Friday, November 2nd, 2012

Too Faced Shadow Bon Bons Eyeshadow Palette
Too Faced Shadow Bon Bons Eyeshadow Palette

Bon Bons That Won’t Go to Your Hips

Too Faced Shadow Bon Bons Eyeshadow Palette ($42.00) includes Shadow Insurance Candlelight Eyeshadow Primer (0.17 oz.), full-sized Lashgasm Mascara (0.40 oz.), and twelve eyeshadows: Vanilla (matte bone), Cut the Cake (heathered mist), Framboise (no description), Coffee Bean (matte coffee), Peach Fuzz (peachy gold), Hot Cocoa (chocolate), Candy Rose (pink sparkle), Lovey Dovey (sable brown), Nude Beach (nude peach), Cinnamon Sugar (no description), Marzipan (no description), and Licorice Latte (black with bronze sparkle). Each eyeshadow is 0.03 oz. for a total of 0.36 oz. of eyeshadow.

Vanilla is a pale ivory with a matte finish. It had good color payoff with a soft, finely-milled texture that wasn’t powdery. MAC Laundry Daze has more shimmer. Bobbi Brown Ivory is similar. Inglot #351 is a bit cooler-toned.

Cut the Cake is a soft lavender with a hint of cool undertones. The pigmentation was nice, and the texture was smooth and blendable. MAC Creative Whim is pinker and darker. OCC Datura is more iridescent. MAC Dynamic Duo 2 is similar. theBalm Curtain Call is pinker.

Framboise is a dark, smoky plum with a shimmery sheen and finish. It had so-so color payoff–it could have used more pigment. Urban Decay Rapture has more red in it. Urban Decay Rockstar is darker, mroe intense. MAC Joy & Laughter is more subdued. MAC Hypnotizing is lighter. MAC Winterized is close but less sparkly.

Coffee Bean is a cool-toned gray-brown (but I wouldn’t call it taupe). The more you blend it, the browner it becomes. It had good color payoff, though it was a bit stiff in texture. MAC Bad Lieutenant is similar in color. Urban Decay Back Door is very similar. MAC Dance in the Dark is a little more red-brown.

Peach Fuzz is a pink-tinged peach with golden sparkle. The golden sparkle doesn’t bind well with the pink base color, so it tends to blend away as fall out on the eye. It had good pigmentation but was slightly powdery. Urban Decay Walk of Shame is more beige and has no sparkle. Buxom Cocker Spaniel is lighter.

Hot Cocoa is a medium brown with a champagne sheen and golden orange tones. The pigmentation was nice, and the texture was easy to work with. MAC Magical Mist is a bit less red-toned. NARS Flowers 3 is warmer and has less of a sheen. Urban Decay YDK is richer.

Candy Rose is a light-medium pink with yellow undertones and a matte finish. It has silver sparkle that you can see in the pan, but it dusts away very quickly and doesn’t bind with the color itself. This shade had nice color payoff and a soft, just barely powdery, texture.

Lovey Dovey is a medium-dark bronze brown with orange undertones and a soft, frosted finish. It had good pigmentation, and it applied smoothly. MAC Mulch is very similar. MAC Electric Coil is more coppered. Dior Aurora is more subdued. Buxom Golden Retriever is similar.

Nude Beach is a golden beige with gold micro-glitter. This shade was sheer, and it was the sheerest of the twelve. I did have problems with fall out from the micro-glitter both during application and while I wore it. Cinderella Charming is similar without the glitter. Dior Couture Gold is slightly paler.

Cinnamon Sugar is a golden, light-medium bronze-brown with a metallic finish. The color payoff was nice, and the texture was soft, smooth, and blendable. Urban Decay Chase is darker, richer. Buxom Mutt is browner, less golden. Urban Decay Suspect is a smidgen darker.

Marzipan is a light-medium orange-brown with a mostly matte finish. It had so-so pigmentation, and it was a little stiff to work with, but it was still blendable. Inglot #337 is darker. MAC Moleskin is darker and browner. Chanel Beige Lame is less orange, browner, and has shimmer/sparkle.

