Friday, October 26th, 2012

MAC Fabulousness / Warm Eye Palette
MAC Fabulousness / Warm Eye Palette

Is Your Avera

MAC Fabulousness / Warm Eye Palette ($39.50 for 0.14 oz.) contains five eyeshadows: Glamour Light (soft beige frost), Retrospeck (bleached blonde), Honesty (pewtered bronze), Cognac (frosty golden bronze), and Sketch (burgundy with red shimmer). Honesty, Retrospeck, and Sketch are all available as part of the permanent range.

Whew! There is not a lot of product in this palette! For reference, MAC eyeshadow quads ($38.00) typically contain 0.19 to 0.20 oz. (about 0.05 oz. per eyeshadow). Last year’s holiday eyeshadow palettes contained 0.21 oz. (and retailed for $38.00). The prior year’s holiday palettes contained 0.19 oz. (and retailed for $36.00). You used to get six shades, but with this year’s design, you’re getting five.

Glamour Light is a pale golden beige. This has a satin finish. It is a little sheer, but it is a very light shade overall–it tended to disappear against my skin tone in particular, unfortunately! Cinderella A Wish is similar. MAC Sahara Dust is less warm. MAC Baby, It’s Cold is very similar. MAC Dazzlelight is lighter.

Retrospeck is light-medium gold subdued by brown. This has a lustre finish, so it has a fair amount of sparkle and doesn’t apply really smoothly. It’s part of the permanent range. Chanel Apparence is darker. Buxom Poodle is yellower.

Honesty is a coppery orange-brown with lighter copper shimmer and sheen. It is pretty sheer, and it was very, very dry. This has a lustre finish, but it is so much drier and less pigmented in this palette than it is in permanent form. Urban Decay Penny Lane is a bit lighter. MAC Star Myth is darker, redder.

Cognac is a molten golden bronze. This has a frost finish. This was the best performing shade out of all three palettes–it was soft, smooth, richly pigmented, and easy to blend out. Inglot #404 is a bit lighter. Urban Decay Rush is darker, less warm. MAC Romp is darker, browner. Urban Decay Honey is less brown, more golden. MAC Old Gold is similar but has that green-ish sheen.

Sketch is a dark burgundy with a smattering of barely-there-sparkle that you really can’t see once it’s applied. This has a velvet finish. It had good color payoff, and it blended out without trouble when I used it. theBalm Moderato is more subdued. theBalm Sexy is browner.

This palette was the best out of the there eyeshadow palettes (and while I have to crunch the numbers, my big picture view is saying this is the best out of all the palettes).  Retrospeck and Honesty have fall out, being that they’re lustres, with Honesty being a bigger offender.  (I feel like I’m making excuses; it’s like “well, it’s not horrible, so at least that’s good, right?”)  Glamour Light works but could use a softer, denser texture to yield slightly more pigment–it would make it a more versatile shade.  Cognac was really lovely and easy to work with; if the whole palette was like that, we’d have A-quality.  Sketch is true-to-form and is nicely pigmented and dark.  It’s soft enough to be blendable (could be a little easier, though) but is not powdery.

The Glossover

palette

Fabulousness Warm

B-
One great eyeshadow (and another good eyeshadow--Sketch) isn't enough to make up for the rest of the palette's drawbacks (primarily, fall out, as well as some weaker pigmentation).

Product

8/10

Pigmentation

8.5/10

Texture

8.5/10

Longevity

7.5/10

Application

4/5

Results
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Friday, October 26th, 2012

MAC Fabulousness / Smoky Eye Palette
MAC Fabulousness / Smoky Eye Palette

Up in Smoke This Set Goes

MAC Fabulousness / Smoky Eye Palette ($39.50 for 0.14 oz.) contains five eyeshadows: Taupeless (lavender pink), Satin Taupe (taupe with silver shimmer), Love Spice (mid-tone rosy pink with pearl), Spellcaster (matte aubergine), and Black Slip (rich blackened plum with pearl).

For reference, MAC eyeshadow quads ($38.00) typically contain 0.19 to 0.20 oz. (about 0.05 oz. per eyeshadow). Last year’s holiday eyeshadow palettes contained 0.21 oz. (and retailed for $38.00). The prior year’s holiday palettes contained 0.19 oz. (and retailed for $36.00). You used to get six shades, but with this year’s design, you’re getting five.

