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Kat Von D Proud Peacock Waterproof Autograph Pencil

Kat Von D Proud Peacock Waterproof Autograph Pencil
Kat Von D Proud Peacock Waterproof Autograph Pencil

Kat Von D Proud Peacock Waterproof Autograph Pencil ($10.00 for 0.028 oz.) is described as a “deep gray green.” It’s a smoldering, blackened green-tinted teal with a pearly sheen. Make Up For Ever #20L is similar in color but less shimmery. Make Up For Ever #4K is matte and less blackened. Urban Decay Loaded is darker. Urban Decay Invasion is less green and more matte. MAC Dark Envy is a gel eyeliner, but it is similar in color–slightly greener. See comparison swatches.

During Sephora’s sale earlier this year, I saw this formula and loved that they came in smaller sizes because the price tag was also smaller–and you know me, I love all things teal. It was surprisingly a let-down, because the texture was waxy but stubborn so it tugged and pulled at the lash line. Then, the color payoff was uneven and semi-opaque. I really couldn’t build-up the color well enough to get rich, opaque color. It’s supposed to last eight hours and be waterproof, too, and on me, it lasted six hours well, and it had migrated to the outer corners somewhat by the eighth hour. It seemed water-resistant but did smudge slightly when I rubbed at it with water.

Kat Von D Waterproof Autograph Pencil Proud Peacock
Proud Peacock
Proud Peacock
6.5
Product
7
Pigmentation
6.5
Texture
6
Longevity
3
Application
64%
Total

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Chanel Cool Gold Stylo Eyeshadow

Chanel Cool Gold Stylo Eyeshadow
Chanel Cool Gold Stylo Eyeshadow

Chanel Cool Gold Stylo Eyeshadow ($34.00 for 0.05 oz.) is described as a “luminous gold.” It’s a medium, yellow gold with a frosted, metallic finish and warm undertones. NARS Corcovado is brighter, yellower. Maybelline Gold Rush is darker, more molten. MAC Goldmine is less frosted and a powder. Chanel Pearl River #3 is similar but a powder. Chanel Blazing Gold is very similar but a powder. OCC Triptych is darker and also a powder. bareMinerals Remix is browner. Make Up For Ever #10 is yellower, less orange. Inglot #403 is yellower. See comparisons swatches.

This is a new formula for Chanel, and it’s described as lightweight, long-wearing, and designed to “[highlight] eyes with gleaming color” as well as “[create] a shimmering veil on lids.” I bought three when the collection initially launched, and Cool Gold was the first one I tried putting to the test. Swatched on skin, it had semi-opaque color when layered and semi-sheer when applied in a single pass, which seemed to align with the idea of a veil of shimmer on the lids. It’s a very soft, shimmery look. The consistency is soft and silky, and it feels water-like when applied; it even feels cool and has a lot of slip, but it doesn’t actually feel that movable on the lid. It blends well, but it doesn’t slide around–not even initially when creamier products can sometimes instantly settle into the creases. After eight hours of wear, it held up decently, but there was noticeable fall out (which was unexpected) and some light creasing on the inner lid (but not in the outer crease).

Chanel Stylo Eyeshadow Cool Gold
Cool Gold
Cool Gold
8.5
Product
10
Pigmentation
10
Texture
6.5
Longevity
5
Application
89%
Total

Guerlain Cuivre Ora Iridescent Loose Eyeshadow

Guerlain Cuivre Ora Iridescent Loose Eyeshadow
Guerlain Cuivre Ora Iridescent Loose Eyeshadow

Guerlain Cuivre Ora Iridescent Loose Eyeshadow ($35.00 for 0.02 oz.) is a rich, medium-dark copper with a frosted, metallic finish. NARS California is browner. MAC Star Myth is very similar. MAC In the Sun is darker, browner. MAC Red Hot Copper is slightly redder. MAC Brasuh is slightly more orange. Le Metier de Beaute Innocence is redder. See comparison swatches.

The color is gorgeous, and the payoff is rich and intense–a little goes a long way–and it is incredibly finely-milled so it applies smoothly and evenly while being easy to blend. It lasted a full nine hours without creasing or fading. My issue with the project is the horrible packaging. It’s the same type of packaging that bareMinerals uses for their High Shine Eyecolors, and the problem is that as you unscrew the cap, it nearly springs open, and so much product gets loosened and pulled out with the sponge-tip applicator along the rim as well as just strewn outside of the tube.  Trying to apply with the sponge-tipped applicator is messy and ends up using a lot of product that you just don’t need.  I use a separate eyeshadow brush and lightly pat it against the applicator to get only as much as I need, and this also allows for more precise and controlled application.

