Sunday, October 12th, 2014

MAC Gold + Beige Pigments + Glitter Objects of Affection
MAC Gold + Beige Pigments + Glitter Objects of Affection

MAC Gold + Beige Pigments + Glitter Objects of Affection ($35.00 for 0.50 oz.) includes four pigments (each containing 0.09 oz.) and one glitter (containing 0.14 oz.). MAC’s Pigments can be a lot of fun to use, if you like loose eyeshadow, and I’ve always liked them as colored eyeshadow bases. They’re actually designed as a “highly concentrated loose colour powder” that will “adhere to the skin.” They can be used to “create a subtle wash of colour or an intense effect.” The formula is supposed to be “easy to blend and long-lasting.” The majority work best when applied with a dampened brush, as it helps the powder bind and adhere to the skin, though some shades are more pigmented than others for dry application.

MAC now offers “Sized to Go” pigments in select shades, which are the same size as the ones in the set, for $10 ($111.11/oz). Normally, a full-sized jar of pigment is $21.00 for 0.15 oz. ($140/oz.). The set contains $40.00 or $50.40 worth of pigments, depending on which calculation you use. Full-sized glitters are $21.00 for 0.15 oz. ($140/oz.), so there is $19.60 worth of glitter here. All in all, the set contains at least $59.60 worth of product, and on the high end, $70.00. The only annoyance is that the smaller jars can be harder to use, depending on the size of your fingers/hands, but you’ll want to be careful. I usually find the best luck in pouring a little into the cap or onto a metal mixing palette.

Lithe is described as a “peachy nude.” It’s a light-medium gold with warm, yellow-orange undertones and a metallic sheen. Applied dry, it was sheer, and applied damp, it was fully opaque. On me, the color wore well for eight hours before creasing slightly. See swatches of dupes / view dupes side-by-side.

English Gilt is described as a “bright champagne.” It’s a metallic, golden bronze with warm undertones and a high-shine finish. It was a finer pigment, and it yielded semi-sheer color coverage applied dry, and then full coverage applied damp. It wore well for eight and a half hours before creasing. See swatches of dupes / view dupes side-by-side.

Pretty It Up is described as a “dirty olive with pearl.” It’s a murky, bronze and gold-shimmered brown with hints of olive/khaki. It had a chunkier texture, so it didn’t apply as smoothly as other shades and is trickier to apply, as there is a lot of fall out. Applied dry, it was semi-sheer, and applied damp, it was mostly opaque. It wore well for eight hours but did have fall out over time. See swatches of dupes / view dupes side-by-side.

Gold is described as a “sparkly chunky gold [Glitter].” It’s a chunky, gold glitter. MAC has a warning on the box that says it is not for use around the eye area. See swatches of dupes / view dupes side-by-side.

Deep Brown is described as a “dark chocolate brown.” It’s a muted, medium-dark brown with soft, warm undertones and a matte finish. It was very, very finely-milled and silky. Even dry, it is more buildable to opaque color as it layers well. It was semi-sheer applied dry, and it was opaque applied damp (and it seemed to go on okay with a damp brush, despite it being a matte finish). On me, it lasted for eight hours before fading. This shade is part of the permanent range. See swatches of dupes / view dupes side-by-side.

The collection releases online October 27th and in-stores on November 6th.

The Glossover

LE
palette

Gold + Beige

B+

Product

8.5/10

Pigmentation

9/10

Texture

8.5/10

Longevity

8.5/10

Application

4.5/5

Results
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LE
product

Lithe

B+

Product

8.5/10

Pigmentation

9/10

Texture

9/10

Longevity

8.5/10

Application

4.5/5

Results
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Dupes
LE
product

English Gilt

A-

Product

8.5/10

Pigmentation

9/10

Texture

9/10

Longevity

9/10

Application

5/5

Results
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Sunday, October 12th, 2014

Guerlain Petrouchka Eye & Blush Palette
Guerlain Petrouchka Eye & Blush Palette

Guerlain Petrouchka Eye & Blush Palette ($90.00 for 0.42 oz.) includes five eyeshadows and four blushes. When you open the palette, you’ll see a tray of eyeshadows, and when you lift the tray, you’ll see four blushes–two as larger squares, two as smaller, rectangles. The colors chosen for the palette all work together very well, including the blushes. It is an incredibly warm-toned palette, and all of the eyeshadows have more frosted finishes (I would have loved to see two of them be more satiny with a lower sheen). The eyeshadows are extremely dupable, and two of the blushes are sheerer, slightly powdery/dry. Guerlain’s blush formula is interesting, because it’s not a formula that seems to swatch well, yet it looks far better applied to cheeks. They’re more buildable, and they don’t look dry applied nor are they difficult to blend out. I wish they had only done two blushes (or maybe even just one illuminating powder), because I had to use eyeshadow brushes to get the color out of the pan due to each pan being so small. The compact is a slightly mattified gold, and the red bow is an elastic that slides off (Guerlain had an image on its booklet that showed it being used as a hair tie).