Taupeless is a light pink with silvery-white sparkle. It has a lustre finish, so it is a bit sheerer and has lots of sparkle. I did experience a fair amount of fall out with this shade. This shade has been released before. Chanel Harmonie du Soir is a bit warmer, less sparkly. MAC Love Power is similar but less sparkly. MAC Young Venus is cooler-toned. theBalm Safe Bet Annette is slightly warmer.

Satin Taupe is a medium brown with subtle warm orange undertones and a gray-ish tinge. It doesn’t look like the permanent Satin Taupe at all. It had decent color payoff but it was a little dry. Guerlain Turandot is darker. Dior Fairy Golds is also darker.

Love Spice is a rosy-toned medium brown with a champagne shimmer-sheen. The color payoff was so-so, and the texture was a little dry. Giorgio Armani Champagne is similar but browner. Cle de Peau #207 is similar but grayer and sparkly. MAC Pink Frontier is a touch lighter. MAC Jete is darker. MAC desert is a bit grayer. MAC Earthly is grayer. Here’s a swatch of the permanent Satin Taupe.

Spellcaster is a matte, dark purple with subtle red undertones. It was dry, stiff, and was a pain-in-the-behind to blend. It’s an eyeshadow that you have to grab a lot of, place it, go back for more, place it, and then try to blend those together. Normally, I’d take some product, apply it to the middle of the area I wanted it to be, then I’d take the brush back and forth to blend it out. It just doesn’t work with the texture of this shade. NARS High Society is lighter. MAC Dynamic Duo #4 has a similar shade that was better pigmented. Urban Decay Rockstar is a little lighter and shimmery.

Black Slip is a red-toned brown with hints of burgundy and bronze shimmer. It had good pigmentation, and it was the best performer out of the five. The texture was a lot softer and more blendable. Urban Decay Rapture is lighter. Illamasqua Queen of the Night is not as frosted. MAC Winterized is grayer, less red-toned.

Taupeless had some significant fall out while I wore it, which wasn’t a total surprise, because it had a sparkly, kind of gritty/chunky texture that is common to lustres (which I rarely have good experiences with).  Satin Taupe is unrecognizable in this palette–I’m left wondering if this is even meant to be one and the same as the permanent version.  If not, they really should have named it something else.  Black Slip was the best eyeshadow, but I would say that it is a good but not great eyeshadow.   Spellcaster works really well with the rest of the colors in the palette, but it is difficult to blend and was noticeably faded after eight hours of wear, even over a primer.  I couldn’t get all of these shades to show up without a primer underneath; Black Slip and Spellcaster were the only ones that showed up decently without a primer.

The Glossover

palette

Fabulousness Smoky

C
Not as bad as the Neutral Eye Palette, but it's not a particularly good palette. It's not where I would spend my holiday money.

Product

7/10

Pigmentation

7/10

Texture

8/10

Longevity

7.5/10

Application

3.5/5

Results
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Friday, October 26th, 2012

MAC Fabulousness / Neutral Eye Palette
MAC Fabulousness / Neutral Eye Palette

Fabulous This is Not

MAC Fabulousness / Neutral Eye Palette ($39.50 for 0.14 oz.) contains five eyeshadows: Blonde Mink (grey taupe frost), Magical Mist (metallic taupe), Brun (muted blackish-brown), Enviable (cool mint green with pearl), and Smut (muted black with red shimmer). Heads up–Brun and Smut are both part of the permanent range, and Magical Mist has made its way into a couple of past holiday palettes, too.

Whew! There is not a lot of product in this palette! For reference, MAC eyeshadow quads ($38.00) typically contain 0.19 to 0.20 oz. (about 0.05 oz. per eyeshadow). Last year’s holiday eyeshadow palettes contained 0.21 oz. (and retailed for $38.00). The prior year’s holiday palettes contained 0.19 oz. (and retailed for $36.00). You used to get six shades, but with this year’s design, you’re getting five.

