Thursday, October 18th, 2012

Cinderella Storylook Eyeshadow Palette
Cinderella Storylook Eyeshadow Palette

This is Better Than a Fairy Tale

Cinderella Storylook Eyeshadow Palette ($55.00 for 0.70 oz.) includes 20 shades of fairytale-inspired eyeshadows. This is a palette created by Sephora in collaboration with Disney. The review is split into two posts (10 eyeshadows in each), but the rating reflects the palette as a whole.

Maiden is described as a “glittery magenta.” It’s a medium-dark magenta pink with subtle blue undertones and silver micro-glitter. It’s almost fine enough to be shimmer or sparkle, not so much micro-glitter even. The color payoff was good, and I didn’t experience fall out problems with this shade. Estee Lauder Violet Underground is brighter, pinker. L’Oreal Glistening Garnet is lighter, more metallic/frosted. MAC Moon Rose is very similar, but it doesn’t have glitter. NARS Caravaggio is darker, pinker. Make Up For Ever #52 is more purple.

All Aglow is described as a “shimmering tan.” It’s a warm-toned, amber gold–a little brown, subdued copper, with a golden shimmer-sheen. The finish is very frosted, and it had good color payoff and applied smoothly. Clarins Enchanted is more golden. Bobbi Brown Pink Chandelier is similar, slightly browner. Urban Decay Half Baked is similar, a little yellower. Bare Escentuals Louder is comparable. Wet ‘n’ Wild Dancing in the Clouds is a bit darker.

Destined is described as a “light blue pearl.” It’s a subdued, almost gray-ish blue with a green-gold shimmer-sheen. It’s one of those extremely versatile colors that will lean one way or the other depending on what is applied next to it. MAC Sky yields a similar effect, but it’s much, much darker. Giorgio Armani #10 is lighter and very metallic.

Cinderelly is described as a “sea foam green matte.” It’s a soft sea foam green, though it’s almost like a meadow-y green, because the yellow undertone is a bit stronger than what I’d expect in a sea foam green shade. The finish is mostly matte. The pigmentation was good, and the texture was silky-soft and smooth. MAC Guacamole is darker. Tarina Tarantino Wonderful is lighter. Make Up For Ever #34 is a bit darker.

Pumpkin Coach is described as a “cream gold.” It’s a soft peach-orange with a dusting of gold sparkle. It had decent color payoff, but this was one of the sheerer shades in the palette and had some powderiness in the texture. Dolce & Gabbana Cocoa is lighter. Inglot #328 is a bit more beige.

Ball Gown is described as a “pearl white gold.” It’s a soft white with a frosted finish. There’s only a hint of warmth that keeps it from looking like a stark white, but it doesn’t read gold or yellow-y. It had good pigmentation and applied smoothly. theBalm Sassy is similar. theBalm Envious Erin is warmer, yellower.

Kill Joy is described as a “shimmering taupe.” It’s a frosted taupe–it’s gray, it’s brown, and it’s cool-toned. The color payoff was excellent, and it applied smoothly and evenly. Urban Decay Mushroom is darker. Buxom Pug is a smidgen grayer. MAC Cloudy Afternoon is a bit browner. Urban Decay Bust is less shimmery.

Fairy Godmother is described as a “periwinkle.” It’s a blue-tinged, icy purple. It’s too purple to be periwinkle, which I think would have more blue in it. However, that actually makes it more unique. It had excellent color payoff and a very soft, smooth application. MAC Blue Orbit is darker, more purple. Other than that, I couldn’t think of another potential dupe!

Glass Slipper is described as a “light blue shimmer.” It’s a pale, but bright, bluish white with a frosted sheen. Buxom Husky is bluer. MAC Vellum is lighter. Bare Escentuals Bravo is darker.

Royal is described as a “matte bright blue.” It’s a brightened medium blue with a matte finish. The color payoff was really lovely initially, but when I applied it to the lid, it was somewhat powdery and required some patience. I had to pat it on and be careful to only blend out the edges or else it would look faded. Milani Olympian Blue is comparable. MAC Blue Candy is lighter. MAC Electric Eel is a smidgen darker. Inglot #322 is similar. Make Up For Ever #72 is also quite similar.