Petrouchka #1 is a light, yellow gold with a frosted, metallic finish. It had good color payoff, and the texture was soft and blendable. See swatches of dupes / view dupes side-by-side.

Petrouchka #2 is a yellow gold with a frosted sheen. It had good pigmentation with a soft, blendable texture. This shade was thinner and a smidgen dry. See swatches of dupes / view dupes side-by-side.

Petrouchka #3 is a medium, golden copper with a frosted finish and warm undertones. It had fantastic pigmentation, and the texture was soft, smooth, and buttery. See swatches of dupes / view dupes side-by-side.

Petrouchka #4 is a medium brown with warm, red undertones and a soft, frosted finish. The color payoff was lovely, while the powder had a soft, buttery texture that went on smoothly. See swatches of dupes / view dupes side-by-side.

Petrouchka #5 is a dark, bronzy brown with warm undertones and a frosted sheen. It had full color coverage, and it had the same, smooth, buttery consistency as the third and fourth eyeshadows. See swatches of dupes / view dupes side-by-side.

Petrouchka #6 is a light pink with warm, yellow undertones and a faint white sparkle. Unfortunately, my skin tone doesn’t show this shade well–it just got lost as a blush on me, but it may show up for very fair skin tones. It seemed to have decent color payoff, and the texture was soft, though slightly powdery. In person, i was able to detect a very faint pink coloring, which seemed to last seven hours on me. See swatches of dupes / view dupes side-by-side.

Petrouchka #7 is a muted, reddish-coral with a matte finish. It was sheer and powdery, though I was able to build it up in three to four layers. It lasted for eight hours applied to the skin. See swatches of dupes / view dupes side-by-side.

Petrouchka #8 is a medium-dark, peach with warm, gold shimmer. It had a drier, more powdery consistency, but thankfully it didn’t look dry applied. I think if you had really dry skin, this might not work out as well. The color wore well for eight hours. See swatches of dupes / view dupes side-by-side.

Petrouchka #9 is a brightened, orange with a hint of red and warm undertones. It had more of a satin-matte finish–not flat, but it didn’t have much of a sheen. It had good color payoff, and the texture wasn’t powdery but was still blendable. This shade didn’t show signs of fading until after eight hours of wear. See swatches of dupes / view dupes side-by-side.

The Glossover

LE
palette

Petrouchka

B

Product

8.5/10

Pigmentation

8.5/10

Texture

8/10

Longevity

8.5/10

Application

4.5/5

Results
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LE
product

Petrouchka #1

A-

Product

9/10

Pigmentation

9/10

Texture

9/10

Longevity

9/10

Application

5/5

Results
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Dupes
LE
product

Petrouchka #2

B+

Product

9/10

Pigmentation

9/10

Texture

8/10

Longevity

9/10

Application

5/5

Results
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Saturday, October 11th, 2014

LORAC Mega Pro Palette
LORAC Mega Pro Palette

LORAC Mega Pro Palette ($59.00 for 0.62 oz.) includes 32 eyeshadows–16 matte, 16 shimmer from white to black to plum to teal. The palette is very warm-toned–only a handful of shades are neutral to cool–and it is a more light to mid-tone palette, but a lot of the shades run together. I don’t think the color composition is as good as it could be. Overall, the formula used in these eyeshadows had a very soft, silky feel, but it was soft enough that it is powdery and lots of excess product gets kicked up in the palette but also drops below the lid if you aren’t careful.

I found the eyeshadows in this palette didn’t apply as well to bare skin as the ones in Pro 1 and Pro 2; many eyeshadows had a tendency to blend away to a very sheer layer of color, so I would recommend using a primer with this. Even the more shimmery shades seemed to have this problem. There were a couple of shades that had a drier consistency that showed on the skin. I was able to use the eyeshadows both wet and dry (including the mattes), but blending some of the matte shades out when damp was more difficult than dry. I would just use a good eyeshadow primer underneath rather than use them with a dampened brush. Though they often looked faded from the get-go, it didn’t fade much from there, so wear time clocked in around eight hours on most shades.