Licorice Latte is a blackened brown with bronze sparkle. It had good color payoff, and while it was a dry kind of matte, it was still soft and blendable. Cinderella Cinders is warmer. Dior Night Golds is browner, less black. Tarina Tarantino Dreamy is warmer, redder-toned. Bobbi Brown Black Gold has more sparkle. MAC Legendary Black is similar.

Overall, Bon Bons is a solid eyeshadow palette, and at $42, it’s more than worth a peek.  It’s a mostly neutral palette with a few purples/pinks thrown in.  I like that they have a variety of finishes from matte to satins to frosts.  The only shade I didn’t care for was Nude Beach, because it was sheer and had fall out throughout the day. The mascara lengthened well without clumping and did not flake on me–if you need any thickening and volumizing, this isn’t the right mascara. Some of the more matte shades leaned on the powdery side, but none of the shades were really powdery to a point where it was detrimental to application.  When I tested out the wear of the eyeshadows, they wore eight hours without fading or creasing over the Candlelight base, and without any base, there was some minor but noticeable fading after eight hours.

The palette is an excellent value, even for the eyeshadows alone, but you also get an eyeshadow primer and full-sized mascara to complete the look.  I like that both of those things fit inside the palette, since they’re of substantial enough size that they’ll last longer than few uses.  You could always put in a gloss or eyeliner in those slots, too, as time went on.

The Glossover

LE
coming-soon

Cement

B+

This is a good palette option for someone who enjoys warm-toned neutrals! There are a few pops of color but nothing too bold or bright, so there are ways to switch it up that won't be intimidating.

Product

9/10

Pigmentation

9/10

Texture

9/10

Longevity

8.5/10

Application

4.5/5

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Friday, November 2nd, 2012

Guerlain Calligraphy Eye & Lip Palette
Guerlain Calligraphy Eye & Lip Palette

Full of Product and Quality

Guerlain Calligraphy Eye & Lip Palette ($79.00 for 0.35 oz.) consists of three eyeshadows, one eyeshadow/eyeliner (can be used wet or dry), two lipsticks, and two dual-ended brushes. The palette contains 0.19 oz. worth of eyeshadow and 0.16 oz. worth of lipstick. It’s almost the equivalent of four full-sized eyeshadows (average is 0.05 oz.) and about one and a half lipsticks (average is 0.10 oz.).

The first shade is a pale gold with a soft, frosted finish. It had nice color payoff, and it was very soft and smooth to apply. Cinderella Charming is very comparable. Tarina Tarantino Fantastical is not as yellow. Tarina Tarantino Dreamy is a bit browner. MAC Femme-fi is similar. MAC Nylon is yellower.

Below, the second shade is a light-medium copper orange with a frosted finish. It had excellent pigmentation with a soft, finely-milled texture that went on smoothly. Urban Decay Penny Lane is lighter, less orange. MAC Lantern Light has more red tones. MAC Chessa is more orange.

The third shade is a subdued taupe–a very gray-tinted brown–with a dark champagne shimmer-sheen. It had good color payoff, and the texture was soft, smooth, and easy to apply to the lid. NARS Vent Glace is lighter. theBalm Selfish is darker, grayer. Wet ‘n’ Wild Comfort Zone is lighter.

The fourth shade is a dark black with a hint of brown. This shade can actually be used wet or dry. It has a matte finish, and it actually delivered quite a bit of color payoff–it was finely-milled and soft, but it was dry in a sense. It didn’t have a really soft, buttery feel, so there was no powderiness yet nice pigmentation. Estee Lauder Violet Underground has a similar colored black. Le Metier de Beaute Fin is darker, richer.

The first lipstick is a blue-based, medium red with a fair amount of brightness and a satiny finish–a little sheen and pearl but not frosted. It was rich in color, and it wore for seven hours, plus left a stain behind. Dior Marilyn is a smidgen darker. NARS Dragon Girl is more matte. NYX Chic Red is a touch darker.

The second lipstick is an orange-red–very tomato red–with a satiny sheen. It is also fully opaque on lips and wore for six and a half hours. There was a light stain left behind. Chanel Coromandel is more orange. Guerlani Genna is a little more orange-hued. Chanel Excessive is a smidgen brighter.

