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Disney Cinderella Storylook Eyeshadow Palette (by Sephora) (Part 2)

Cinderella Storylook Eyeshadow Palette
Cinderella Storylook Eyeshadow Palette

This is Better Than a Fairy Tale

This is part two of the review for the  Cinderella Storylook Eyeshadow Palette ($55.00 for 0.70 oz.), which focuses on the next ten eyeshadows in the palette.  To read a review of the palette overall as well as the wear, read part one.

Gus Gus is described as a “gold shimmer.” It’s a bright sunshine yellow with a golden shimmer and sheen–the finish is fairly frosted. The color payoff was excellent, and the texture was smooth and soft. OCC Triptych is darker. Urban Decay Honey is darker, more molten. Bare Escentuals Remix is not as yellow. MAC Goldmine is a smidgen more orange.

Charming is described as a “nude pearl.” It’s a warm champagne with a hint of yellow and a frosted, metallic finish. The pigmentation was right-on, and this shade was soft and smooth. Make Up For Ever #101 is not quite as warm. MAC Nylon is similar. MAC Femme-fi is a little less frosted. Tarina Tarantino Fantastical is similar but less metallic.

Chateau is described as a “brown shimmer.” It’s a medium-dark red-toned brown with a frosted sheen. The payoff was excellent and true-to-pan, while the texture was smooth and finely-milled. NARS Flowers 3 is more matte. Urban Decay Stray Dog is less warm. Illamasqua Focus is similar. Benefit Dandy Brandy is similar, not quiet as red-toned. Urban Decay YDK is very close.

Palace is described as a “rose gold shimmer.” It’s a soft brown-ish beige with a frosted sheen. Again, the color payoff here was true-to-pan, while the texture was smooth and soft. Dolce & Gabbana Cinnamon is less warm. Tarina Tarantino Fantastical is similar. theBalm Stand-offish is barely lighter. Chanel Beige Lame is more matte. Giorgio Armani #9 is more metallic.

Drizella is described as a “medium brown golden shimmer.” It’s a coppery bronze with a metallic sheen. The pigmentation was lovely, and the texture felt like silk. This shade is fairly dupeable by shades like Tarina Tarantino Amber, Urban Decay Half Baked, Make Up For Ever #12, and MAC Amber Lights.

Cinders is described as a “black with gold glitter.” This is a dark brown-toned black with gold sparkle. The finish is satiny. When I tested this on the eye, it was incredibly pigmented–a light hand is recommended! Bobbi Brown Black Gold is similar. Tarina Tarantino Dreamy is similar but has more coppered shimmer. MAC Legendary Black is softer. Milani Melange has more gold shimmer.

Jaq is described as a “mauve matte gold shimmer.” It’s a burgundy-tinged brown with a frosted finish. It had good color payoff, and it applied easily and smoothly. Urban Decay Muse is more matte. Urban Decay Barlust is more red-toned. MAC Twilight Falls is grayer. theBalm Caught in the Act Courtney is more burgundy.

Midnight is described as a “midnight blue with light blue glitter.” It’s a blackened navy blue with blue shimmer and sparkle. It had good color payoff and was fairly smooth to apply. Urban Decay Occupy is bluer, lighter. theBalm The Stroke is more matte. Bare Escentuals Shaken Not Stirred is darker. Make Up For Ever #147 is similar.

A Wish is described as a “cream pearl.” It is a soft beige with a satiny finish. The color is true-to-pan and applied smoothly. Urban Decay Anonymous is warmer. theBalm Adagio is similar but matte. MAC Brule is also similar but matte. Urban Decay Kinky is very similar, but it does have a matte finish.

Rococo is described as a “plum with multi-glitter.” It is a plummy burgundy with a satiny sheen. While I saw sparkle in the pan, it did not seem to translate to the swatch or the eye. The color was nicely pigmented, and it wasn’t powdery. Chanel Ebloui is more shimmery. Bare Escentuals Kismet is browner. Bare Escentuals Most Requested is less plum. theBalm Moderato is more matte. theBalm Sexy is darker.

