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Bobbi Brown Rich Chocolate Eye Palette

Bobbi Brown Rich Chocolate Eye Palette
Bobbi Brown Rich Chocolate Eye Palette

Bobbi Brown Rich Chocolate Eye Palette ($52.00 for 0.28 oz.) contains seven eyeshadows with five matte eyeshadows, one Shimmer Wash eyeshadow, and one Sparkle eyeshadow, plus a dual-ended brush all held in a glossy black palette. The matte eyeshadows are nicely pigmented and have a soft, smooth feel to them, though all of them were so soft that they had a tendency to also be somewhat powdery. The two shimmery shades were much less pigmented and had a drier, stiffer texture that made it difficult to pick up color–I really had to jab at the pan to get anything to loosen. Luckily, despite being somewhat powdery, the matte eyeshadows still wore well on the lid–they were not prone to fading as powdery eyeshadows sometimes can be. They lasted well for eight hours with very minor fading along the edges but no creasing. Unfortunately, when two of the seven eyeshadows are disappointing, it may make the whole palette a no-go. If you really love warm neutrals, though, you may still be tempted.

Bone is described as an “off white.” It’s a light beige with a matte finish. It had good color payoff, though the texture was incredibly soft and silky, it was powdery. I highly recommend applying in layers to minimize excess powder fall out. This shade is part of the permanent range. Urban Decay Broken is warmer, more shimmery. theBalm Adagio is similar. Urban Decay Kinky is similar, slightly cooler-toned. Urban Decay Walk of Shame is more beige. MAC Vanilla is slightly warmer. L’Oreal Endless Pearl is yellower. bareMinerals Chance is cooler-toned. Inglot #355 has a slight sheen. See comparison swatches.

Stone is described as a “medium ash brown.” It’s a medium, neutral-toned brown with a matte finish. It had fairly good pigmentation though the texture was slightly powdery but very soft. LORAC Taupe is similar. bareMinerals Get Ahead is cooler-toned. Urban Decay Faint is cooler-toned, darker. MAC Moleskin is lighter. Inglot #342 is slightlyd arker. See comparison swatches.

Frappe is described as a “medium ash beige.” It’s a light-medium brown with soft, yellow-peach undertones and a matte finish. It had decent to good color payoff, but the texture was powdery. MAC Layin’ Low is a cream product, warmer. Inglot #337 is darker, more red-toned. Edward Bess Cosmic Bliss #1 is lighter. MAC Arena is shimmery. See comparison swatches.

Caramel is described as a “silvery brown sparkle.” It’s a silver-sparkled, medium-dark brown with warm, yellow undertones. The color payoff was incredibly disappointing as the product was stiff and dry, so even to get something to show up, I really had to scrape the product out of the pan. The sparkle doesn’t bind with the underlying powder at all, so the end result is a very uneven amount of sparkles. Burberry Pale Nude #1 has no sparkle. Bobbi Brown Praline is more shimmery, less sparkly. See comparison swatches.

Champagne Truffle is described as a “warm pink beige.” It’s a light-medium copper with warm, orange undertones. This was in a previous palette, and it looked much darker and was much more pigmented, so I don’t know why this iteration is so poor in comparison. It was semi-sheer, and the texture was stiff and hard to work with. Disney All Aglow is similar. Disney Wanderin’ Free is lighter. Urban Decay Moonflower is darker. bareMinerals Golden Iris is more golden. See comparison swatches.

Cocoa is described as a “warm ashy brown.” This shade is part of the permanent range. Bobbi Brown Bittersweet is a cream product and slightly shimmery. LORAC Sable is lighter. MAC Swiss Chocolate is yellower. Make Up For Ever #162 is darker, redder in tone. See comparison swatches.

Rich Chocolate is described as a “dark brown.” It’s a deep, dark, burgundy brown with a matte finish. It had really intense color payoff, but like the other mattes, though the powder was soft to the touch, it was powdery. theBalm Matt Batali is cooler-toned. MAC Set to Dance is darker. MAC Graphology is darker, cooler-toned.
MAC Embark is less red-toned. Make Up For Ever #162 is browner. See comparison swatches.