Overall, it’s a very fine palette; well-made with a sleek, glossy black packaging and includes high-quality eyeshadows and lipsticks that wear well.  I think the shades are more dupeable than not, but they’re all really good.  I didn’t have issues with any of them!  When I wore the eyeshadows together, they lasted for eight hours without a primer and had no signs of creasing or fading.  The lipsticks both wore for over six hours (not a total surprise–they are reds!) and weren’t drying.

The Glossover

palette

Calligraphy

A+
Overall, it's a very fine palette; well-made with a sleek, glossy black packaging and includes high-quality eyeshadows and lipsticks that wear well. I think the shades are more dupeable than not, but they're all really good.

Product

10/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

5/5

Results
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Monday, October 29th, 2012

Wet 'n' Wild Shimmer the Night Away Eyeshadow Palette
Wet ‘n’ Wild Shimmer the Night Away Eyeshadow Palette

A Cool-Toned Holiday Palette

Wet ‘n’ Wild Shimmer the Night Away Eyeshadow Palette ($4.99 for 0.30 oz.) contains eight eyeshadows; one column is a gradient of white to black, while the second column features cool-toned colors in pink, purple, and blue. I bought mine from my local CVS, which only had two of the palette in stock, and it is limited edition.

The white shade is a pale, icy white with a soft frosted finish. It had good color payoff, and it had a soft, blendable texture. MAC Crystal Avalanche has more frost in its finish. theBalm Sassy has more frost and is less icy. Bare Escentuals Cheers is similar but whiter–starker in a way.

The gray shade is a light-medium gray with a soft, metallic finish with a touch of silver sheen. It had so-so color payoff, but the texture was soft and finely-milled. MAC Evening Grey is darker. Guerlain Les Gris has a shade that is barely darker. Giorgio Armani #22 is more metallic. MAC Electra has a smoother finish–more of a sheen.

The dark gray shade is a soft, dark black with subtle brow undertones and a matte finish. It had decent color payoff when swatched, but it performed better on the eye. It is comparable in color to black eyeshadows such as MAC Carbon, NARS Self Portrait 1, and Illamasqua Obsidian.

The black shade is a deep, dark black with a sprinkle of teal micro-shimmer–you don’t really see the shimmer show up on the eye, so it ends up looking mostly matte. It had good pigmentation and was very blendable, which is exactly what you need when you work with such a dark black. Giorgio Armani #1 is more matte, slightly warmer. Le Metier de Beaute is darker, warmer. Milani Pitch Black is very comparable, as is MAC Dark Dare.

The lilac shade is a soft, pink-lilac with a golden shimmer-sheen. This was the “warmest” shade out of the eight. The base color is cool-toned, but the golden sheen brings in some warmth. It was true-to-pan in color, though it is a lighter shade. The texture was very soft but a smidgen powdery. MAC Creative Whim is more purple. Dolce & Gabbana Jewels is similar but doesn’t have any golden shimmer.

The fuchsia shade is a fuchsia-magenta with an iridescent purple shimmer-sheen. It had decent color payoff, but it was the least pigmented in the palette–the texture was kind of crumbly, where the powder just didn’t bind together well. MAC Stylishly Merry is darker. Urban Decay Fishnet is very close in color. MAC Stars ‘n’ Rockets is also similar.

The purple shade is a medium, cool-toned purple with a soft frosted finish. It had decent to good pigmentation, and it performed a bit better on the eye. Wet ‘n’ Wild Dancing in the Clouds has a similar shade that’s a bit cooler-toned. MAC Violet is darker, richer in color–less subdued. MAC Beautiful Iris is similar, a little more blue-based.

The blue shade is a medium-dark blue with a satiny sheen. There is a very subtle violet edge to this that keeps it from being true blue. It had good color payoff, and the texture was soft and smooth without being powdery. MAC Switch to Blue is bluer. Sugarpill Velocity is brighter. Tarina Tarantino Violet Storm is similar but brighter, more shimmery. MAC Atlantic Blue is darker, more vibrant, and matte.

When I was testing this palette, the only shade I had real trouble with was the fuchsia shade, because it didn’t bind together well, so there was a lot of fall out to clean-up during application, and I really had to pack it on. It was the kind of shade that you’d apply, move on, and then it would look faded before you finished the rest of your look! Wet ‘n’ Wild’s eyeshadows in this palette have a soft, dense texture that can be a smidgen powdery for the more matte-finished shades. The pigmentation was good overall, with some shades coming in just under, and a couple going above. I noticed slight fading after wearing this palette for eight hours with a base; the slight fading was apparent after seven hours when worn without a base.

