Sunday, June 10th, 2012

Lancome Dress-up Teal (401) Liner Design Long Wear Calligraphy Gel Eyeliner
Lancome Dress-up Teal (401) Liner Design Long Wear Calligraphy Gel Eyeliner

Lancome Dress-up Teal (401) Liner Design Long Wear Calligraphy Gel Eyeliner

Lancome Dress-up Teal (401) Liner Design Long Wear Calligraphy Gel Eyeliner ($24.50 for 0.07 oz.) is described simply as “turquoise.” It’s a very subtly green-tinted blue, less than what I’d envision teal being (which is a perfect–and hard to achieve–balance of blue and green). If you’re familiar with bluer turquoise gem stones, the color is reminiscent of those. There is a faint teal shimmer throughout. Urban Decay Flipside is a little more teal. It looks like it does in the pot, which is fairly blue, but the name says “teal,” so I was a bit disappointed to see it apply as more of a blue hue.

The texture is creamy, smooth, and has a slightly thicker consistency than a lot of other gel eyeliners I’ve come across. I used MAC’s 266 to draw a line across my lid, and it applied evenly, opaquely, and didn’t skip or tug. Lancome states that the formula is long-wearing (up to twelve hours), smudge-proof, and waterproof. After six hours of wear, there was some transfer of the liner to my crease. I also wore on my lower lash line, and it appeared to wear better, but there was some faint smudging and fading after eight hours. I can’t say I cried a river when testing these, so I ran some water over the swatch and blotted lightly with a tissue, and the swatch was still intact and looked fairly good.

It’s packaged in a (mostly) clear glass pot with a shiny black screw-top lid.  It contains slightly less product than other popular gel eyeliners (both Bobbi Brown and MAC’s contain 0.10 oz. compared to Lancome’s, which has only 0.07 oz.), which is a bit of a bummer.

The Glossover

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product

Dress-Up Teal

C
The wear was disappointing, and I wasn't expecting Lancome to have issues here. They're such a well-established brand, and gel eyeliners can be found from many brands, so I was totally surprised when this struggled to perform well on wear.

Product

6/10

Pigmentation

10/10

Texture

9/10

Longevity

5/10

Application

4/5

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Thursday, June 7th, 2012

Make Up For Ever #25 Aqua Cream
Make Up For Ever #25 Aqua Cream

Make Up For Ever #25 Aqua Cream

Make Up For Ever #25 Aqua Cream ($23.00 for 0.21 oz.) is described as a “light blue shimmer.” It’s a light-medium sky blue with a frosted finish. Dior Swimming Pool is lighter, less cool-toned. Buxom Husky is lighter, softer. NYX Cool Blue isn’t as icy. MAC Styledriven is lighter, softer, almost yellow-toned in comparison. NARS South Pacific is darker.

There’s something about this color that makes it just a little different from the many other sky blue eyeshadows I’ve come across. There’s an iciness–an overall coolness–in it that doesn’t turn it silver or white, but it’s still there. It’s not as soft or as light as a really pastel, sky blue shade would be.  You can apply it as opaque as you’d like, you can use an itty bitty amount of product to get a sheer layer of product, or you can apply an opaque layer of color–these go on more opaque than not, but if you want sheer color, you’d deliberately apply very little and blend out right away. The finish on this particular shade is very high in frost content, so it can look more reflective as a result.

The texture is creamy but thick.  Because of the frosted finish, it seemed to dry down a little quicker than other Aqua Creams, but even with the less frosted finishes, it’s the kind of product that’s better to work with one eye at a time if you’re trying to apply several of them or need to do a lot of blending. If I use it as a base, I can blend out any edges without too much hurrying, but if I’m trying to blend two of these together, I work one eye at a time. I love the Aqua Cream formula, because it’s long-wearing, waterproof, and extremely pigmented. I don’t have any problems with creasing, fading, or smudging, whether I use it alone, sheered out, as a base, or over primer.

The Glossover

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product

#25

A
There's something about this color that makes it just a little different from the many other sky blue eyeshadows I've come across. There's an iciness--an overall coolness--in it that doesn't turn it silver or white, but it's still there. It's not as soft or as light as a really pastel, sky blue shade would be.