Disney Cinderella Storylook Eyeshadow Palette (by Sephora) (Part 2)

A
9.5
Product
10
Pigmentation
9.5
Texture
8.5
Longevity
4.5
Application
93%
Total

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Disney Cinderella Storylook Eyeshadow Palette (by Sephora) (Part 1)

Cinderella Storylook Eyeshadow Palette
Cinderella Storylook Eyeshadow Palette

This is Better Than a Fairy Tale

Cinderella Storylook Eyeshadow Palette ($55.00 for 0.70 oz.) includes 20 shades of fairytale-inspired eyeshadows. This is a palette created by Sephora in collaboration with Disney. The review is split into two posts (10 eyeshadows in each), but the rating reflects the palette as a whole.

Maiden is described as a “glittery magenta.” It’s a medium-dark magenta pink with subtle blue undertones and silver micro-glitter. It’s almost fine enough to be shimmer or sparkle, not so much micro-glitter even. The color payoff was good, and I didn’t experience fall out problems with this shade. Estee Lauder Violet Underground is brighter, pinker. L’Oreal Glistening Garnet is lighter, more metallic/frosted. MAC Moon Rose is very similar, but it doesn’t have glitter. NARS Caravaggio is darker, pinker. Make Up For Ever #52 is more purple.

All Aglow is described as a “shimmering tan.” It’s a warm-toned, amber gold–a little brown, subdued copper, with a golden shimmer-sheen. The finish is very frosted, and it had good color payoff and applied smoothly. Clarins Enchanted is more golden. Bobbi Brown Pink Chandelier is similar, slightly browner. Urban Decay Half Baked is similar, a little yellower. Bare Escentuals Louder is comparable. Wet ‘n’ Wild Dancing in the Clouds is a bit darker.

Destined is described as a “light blue pearl.” It’s a subdued, almost gray-ish blue with a green-gold shimmer-sheen. It’s one of those extremely versatile colors that will lean one way or the other depending on what is applied next to it. MAC Sky yields a similar effect, but it’s much, much darker. Giorgio Armani #10 is lighter and very metallic.

Cinderelly is described as a “sea foam green matte.” It’s a soft sea foam green, though it’s almost like a meadow-y green, because the yellow undertone is a bit stronger than what I’d expect in a sea foam green shade. The finish is mostly matte. The pigmentation was good, and the texture was silky-soft and smooth. MAC Guacamole is darker. Tarina Tarantino Wonderful is lighter. Make Up For Ever #34 is a bit darker.

Pumpkin Coach is described as a “cream gold.” It’s a soft peach-orange with a dusting of gold sparkle. It had decent color payoff, but this was one of the sheerer shades in the palette and had some powderiness in the texture. Dolce & Gabbana Cocoa is lighter. Inglot #328 is a bit more beige.

Ball Gown is described as a “pearl white gold.” It’s a soft white with a frosted finish. There’s only a hint of warmth that keeps it from looking like a stark white, but it doesn’t read gold or yellow-y. It had good pigmentation and applied smoothly. theBalm Sassy is similar. theBalm Envious Erin is warmer, yellower.

Kill Joy is described as a “shimmering taupe.” It’s a frosted taupe–it’s gray, it’s brown, and it’s cool-toned. The color payoff was excellent, and it applied smoothly and evenly. Urban Decay Mushroom is darker. Buxom Pug is a smidgen grayer. MAC Cloudy Afternoon is a bit browner. Urban Decay Bust is less shimmery.

Fairy Godmother is described as a “periwinkle.” It’s a blue-tinged, icy purple. It’s too purple to be periwinkle, which I think would have more blue in it. However, that actually makes it more unique. It had excellent color payoff and a very soft, smooth application. MAC Blue Orbit is darker, more purple. Other than that, I couldn’t think of another potential dupe!