Bobbi Brown Eyeshadow Palette Rich Chocolate
8
Product
8.5
Pigmentation
7.5
Texture
8.5
Longevity
4
Application
81%
Total
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Also In This Review

B+

Bone

Permanent
Read Review
A-

Stone

Limited Edition
Read Review
B+

Frappe

Limited Edition
Read Review
F

Caramel

Limited Edition
Read Review
D-

Champagne Truffle

Limited Edition
Read Review
B+

Cocoa

Permanent
Read Review
B+

Rich Chocolate

Limited Edition
Read Review
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Wet ‘n’ Wild Hard Being the It Girl Color Icon Eyeshadow Trio Quick

Wet 'n' Wild Hard Being the It Girl Color Icon Eyeshadow Trio
Wet ‘n’ Wild Hard Being the It Girl Color Icon Eyeshadow Trio

Wet ‘n’ Wild Hard Being the It Girl Color Icon Eyeshadow Trio ($2.99 for 0.12 oz.) contains a light-medium pink, cobalt blue, and yellow-y beige, all with matte finishes. The eyeshadows suffer from a really poor texture that is very powdery (almost dusty!), somewhat chalky, and a pain to use. Through a lot of different attempts at using the trios from the summer collection, your best bet is applying the eyeshadows over a creamy, slightly tacky white base (whatever that may be for you), as regular primers (like Urban Decay Primer Potion, Too Faced shadow Insurance, NARS Smudge Proof) do not work well with these–they only prolong wear by a few hours but don’t boost the color payoff enough. A tackier base will help minimize the powder sheering away or not adhering to the lid, while the white coloring will amplify the colors.

Wet ‘n’ Wild proclaims long-wear and high pigment with the Color Icon formula–which has proved to be true in the past–but is a miss here. Alone, these eyeshadows are nearly gone (with some settled into the creases) within three to five hours; with a primer, make it six to seven hours with half the product remaining and it always looking like a faded version of what you see in the palette.

Hard Being the It Girl #1 is a light-medium pink with subtle cool undertones and a mostly matte finish. It had good color payoff, but it was somewhat chalky and powdery. See comparison swatches.

Hard Being the It Girl #2 a medium-dark, cobalt blue with a matte finish. It had seemingly good color payoff, but the texture was still quite powdery so this proved for difficult application–it would sheer out and disappear almost instantly. You really need a sticky/creamy base to capture all the powder before it disappears. Pat on, avoid blending a lot, just lightly diffuse along the edges. See comparison swatches.

Hard Being the It Girl #3 is a light beige with slight yellow undertones and a mostly matte finish. It performed much like the other two: incredibly powdery which made for poor application. See comparison swatches.

If you think that maybe I’m expecting too much for the price tag, consider the previous palettes Wet ‘n’ Wild has released that have been much, much better like Comfort Zone and Blue Had Me at Hello.

* Please note: This is a quick review, but I’ve still pulled dupes, I just haven’t gone through them one-by-one and broken out how they differ.

Wet 'n' Wild Color Icon Eyeshadow Trio Hard Being the It Girl
6.5
Product
6.5
Pigmentation
7
Texture
5.5
Longevity
3
Application
63%
Total
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Also In This Review

Wet ‘n’ Wild To Muse and Carouse Color Icon Eyeshadow Trio Quick

Wet 'n' Wild To Muse and Carouse Color Icon Eyeshadow Trio
Wet ‘n’ Wild To Muse and Carouse Color Icon Eyeshadow Trio