It’s one of the worst types of packaging I’ve ever come across, and it was so disappointing to see Guerlain opt for this. I think the packaging is so poor and wasteful that on that alone, I wouldn’t purchase it–with a mere 0.02 oz. of product for $35, there’s not much to waste. (And it’s a shame, because there’s one other shade, which looks far more interesting/less dupable, but the packaging is making it so hard to pull the trigger.)  There’s no packaging-specific component for the Glossover any more, but I do take into account packaging that actually affects the overall quality of the product or application.

Guerlain Iridescent Loose Eyeshadow Cuivre Ora
Cuivre Ora
Cuivre Ora
8.5
Product
10
Pigmentation
10
Texture
10
Longevity
3
Application
92%
Total

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Illamasqua Paranormal Eyeshadow Palette

Illamasqua Paranormal Eyeshadow Palette
Illamasqua Paranormal Eyeshadow Palette

Illamasqua Paranormal Eyeshadow Palette ($46.50 for 0.20 oz.) is supposed to have four waterproof eyeshadows that “[feel] like a cream” but “[delivers] waterproof washes of color with long-lasting hold.” The formula feels like a hybrid between a mousse and cream, and then it somewhat dries down to a powder finish, but I did experience noticeable creasing across all four shades by the eighth hour of wear. They didn’t start smudging the minute water hit them, but if you rub, they do move somewhat. The texture did make it ease to blend these shades across the lid, both with each other and across the skin for an even layer of color. I was able to build to semi-opaque to mostly opaque color coverage, but none of the four shades were totally opaque.

Paranormal is a warm-toned, coral-pink with pink and gold shimmer. It had good color payoff and went on smoothly. MAC Gameela is similar in color but is matte and a powder eyeshadow. Sugarpill Decora is not as coral/warm-toned and is a loose powder. See comparison swatches.

Aura is a copper-shimmered, medium-dark orange. It had good pigmentation and blended out smoothly. MAC Magnetic Attraction is pinker, less orange. MAC Body Conscious is browner. MAC Ablaze has no shimmer and is a powder product. Guerlain Terra Azzurra #3 is slightly pinker and a powder eyeshadow. Make Up For Ever #5 is lighter and matte. See comparison swatches.

Possession is a yellowy green with cool-toned emerald green shimmer. The color payoff was so-so, but it applied evenly overall. It’s an interesting color because the base is warm-toned but the shimmer makes it appear more cool-toned. MAC Swimming is warmer. MAC Wondergrass is rather similar but a powder product. MAC Hajar Karim is darker and matte. MAC Feeling Fresh is cooler-toned. Illamasqua Fledgling is matte, darker, and cooler-toned. OCC Foxfire is not as yellow-toned. Sugarpill Tipsy is more intense. Make Up For Ever #91 is similar but matte.
See comparison swatches.

Trance is a medium-dark purple with cool, pink undertones and a fine silver and purple shimmer. It had so-so pigmentation but applied smoothly and was easy to blend. Urban Decay Omen is a bit cooler-toned, less pink. Sugarpill Hysteric is more metallic and pinker. Inglot #441 is brighter. L’Oreal With a Twist is lighter, more metallic. See comparison swatches.

Illamasqua Eyeshadow Quad Paranormal
Paranormal
Paranormal
8
Product
8
Pigmentation
8.5
Texture
7
Longevity
4
Application
79%
Total
See All Glossovers

Also In This Review

B-

Paranormal

Limited Edition
Read Review
B-

Aura

Limited Edition
Read Review
C+

Possession

Limited Edition
Read Review
C+

Trance

Limited Edition
Read Review

Giorgio Armani Fatal (12) #4 Eyes to Kill Palette

Giorgio Armani Fatal (12) Eyes to Kill Palette
Giorgio Armani Fatal (12) Eyes to Kill Palette

Giorgio Armani Fatal (12) Eyes to Kill Palette ($59.00 for 0.0.21 oz.) consists of four shades is part of the Shimmer palette series.  The quad is supposed to contain “iridescent, eye-catching colors with electric shine and shimmer.”  Something I’ve noticed with Giorgio Armani palette is that they always come together better on the lid and applied than they initially seem just swatched.  The texture has something to do with that, I imagine, as they’re very soft and velvety–easy to blend and work well together. When I wore the palette together, the shades lasted well for eight hours but had slight fading that was noticeable after nine hours.

Fatal #1 is a cool-toned, plummy brown with a pearly finish. It had good color payoff, but it could have been a bit more pigmented for really true-to-pan intensity. theBalm Just This Once Jamie is a little lighter. Urban Decay Stray Dog is browner. MAC Universal Appeal is more plum. MAC Daylight is lighter. Chanel Raffinement #1 is darker, browner. See comparison swatches.