The palette is fairly impressive, and it holds its own against other high-end palettes at the same price point.  It’s not perfect, but it’s extremely close.  The fussiest shade was Royal, which was somewhat powdery and had a tendency to fade when applied and during wear (noticeably but not entirely).  The mattes, generally, were very soft and as a result, a smidgen powdery, but none of them were problematic to apply other than Royal.  The shimmers in the palette were nicely pigmented, applied smoothly, and blended out easily.  

The color composition of the palette is just right; neutrals, colors, cool tones, and warm tones.  There is also a healthy variety in finishes from matte to shimmer to satin.  When I tested out the palette for wear, I experienced eight hours without fading when used over a primer, and without a primer, I saw eight hours of good wear with some very slight fading of some of the lighter, more matte colors (like Destined, Cinderelly, and Pumpkin Coach).

I thought the packaging for the palette was rather well-done. The artwork is true to the theme and movie, and what I like is I feel it’s done in a sophisticated, grown-up kind of way that will likely appeal to a wider age group than if they had gone more cartoon-ish. It’s made out of sturdy, durable cardboard with a pull out drawer that houses the eyeshadows. The eyeshadows are all placed in an insert, which is removable, and underneath reveals a hidden velvet-lined drawer for storing eyeliners, small brushes, or, at some later point, jewelry.

The Glossover

LE
palette

Cinderella

Temptalia Recommends
A
Well worth the price of admission, Sephora's collaboration with Disney for a Cinderella-inspired collection has been done well and without gimmicks, which makes it all the more impressive.

Product

9.5/10

Pigmentation

10/10

Texture

9.5/10

Longevity

8.5/10

Application

4.5/5

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Thursday, October 11th, 2012

Giorgio Armani #1 Easy Chic Face & Eye Palette
Giorgio Armani #1 Easy Chic Face & Eye Palette

A Dark, Somber Fall Face & Eye Palette

Giorgio Armani #1 Easy Chic Face & Eye Palette ($88.00 for 0.43 oz.) is a glossy black compact that features a light face powder to illuminate skin “with the signature ‘Armani Glow'” and three eyeshadows–two matte shades with “intense hues” and a satin-finished illuminator. This is one of two palettes released for fall; the second one seems to be a little warmer (from the descriptions, as I haven’t seen it).

The face powder is described as “ultra-fine, “transparent,” and listed as “sheer beige.” After reading the official description, it made a lot more sense to me–and I’m glad that the brand described the product as it actually was. It is a pale, neutral-cool beige with a very subtle satiny sheen. It will best suit light to medium complexions, but it is very finely-milled and sheer that it could be used on a variety of skin tones. The base color isn’t ashy or chalky, so even darker complexions can use it as a setting powder or the like. The finely-milled texture allows this to sit beautifully on the skin–very naturally–as it melts against the complexion. MAC Baby Don’t Go is pinker.

The first eyeshadow is supposed to be the “satinized illuminator,” which Armani describes as “soft beige.” It’s a warm, golden champagne with a frosted finish. The color payoff is really as described, which is decent to good, but it illuminates as it is supposed to. It has a soft, finely-milled texture that applies very smoothly. Tarina Tarantino Fantastical is very similar, a smidgen lighter. Giorgio Armani #18 is yellower. Tarina Tarantino Dreamy is similar, a bit cooler-toned. MAC Femme-Fi is close.

The second eyeshadow is a medium-dark warm-toned brown with a mostly matte finish, but there is a smatternig of fine golden shimmer strewn throughout–you don’t really notice when it is applied. It had a slightly stiff texture, though certainly finely-milled, which resulted in so-so pigmentation. Dior Golden Savannah is similar but more pigmented, so it appears a bit darker. Urban Decay Snakebite is warmer, richer.

The third eyeshadow is a deep, dark matte black. There are a few bits of shimmer, but like a lot of other shades in this family, the shimmer isn’t noticeable on. The texture was soft and smooth, with rich color payoff. It similar to shades like Le Metier de Beaute Fin, Urban Decay Blackout, and Milani Pitch Black.