The palette is the size of two Pro palettes, and it is very slim. Interestingly enough, but as a reader had asked about where it was made, I couldn’t locate the information. The palette only indicates that it was assembled in the U.S., but it uses U.S. and non-U.S. materials. It has a large mirror underneath the lid, but it doesn’t stand up, so it may not be that useful.

It’s a limited edition, holiday palette that will only be available on Amazon–LORAC confirmed that there is a shipment “in transit” that is Amazon’s, so there will be more available, but it seems like it goes in and out of stock, so it may be difficult to get. It’s been disappointing to see how the launch has been handled (confusion with launch dates, limited availability, slow to ship/communicate, broken palettes galore), and I really wish LORAC would simply do another run of the palette and earn some goodwill with customers.

On comparison to Pro 1/Pro 2: There are some shades that are more similar than not (from Pro 1: Lt. Brown, Black, Beige, Rose, Cocoa; from Pro 2: White, Cream, Taupe, Espresso, Black, Gold, Lt. Bronze). If you like the formula of Pro 1 and Pro 2, you’ll probably find the formula of Mega Pro to be comparable–at most a little more powdery/soft.

Cream is a pale, brightened beige with a matte finish and soft, warm undertones. It was mostly opaque but was stiffer–it had a thinner, less silky texture compared to most other shades in the palette. See comparison swatches / view dupes side-by-side.

Fawn is a light, peach-beige with warm undertones and a matte finish. It had good color payoff but was somewhat powdery, though it was very silky. See comparison swatches / view dupes side-by-side.

Camel is a muted, meidum-dark orange with hints of tan/brown and a matte finish. It had semi-opaque color coverage and was powdery. See comparison swatches / view dupes side-by-side.

Sepia is a muted, medium-dark brown with warm, terracotta undertones and a matte finish. It had good pigmentation, and it was nicely balanced between soft and blendable without being powdery. See comparison swatches / view dupes side-by-side.

Dusty Plum is a muted, medium-dark plum with warm undertones and a matte finish. It had fairly good pigmentation, though it was somewhat powdery. See comparison swatches / view dupes side-by-side.

Orchid is a lavender-pink with cool undertones and a matte finish. It was somewhat powdery, and it had decent to good color payoff. See comparison swatches / view dupes side-by-side.

Mulberry is a medium-dark, berry red with cool undertones and a matte finish. This shade was very powdery and sheer applied to the skin–it just refused to adhere well, so it really needs something to help it stay on the skin. See comparison swatches / view dupes side-by-side.

Espresso is a dark brown with subtle, cool undertones and a mostly matte finish–there is a tiny, tiny amount of shimmer that’s not really noticeable applied. It had good color payoff, but it was somewhat powdery and didn’t adhere well to bare skin (it sheered out a lot). The version in my Mega Pro is lighter and more shimmery (in the pan) than in my Pro palette. See comparison swatches / view dupes side-by-side.

White is a bright white with cool undertones and a matte finish. It is quite powdery, as it is almost like a loose powder in the pan–it just gets everywhere. See comparison swatches / view dupes side-by-side.

Khaki is a softened, light-medium brown with a hint of gray and a satin finish. It had good pigmentation, and it applied without too much trouble. See comparison swatches / view dupes side-by-side.

Brown is a medium, yellow-toned brown with a matte finish. It had semi-sheer pigmentation, and the texture was on the powdery side, so it didn’t stick well to skin and just blended away on the skin. See comparison swatches / view dupes side-by-side.

Stone is a muted, grayed purple with cool undertones and a matte finish. It had fairly good color payoff, and the texture was only a little powdery. See comparison swatches / view dupes side-by-side.

Lilac is a light-medium, cool-toned lavender with a matte finish. It had decent pigmentation but was powdery. See comparison swatches / view dupes side-by-side.

Wisteria is a muted, medium plum with a hint of gray and a matte finish. It was sheer and very powdery–it is not a shade that can be workable on bare skin whatsoever. It is still challenging to use even with a primer, but a primer is the only way to save this (NYX Milk, in particular–LORAC’s was pitiful paired with this shade). See comparison swatches / view dupes side-by-side.

Gray is a muted, msoked bluish-teal with a matte finish. It is not what one would think of as traditionally “gray.” Like Wisteria, it was quite sheer and quite powdery, so little color stayed on the skin, and what did, went on unevenly. See comparison swatches / view dupes side-by-side.