Blonde Mink is a sheer, cool-toned, pale white-gray with a soft, frosted finish. It is supposed to have a Lustre finish. It looks grayer in the pan, but swatched, it’s very light and looks rather white. It had a very stiff, firm texture and didn’t yield much color. NARS Vent Glace is similar. Chanel Fantasme is a little reminiscent of this color, but Fantasme is more sparkly.

Magical Mist is a medium-dark brown with copper sparkle. It’s just barely warm. This shade has a lustre finish. The color payoff was decent, but it does have some loose sparkle, so it may be prone to fall out. Urban Decay Nevermind is warmer. MAC Earthly is more cool-toned. Buxom Mutt is barely warmer.

Brun is a dark black-brown, but you wouldn’t know it based on this palette. The texture was so, so dry and stiff. The finish is satin, though Brun tends to look more matte to me. I have it in the full-size, permanent pot, and it’s a dream to work with. Even when I applied this to the eye, it wasn’t easily blended out, and I definitely had to pick up the pigment, place it, and go back for more. For a real look at Brun, check out this swatch. MAC Diamond Dove is similar. MAC Twilight Falls is more taupe. theBalm Matt Ramirez is similar.

Enviable is a smoky forest green with a very subdued quality to it, color-wise. The texture was softer and smoother than the four other shades in the palette, and the color payoff was good. NARS High Society is similar but matte, so it appears darker. Tarina Tarantino Very Wicked is greener, darker. MAC Lady Grey is warmer. Make Up For Ever #84 is darker.

Smut is a red-toned, medium-dark brown with a satin finish. Here, too, Smut is a pale imitation of the permanent version (seen here. I was able to get a little more bang out of it when applied with a brush. Wet ‘n’ Wild Comfort Zone is similar. MAC Legendary Black is cooler-toned. Tarina Tarantino Saw Dust Heart is similar but has no shimmer.

I had to use an eyeshadow primer to get the colors to show up in a look. When I tried to use and test them without a base, there was so little color payoff.  I had some fall out with Blonde Mink when I used it on the center of the lid, but it was not terrible.  Out of the palette, I used Enviable on the inner lid, Blonde Mink on the center of the lid, Brun on the outer lid, and Smut in the crease.  The reality of this palette is Enviable is the best shade, but on its own, it’s just a so-so shade. The other four eyeshadows are sheer, dry, and stiff–and two have some fall out during wear.  I will go ahead and say that of the three eyeshadow palettes, this one was the worst performing (this just happened to be the one that came alphabetically, so it was the first to be reviewed!).

I’m actually just really sad when it comes to MAC holiday palettes now.  There are so many options for palettes during the holidays, and I’ve already tested at least a dozen of them (reviews are still forthcoming for many) and MAC’s wouldn’t be where I’d go this year.  I’d take my money and check out brands like Bare Escentuals (the Ready palettes for the holidays are incredible!), Tarte (reader reviews have been very positive), and Too Faced–just to name some comparably priced palettes.  Not to mention, Urban Decay released three palettes recently for $36 each with more product than these.

The Glossover

palette

Fabulousness Neutral

D
I'm actually just really sad when it comes to MAC holiday palettes now. There are so many options for palettes during the holidays, and I've already tested at least a dozen of them (reviews are still forthcoming for many) and MAC's wouldn't be where I'd go this year.

Product

6/10

Pigmentation

6.5/10

Texture

6/10

Longevity

7.5/10

Application

3/5

Results
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Thursday, October 18th, 2012

Cinderella Storylook Eyeshadow Palette
Cinderella Storylook Eyeshadow Palette

This is Better Than a Fairy Tale

This is part two of the review for the  Cinderella Storylook Eyeshadow Palette ($55.00 for 0.70 oz.), which focuses on the next ten eyeshadows in the palette.  To read a review of the palette overall as well as the wear, read part one.

Gus Gus is described as a “gold shimmer.” It’s a bright sunshine yellow with a golden shimmer and sheen–the finish is fairly frosted. The color payoff was excellent, and the texture was smooth and soft. OCC Triptych is darker. Urban Decay Honey is darker, more molten. Bare Escentuals Remix is not as yellow. MAC Goldmine is a smidgen more orange.