Product

9/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

4/5

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Thursday, June 7th, 2012

OCC Mimosa Loose Colour Concentrate
OCC Mimosa Loose Colour Concentrate

OCC Mimosa Loose Colour Concentrate

OCC Mimosa Loose Colour Concentrate ($12.00 for 0.088 oz. / 2.5 grams) is described as a “orange with strong gold shimmer.” It’s a brightened light-medium orange with an orange-gold shimmer and sheen. Milani Primary is darker. Maybelline Fierce & Tangy is fairly similar, but because it doesn’t have a strong gold sheen, it appears a little darker, more yellow-toned. Chanel Tigerlily is a softer, lighter orange.

This was easily one of my favorite shades out of the brand’s recent collection. It’s just such a happy, uplifting kind of color. Whether it’s used dry or wet, it yields opaque color payoff. When it’s applied wet or damp, it darkens slightly–but I appreciated how opaque it was no matter how it was used.  The texture is ultra-finely milled, so it feels soft as silk against the skin, and it applies evenly, smoothly, and blends out beautifully.  I’m always impressed by how well these eyeshadows hold up, even without a primer: a full eight hours with no creasing or fading!

The Glossover

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product

Mimosa

A
Mimosa is such a perfect color for the spring/summer, and it's one of the best eyeshadows I've tried from OCC! The texture and color payoff is excellent, and it just applies so easily to the lid.

Product

9.5/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

4.5/5

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Wednesday, June 6th, 2012

Make Up For Ever #24 Aqua Cream
Make Up For Ever #24 Aqua Cream

Make Up For Ever #24 Aqua Cream

Make Up For Ever #24 Aqua Cream ($23.00 for 0.21 oz.) is described as a “matte vibrant yellow.” It’s an intense, bright sunshine yellow with a yellow-orange undertone. Illamasqua Hype is a darker yellow. MAC Goldenrod is more orange. Inglot #323 seems nearly identical.

The texture of Aqua Creams is creamy, slightly thick, and pretty opaque from the get-go. You don’t need a lot of product to get an even, opaque layer of coverage, but it is possible to sheer out the color to more of a semi-opaque look if so desired. Aqua Creams are, as touted, long-wearing, waterproof, and intensely pigmented. It’s a formula that dries down fairly quickly and then stays and stays and stays. It doesn’t budge, smudge, or fade at all during the day. They can work alone, as eyeshadow bases, or as eyeliners (some shades are designed for lips/cheeks and not eyes, however, so you’d use those as lip/cheek products!).

I love the the intensity of this shade; it’s really vibrant without being neon. It’s warm without venturing into goldenrod/orange-territory, but it’s warm enough that it’s a yellow that can be worn more easily, since it won’t look sallow against the skin.

The Glossover

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product

#24

A
I love the the intensity of this shade; it's really vibrant without being neon. It's warm without venturing into goldenrod/orange-territory, but it's warm enough that it's a yellow that can be worn more easily, since it won't look sallow against the skin.

Product

9/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

4.5/5

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Tuesday, June 5th, 2012

Tarina Tarantino Mr. Gold/Mr. Silver Eyedream Highlight Duo
Tarina Tarantino Mr. Gold/Mr. Silver Eyedream Highlight Duo

Tarina Tarantino Mr. Gold/Mr. Silver Eyedream Highlight Duo ($19.00 for 0.26 oz.) is described as a “yellow gold” and an “icy silver.”  Each eyeshadow is 0.13 oz., which is over double the average-sized eyeshadow (0.05 oz.), and the price point is very palatable for two shades.  A lot of the duos, though, are more basic than not, so whether any are must-haves depends on the size of your stash.

  • Mr. Gold is a medium yellow gold with a soft, frosted shimmer finish. The color payoff is good, but it could be a little denser in texture to give it really excellent color payoff. MAC Sweet & Sour is less yellow. Bare Escentuals Remix is slightly darker. Bare Escentuals Aspire is similar. MAC Goldmine is very similar.
  • Mr. Silver is a medium silver with a frosted, metallic finish. As with Mr. Gold, the color payoff was just good — it wasn’t as intense or as pigmented as Tarina Tarantino’s line has been in general. MAC Misty is similar, slightly more metallic. Giorgio Armani #12 is a smidgen lighter.