P.S. — I’d love to see the palettes have names for each eyeshadow! I thought it’d be fun to try and name them, so here are mine (I’d LOVE to hear yours!): Snow Fairy, Winter’s Edge, Stormy Wind, Knight of the Vale / Morning Glory, Treasured, Icy Delights, Skyline.

The Glossover

coming-soon

Wet 'n' Wild Shimmer the Night Away Eyeshadow Palette Review, Photos, Swatches

B
The color combination is great, and I like that there is some variety in the finishes--frosts, satins, and mattes. It is a good palette overall, and for most, the major miss (fuchsia) can be overlooked at the $3.99 price point. That blue on the bottom is worth the $3.99 alone--stunning and harder to come by.

Product

8.5/10

Pigmentation

8.5/10

Texture

9/10

Longevity

8/10

Application

4.5/5

Results
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Friday, October 26th, 2012

MAC Fabulousness / Warm Eye Palette
MAC Fabulousness / Warm Eye Palette

Is Your Avera

MAC Fabulousness / Warm Eye Palette ($39.50 for 0.14 oz.) contains five eyeshadows: Glamour Light (soft beige frost), Retrospeck (bleached blonde), Honesty (pewtered bronze), Cognac (frosty golden bronze), and Sketch (burgundy with red shimmer). Honesty, Retrospeck, and Sketch are all available as part of the permanent range.

Whew! There is not a lot of product in this palette! For reference, MAC eyeshadow quads ($38.00) typically contain 0.19 to 0.20 oz. (about 0.05 oz. per eyeshadow). Last year’s holiday eyeshadow palettes contained 0.21 oz. (and retailed for $38.00). The prior year’s holiday palettes contained 0.19 oz. (and retailed for $36.00). You used to get six shades, but with this year’s design, you’re getting five.

Glamour Light is a pale golden beige. This has a satin finish. It is a little sheer, but it is a very light shade overall–it tended to disappear against my skin tone in particular, unfortunately! Cinderella A Wish is similar. MAC Sahara Dust is less warm. MAC Baby, It’s Cold is very similar. MAC Dazzlelight is lighter.

Retrospeck is light-medium gold subdued by brown. This has a lustre finish, so it has a fair amount of sparkle and doesn’t apply really smoothly. It’s part of the permanent range. Chanel Apparence is darker. Buxom Poodle is yellower.

Honesty is a coppery orange-brown with lighter copper shimmer and sheen. It is pretty sheer, and it was very, very dry. This has a lustre finish, but it is so much drier and less pigmented in this palette than it is in permanent form. Urban Decay Penny Lane is a bit lighter. MAC Star Myth is darker, redder.

Cognac is a molten golden bronze. This has a frost finish. This was the best performing shade out of all three palettes–it was soft, smooth, richly pigmented, and easy to blend out. Inglot #404 is a bit lighter. Urban Decay Rush is darker, less warm. MAC Romp is darker, browner. Urban Decay Honey is less brown, more golden. MAC Old Gold is similar but has that green-ish sheen.

Sketch is a dark burgundy with a smattering of barely-there-sparkle that you really can’t see once it’s applied. This has a velvet finish. It had good color payoff, and it blended out without trouble when I used it. theBalm Moderato is more subdued. theBalm Sexy is browner.

This palette was the best out of the there eyeshadow palettes (and while I have to crunch the numbers, my big picture view is saying this is the best out of all the palettes).  Retrospeck and Honesty have fall out, being that they’re lustres, with Honesty being a bigger offender.  (I feel like I’m making excuses; it’s like “well, it’s not horrible, so at least that’s good, right?”)  Glamour Light works but could use a softer, denser texture to yield slightly more pigment–it would make it a more versatile shade.  Cognac was really lovely and easy to work with; if the whole palette was like that, we’d have A-quality.  Sketch is true-to-form and is nicely pigmented and dark.  It’s soft enough to be blendable (could be a little easier, though) but is not powdery.

The Glossover

palette

Fabulousness Warm

B-
One great eyeshadow (and another good eyeshadow--Sketch) isn't enough to make up for the rest of the palette's drawbacks (primarily, fall out, as well as some weaker pigmentation).