Wet ‘n’ Wild To Muse and Carouse Color Icon Eyeshadow Trio ($2.99 for 0.12 oz.) contains a peachy-orange, medium-dark brown, and light-medium blue all with matte finishes. Everything was powdery, and two of the shades were also chalky. I had major wear issues with these, as the eyeshadows on their own (not to sound like a broken record, but Wet ‘n’ Wild advertises the Color Icon formula as long-wearing and highly-pigmented, which is why the poor wear is such a problem) disappear in their entirety after five hours of wear–they were half-gone after three hours. It was like my lids were hungry for eyeshadow. Over a primer (I used Too Faced Shadow Insurance), they were slightly better–six hours with a fair amount of fading. Over a creamy base (I used NYX Milk), they performed the best and wore fairly well for seven hours, but you’ll be packing on the eyeshadow to get the color payoff to be true-to-pan.

To Muse and Carouse #1 is a light-medium orange with a matte finish. It’s chalky and somewhat powdery, but it had so-so color payoff. See comparison swatches.

To Muse and Carouse #2 is a medium-dark, warm-toned brown with a mostly matte finish. It was very powdery. See comparison swatches.

To Muse and Carouse #3 is a light-medium blue with a matte finish. It was incredibly sheer, powdery, and chalky. See comparison swatches.

* Please note: This is a quick review, so while I’ve still pulled dupes, I just haven’t gone through them one-by-one and broken out how they differ.

Wet 'n' Wild Color Icon Eyeshadow Trio To Muse and Carouse
5
Product
6
Pigmentation
5
Texture
4.5
Longevity
3
Application
52%
Total
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Also In This Review

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Wet ‘n’ Wild Three’s a Party Color Icon Eyeshadow Trio

Wet 'n' Wild Three's a Party Color Icon Eyeshadow Trio
Wet ‘n’ Wild Three’s a Party Color Icon Eyeshadow Trio

Wet ‘n’ Wild Three’s a Party Color Icon Eyeshadow Trio ($2.99 for 0.12 oz.) contains a white, red, and black. Of all the trios, this is the only one I’d really consider getting, which is due to the red eyeshadow, as it is difficult to find red eyeshadows, period, let alone at this price point. The red and black eyeshadows are also better than the majority of the collection, as they did not fade as quickly and were much more pigmented. I experienced noticeable fading without a primer (remember, Wet ‘n’ Wild touts these as highly pigmented and long-wearing!) after four hours. Over a primer, I was able to get to seven hours overall before it started looking faded.

Three’s a Party #1 is a pale, matte white. It’s chalky, powdery, and sheer; fades quickly and easily on the lid without a tacky base (try NYX Milk). LORAC White, MAC Chill, Sugarpill Tako, Make Up For Ever #00, and Inglot #373 are all matte whites that are similar (almost all perform better, though). NYX Milk is a cream product. See comparison swatches.

Three’s a Party #2 is a warm, medium-dark red with orange undertones and a satiny finish. It was very powdery, though it was more pigmented than other shades have been. It really needs a white base for true-to-pan color. Fyrinnae Hitched is warmer, more sheen. Illamasqua Daemon is similar in color. Sugarpill Asylum is more shimmery. Sugarpill Love+ is redder, brighter. Inglot #366 is slightly brighter. See comparison swatches.

Three’s a Party #3 is a charcoal black with cool undertones and a matte finish. It was nicely pigmented, but it had a slightly drier texture that made it harder to blend out on the lid. Here are several other matte black eyeshadows to consider: theBalm Serious , Sugarpill Bulletproof, Urban Decay Blackout, Milani Pitch Black, bareMinerals Lights Down, that are all matte and black. See comparison swatches.

