make it apply more smoothly, though the powdery texture makes it easy to blend–but there is a little fall out during application, and the color can be sheered out too easily if you are not careful.  It managed eight hours of wear without a primer and only showed some very subtle fading along the inner corner.

Milani Eyeshadow Caramel Brown
8.5
Product
8.5
Pigmentation
8.5
Texture
8.5
Longevity
4
Application
84%
Total

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Giorgio Armani Black Eyes to Kill Waterproof Liner

Giorgio Armani Black Eyes to Kill Waterproof Liner
Giorgio Armani Black Eyes to Kill Waterproof Liner

An Intense Black Eyeliner That Lasts All Day

Giorgio Armani Black Eyes to Kill Waterproof Liner ($28.00 for 0.04 oz.) is a rich, deep black. If you want an intense, no-bones-about-it kind of black, that’s exactly what this. It joins the likes of MAC Black Black and Urban Decay Perversion when it comes to richness.

The formula is soft and creamy–almost too creamy, because I worried about the wear of the product as I applied it–that it glides on like silk and melts against the lash line like butter, filling in any minuscule gaps. It sets after about a minute, and after testing it twice, it held up quite nicely for a full eight hours without migrating or smudging. It still looked 90% after twelve hours.  It doesn’t wear for a full eight hours on the water line, but it does look pretty good. From afar, the water line still looks mostly lined, though up-close you can see some gaps and areas where it has worn away. There isn’t a whole lot of information on this formula online, so I didn’t actually see whether this was water line safe or whether it was intended to be used there (so the assumption is that it is not water line safe).

It’s supposed to be water-resistant and long-lasting with a soft, creamy texture. All true: water-resistant to a point, such that water won’t make it smudge or smear, unless you go rubbing your eyes, then you will get subtle smudging, but sweat, steam, and a little “rain” (well, I closed my eyes and sprayed water on my eyes) don’t cause the eyeliner to fade, smudge, or smear.

Too bad this is limited edition! Why do brands put out limited edition products like this? It’s not like it’s an electric blue eyeliner that maybe won’t do so well. It’s black–it’s such a basic, staple item!  Boo!

Update:  The version I have will be released in October for the holidays. The pencil will be permanent and will come with a smudge-tip on the end when it launches in October. This information has come from Giorgio Armani.

Giorgio Armani Eyes to Kill Acqua Waterproof Eyeliner Black (01)
10
Product
10
Pigmentation
10
Texture
9.5
Longevity
5
Application
99%
Total

Bobbi Brown Blue Moon Long-Wear Cream Shadow

Bobbi Brown Blue Moon Long-Wear Cream Shadow
Bobbi Brown Blue Moon Long-Wear Cream Shadow

Bobbi Brown Blue Moon Long-Wear Cream Shadow ($24.00 for 0.12 oz.) is described as a “shimmering bright blue.” It’s a medium blue with a very subtle sheen. Make Up For Ever #25 is lighter, frostier. Maybelline Tenacious Teal is a little more aqua-blue in comparison. MAC Blue Candy is lighter. Wet ‘n’ Wild Fly me to the Moon is a step or two darker.

This shade goes on very sheerly, and it was difficult to build up the intensity. If you take a ton of product, you can get opaque color, but applying and smoothing it out on the lid ends up in as a rather patchy result. The best method that worked for me was to apply one layer, wait about 15-30 seconds, then apply a second, wait another 15-30 seconds, and apply a thrid, and possibly a fouth, layer. The problem with that method was there was some faint but noticeable creasing after six hours. When I used a sheer layer, there was very minor creasing–after eight hours, though.  Blue Moon had a soft, creamy texture that blended easily so long as you went for a sheer application.

Bobbi Brown Long-Wear Cream Eyeshadow Blue Moon
Blue Moon
Blue Moon
8
Product
8.5
Pigmentation
9.5
Texture
7
Longevity
3
Application
80%
Total

Giorgio Armani #28 Eyes to Kill Intense Eyeshadow

Giorgio Armani #28 Eyes to Kill Intense Eyeshadow
Giorgio Armani #28 Eyes to Kill Intense Eyeshadow

#28 is More Dazzling Than It Lets On

Giorgio Armani #28 Eyes to Kill Intense Eyeshadow ($32.00 for 0.14 oz.) is medium-dark, sparkling copper-tinged bronze. MAC Coil has more copper color in it. MAC Havana is darker. Benefit Dandy Brandy is similar but less shimmery. Make Up For Ever #15 is similar in color when sheered out. MAC Roasted Chestnut is a bit darker and more red-toned. MAC Buckwheat is a smidgen darker. Inglot #421 is richer, darker.

This particular shade had larger shimmer particles than a lot of the other Eyes to Kill Intense Eyeshadows have, which results in a greater sparkle effect, though it’s not quite as smooth. When applied dry, it doesn’t bind together as well as I’d like to see, and it comes out looking a little faded compared to the pot color and the way it looks when applied dampened. It takes on a darker brown base color when it is applied wet, though the color will stay looking the same way even when it dries down.

#28 has a drier texture–you can even tell in the pot, as it arrived kind of crumbled along the edges.  You can use the plastic stopper included in the pot to press it back down, but it’s not as well-bound as the other shades.  As a result, the color just doesn’t adhere as well when used dry. It takes some added moisture to make it come together. When I wore it to test the wear, it managed a full eight hours without fading or creasing, and I didn’t see any fall out underneath my eye, despite the sparkly finish.

Giorgio Armani Eyes to Kill Intense Waterproof Eyeshadow #28
#28
#28
8.5
Product
8.5
Pigmentation
9
Texture
10
Longevity
4
Application
89%
Total

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