Product

8/10

Pigmentation

8.5/10

Texture

8.5/10

Longevity

7.5/10

Application

4/5

Results
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Friday, October 26th, 2012

MAC Fabulousness / Smoky Eye Palette
MAC Fabulousness / Smoky Eye Palette

Up in Smoke This Set Goes

MAC Fabulousness / Smoky Eye Palette ($39.50 for 0.14 oz.) contains five eyeshadows: Taupeless (lavender pink), Satin Taupe (taupe with silver shimmer), Love Spice (mid-tone rosy pink with pearl), Spellcaster (matte aubergine), and Black Slip (rich blackened plum with pearl).

For reference, MAC eyeshadow quads ($38.00) typically contain 0.19 to 0.20 oz. (about 0.05 oz. per eyeshadow). Last year’s holiday eyeshadow palettes contained 0.21 oz. (and retailed for $38.00). The prior year’s holiday palettes contained 0.19 oz. (and retailed for $36.00). You used to get six shades, but with this year’s design, you’re getting five.

Taupeless is a light pink with silvery-white sparkle. It has a lustre finish, so it is a bit sheerer and has lots of sparkle. I did experience a fair amount of fall out with this shade. This shade has been released before. Chanel Harmonie du Soir is a bit warmer, less sparkly. MAC Love Power is similar but less sparkly. MAC Young Venus is cooler-toned. theBalm Safe Bet Annette is slightly warmer.

Satin Taupe is a medium brown with subtle warm orange undertones and a gray-ish tinge. It doesn’t look like the permanent Satin Taupe at all. It had decent color payoff but it was a little dry. Guerlain Turandot is darker. Dior Fairy Golds is also darker.

Love Spice is a rosy-toned medium brown with a champagne shimmer-sheen. The color payoff was so-so, and the texture was a little dry. Giorgio Armani Champagne is similar but browner. Cle de Peau #207 is similar but grayer and sparkly. MAC Pink Frontier is a touch lighter. MAC Jete is darker. MAC desert is a bit grayer. MAC Earthly is grayer. Here’s a swatch of the permanent Satin Taupe.

Spellcaster is a matte, dark purple with subtle red undertones. It was dry, stiff, and was a pain-in-the-behind to blend. It’s an eyeshadow that you have to grab a lot of, place it, go back for more, place it, and then try to blend those together. Normally, I’d take some product, apply it to the middle of the area I wanted it to be, then I’d take the brush back and forth to blend it out. It just doesn’t work with the texture of this shade. NARS High Society is lighter. MAC Dynamic Duo #4 has a similar shade that was better pigmented. Urban Decay Rockstar is a little lighter and shimmery.

Black Slip is a red-toned brown with hints of burgundy and bronze shimmer. It had good pigmentation, and it was the best performer out of the five. The texture was a lot softer and more blendable. Urban Decay Rapture is lighter. Illamasqua Queen of the Night is not as frosted. MAC Winterized is grayer, less red-toned.

Taupeless had some significant fall out while I wore it, which wasn’t a total surprise, because it had a sparkly, kind of gritty/chunky texture that is common to lustres (which I rarely have good experiences with).  Satin Taupe is unrecognizable in this palette–I’m left wondering if this is even meant to be one and the same as the permanent version.  If not, they really should have named it something else.  Black Slip was the best eyeshadow, but I would say that it is a good but not great eyeshadow.   Spellcaster works really well with the rest of the colors in the palette, but it is difficult to blend and was noticeably faded after eight hours of wear, even over a primer.  I couldn’t get all of these shades to show up without a primer underneath; Black Slip and Spellcaster were the only ones that showed up decently without a primer.

The Glossover

palette

Fabulousness Smoky

C
Not as bad as the Neutral Eye Palette, but it's not a particularly good palette. It's not where I would spend my holiday money.