Black is a medium-dark black with a matte finish and subtle warm undertones. It was semi-sheer, a little dry and stiff (similar to Cream), and it was difficult to blend and apply. See comparison swatches / view dupes side-by-side.

Opal is a warm-toned, white gold with a frosted finish. It had good pigmentation, though it was still on the powdery side like the matte shades–it had a softer, almost crumbly texture. See comparison swatches / view dupes side-by-side.

Sand is a light-medium, yellow gold with warm undertones and a metallic sheen. It had fairly good color payoff, and it wasn’t too powdery to work with. See comparison swatches / view dupes side-by-side.

Copper is a medium-dark, golden copper with warm undertones and a metallic finish. It had good pigmentation, and it was a little dry but blendable. See comparison swatches / view dupes side-by-side.

Sienna is a medium brown with warm undertones and a soft, frosted sheen. It had nice color payoff, and the texture was soft without being powdery. See comparison swatches / view dupes side-by-side.

Apricot is a brightened pop of tangerine orange with warm undertones and a frosted finish. It seemed to have good color payoff, but the texture was rather powdery, which made it hard to apply on bare skin. See comparison swatches / view dupes side-by-side.

Blush is a light pink with warm, yellow undertones and a frosted finish. It had decent pigmentation, but the texture was somewhat powdery to work with. See comparison swatches / view dupes side-by-side.

Merlot is a medium-dark, warm-toned plum with a metallic sheen. It had good color payoff, and the texture wasn’t powdery, so it went on smoothly and evenly. See comparison swatches / view dupes side-by-side.

Indigo is a blackened navy blue with blue sparkle over a matte finish. The sparkle sits on top, so it doesn’t bind with the eyeshadow, and as a result, it’s mostly just a matte black eyeshadow on the lid. It had good color coverage, and the texture wasn’t powdery. See comparison swatches / view dupes side-by-side.

Vanilla is a warm, white with yellow-y undertones and a frosted finish. It had nice pigmentation, and the wasn’t powdery, so it was easy to use on the skin. See comparison swatches / view dupes side-by-side.

Cashmere is a muted, yellow gold with a metallic finish. It had a slightly dry, crumbly consistency, so it didn’t go on smoothly as one would like. It seemed to emphasize texture on the eyelid. See comparison swatches / view dupes side-by-side.

Smokey Topaz is a medium-dark, golden bronze with warm undertones and a metallic finish. It had nice color payoff, though it was a little dry and dusty. See comparison swatches / view dupes side-by-side.

Dusty Rose is a muted, rosy brown with warm undertones and a satin finish. It had semi-sheer pigmentation and was powdery. See comparison swatches / view dupes side-by-side.

Granite is a rich, dark bronze brown with a frosted finish. It had excellent pigmentation, and the texture was soft, smooth, and buttery–best eyeshadow in the palette, easily. See comparison swatches / view dupes side-by-side.

Maroon is a medium-dark, reddish brown with warm undertones and a frosted finish. It had good color payoff, and the texture was soft without being powdery. See comparison swatches / view dupes side-by-side.

Deep Teal is a blackened green-leaning teal with cool undertones and a frosted sheen. It had nice color payoff, but it had a drier texture–it takes a lot of buffing to work away those dry edges on the skin. See comparison swatches / view dupes side-by-side.

Caviar is a medium-dark black with a very subtle sheen. It had good pigmentation, and the texture was only a little powdery. It was easier to use than Black. See comparison swatches / view dupes side-by-side.

The Glossover

LE
palette

Mega Pro

B

Product

8/10

Pigmentation

9/10

Texture

8/10

Longevity

8/10

Application

4.5/5

Results
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P
product

Cream

B

Product

8.5/10

Pigmentation

9/10

Texture

8/10

Longevity

8/10

Application

4.5/5

Results
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Dupes
LE
product

Fawn

B+

Product

9/10

Pigmentation

9/10

Texture

8/10

Longevity

8.5/10

Application

4.5/5

Results
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Friday, October 10th, 2014

NARS  Hardwired Eyeshadow
NARS Hardwired Eyeshadow

NARS Hardwired Eyeshadow ($25.00 for 0.07 oz.) is a new, limited edition formula for the holiday color collection. It’s described as “powdered pigments with intense iridescence.” When I was swatching, it felt like a wet/dry formula, and I was able to use all three shades wet/dry without any consequences to the powder later on. The texture is soft, a little dry, and very sparkly. During application as well as during wear, there is a noticeable amount of fall out. The eyeshadows seem to have flecks of sparkle–larger than shimmer, smaller than glitter–that stick best once they’re blended out, which means it isn’t easy to remove the excess fall out merely by brushing it away. The wore well for almost eight hours on me (no primer), and they were easy to blend on the lid. They were fairly pigmented, though it varied shade to shade.

