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Chanel Destination Illusion d’Ombre Eyeshadow

Chanel Destination Illusion d'Ombre Eyeshadow
Chanel Destination Illusion d’Ombre Eyeshadow

Chanel Destination Illusion d’Ombre Eyeshadow ($36.00 for 0.14 oz.) is described as a “pale-satin shade [that] adds a silver-blue accent to eyes.” It’s a subdued, silver-ish blue with a frosted, metallic finish. When sheered out, it’s almost more silver-white with just a hint of blue. MAC Bright Moon is darker, grayer. Buxom Husky is bluer and lighter–more sky blue. Urban Decay Strip is a bit darker. Urban Decay Mary Jane is also similar, a bit bluer–richer. Inglot #429 is more periwinkle.

I’ve been wanting to review this for awhile, but it’s been sold out online (sold out before I even received mine!) and though it was supposed to be available at regular counters/retailers, I’ve yet to see it pop up online. Luckily, when I checked this weekend, it’s back in stock on Chanel.com. Sometimes I love Illusion d’Ombres, and sometimes, they’re a bit of a miss. Destination is more of a miss for me, unfortunately.

The downfall of Destination is that it doesn’t apply opaque, even if you make an attempt to build it, because it doesn’t apply very evenly. It’s a little splotchy and patchy. As a result, it works better as a base color or applied very sheerly as a wash of shimmer. I think other shades within the formula do a better job of merely illuminating eyes if that was your goal. Destination wore for six hours well, but by eight hours, there was noticeable fading.

Chanel Illusion d’Ombre Long Wear Luminous Eyeshadow Destination
7
Product
8.5
Pigmentation
8.5
Texture
7
Longevity
3.5
Application
77%
Total

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Tarina Tarantino Tommy Jet Eye Dream Hyperliner

Tarina Tarantino Tommy Jet Eye Dream Hyperliner
Tarina Tarantino Tommy Jet Eye Dream Hyperliner

Tarina Tarantino Tommy Jet Eye Dream Hyperliner ($15.00 for 0.04 oz.) is described as “deepest black.” I’d argue it’s a dark black, but it’s not the richest, darkest black eyeliner I’ve come across. It’s not soft, and it’s a bit darker than medium black. There is a whole host of other black eyeliners that are comparable; most notably MAC Black Black, MAC Smolder, and Bobbi Brown Black. I promise: updated eyeliner comparisons are on my to-do list!

Long-time readers will remember that Tarina Tarantino’s Hyperliners have been my new favorite since the brand revamped their packaging and product range. I’ve been missing one shade for awhile, and I finally bought it a few weeks ago–just prior to learning about the brand’s exit from Sephora–but it’s still available and at the sale price of $9.  I’m a fan of the formula first and foremost because of the stellar wear and color payoff, and the price point and color range has made it my go-to for several months now.  

Tommy Jet wears for eight hours without fading, smudging, or migrating.  The color payoff of this particular shade is decent to good; it’s not as rich in a single stroke as some of the other shades, but it is buildable.

Tarina Tarantino Eye Dream Hyperliner Tommy Jet
Tommy Jet
Tommy Jet
A

Permanent

9.5
Product
9
Pigmentation
10
Texture
10
Longevity
4.5
Application
96%
Total

Giorgio Armani #1 Easy Chic Face & Eye Palette

Giorgio Armani #1 Easy Chic Face & Eye Palette
Giorgio Armani #1 Easy Chic Face & Eye Palette

A Dark, Somber Fall Face & Eye Palette

Giorgio Armani #1 Easy Chic Face & Eye Palette ($88.00 for 0.43 oz.) is a glossy black compact that features a light face powder to illuminate skin “with the signature ‘Armani Glow'” and three eyeshadows–two matte shades with “intense hues” and a satin-finished illuminator. This is one of two palettes released for fall; the second one seems to be a little warmer (from the descriptions, as I haven’t seen it).

