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Dior Peacock (434) Eyeshadow Palette

Dior Peacock (434) Eyeshadow Palette
Dior Peacock (434) Eyeshadow Palette

Dior Peacock (434) Eyeshadow Palette ($60.00 for 0.21 oz.) is a mix of warm, summery shades with a muted quality and earthy tones. It is new and limited edition this summer and contains five eyeshadows.

Peacock (434) Eyeshadow #1 is a light-medium green with warm, yellow undertones and a pearly sheen. It had good pigmentation and applied very smoothly. bareMinerals Wicked is slightly more frosted and less warm-toned. Buxom Shih Tzu is a cream eyeshadow and slightly darker. Dior Garden Pastels is darker. MAC Juxt is very comparable in color.

Peacock (434) Eyeshadow #2 is a pale, yellowy beige with a soft micro-shimmer. It is semi-sheer, so it tends to work best on fair skin or as a brow bone highlighter. MAC Dew is more frosted. MAC Dazzlelight is a touch lighter (it’s more pigmented, so it’s hard to tell).

Peacock (434) Eyeshadow #3 is a pale aqua-green that flashes to greenish yellow with a golden sheen. It looks like a minty green in the pan, but it is much yellower swatched. It had good pigmentation and applied smoothly. Dior Blue Lagoon #5 is similar. Too Faced Fantasy Island #2 is slightly darker.

Peacock (434) Eyeshadow #4 is dirty blue with a hint of green/teal and a satiny sheen. It had so-so color payoff but appeared more muted swatched and applied than it did in the pan. Chanel Metamorphose #1 is brighter, lighter. bareMinerals Editor’s Pick is bluer, much darker. Tom Ford Emerald Lust #2 is more teal-hued.

Peacock (434) Eyeshadow #5 is a pale yellow-green with a satin sheen. It had good pigmentation, and while it applied smoothly and evenly, it was somewhat powdery. It can be quick to sheer out if you blend it, so blend around the edges and pat the product on initially to minimize excess powder fall out and diffusing the color too much. Chanel Metamorphose #3 is darker. MAC Juxt is greener. Inglot #364 is matte.

It’s a decent to good palette, but it didn’t wow me.  The beige eyeshadow was rather sheer, while the center shade had more color payoff but wasn’t opaque.   The darkest shade in the palette was just so-so in pigmentation as well.  The remaining two eyeshadows were better.   Unfortunately, the texture of the palette, overall, was powdery, so I did see issues with the colors fading after seven to eight hours in a noticeable capacity.  There is also some fall out during application that makes this a palette better applied prior to base makeup, just so clean up easier.

Dior 5 Couleurs Eyeshadow Palette Peacock (434)
Peacock (434)
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Make Up For Ever #53 Aqua Cream

Make Up For Ever #53 Aqua Cream
Make Up For Ever #53 Aqua Cream

Make Up For Ever #53 Aqua Cream ($23.00 for 0.21 oz.) is described as a “pale green shimmer.” It’s a soft, sea foam green with cool undertones and a pale golden shimmer that gives it a frosted finish. Sugarpill Lumi is similar but more translucent. Lancome Fashion Forward is a touch lighter. Fyinnae Jade Ghost is warmer.

The consistency is lightweight, creamy, not too thick or too thin, and can be applied as a sheer wash or layered for more opaque color. It dries down quickly (between fifteen and thirty seconds), so I recommend working quickly and blending any edges as you go to avoid it becoming unmovable! Once it dries down, it isn’t going to go anywhere (I tested it for twelve hours); no smudging, budging, or creasing from there on.

Make Up For Ever Aqua Cream #53
#53
#53
9.5
Product
9
Pigmentation
9.5
Texture
10
Longevity
4.5
Application
94%
Total

Make Up For Ever #52 Aqua Cream

Make Up For Ever #52 Aqua Cream
Make Up For Ever #52 Aqua Cream

Make Up For Ever #52 Aqua Cream ($23.00 for 0.21 oz.) is described as a “blue green shimmer.” It’s a rich, emerald green with a frosted shimmer-sheen finish. Milani Green Safari is a brighter, warmer green. Wet ‘n’ Wild Bright Idea is duller. Wet ‘n’ Wild Earth Looks Small From Down Here is similar but less frosted. Urban Decay Graffiti is comparable but a powder product. Inglot #385 is matte, so it is much darker in appearance.