NARS Canberra Hardwired Eyeshadow ($25.00 for 0.07 oz.) is described as a “shimmering lavender.” It’s a medium-dark, cool-toned purple with a sparkling, frosted finish. It had mostly opaque color payoff applied dry or damp, though it was smoother and easier to blend with a slightly dampened brush. When it was used dry, it had a drier quality to it. It wore well for seven and a half hours before creasing slightly, and there was a fair amount of fall out during wear. Cle de Peau Cosmic Aura #1 (P) is less shimmery, darker. NARS Jardin Perdu (Right) (LE, $24.00) is warmer. NARS Kauai #2 (P, $24.00) is brighter. Too Faced Jingle All the Way Eyeshadow #6 (LE, $16.00) is lighter. Sleek MakeUP Romance in Rome (LE, $9.99) is similar. Urban Decay Voodoo (LE, $18.00) is less sparkly. MAC Black Grape (P, $21.00) is more glittery. theBalm Lavish Latoya (LE, $16.00) is less sparkly. Urban Decay Gravity (LE, $18.00) is brighter, less sparkly. Urban Decay ACDC (P, $18.00) is less sparkly. Milani Purr-fect Purple (P, $6.99) is less sparkly. MAC Grand Galaxy (LE, $19.50) is less sparkly. bareMinerals Encore (P) is less sparkly. See comparison swatches / view dupes.

NARS Gabon Hardwired Eyeshadow ($25.00 for 0.07 oz.) is described as a “bronzed green.” It’s a dirty, dark olive green with lighter golden khaki sparkle and shimmer. This one was the driest of the three, and it takes some buffing to blend out the edges so it doesn’t look dry on the lid as well. I also felt like this one had less pigment when applied damp than dry, though it was buildable. There was some fall out during wear, and this shade lasted for eight hours before creasing. Dior Pied de Poule #5 (P) is less sparkly. theBalm #30 (P, $6.50) is lighter, less sparkly. MAC Greenluxe #4 (P) is darker. Giorgio Armani #24 (LE, $33.00) is warmer. Giorgio Armani #14 (LE, $33.00) is lighter, warmer. See comparison swatches / view dupes.

NARS Opal Coast Hardwired Eyeshadow ($25.00 for 0.07 oz.) is described as an “iridescent white.” It’s a light, golden white with warm undertones and a sparkling, metallic sheen. It had semi-opaque color coverage both wet and dry (application didn’t seem to be impacted either way). This one was one of the easiest shades to apply, and it had less fall out during wear. The texture was only slightly dry, but I thought this was the best of the three, despite being less pigmented. It wore well for eight hours before creasing. MAC Regal Affair (LE, $19.50) is more metallic. MAC Plumluxe #1 (P) is more shimmery. Too Faced La Croisette (P, $16.00) is less sparkly. Estee Lauder Bronze Dunes #2 (LE, $21.00) is less sparkly. See comparison swatches / view dupes.

These will launch online on October 15th and in-stores on November 1st.

The Glossover

LE
product

Canberra

B-

Product

8.5/10

Pigmentation

9/10

Texture

8/10

Longevity

7/10

Application

4.5/5

Results
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Dupes
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LE
product

Gabon

B-

Product

8/10

Pigmentation

9/10

Texture

7/10

Longevity

7.5/10

Application

4.5/5

Results
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Dupes
LE
product

Opal Coast

B

Product

8.5/10

Pigmentation

8.5/10

Texture

8/10

Longevity

8/10

Application

4.5/5

Results
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Dupes

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Tuesday, October 7th, 2014

LORAC Mega Pro Palette
LORAC Mega Pro Palette

LORAC Mega Pro Palette ($59.00 for 0.62 oz.) includes 32 eyeshadows–16 matte, 16 shimmer from white to black to plum to teal. It is a limited edition palette. My order just arrived this afternoon, so I’ll start testing it, but there weren’t too many obvious “that’s going to be a problem” eyeshadows and most felt like the eyeshadows from the previous Pro palettes–soft, silky (but sometimes powdery) mattes, more consistent shimmery shades (less likely to be powdery). It launches tomorrow, exclusively at Amazon and LORAC, so I figured that swatches might be helpful as it’ll take awhile to test 32 shades!