Charming is described as a “nude pearl.” It’s a warm champagne with a hint of yellow and a frosted, metallic finish. The pigmentation was right-on, and this shade was soft and smooth. Make Up For Ever #101 is not quite as warm. MAC Nylon is similar. MAC Femme-fi is a little less frosted. Tarina Tarantino Fantastical is similar but less metallic.

Chateau is described as a “brown shimmer.” It’s a medium-dark red-toned brown with a frosted sheen. The payoff was excellent and true-to-pan, while the texture was smooth and finely-milled. NARS Flowers 3 is more matte. Urban Decay Stray Dog is less warm. Illamasqua Focus is similar. Benefit Dandy Brandy is similar, not quiet as red-toned. Urban Decay YDK is very close.

Palace is described as a “rose gold shimmer.” It’s a soft brown-ish beige with a frosted sheen. Again, the color payoff here was true-to-pan, while the texture was smooth and soft. Dolce & Gabbana Cinnamon is less warm. Tarina Tarantino Fantastical is similar. theBalm Stand-offish is barely lighter. Chanel Beige Lame is more matte. Giorgio Armani #9 is more metallic.

Drizella is described as a “medium brown golden shimmer.” It’s a coppery bronze with a metallic sheen. The pigmentation was lovely, and the texture felt like silk. This shade is fairly dupeable by shades like Tarina Tarantino Amber, Urban Decay Half Baked, Make Up For Ever #12, and MAC Amber Lights.

Cinders is described as a “black with gold glitter.” This is a dark brown-toned black with gold sparkle. The finish is satiny. When I tested this on the eye, it was incredibly pigmented–a light hand is recommended! Bobbi Brown Black Gold is similar. Tarina Tarantino Dreamy is similar but has more coppered shimmer. MAC Legendary Black is softer. Milani Melange has more gold shimmer.

Jaq is described as a “mauve matte gold shimmer.” It’s a burgundy-tinged brown with a frosted finish. It had good color payoff, and it applied easily and smoothly. Urban Decay Muse is more matte. Urban Decay Barlust is more red-toned. MAC Twilight Falls is grayer. theBalm Caught in the Act Courtney is more burgundy.

Midnight is described as a “midnight blue with light blue glitter.” It’s a blackened navy blue with blue shimmer and sparkle. It had good color payoff and was fairly smooth to apply. Urban Decay Occupy is bluer, lighter. theBalm The Stroke is more matte. Bare Escentuals Shaken Not Stirred is darker. Make Up For Ever #147 is similar.

A Wish is described as a “cream pearl.” It is a soft beige with a satiny finish. The color is true-to-pan and applied smoothly. Urban Decay Anonymous is warmer. theBalm Adagio is similar but matte. MAC Brule is also similar but matte. Urban Decay Kinky is very similar, but it does have a matte finish.

Rococo is described as a “plum with multi-glitter.” It is a plummy burgundy with a satiny sheen. While I saw sparkle in the pan, it did not seem to translate to the swatch or the eye. The color was nicely pigmented, and it wasn’t powdery. Chanel Ebloui is more shimmery. Bare Escentuals Kismet is browner. Bare Escentuals Most Requested is less plum. theBalm Moderato is more matte. theBalm Sexy is darker.

The Glossover

coming-soon

Disney Cinderella Storylook Eyeshadow Palette (by Sephora) Review, Photos, Swatches (Part 2)

Temptalia Recommends
A
Well worth the price of admission, Sephora's collaboration with Disney for a Cinderella-inspired collection has been done well and without gimmicks, which makes it all the more impressive.

Product

9.5/10

Pigmentation

10/10

Texture

9.5/10

Longevity

8.5/10

Application

4.5/5

Results
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Thursday, October 18th, 2012

Cinderella Storylook Eyeshadow Palette
Cinderella Storylook Eyeshadow Palette

This is Better Than a Fairy Tale

Cinderella Storylook Eyeshadow Palette ($55.00 for 0.70 oz.) includes 20 shades of fairytale-inspired eyeshadows. This is a palette created by Sephora in collaboration with Disney. The review is split into two posts (10 eyeshadows in each), but the rating reflects the palette as a whole.