This wasn’t my favorite set, mostly because of the quality.  It’s good, but it’s not great, and so many of Tarina Tarantino’s eyeshadows are fantastic. The texture on these was a little drier–not quite as creamy or as dense–so the pigmentation was less than many other shades. I felt that it performed just as nicely on the lid as other shades, and both shades were buildable to fully opaque color on the lid with or without a base. When I wore the shades to test the wear, I achieved seven hours with no fading or creasing (with slight fading around the edges after eight) when applied over bare lids, but I didn’t have any problems after eight hours when applied over a primer.

The Glossover

palette

Mr. Gold/Mr. Silver

A-

This is a really basic duo, and depending on how you like to use your duo eyeshadows, this one isn't so workable together. They're very contrasting colors, and I liked them better mixed with other shades in my stash rather than together.

Product

9/10

Pigmentation

9/10

Texture

9/10

Longevity

9/10

Application

4.5/5

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Monday, June 4th, 2012

Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette
Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette

Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette

Guerlain by Emilio Pucci Terra Azzurra Eyeshadow Palette ($59.00 for 0.25 oz.) is a limited edition, warm-toned summer quad that features a pale white gold, medium-dark fuchsia, coppery orange-coral, and deep, dark molten brown. It’s packaged in a metallic bronze case with a dual-ended sponge-tipped applicator and full-sized mirror inside.  The packaging feels and looks luxe, and despite its metallic finish, seemed to keep fingerprints pretty well-disguised.

The left shade is a pale white gold with a frosted, sparkly finish–it almost looks more white than gold. The color payoff was decent to good, but it was a little sheer and not as smooth as I’d like, so there was very minor fall out while I wore this shade. theBalm Sassy is whiter. Givenchy Lune Mysterieuse is yellower. theBalm Tempting Tara is similar.

In the upper middle, there is a medium-dark fuchsia pink with a mostly matte finish. It’s very slightly powdery, but it had surprisingly good color payoff. A lot of higher-end brands tend to sheer out these brighter colors, so it was nice to see Guerlain go for the gusto here. MAC Tease with Ease has more red in it. MAC Passionate is significantly redder. NARS Caravaggio is darker. Urban Decay Junkshow is more fuchsia and purple. Inglot #362 is bluer-based and a little lighter.

In the bottom middle, there is a coppery orange-coral with gold shimmer. This, too, was very slightly powdery, but the color payoff was nice. Le Metier de Beaute Innocence is more orange. Make Up For Ever #5 is similar, but it’s entirely matte. Urban Decay Free Love is very similar but has a stronger golden sheen.

The last shade, on the right, is a very deep,d ark brown with subtle warm undertones. It had amazing pigmentation despite its thinner texture. Tarina Tarantino Saw Dust is similar but less warm. MAC Embark is lighter and redder-toned.

It’s a very classic color combination for the summer, but it’s well-balanced with the different textures, finishes, and overall intensities of each shade.  It works extremely well together, which I think is part of a palette’s appeal, especially when they’re more compact like this one. Terra Azzurra is warm overall, though I think the only shade that’s very warm-toned is the orange-coral–the pink is very slightly yellow in undertone, and the brown isn’t cool-toned, but the depth of it makes it more wearable across skin tones. I felt the deep brown was the most impressive shade out of the four; it just has incredible depth and intensity, so it looks great in the crease or as an eyeliner.

The textures are similar to other Guerlain palettes–I find them a little dry, a little powdery–they’re not as dense, creamy, or as buttery as a really excellent eyeshadow tends to be.  Fortunately, I felt the powderiness didn’t translate when the colors were applied to the lid.  I only had some minor fallout during application with the white gold shade, which was a looser, sparkly texture that never seems to bind together perfectly well, and then while there was a wee bit of fall out throughout the day from that shade, it was very minor. Had I not been specifically looking for it, I probably wouldn’t have noticed.  When I wore the palette altogether in a look, it wore for eight hours with no fading or creasing with or without a base, which is stellar wear.

The Glossover

palette

Terra Azzurra

A-
It's a very classic color combination for the summer, but it's well-balanced with the different textures, finishes, and overall intensities of each shade.  It works extremely well together, which I think is part of a palette's appeal, especially when they're more compact like this one.

Product

9/10

Pigmentation

9/10

Texture

9/10

Longevity

10/10

Application

4.5/5

Results
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