The double-decker palette is sleek and convenient to use, and the four shades in the palette coordinate and complement each other well.  I would have loved to see the bottom compartment feature only eyeshadow, rather than two tiny sponge-tipped applicators, though.  It would make the palette a better value.  Overall, the quality of the products included is good–the only shade that fell short was the brown eyeshadow, which could have been a little denser, more buttery, or else more pigmented.  When I wore the eyeshadows, they wore for eight hours without creasing or fading (with or without a primer), and the face powder lasted eight hours and helped reduce late afternoon shine.

The Glossover

product

#1 Fall Collection 2012

A
It's a basic but travel-friendly palette of colors. If you have a larger stash already, you likely have shades similar enough not to merit picking this palette up.

Product

9.5/10

Pigmentation

9/10

Texture

9.5/10

Longevity

9.5/10

Application

4.5/5

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Wednesday, October 10th, 2012

Le Metier de Beaute Nouvelle Vague Kaleidoscope Eye Kit
Le Metier de Beaute Nouvelle Vague Kaleidoscope Eye Kit

A Palette Inspired by the French Cinema

Le Metier de Beaute Nouvelle Vague Kaleidoscope Eye Kit ($95.00 for 0.49 oz.) consists of four eyeshadows inspired by “the spark present throughout the French cinema New Wave.” The colors can be worn alone or layered over each other (part of the brand’s methodology).

Nouvelle is described as a “sheer mink negative.” It’s a warm peach with a frosted finish and a kiss of pink. The color payoff is rich and opaque, not quite the sheer color they described it as (so for some, this is probably a good thing!). It had a lovely soft, finely-milled texture that felt buttery and smooth. Chanel Complice is similar but less reflective, a smidgen darker. theBalm Stubborn is warmer, less pink. Urban Decay Scratch is fairly close, though a little pinker.

Gamine is described as a “satin pink celluloid.” It is a blue-based cotton candy pink with a soft frosted finish. The color payoff was fantastic, and the texture was soft, smooth, and blendable. MAC Dynamic Duo 4 is sheerer, less frosted. Guerlain Boulevard du Montparnasse is similar, a smidgen darker. MAC for Miss Piggy is sheerer, less frosted. MAC Feather Pink is cooler-toned, almost lilac.

Icon is described as a “silky matte Parisian mauve.” It’s a soft pink-tinged mauve with a matte finish. It had a soft, smooth, and finely-milled texture that yielded rich color. Inglot #399 is frosted. Guerlain Boulevard du Montparnasse is similar but satiny. MAC Neo Nebula is shimmery. Urban Decay Bordello is darker and frosted.

Fin is described as a “smoldering black carbon.” It’s a rich, deep, dark black with a fine dusting of multi-colored shimmer (which you don’t really notice when it is applied). The pigmentation in this is so, so rich. The texture is soft, smooth, and not a bit powdery. As far as comparably rich in pigment black eyeshadows go, Urban Decay Blackout is similar but has a more matte finish; Milani Pitch Black is also similar; and Make Up For Ever #4 is entirely matte and has no shimmer at all.

The palette is high quality from top to bottom, and really, the only reason it lost any points was because of Nouvelle, which was described as sheer but is, in fact, quite pigmented–for most, this will be received as great news.  When I tested these shades for wear, they wore for eight hours with no fading or creasing.

Each eyeshadow is just over 0.12 oz., which is double the size of most eyeshadows.   To put it into perspective, a MAC quad is the equivalent of paying $200/oz., and the Kaleidoscope is $194/oz.  Note:  my packaging is sample packaging, while retail versions are packaged in the brand’s signature black; the packaging rating reflects the retail packaging.

The Glossover

palette

Nouvelle Vague

A
It's a fantastic palette, and while it's worth it from both a quality and value stand point, it is quite the investment! Rich in color, soft, blendable textures, and great wear make this palette hard to resist.

Product

10/10

Pigmentation

9/10

Texture

10/10

Longevity

10/10

Application

5/5

Results
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Sunday, September 30th, 2012

Tom Ford Emerald Lust Eyeshadow Palette
Tom Ford Emerald Lust Eyeshadow Palette

Get Whisked Away to Tropical Paradise with Tom Ford

Tom Ford Emerald Lust Eyeshadow Palette ($75.00 for 0.21 oz.) is a new and limited edition palette contains an eyeshadow formula that can be used both wet and dry. It contains four shades in a rather tropical combination.