Maiden is described as a “glittery magenta.” It’s a medium-dark magenta pink with subtle blue undertones and silver micro-glitter. It’s almost fine enough to be shimmer or sparkle, not so much micro-glitter even. The color payoff was good, and I didn’t experience fall out problems with this shade. Estee Lauder Violet Underground is brighter, pinker. L’Oreal Glistening Garnet is lighter, more metallic/frosted. MAC Moon Rose is very similar, but it doesn’t have glitter. NARS Caravaggio is darker, pinker. Make Up For Ever #52 is more purple.

All Aglow is described as a “shimmering tan.” It’s a warm-toned, amber gold–a little brown, subdued copper, with a golden shimmer-sheen. The finish is very frosted, and it had good color payoff and applied smoothly. Clarins Enchanted is more golden. Bobbi Brown Pink Chandelier is similar, slightly browner. Urban Decay Half Baked is similar, a little yellower. Bare Escentuals Louder is comparable. Wet ‘n’ Wild Dancing in the Clouds is a bit darker.

Destined is described as a “light blue pearl.” It’s a subdued, almost gray-ish blue with a green-gold shimmer-sheen. It’s one of those extremely versatile colors that will lean one way or the other depending on what is applied next to it. MAC Sky yields a similar effect, but it’s much, much darker. Giorgio Armani #10 is lighter and very metallic.

Cinderelly is described as a “sea foam green matte.” It’s a soft sea foam green, though it’s almost like a meadow-y green, because the yellow undertone is a bit stronger than what I’d expect in a sea foam green shade. The finish is mostly matte. The pigmentation was good, and the texture was silky-soft and smooth. MAC Guacamole is darker. Tarina Tarantino Wonderful is lighter. Make Up For Ever #34 is a bit darker.

Pumpkin Coach is described as a “cream gold.” It’s a soft peach-orange with a dusting of gold sparkle. It had decent color payoff, but this was one of the sheerer shades in the palette and had some powderiness in the texture. Dolce & Gabbana Cocoa is lighter. Inglot #328 is a bit more beige.

Ball Gown is described as a “pearl white gold.” It’s a soft white with a frosted finish. There’s only a hint of warmth that keeps it from looking like a stark white, but it doesn’t read gold or yellow-y. It had good pigmentation and applied smoothly. theBalm Sassy is similar. theBalm Envious Erin is warmer, yellower.

Kill Joy is described as a “shimmering taupe.” It’s a frosted taupe–it’s gray, it’s brown, and it’s cool-toned. The color payoff was excellent, and it applied smoothly and evenly. Urban Decay Mushroom is darker. Buxom Pug is a smidgen grayer. MAC Cloudy Afternoon is a bit browner. Urban Decay Bust is less shimmery.

Fairy Godmother is described as a “periwinkle.” It’s a blue-tinged, icy purple. It’s too purple to be periwinkle, which I think would have more blue in it. However, that actually makes it more unique. It had excellent color payoff and a very soft, smooth application. MAC Blue Orbit is darker, more purple. Other than that, I couldn’t think of another potential dupe!

Glass Slipper is described as a “light blue shimmer.” It’s a pale, but bright, bluish white with a frosted sheen. Buxom Husky is bluer. MAC Vellum is lighter. Bare Escentuals Bravo is darker.

Royal is described as a “matte bright blue.” It’s a brightened medium blue with a matte finish. The color payoff was really lovely initially, but when I applied it to the lid, it was somewhat powdery and required some patience. I had to pat it on and be careful to only blend out the edges or else it would look faded. Milani Olympian Blue is comparable. MAC Blue Candy is lighter. MAC Electric Eel is a smidgen darker. Inglot #322 is similar. Make Up For Ever #72 is also quite similar.

The palette is fairly impressive, and it holds its own against other high-end palettes at the same price point.  It’s not perfect, but it’s extremely close.  The fussiest shade was Royal, which was somewhat powdery and had a tendency to fade when applied and during wear (noticeably but not entirely).  The mattes, generally, were very soft and as a result, a smidgen powdery, but none of them were problematic to apply other than Royal.  The shimmers in the palette were nicely pigmented, applied smoothly, and blended out easily.  

The color composition of the palette is just right; neutrals, colors, cool tones, and warm tones.  There is also a healthy variety in finishes from matte to shimmer to satin.  When I tested out the palette for wear, I experienced eight hours without fading when used over a primer, and without a primer, I saw eight hours of good wear with some very slight fading of some of the lighter, more matte colors (like Destined, Cinderelly, and Pumpkin Coach).