The face powder is described as “ultra-fine, “transparent,” and listed as “sheer beige.” After reading the official description, it made a lot more sense to me–and I’m glad that the brand described the product as it actually was. It is a pale, neutral-cool beige with a very subtle satiny sheen. It will best suit light to medium complexions, but it is very finely-milled and sheer that it could be used on a variety of skin tones. The base color isn’t ashy or chalky, so even darker complexions can use it as a setting powder or the like. The finely-milled texture allows this to sit beautifully on the skin–very naturally–as it melts against the complexion. MAC Baby Don’t Go is pinker.

The first eyeshadow is supposed to be the “satinized illuminator,” which Armani describes as “soft beige.” It’s a warm, golden champagne with a frosted finish. The color payoff is really as described, which is decent to good, but it illuminates as it is supposed to. It has a soft, finely-milled texture that applies very smoothly. Tarina Tarantino Fantastical is very similar, a smidgen lighter. Giorgio Armani #18 is yellower. Tarina Tarantino Dreamy is similar, a bit cooler-toned. MAC Femme-Fi is close.

The second eyeshadow is a medium-dark warm-toned brown with a mostly matte finish, but there is a smatternig of fine golden shimmer strewn throughout–you don’t really notice when it is applied. It had a slightly stiff texture, though certainly finely-milled, which resulted in so-so pigmentation. Dior Golden Savannah is similar but more pigmented, so it appears a bit darker. Urban Decay Snakebite is warmer, richer.

The third eyeshadow is a deep, dark matte black. There are a few bits of shimmer, but like a lot of other shades in this family, the shimmer isn’t noticeable on. The texture was soft and smooth, with rich color payoff. It similar to shades like Le Metier de Beaute Fin, Urban Decay Blackout, and Milani Pitch Black.

The double-decker palette is sleek and convenient to use, and the four shades in the palette coordinate and complement each other well.  I would have loved to see the bottom compartment feature only eyeshadow, rather than two tiny sponge-tipped applicators, though.  It would make the palette a better value.  Overall, the quality of the products included is good–the only shade that fell short was the brown eyeshadow, which could have been a little denser, more buttery, or else more pigmented.  When I wore the eyeshadows, they wore for eight hours without creasing or fading (with or without a primer), and the face powder lasted eight hours and helped reduce late afternoon shine.

Giorgio Armani #1 Easy Chic Face & Eye Palette

A
9.5
Product
9
Pigmentation
9.5
Texture
9.5
Longevity
4.5
Application
93%
Total

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Le Metier de Beaute Nouvelle Vague Kaleidoscope Eye Kit

Le Metier de Beaute Nouvelle Vague Kaleidoscope Eye Kit
Le Metier de Beaute Nouvelle Vague Kaleidoscope Eye Kit

A Palette Inspired by the French Cinema

Le Metier de Beaute Nouvelle Vague Kaleidoscope Eye Kit ($95.00 for 0.49 oz.) consists of four eyeshadows inspired by “the spark present throughout the French cinema New Wave.” The colors can be worn alone or layered over each other (part of the brand’s methodology).

Nouvelle is described as a “sheer mink negative.” It’s a warm peach with a frosted finish and a kiss of pink. The color payoff is rich and opaque, not quite the sheer color they described it as (so for some, this is probably a good thing!). It had a lovely soft, finely-milled texture that felt buttery and smooth. Chanel Complice is similar but less reflective, a smidgen darker. theBalm Stubborn is warmer, less pink. Urban Decay Scratch is fairly close, though a little pinker.

Gamine is described as a “satin pink celluloid.” It is a blue-based cotton candy pink with a soft frosted finish. The color payoff was fantastic, and the texture was soft, smooth, and blendable. MAC Dynamic Duo 4 is sheerer, less frosted. Guerlain Boulevard du Montparnasse is similar, a smidgen darker. MAC for Miss Piggy is sheerer, less frosted. MAC Feather Pink is cooler-toned, almost lilac.

Icon is described as a “silky matte Parisian mauve.” It’s a soft pink-tinged mauve with a matte finish. It had a soft, smooth, and finely-milled texture that yielded rich color. Inglot #399 is frosted. Guerlain Boulevard du Montparnasse is similar but satiny. MAC Neo Nebula is shimmery. Urban Decay Bordello is darker and frosted.