Glass Slipper is described as a “light blue shimmer.” It’s a pale, but bright, bluish white with a frosted sheen. Buxom Husky is bluer. MAC Vellum is lighter. Bare Escentuals Bravo is darker.

Royal is described as a “matte bright blue.” It’s a brightened medium blue with a matte finish. The color payoff was really lovely initially, but when I applied it to the lid, it was somewhat powdery and required some patience. I had to pat it on and be careful to only blend out the edges or else it would look faded. Milani Olympian Blue is comparable. MAC Blue Candy is lighter. MAC Electric Eel is a smidgen darker. Inglot #322 is similar. Make Up For Ever #72 is also quite similar.

The palette is fairly impressive, and it holds its own against other high-end palettes at the same price point.  It’s not perfect, but it’s extremely close.  The fussiest shade was Royal, which was somewhat powdery and had a tendency to fade when applied and during wear (noticeably but not entirely).  The mattes, generally, were very soft and as a result, a smidgen powdery, but none of them were problematic to apply other than Royal.  The shimmers in the palette were nicely pigmented, applied smoothly, and blended out easily.  

The color composition of the palette is just right; neutrals, colors, cool tones, and warm tones.  There is also a healthy variety in finishes from matte to shimmer to satin.  When I tested out the palette for wear, I experienced eight hours without fading when used over a primer, and without a primer, I saw eight hours of good wear with some very slight fading of some of the lighter, more matte colors (like Destined, Cinderelly, and Pumpkin Coach).

I thought the packaging for the palette was rather well-done. The artwork is true to the theme and movie, and what I like is I feel it’s done in a sophisticated, grown-up kind of way that will likely appeal to a wider age group than if they had gone more cartoon-ish. It’s made out of sturdy, durable cardboard with a pull out drawer that houses the eyeshadows. The eyeshadows are all placed in an insert, which is removable, and underneath reveals a hidden velvet-lined drawer for storing eyeliners, small brushes, or, at some later point, jewelry.

Disney Cinderella Storylook Eyeshadow Palette (by Sephora) (Part 1)

A
9.5
Product
10
Pigmentation
9.5
Texture
8.5
Longevity
4.5
Application
93%
Total

Chanel Destination Illusion d’Ombre Eyeshadow

Chanel Destination Illusion d'Ombre Eyeshadow
Chanel Destination Illusion d’Ombre Eyeshadow

Chanel Destination Illusion d’Ombre Eyeshadow ($36.00 for 0.14 oz.) is described as a “pale-satin shade [that] adds a silver-blue accent to eyes.” It’s a subdued, silver-ish blue with a frosted, metallic finish. When sheered out, it’s almost more silver-white with just a hint of blue. MAC Bright Moon is darker, grayer. Buxom Husky is bluer and lighter–more sky blue. Urban Decay Strip is a bit darker. Urban Decay Mary Jane is also similar, a bit bluer–richer. Inglot #429 is more periwinkle.

I’ve been wanting to review this for awhile, but it’s been sold out online (sold out before I even received mine!) and though it was supposed to be available at regular counters/retailers, I’ve yet to see it pop up online. Luckily, when I checked this weekend, it’s back in stock on Chanel.com. Sometimes I love Illusion d’Ombres, and sometimes, they’re a bit of a miss. Destination is more of a miss for me, unfortunately.

The downfall of Destination is that it doesn’t apply opaque, even if you make an attempt to build it, because it doesn’t apply very evenly. It’s a little splotchy and patchy. As a result, it works better as a base color or applied very sheerly as a wash of shimmer. I think other shades within the formula do a better job of merely illuminating eyes if that was your goal. Destination wore for six hours well, but by eight hours, there was noticeable fading.