#52 is very pigmented, but it is also buildable, depending on how much product you apply. It starts off with a creamy, glide-on consistency that remains blendable for fifteen to thirty seconds (so work quickly). Once it sets, it doesn’t budge, smudge, or move–it won’t blend, either, if you wait too long. I recommend applying in thin layers to build up the color to avoid potentially applying too much, because it can sometimes clump in places if applied too heavily (making your eyelids look dry and flaky).  I tested #52 for twelve hours, and I didn’t experience any fading, smudging, or creasing during that time.

Make Up For Ever Aqua Cream #52
#52
#52
9.5
Product
10
Pigmentation
9.5
Texture
10
Longevity
4.5
Application
97%
Total

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Make Up For Ever #52L Aqua Eyes Liner

Make Up For Ever #52L Aqua Eyes Liner
Make Up For Ever #52L Aqua Eyes Liner

Make Up For Ever #52L Aqua Eyes Liner ($19.00 for 0.04 oz.) is described as a “blue-green sheen.” It’s a green-tinged teal with a little undertone of blue and a subtle pearled sheen. If you have Urban Decay Covet, this may be too similar; Covet is ever-so-slightly greener and darker, while Tarina Tarantino Spark of Envy (you can see me wearing it here) is very nearly a dupe for this (at a certain angle, #52L appears to have a slightly greener tone, but it’s hard to tell and would, personally, call them 100% dupes). MAC Minted is darker, greener. MAC Float on By is slightly lighter.

This is a new and limited edition shade for summer, which is a bummer, because it’s a truly gorgeous shade, and it’s no wonder–I’m obsessed with Tarina Tarantino’s Spark of Envy, so it was no surprise that the moment I applied this, I was all “Oooh, ahhh,” about the color, but for some, Make Up For Ever is more accessible and easier to purchase.  It’s also a good alternative to the recently discontinued Covet by Urban Decay.

It had really good pigmentation in a single pass, and it was very easy to build it to fully opaque color in one and a half to two passes of the pencil across the lash line. The pencil glided on without tugging or pulling at the lash line, and it was a mix of waxy and creamy so it was easy to apply but still stayed put. It lasted nine hours well on my lash line without smudging.

Make Up For Ever Aqua Eyes Eyeliner #52L
#52L
#52L
9.5
Product
9.5
Pigmentation
10
Texture
10
Longevity
5
Application
98%
Total

Chanel True Blue (57) Stylo Yeux Waterproof Eyeliner

Chanel True Blue (57) Stylo Yeux Waterproof Eyeliner
Chanel True Blue (57) Stylo Yeux Waterproof Eyeliner

Chanel True Blue (57) Stylo Yeux Waterproof Eyeliner ($30.00 for 0.01 oz.) is described as a “turquoise blue.” It’s a light-medium blue with silver and blue sparkle and shimmer. It doesn’t look teal or have any real flash of green to make a turquoise kind of color. This blue eyeliner comparison post features swatches of a lot of shades that compare with this one, most notably YSL #9 (more turquoise), bareMinerals 4AM (more opaque, so it appears bluer), and then Make Up For Ever #7L/Tarina Tarantino Kanzashi/Urban Decay Electric (all brighter blues).

