MAC Deceit Pigment ($32.00 for 0.07 oz.) is described as a “blackened plum with pink pearl.” When applied dry, it’s a burgundy brown with a satiny sheen that’s almost matte, but it’s on the sheer side. When applied damp, it comes together more better for a really rich color of burgundy tinted by purple with a pearly sheen. It’s opaque and smooth. It’s less frosted but similar in color to Illamasqua Queen of the Night. I think it’s also pretty close to MAC Deep Purple, which I don’t own so I can’t confirm 100%, which is permanent at PRO stores. Make Up For Ever #11 is redder. The dry swatch is a bit like MAC Shadowy Lady. The texture seemed very, very finely milled–it is probably one of the softest and most finely milled pigments I remember by MAC.
I reviewed Dreamy initially, which I was really digging, and I like this one a lot, too–it’s not my personal favorite just by preference, but the quality is lovely and lives up to my readjusted expectations for Tarina Tarantino’s beauty line. I think Sephora is doing these palettes an injustice by not even taking the time to describe each palette’s colors! You just get this ridiculously tiny photo of the palette, but I think with a smaller brand like this, more would be better. I noticed this mostly because I like to start off each review with the brand’s official description of the shade as well as the formula. It helps me to breakdown what I should be looking for and hit on in the review.
Lancome Color du Jour Color Design Eyeshadow ($18.00 for 0.042 oz.) is described as a “metallic golden eggplant.” It’s a reddish-burgundy with copper sparkle. The color payoff is decent but on the sheerer side. I’d love it if the texture was denser, because it feels a bit dry here. It’s redder, less plum, compared to MAC Trax. The color is more like MAC Star Violet but with gold shimmer and less frost. I briefly tested this for a few hours to check on whether there would be fall out, and I’m happy to report that there was none after five hours of wear.
I wish they had included a few of their brighter Aqua Creams in the kit; it’s a very neutral set overall, and it seems to align with their Wild & Chic theme, but I can’t help but feel like they chould have included at least one real pop of color (like #22 Emerald Green). Otherwise, these swatched and felt like the Aqua Creams I’ve reviewed individually. None of my Aqua Creams have dried out since I’ve had them (and I’ve had 5-10 of them since they originally launched). They come in plastic containers, which is nice for the lightweight and portability that provides.
Pure Pigments are a multi-purpose product that can be used on eyes, cheeks, face, or body (or even hair/nails). Illamasqua says that they can be applied dry or wet (“for bolder color payoff”), but I wouldn’t recommend using them dry. Android applies better dry than some shades, though, but it is very, very sheer and lacks the multi-dimensional shimmer effect. It appears almost brownish-gray with a subtle sheen. I had good luck with this particular shade staying put simply used wet and applied onto the lid, though it started to crease after five hours. I would typically use this with MAC’s Mixing Medium (or an adhesive base of your choice), which would help it bind and adhere and still have the intense look of the damp swatch.