The first shade is a white-silver with a high frost finish. There’s a residual warmth that makes it more like platinum than anything else. MAC Misty is cooler-toned. Guerlain Les Aquas is a bit cooler-toned. Chanel Infini is similar.

Next, there’s a subdued green with a hint of blue and a very strong frost-metallic finish. It’s more frosted when applied dry and more metallic when applied wet. MAC Sweet & Sour is similar but warmer. Dior Garden Pastels is lighter. Tarina Tarantino Violet Storm is less frosted.

The bottom left shade is a medium-dark blue with the barest hint of green, just enough to make it less than true blue. The finish is fairly metallic both wet and dry. Urban Decay Unhinged is bluer. Urban Decay Deep End is barely darker. Tarina Tarantino Ozma is less blue. theBalm Open to Offers Olwen is similar.

The last shade is a dark navy blue with lighter blue shimmer. It looks more blackened navy blue when used dry. When applied damp, it is much bluer, less black. This shade had decent to good color payoff when used dry but was better applied wet/damp. Guerlain Les Gris is a smidgen teal. MAC Thru the Night is a bit bluer. theBalm Risque Renee is darker. Make Up For Ever #81 is similar.

The formula in this palette (as well as Enchanted) is very different from the brand’s core range of palettes. I haven’t been in love with previous palettes I’ve tried, but this I love. The pigmentation is good across the board, and the texture is soft, buttery, and incredibly smooth. Though you can use them wet as well as dry, all four shades had good color payoff even dry. Using them wet tended to bring out a metallic finish and made them apply even smoother.

These have a a high frost content, and when applied with a damp brush, they tend to be very metallic.  Using all four is a very bright, shimmered, and metallic look, so it may be overkill for some.  When I tried out these eyeshadows, I wore them for nine hours without creasing or fading on bare lids, as well as for ten hours without creasing or fading over a primer.  The texture was what made this palette sing, though–so soft, finely-milled, but not at all powdery, it was easy to blend and apply.

The Glossover

palette

Emerald Lust

Temptalia Recommends
A

It's nice to see the brand experimenting with their seasonal collection--and I hope we see this formula used again in upcoming launches as well.

Product

9.5/10

Pigmentation

9.5/10

Texture

10/10

Longevity

10/10

Application

5/5

Results
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Saturday, September 29th, 2012

Chanel Harmonie du Soir Eyeshadow Palette
Chanel Harmonie du Soir Eyeshadow Palette

Chanel Harmonie du Soir Eyeshadow Palette ($65.00 for 0.14 oz.) contains four shades, which are described as “bronze gold, taupe, violet-plum, and pink.” The formula of this palette is different than Chanel’s usual quads, but the palette is much like Topkapi, which came out in July 2011.

The first shade is a golden bronze with a frosted finish. It had full color coverage, and it applied smoothly–almost melted against the skin. Dior Night Golds is similar but lighter. Dior Couture Gold is lighter. Chanel Apparence is lighter, more golden, less warm-toned.

Next, there is a reddened taupe–little hints of brown and gray mix to create a warmed-up taupe with a soft frosted finish. It had lovely color payoff and a soft, smooth application. Urban Decay Rehab is darker, grayer. Urban Decay Midnight Rodeo is similar–slightly more of a gray sheen. MAC Satni Taupe is darker.

On the bottom left, there is a reddened plum with a delicate pink shimmer-sheen. Like the previous shades, it also had excellent pigmentation and a very silky-smooth feel and application. L’Oreal Glistening Garnet is pinker. NARS Charade is more subdued. NARS Grand Palais is darker, browner. Urban Decay Last Call is slightly darker. MAC Cranberry is darker, less pink.

The final sahde is a pale, light pink with yellow undertones and a frosted, metallic finish. It had great color payoff and went on very smoothly. MAC Love Power is darker. theBalm Matt Chung is lighter, less yellow-toned. MAC Young Venus is cool-toned. Dior Garden Pastels is similar. MAC Taupeless is a bit darker. Inglot #356 is less shimmery.