Chanel Illusion d’Ombre Long Wear Luminous Eyeshadow Destination
7
Product
8.5
Pigmentation
8.5
Texture
7
Longevity
3.5
Application
77%
Total

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Giorgio Armani #1 Easy Chic Face & Eye Palette

Giorgio Armani #1 Easy Chic Face & Eye Palette
Giorgio Armani #1 Easy Chic Face & Eye Palette

A Dark, Somber Fall Face & Eye Palette

Giorgio Armani #1 Easy Chic Face & Eye Palette ($88.00 for 0.43 oz.) is a glossy black compact that features a light face powder to illuminate skin “with the signature ‘Armani Glow'” and three eyeshadows–two matte shades with “intense hues” and a satin-finished illuminator. This is one of two palettes released for fall; the second one seems to be a little warmer (from the descriptions, as I haven’t seen it).

The face powder is described as “ultra-fine, “transparent,” and listed as “sheer beige.” After reading the official description, it made a lot more sense to me–and I’m glad that the brand described the product as it actually was. It is a pale, neutral-cool beige with a very subtle satiny sheen. It will best suit light to medium complexions, but it is very finely-milled and sheer that it could be used on a variety of skin tones. The base color isn’t ashy or chalky, so even darker complexions can use it as a setting powder or the like. The finely-milled texture allows this to sit beautifully on the skin–very naturally–as it melts against the complexion. MAC Baby Don’t Go is pinker.

The first eyeshadow is supposed to be the “satinized illuminator,” which Armani describes as “soft beige.” It’s a warm, golden champagne with a frosted finish. The color payoff is really as described, which is decent to good, but it illuminates as it is supposed to. It has a soft, finely-milled texture that applies very smoothly. Tarina Tarantino Fantastical is very similar, a smidgen lighter. Giorgio Armani #18 is yellower. Tarina Tarantino Dreamy is similar, a bit cooler-toned. MAC Femme-Fi is close.

The second eyeshadow is a medium-dark warm-toned brown with a mostly matte finish, but there is a smatternig of fine golden shimmer strewn throughout–you don’t really notice when it is applied. It had a slightly stiff texture, though certainly finely-milled, which resulted in so-so pigmentation. Dior Golden Savannah is similar but more pigmented, so it appears a bit darker. Urban Decay Snakebite is warmer, richer.

The third eyeshadow is a deep, dark matte black. There are a few bits of shimmer, but like a lot of other shades in this family, the shimmer isn’t noticeable on. The texture was soft and smooth, with rich color payoff. It similar to shades like Le Metier de Beaute Fin, Urban Decay Blackout, and Milani Pitch Black.

The double-decker palette is sleek and convenient to use, and the four shades in the palette coordinate and complement each other well.  I would have loved to see the bottom compartment feature only eyeshadow, rather than two tiny sponge-tipped applicators, though.  It would make the palette a better value.  Overall, the quality of the products included is good–the only shade that fell short was the brown eyeshadow, which could have been a little denser, more buttery, or else more pigmented.  When I wore the eyeshadows, they wore for eight hours without creasing or fading (with or without a primer), and the face powder lasted eight hours and helped reduce late afternoon shine.

Giorgio Armani #1 Easy Chic Face & Eye Palette

A
9.5
Product
9
Pigmentation
9.5
Texture
9.5
Longevity
4.5
Application
93%
Total

Le Metier de Beaute Nouvelle Vague Kaleidoscope Eye Kit

Le Metier de Beaute Nouvelle Vague Kaleidoscope Eye Kit
Le Metier de Beaute Nouvelle Vague Kaleidoscope Eye Kit

A Palette Inspired by the French Cinema

Le Metier de Beaute Nouvelle Vague Kaleidoscope Eye Kit ($95.00 for 0.49 oz.) consists of four eyeshadows inspired by “the spark present throughout the French cinema New Wave.” The colors can be worn alone or layered over each other (part of the brand’s methodology).

Nouvelle is described as a “sheer mink negative.” It’s a warm peach with a frosted finish and a kiss of pink. The color payoff is rich and opaque, not quite the sheer color they described it as (so for some, this is probably a good thing!). It had a lovely soft, finely-milled texture that felt buttery and smooth. Chanel Complice is similar but less reflective, a smidgen darker. theBalm Stubborn is warmer, less pink. Urban Decay Scratch is fairly close, though a little pinker.