And perhaps, if you’re trying to figure out whether you already have dupes or not, you might try browsing the swatches in the Swatch Gallery, as I have added them there :)

Now up on Amazon!! :)

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Tuesday, October 7th, 2014

MAC Keepsakes/Plum Eyes Eyeshadow Palette
MAC Keepsakes/Plum Eyes Eyeshadow Palette

MAC Keepsakes/Plum Eyes Eyeshadow Palette ($39.50 for 0.112 oz.) is one of three, 8-pan eyeshadow palettes for the holidays. Each eyeshadow is 0.014 oz., and even though there are eight of them, it’s noticeably less than past holiday palettes. In 2012 and 2013, they were 0.14 oz., and in 2011, they contained 0.21 oz. while pricing has stayed about the same. This year’s holiday packaging is very plastic-feeling, and the “pearls” that wrap around the palette lift a bit, so I don’t know if this is going to be particularly travel-friendly as far as durability goes. Since they put eight shades into the palette, each pan is on the smaller side, though it fits a MAC 239 and 217 brush comfortably. I do not find the quality of the holiday eyeshadow palettes to be on par with the average full-sized eyeshadow. This palette is all right; it works decently on the skin, but it takes some layering and packing on to make it all work.

Sensibility is described as a “pale frosty pink [with a Frost finish].” It’s a semi-sheer, light pink with subtle warm undertones and a satin finish. The texture was somewhat stiff. It lasted for eight hours. See swatches of all dupes / view dupes side-by-side.

Taupeless is described as an “icy pink with silver sparkle [with a Lustre finish].” It’s a light-medium, cool-toned pink with silver sparkle. Lustre finishes are supposed to be sheerer shades, which this is, though the texture is also chunky and a little stiff. It lasted for eight hours, but there was fall out during wear. This shade has been out in a couple of holiday palettes previously. See swatches of all dupes / view dupes side-by-side.

Plum Grand is described as a “dirty frosty lavender [with a Veluxe Pearl finish].” It’s a medium-dark, purple plum with warm undertones and a frosted finish. It had semi-opaque pigmentation with a soft, but dry, consistency. It lasted for eight hours. See swatches of all dupes / view dupes side-by-side.

Nocturnelle is described as a “pinked-up chrome purple [with a Frost finish].” It’s a brightened, medium-dark purple with cool, pink undertones and a satiny sheen. It had fully opaque color payoff, and the texture was fairly soft and blendable. This shade stayed on well for eight hours. See swatches of all dupes / view dupes side-by-side.

Fashion Beat is described as a “dirty violet grey [with a Lustre finish].” It’s a muted, golden beige with a hint of gray and subtle, warm undertones. It had a more frosted finish, and it didn’t really have the sparkle content that you’d expect from a Lustre finish. It was also mostly opaque, which is more payoff than Lustres have. It lasted for eight hours on me. See swatches of all dupes / view dupes side-by-side.

Subtly Elegant is described as a “light grey lilac [with a Matte finish].” It’s a light-medium, gray-leaning taupe with subtle warm undertones and matte finish. It had really nice color payoff with a silky, velvety texture that was just a smidgen powdery. The color wore well for eight hours. See swatches of all dupes / view dupes side-by-side.

Shadowy Lady is described as a “blackened plum [with a Matte finish].” It’s a blackened purple-plum with a matte finish. This version seemed darker, slightly cooler-toned, than my permanent version (which is older). It had decent color payoff, but the texture was on the stiffer side, which made it harder to blend on the lid. It lasted for eight hours. See swatches of all dupes / view dupes side-by-side.

Magic Moor is described as a “rich blackened plum with pearl [with a Veluxe Pearl finish].” It’s a blackened, plummy taupe with subtle, warm undertones and a frosted finish. It had good pigmentation, and the texture was fairly soft. This shade started to fade after eight hours of wear. a href=”http://www.temptalia.com/swatch-gallery?sg=159293,144423,142943,109619,109567,108086,105593,105101,142526″>See swatches of all dupes / view dupes side-by-side.

The Glossover

LE
palette

Plum Eyes

B-

Product

8/10

Pigmentation

8.5/10

Texture

7.5/10

Longevity

8.5/10

Application

4.5/5

Results
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LE
product

Sensibility

C

Product

7/10

Pigmentation

6.5/10

Texture

7/10

Longevity

8.5/10

Application

4.5/5

Results
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Dupes
LE
product

Taupeless

D+

Product

6/10

Pigmentation

6/10

Texture

6/10

Longevity

8/10

Application

4.5/5

Results
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Dupes
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