Product

7/10

Pigmentation

7/10

Texture

8/10

Longevity

7.5/10

Application

3.5/5

Results
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Friday, October 26th, 2012

MAC Fabulousness / Neutral Eye Palette
MAC Fabulousness / Neutral Eye Palette

Fabulous This is Not

MAC Fabulousness / Neutral Eye Palette ($39.50 for 0.14 oz.) contains five eyeshadows: Blonde Mink (grey taupe frost), Magical Mist (metallic taupe), Brun (muted blackish-brown), Enviable (cool mint green with pearl), and Smut (muted black with red shimmer). Heads up–Brun and Smut are both part of the permanent range, and Magical Mist has made its way into a couple of past holiday palettes, too.

Whew! There is not a lot of product in this palette! For reference, MAC eyeshadow quads ($38.00) typically contain 0.19 to 0.20 oz. (about 0.05 oz. per eyeshadow). Last year’s holiday eyeshadow palettes contained 0.21 oz. (and retailed for $38.00). The prior year’s holiday palettes contained 0.19 oz. (and retailed for $36.00). You used to get six shades, but with this year’s design, you’re getting five.

Blonde Mink is a sheer, cool-toned, pale white-gray with a soft, frosted finish. It is supposed to have a Lustre finish. It looks grayer in the pan, but swatched, it’s very light and looks rather white. It had a very stiff, firm texture and didn’t yield much color. NARS Vent Glace is similar. Chanel Fantasme is a little reminiscent of this color, but Fantasme is more sparkly.

Magical Mist is a medium-dark brown with copper sparkle. It’s just barely warm. This shade has a lustre finish. The color payoff was decent, but it does have some loose sparkle, so it may be prone to fall out. Urban Decay Nevermind is warmer. MAC Earthly is more cool-toned. Buxom Mutt is barely warmer.

Brun is a dark black-brown, but you wouldn’t know it based on this palette. The texture was so, so dry and stiff. The finish is satin, though Brun tends to look more matte to me. I have it in the full-size, permanent pot, and it’s a dream to work with. Even when I applied this to the eye, it wasn’t easily blended out, and I definitely had to pick up the pigment, place it, and go back for more. For a real look at Brun, check out this swatch. MAC Diamond Dove is similar. MAC Twilight Falls is more taupe. theBalm Matt Ramirez is similar.

Enviable is a smoky forest green with a very subdued quality to it, color-wise. The texture was softer and smoother than the four other shades in the palette, and the color payoff was good. NARS High Society is similar but matte, so it appears darker. Tarina Tarantino Very Wicked is greener, darker. MAC Lady Grey is warmer. Make Up For Ever #84 is darker.

Smut is a red-toned, medium-dark brown with a satin finish. Here, too, Smut is a pale imitation of the permanent version (seen here. I was able to get a little more bang out of it when applied with a brush. Wet ‘n’ Wild Comfort Zone is similar. MAC Legendary Black is cooler-toned. Tarina Tarantino Saw Dust Heart is similar but has no shimmer.

I had to use an eyeshadow primer to get the colors to show up in a look. When I tried to use and test them without a base, there was so little color payoff.  I had some fall out with Blonde Mink when I used it on the center of the lid, but it was not terrible.  Out of the palette, I used Enviable on the inner lid, Blonde Mink on the center of the lid, Brun on the outer lid, and Smut in the crease.  The reality of this palette is Enviable is the best shade, but on its own, it’s just a so-so shade. The other four eyeshadows are sheer, dry, and stiff–and two have some fall out during wear.  I will go ahead and say that of the three eyeshadow palettes, this one was the worst performing (this just happened to be the one that came alphabetically, so it was the first to be reviewed!).

I’m actually just really sad when it comes to MAC holiday palettes now.  There are so many options for palettes during the holidays, and I’ve already tested at least a dozen of them (reviews are still forthcoming for many) and MAC’s wouldn’t be where I’d go this year.  I’d take my money and check out brands like Bare Escentuals (the Ready palettes for the holidays are incredible!), Tarte (reader reviews have been very positive), and Too Faced–just to name some comparably priced palettes.  Not to mention, Urban Decay released three palettes recently for $36 each with more product than these.

The Glossover

palette

Fabulousness Neutral

D
I'm actually just really sad when it comes to MAC holiday palettes now. There are so many options for palettes during the holidays, and I've already tested at least a dozen of them (reviews are still forthcoming for many) and MAC's wouldn't be where I'd go this year.

Product

6/10

Pigmentation

6.5/10

Texture

6/10

Longevity

7.5/10

Application

3/5

Results
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