Fatal #2 is a pale, cool-toned pink-tinted white with a pearled finish. It was semi-sheer and slightly powdery. There is no shortage of similar shades to this. Shades like Tom Ford Enchanted #1, MAC Fresh & Mint #2, MAC Fresh Ice, Dior Garden Pastels #3 are all slightly cooler-toned, more lavender than pink. Then shades like NARS Douce France #1 (matte), MAC Stratus (darker), MAC Let’s Skate (cream), MAC Seedy Pearl, MAC Radial Pink (lighter), MAC Maribu (more frosted), and Dior Aurora #3 are all close. See comparison swatches.

Fatal #3 is a soft, medium-dark lavender purple with gold shimmer. It had good color payoff and applied smoothly to the lid. This almost appears warm-toned, which isn’t common to see in a lavender. Urban Decay Tainted is pinker. Urban Decay Grifter is more frosted. Giorgio Armani #1 Spring 2013 #1 is lighter, cooler-toned. Benefit Fancy Pansy is cooler-toned. See comparison swatches.

Fatal #4 is a dark, cool-toned purple with a nearly matte finish. It had good pigmentation but was a bit powdery. The shade blended out easily, though, as a result. theBalm Lavish Latoya is more frosted, less purple. Urban Decay Gravity is more shimmery. NARS High Society #3 isn’t as cool-toned. MAC Dynamic Duo #4 #12 is darker, less purple.  MAC Drawn to Drama is cooler-toned. MAC Ron Ron Run is slightly darker. L’Oreal Perpetual Purple is more shimmery. Giorgio Armani Green Jacquard #4 isn’t as cool-toned. See comparison swatches here.

Giorgio Armani Eyes to Kill Eyeshadow Shimmer Palette Fatal (12)
Fatal (12)
Fatal (12)
9
Product
9
Pigmentation
9
Texture
9
Longevity
5
Application
91%
Total
See All Glossovers

Also In This Review

A-

Fatal #1

Permanent
Read Review
B

Fatal #2

Permanent
Read Review
A

Fatal #3

Permanent
Read Review
A-

Fatal #4

Permanent
Read Review

Clinique Pink and Plenty & Lavish Lilac Chubby Stick Shadow Tints

Clinique Pink and Plenty Chubby Stick Shadow Tint
Clinique Pink and Plenty Chubby Stick Shadow Tint

Clinique Pink and Plenty Chubby Stick Shadow Tint ($16.00 for 0.10 oz.) is described as a “pink with golden sheen.”
Chanel Abstraction is warmer, almost coral-like in comparison. Urban Decay Scratch is warmer, doesn’t have a golden sheen, and is a powder product. Lancome Kitten Heel is lighter but has a golden sheen, and it is also a powder eyeshadow. Make Up For Ever #24E is very comparable. MAC Da BLing doesn’t have the same golden sheen and is a powder eyeshadow. See comparison swatches here.

Clinique Lavish Lilac Chubby Stick Shadow Tint ($16.00 for 0.10 oz.) is described as a “medium lilac.” It’s a smoky plum with a metallic sheen and neutral-to-cool undertones. BareMinerals Chroma Violet is warmer, purpler. bareMinerals Romp is very similar but a powder product. MAC Round Midnight is darker and a powder eyeshadow. MAC Joy & Laughter #2 is slightly lighter and a powder product. MAC Winterized is a smidgen darker and a powder product. NARS 413 BLKR #1 is lighter and a powder eyeshadow. Urban Decay Rapture is purpler and a powder product. See comparison swatches here.

Pink and Plenty was semi-sheer in one stroke, and on the lid, it was a crumbly, flaky mess that was very unflattering on the lid! It made the lid look dry and crepe-y. It tugged at the lid, and in an attempt to even out the color, it clings to itself and doesn’t smooth out well. I wish this was easier to blend, because I could definitely see someone using this as a one-and-done wash of color that adds color and brightens. It “lasted” during the twelve hours I wore it without (further) creasing/fading, but it started off so patchy that it was hard to tell–I just went back the fact it looked exactly the same initially and twelve hours later.

Lavish Lilac was mostly opaque in a single pass, and it applied smoothly and evenly on the lid. The consistency of the pencil is somewhat dry but waxy, so it glides across the lid without tugging too much, but it’s not the creamiest or most comfortable pencil shadow I’ve come across. Like others in the range, it’s also not very blendable–it tends to stay and stick where you’ve applied it, so fading out the edges can take some elbow grease. One trick is to heat up the pencil with a blow dryer or used a similar-colored powder eyeshadow to help diffuse the edges. I didn’t experience any creasing or fading with this shade over the twelve hours I wore it.

Clinique Chubby Stick Shadow Tint Pink and Plenty
Clinique Chubby Stick Shadow Tint Lavish Lilac
Lavish Lilac

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