This pencil was a painful, frustrating experience in why high-end doesn’t always equate to better. The consistency of the pencil is very, very dry and stiff. It tugged, pulled, and was incredibly difficult to apply with even, opaque color (and I would have settled for sheer but even). It almost feels like it’s scraping along the lash line. When you swatch an eyeliner on your arm, the amount of pressure you find yourself using is often much more than you would to the lash line (whether lower or upper), and I couldn’t even get it to build up well in a swatch. I should know better than to buy this, given how disappointed I was with Or Rose in December–but I am a SUCKER! for blues and teals in eyeliner form. On the upside, it wears well; doesn’t seem to fade, smudge, or budge from where it gets applied–it just never, ever looks even, smooth. It always looks jagged and dry.

Chanel Stylo Yeux Waterproof Long-Lasting Eyeliner True Blue (57)
3
Product
5
Pigmentation
1
Texture
8.5
Longevity
2
Application
43%
Total

Chanel Metamorphose (44) Les 4 Ombres Eyeshadow Quad

Chanel Metamorphose (44) Les 4 Ombres Eyeshadow Quad
Chanel Metamorphose (44) Les 4 Ombres Eyeshadow Quad

Chanel Metamorphose (44) Les 4 Ombres Eyeshadow Quad ($59.00 for 0.04 oz.) is a new and limited edition palette exclusive to Chanel.com from their summer collection. It features four shades of eyeshadows in varying finishes that can be “applied dry for subtle shading, or dampened for more intense colour, all with long-wearing results.” Outside of the U.S., this quad and its formula will be very familiar, while those within the U.S. will note that the shape, texture, and feel of the formula is different. This is, essentially, the baked formula, compared with the traditional power eyeshadow that we typically see in the quads here in the U.S.

Metamorphose (44) #1 is a medium-dark, cool-toned green with a hint of blue/teal and a frosted sheen. It had semi-sheer color payoff applied dry, and it was more opaque applied damp, but it could have applied more evenly and smoothly. Tom Ford Emerald Lust is a touch darker. MAC Sweet & Sour is greener. Dior Garden Pastels #5 is very slightly warmer/greener. Tarina Tarantino Violet Storm is cooler-toned.

Metamorphose (44) #2 is a cool-toned, green-tinged, pale gray. It looks more like a mint green in the pan, but it comes off rather grayish when I applied it. The color payoff is very sheer when used dry, and then it is decent to good in opacity when applied damp. Giorgio Armani #10 is more metallic. Dior Cruise is similar. is a bit darker (and a cream product).

Metamorphose (44) #3 is a lightly warmed-over yellowy-green with a frosted sheen. It was sheer to semi-sheer when applied dry, and it was more opaque when applied damp. Too Faced Fantasy Island #2 is more metallic but very close in color. bareMinerals Wicked is more intense, greener. Wet ‘n’ Wild Comfort Zone #6 is much darker, greener. MAC Juxt is brighter and much warmer. MAC Valiant is very similar.

Metamorphose (44) #4 is a deep navy blue with cool undertones and a satiny finish. It had decent pigmentation when applied dry, but it was much more intense when applied damp. Urban Decay Evidence is a more pearled sheen. MAC Naval Blue is more frosted. MAC Lunar is darker. bareMinerals Climax is more pearled. Guerlain Les Ombres de Nuit #3 is darker–more blackened. Make Up For Ever #81 is darker.

Generally, the baked eyeshadow quads are less intense and pigmented than the regular powder eyeshadow quads. To an extent, I would agree. These really have to used damp to see decent color payoff, as when they are applied dry, they are subtle and on the powdery side. From my own experiences, I tend to prefer the powder eyeshadows over baked ones as well for both blending, wear, and color payoff. Metamorphose had faded noticeably when I checked at the eight-hour mark.  The texture was always on the drier, powdery side, and when applied damp, it didn’t blend out as easily as Chane’s best eyeshadows do.

P.S. — 0.04 oz.? Ouchhh! I know that baked eyeshadows tend to weigh less, but whoa does that seem crazy small. They look like a normal-sized eyeshadow, all domed and the like, but the weight is (somewhat) concerning.

Chanel Les 4 Ombres Eyeshadow Quad Metamorphose (44)
8
Product
8.5
Pigmentation
8.5
Texture
7
Longevity
4
Application
80%
Total
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