I thought the packaging for the palette was rather well-done. The artwork is true to the theme and movie, and what I like is I feel it’s done in a sophisticated, grown-up kind of way that will likely appeal to a wider age group than if they had gone more cartoon-ish. It’s made out of sturdy, durable cardboard with a pull out drawer that houses the eyeshadows. The eyeshadows are all placed in an insert, which is removable, and underneath reveals a hidden velvet-lined drawer for storing eyeliners, small brushes, or, at some later point, jewelry.

The Glossover

LE
palette

Cinderella

Temptalia Recommends
A
Well worth the price of admission, Sephora's collaboration with Disney for a Cinderella-inspired collection has been done well and without gimmicks, which makes it all the more impressive.

Product

9.5/10

Pigmentation

10/10

Texture

9.5/10

Longevity

8.5/10

Application

4.5/5

Results
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Thursday, October 11th, 2012

Giorgio Armani #1 Easy Chic Face & Eye Palette
Giorgio Armani #1 Easy Chic Face & Eye Palette

A Dark, Somber Fall Face & Eye Palette

Giorgio Armani #1 Easy Chic Face & Eye Palette ($88.00 for 0.43 oz.) is a glossy black compact that features a light face powder to illuminate skin “with the signature ‘Armani Glow’” and three eyeshadows–two matte shades with “intense hues” and a satin-finished illuminator. This is one of two palettes released for fall; the second one seems to be a little warmer (from the descriptions, as I haven’t seen it).

The face powder is described as “ultra-fine, “transparent,” and listed as “sheer beige.” After reading the official description, it made a lot more sense to me–and I’m glad that the brand described the product as it actually was. It is a pale, neutral-cool beige with a very subtle satiny sheen. It will best suit light to medium complexions, but it is very finely-milled and sheer that it could be used on a variety of skin tones. The base color isn’t ashy or chalky, so even darker complexions can use it as a setting powder or the like. The finely-milled texture allows this to sit beautifully on the skin–very naturally–as it melts against the complexion. MAC Baby Don’t Go is pinker.

The first eyeshadow is supposed to be the “satinized illuminator,” which Armani describes as “soft beige.” It’s a warm, golden champagne with a frosted finish. The color payoff is really as described, which is decent to good, but it illuminates as it is supposed to. It has a soft, finely-milled texture that applies very smoothly. Tarina Tarantino Fantastical is very similar, a smidgen lighter. Giorgio Armani #18 is yellower. Tarina Tarantino Dreamy is similar, a bit cooler-toned. MAC Femme-Fi is close.

The second eyeshadow is a medium-dark warm-toned brown with a mostly matte finish, but there is a smatternig of fine golden shimmer strewn throughout–you don’t really notice when it is applied. It had a slightly stiff texture, though certainly finely-milled, which resulted in so-so pigmentation. Dior Golden Savannah is similar but more pigmented, so it appears a bit darker. Urban Decay Snakebite is warmer, richer.

The third eyeshadow is a deep, dark matte black. There are a few bits of shimmer, but like a lot of other shades in this family, the shimmer isn’t noticeable on. The texture was soft and smooth, with rich color payoff. It similar to shades like Le Metier de Beaute Fin, Urban Decay Blackout, and Milani Pitch Black.

The double-decker palette is sleek and convenient to use, and the four shades in the palette coordinate and complement each other well.  I would have loved to see the bottom compartment feature only eyeshadow, rather than two tiny sponge-tipped applicators, though.  It would make the palette a better value.  Overall, the quality of the products included is good–the only shade that fell short was the brown eyeshadow, which could have been a little denser, more buttery, or else more pigmented.  When I wore the eyeshadows, they wore for eight hours without creasing or fading (with or without a primer), and the face powder lasted eight hours and helped reduce late afternoon shine.

The Glossover

product

#1 Fall Collection 2012

A
It's a basic but travel-friendly palette of colors. If you have a larger stash already, you likely have shades similar enough not to merit picking this palette up.

Product

9.5/10

Pigmentation

9/10

Texture

9.5/10

Longevity

9.5/10

Application

4.5/5

Results
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