Gamine is described as a “satin pink celluloid.” It is a blue-based cotton candy pink with a soft frosted finish. The color payoff was fantastic, and the texture was soft, smooth, and blendable. MAC Dynamic Duo 4 is sheerer, less frosted. Guerlain Boulevard du Montparnasse is similar, a smidgen darker. MAC for Miss Piggy is sheerer, less frosted. MAC Feather Pink is cooler-toned, almost lilac.

Icon is described as a “silky matte Parisian mauve.” It’s a soft pink-tinged mauve with a matte finish. It had a soft, smooth, and finely-milled texture that yielded rich color. Inglot #399 is frosted. Guerlain Boulevard du Montparnasse is similar but satiny. MAC Neo Nebula is shimmery. Urban Decay Bordello is darker and frosted.

Fin is described as a “smoldering black carbon.” It’s a rich, deep, dark black with a fine dusting of multi-colored shimmer (which you don’t really notice when it is applied). The pigmentation in this is so, so rich. The texture is soft, smooth, and not a bit powdery. As far as comparably rich in pigment black eyeshadows go, Urban Decay Blackout is similar but has a more matte finish; Milani Pitch Black is also similar; and Make Up For Ever #4 is entirely matte and has no shimmer at all.

The palette is high quality from top to bottom, and really, the only reason it lost any points was because of Nouvelle, which was described as sheer but is, in fact, quite pigmented–for most, this will be received as great news.  When I tested these shades for wear, they wore for eight hours with no fading or creasing.

Each eyeshadow is just over 0.12 oz., which is double the size of most eyeshadows.   To put it into perspective, a MAC quad is the equivalent of paying $200/oz., and the Kaleidoscope is $194/oz.  Note:  my packaging is sample packaging, while retail versions are packaged in the brand’s signature black; the packaging rating reflects the retail packaging.

Le Metier de Beaute Nouvelle Vague Kaleidoscope Eye Kit

A
10
Product
9
Pigmentation
10
Texture
10
Longevity
5
Application
98%
Total

Too Faced Fantasy Island Eyeshadow Duo

Too Faced Fantasy Island Eyeshadow Duo
Too Faced Fantasy Island Eyeshadow Duo

Take a Getaway to Too Faced’s Fantasy Island

Too Faced Fantasy Island Eyeshadow Duo ($17.00 for 0.08 oz.) is described as “peacock” and “gilded lime.”  I picked up several of Too Faced’s duos when they were on sale at HauteLook, and while they’re not quite as deeply discounted, they are on sale on Too Faced right now.

The left side is a blue-based teal with a subtle golden iridescent shimmer-sheen. Too Faced Neptune is actually a bit similar, but the finish is different–more of a sheen than a traditional frost; it also read a bit greener against my skin tone. Urban Decay Minx is a bit greener and has glitter. MAC Shimmermoss is slightly greener. L’Oreal Endless Sea is bluer. Inglot #413 is similar.

The right side is a pale gold with a dirty, green-ish tinge; it keeps it from being too yellow or too warm. It has a frosted, slightly metallic finish. bareMinerals Wicked is greener. Tarina Tarantino Wonderful is just slightly more mint-like, less yellowy. Inglot #364 is matte and greener. MAC Valiant is similar, slightly less green.

Too Faced describes the formula as being “pigment-drenched [and] long-wearing.”  Both shades had excellent color payoff, and the textures were soft, dense, and buttery.  They were a dream to use–they applied true-to-pan on the lid without having to pack them on, and I didn’t experience any fall out, creasing, or fading while I wore the two shades for eight hours (without a primer).  The finely-milled powder made these a cinch to blend, too!

Too Faced Fantasy Island Eyeshadow Duo

A+
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

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