Guerlain Turandot isn’t exactly the same, but they had some at-a-glance similarities. Turandot has a stronger yellowy gold shade, as well as a reddish-brown (instead of the pink in this palette). The plum in Turandot is much more red-toned, less pink. The taupe in Guerlain’s palette is darker, more of a metallic sheen, less gray.

The formula in this palette is excellent; soft, buttery textures combined with excellent color payoff and beautiful long-wear. If Chanel changed all of their quads to this formula, I’d be in serious danger–or at least my wallet would be! What’s great is that soft, smooth, dense consistency isn’t powdery at all–just fabulous color and smooth application.  I wore the palette without a base, and it wore for a full eight hours without any creasing or fading.  When I wore it over a primer, I achieved the same results.  The colors apply true-to-pan, don’t require any packing to get there, and they’re extremely blendable.

Now, I would like to point out that 0.14 oz. isn’t a lot of product, and it’s less than their regular eyeshadow quads ads well.

The Glossover

palette

Harmonie du Soir

Temptalia Recommends
A+
All-around high quality eyeshadow palette that uses one of Chanel's best eyeshadow formulas that they have in their arsenal. The shades work with each other, and there's enough versatility to allow several different color combinations to come together.

Product

10/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

5/5

Results
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Tuesday, September 25th, 2012

Guerlain Turandot Eyeshadow Palette
Guerlain Turandot Eyeshadow Palette

It Is… Love!

For the holidays, Guerlain Turandot Eyeshadow Palette ($59.00 for 0.25 oz.) features four eyeshadows–two matte and two iridescent shades. It should start popping up retailers and counters in October.

The first shade is a light-medium golden orange–more like an orange-toned gold than your expected yellowy gold. It has a soft, frosted finish with a silky-smooth, finely-milled consistency that applies beautifully on the skin. The pigmentation was true-to-pan, and it didn’t require any layering or packaging to achieve opaque color. Milani Gold Dust is a smidgen darker and has a more metallic finish. Clarins Enchanted Summer is darker, less orange. Giorgio Armani #1 is similar, slightly less orange. MAC Goldmine is much yellower.

Next, there is a rusted, reddish-brown with a satiny finish. It had good pigmentation, and it was very soft to the touch and easy to blend on the eye. NARS Self Portrait 3 is lighter. MAC Magnetic Attraction is similar but has more gold shimmer. MAC In the Sun is redder. NARS California is richer, more orange. MAC Mythical is lighter. Guerlain Les Fauves has a shade that’s a bit darker, browner.

Below, there is a darker, muted reddish-plum with a hint of brown. The finish has a slight sheen to it, but it is mostly matte. The color payoff was good, and the texture was soft, blendable, and easy to apply. MAC In the Sun is shimmery. Le Metier de Beaute Bordeaux reminded me–just barely–of this shade, but it is much darker, more burgundy. theBalm Racy Kacy is more orange/brown.

The last shade in the palette is a gray-tinged medium-dark brown with subtle warm undertones and a frosted sheen. It had a soft, buttery texture that made opaque color a breeze to achieve. Dior Fairy Golds has a very similar shade in it. Urban Decay Barlust is darker. MAC Havana is warmer. MAC Chestnut is warmer.

Turandot is a warm-toned palette that combines surprisingly well; I thought the shades might not offer enough contrast, but they can and do.  The two middle shades are similar but have different undertones, so they’re noticeably different when placed near each other.  I would not say that any of these shades are particularly unique, so the color combination could be replicated with products you may already own.  It’s, of course, nice to have them all in a single palette.  I don’t think I would have thought to put these particular shades together.  It does seem a little autumnal in color, even if it is for the holidays.

The quality is good across the board, with the two more matte shades having just slightly less color payoff compared to the shimmery shades.  They held up well on the eye, all four shades lasting for ten hours without any fading or creasing, both over a primer and without one. It’s one of my personal favorite palettes that have come out in the past year!

The Glossover

palette

Turandot

A
The quality is good across the board, with the two more matte shades having just slightly less color payoff compared to the shimmery shades.

Product

9.5/10

Pigmentation

9.5/10

Texture

10/10

Longevity

10/10

Application

5/5

Results
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