Fin is described as a “smoldering black carbon.” It’s a rich, deep, dark black with a fine dusting of multi-colored shimmer (which you don’t really notice when it is applied). The pigmentation in this is so, so rich. The texture is soft, smooth, and not a bit powdery. As far as comparably rich in pigment black eyeshadows go, Urban Decay Blackout is similar but has a more matte finish; Milani Pitch Black is also similar; and Make Up For Ever #4 is entirely matte and has no shimmer at all.

The palette is high quality from top to bottom, and really, the only reason it lost any points was because of Nouvelle, which was described as sheer but is, in fact, quite pigmented–for most, this will be received as great news.  When I tested these shades for wear, they wore for eight hours with no fading or creasing.

Each eyeshadow is just over 0.12 oz., which is double the size of most eyeshadows.   To put it into perspective, a MAC quad is the equivalent of paying $200/oz., and the Kaleidoscope is $194/oz.  Note:  my packaging is sample packaging, while retail versions are packaged in the brand’s signature black; the packaging rating reflects the retail packaging.

Le Metier de Beaute Nouvelle Vague Kaleidoscope Eye Kit

A
10
Product
9
Pigmentation
10
Texture
10
Longevity
5
Application
98%
Total

Too Faced Fantasy Island Eyeshadow Duo

Too Faced Fantasy Island Eyeshadow Duo
Too Faced Fantasy Island Eyeshadow Duo

Take a Getaway to Too Faced’s Fantasy Island

Too Faced Fantasy Island Eyeshadow Duo ($17.00 for 0.08 oz.) is described as “peacock” and “gilded lime.”  I picked up several of Too Faced’s duos when they were on sale at HauteLook, and while they’re not quite as deeply discounted, they are on sale on Too Faced right now.

The left side is a blue-based teal with a subtle golden iridescent shimmer-sheen. Too Faced Neptune is actually a bit similar, but the finish is different–more of a sheen than a traditional frost; it also read a bit greener against my skin tone. Urban Decay Minx is a bit greener and has glitter. MAC Shimmermoss is slightly greener. L’Oreal Endless Sea is bluer. Inglot #413 is similar.

The right side is a pale gold with a dirty, green-ish tinge; it keeps it from being too yellow or too warm. It has a frosted, slightly metallic finish. bareMinerals Wicked is greener. Tarina Tarantino Wonderful is just slightly more mint-like, less yellowy. Inglot #364 is matte and greener. MAC Valiant is similar, slightly less green.

Too Faced describes the formula as being “pigment-drenched [and] long-wearing.”  Both shades had excellent color payoff, and the textures were soft, dense, and buttery.  They were a dream to use–they applied true-to-pan on the lid without having to pack them on, and I didn’t experience any fall out, creasing, or fading while I wore the two shades for eight hours (without a primer).  The finely-milled powder made these a cinch to blend, too!

Too Faced Fantasy Island Eyeshadow Duo

A+
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

L’Oreal Eternal Sunshine Infallible Eyeshadow

L'Oreal Eternal Sunshine Infallible Eyeshadow
L’Oreal Eternal Sunshine Infallible Eyeshadow

Sunny Days are Here!

L’Oreal Eternal Sunshine Infallible Eyeshadow ($7.99 for 0.12 oz.) is a light-medium yellowy gold with a frosted, metallic finish. It has a strong sunshine yellow coloring to it, so it’s warm, but it’s not orange. Tarina Tarantino Mr. Gold is similar, less metallic. MAC Sweet & Sour is very similar. Bare Escentuals Aspire is a bit lighter. Urban Decay Blunt is close.

Eternal Sunshine had excellent color payoff, and it applied smoothly and evenly both wet and dry.  When applied damp or wet, the metallic finish is more prominent, whereas when applied dry, it has more of a frosted look with less of a reflective sheen.  While these are advertised to wear for 24-hours, that’s a bit of a stretch, but I did put this shade to the test for sixteen hours.  It wore beautifully–no fading, no creasing.

L'Oreal Infallible 24-Hour Eyeshadow Eternal Sunshine
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

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