Wet 'n' Wild Color Icon Eyeshadow Trio Three's a Party
7
Product
8
Pigmentation
7.5
Texture
6.5
Longevity
3.5
Application
72%
Total
See All Glossovers

Also In This Review

F
C+
B-

Laura Mercier Cobalt, Espresso, Noir Longwear Creme Eye Pencil

Laura Mercier Cobalt Longwear Eye Pencil
Laura Mercier Cobalt Longwear Eye Pencil

Laura Mercier Cobalt Longwear Eye Pencil ($24.00 for 0.04 oz.) is a medium, navy blue–there’s just a little brightness so it’s not a full-on navy blue. If it were actually intensely pigmented, it would be really quite a rich shade of blue with a nice balance between bright and dark, so it wouldn’t read neon on the lash line but add more pop than something more muted. The consistency was still creamy, but it was sheer and hard to build up the color even when I went back and forth. It seemed to last about seven hours on the lash line, and then it looked thinner but not smudged or migrated, after eight hours. Sephora My Boyfriend’s Jeans has slight pearl and is brighter. Urban Decay Chaos is brighter. See comparison swatches.

Espresso Longwear Eye Pencil ($24.00 for 0.04 oz.) is a rich, medium-dark mahogany brown with warm, red undertones and a mostly matte finish. It had good color payoff in a single pass, and it was buildable to fully opaque color in two passes on the lash line. The consistency was creamy and didn’t tug or pull on the skin or eye area. This shade wore well for eight and a half hours without fading, migrating, or smudging, but it does take a little longer to set (which is nice if you tend to smudge your eyeliner). NARS Via de Martelli is lighter, warmer. Make Up For Ever #25L is less warm-toned. Urban Decay Bourbon is similar. NARS Via Appia is darker. MAC Brown Border is similar. MAC Seasonally Spicy is similar, slightly lighter. Make Up For Ever Gypsy is darker. See comparison swatches.

Noir Longwear Eye Pencil ($24.00 for 0.04 oz.) is a medium-dark black with subtle warm undertones and a mostly matte finish. It had decent pigmentation in a single stroke, but it builds up nicely in two or so passes along the lash line. It wore well for ten hours with very light thinning but no smudging or migrating. Every line needs a black, but you likely already have one in your stash! See comparison swatches.

Laura Mercier’s new Longwear Creme Eye Pencils are supposed to apply smoothly and evenly, be richly pigmented, last for 12 hours (yes, a full 12!), be “water-poof, smudge-proof, transfer-proof, and tear-resistant.” Each pencil comes with a pencil sharpener as well. I can’t say I wet swimming in these, but I did splash my face/eye area with water, and I didn’t experience any of the colors running or bleeding as a result. Cobalt was very prone to being rubbed away (but it didn’t bleed), but Espresso and Noir clung on a lot better and really held up quite well to when in contact with water.

Laura Mercier Longwear Crème Eye Pencil Cobalt
Cobalt
Laura Mercier Longwear Crème Eye Pencil Espresso
Espresso
Laura Mercier Longwear Crème Eye Pencil Noir
Noir

NARS Tatar Eye Paint

NARS Tatar Eye Paint
NARS Tatar Eye Paint

NARS Tatar Eye Paint ($25.00 for 0.08 oz.) is described as a “black with purple shimmer.” It’s a subtly violet-tinted black with violet, purple, and fuchsia micro-shimmer–which translates as a shimmery, blackened purple. Urban Decay Delinquent appears lighter with larger purple sparkle. MAC Permaplum is lighter, less shimmery. Estee Lauder Blackened Plum is matte. Bobbi Brown Twilight Night is slightly warmer. See comparison swatches.

I was worried this was going to perform like Ubangi, but this didn’t have as much slip (a good thing!), so while it was creamy and easy to spread out, it didn’t sheer out right off the bat. It ended up being more like Snake Eyes in terms of consistency and wear.  As an eyeliner, it applies pretty much with opaque color without skipping or dragging, and as an eyeshadow, it goes on mostly opaque with just a little sheerness.  The formula is buildable, so you can achieve full color coverage by lightly patting on a second layer in the places that need it.  It held up better on the lash line–nine hours without fading or smudging–than on the lid, which is wear it had some slight creasing after eight hours of wear.

You can view all of the other shades of Eye Paint here (which have all been previously reviewed).

NARS Eye Paint Tatar
Tatar

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