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Milani Gold Dust Powder Eyeshadow

Milani Gold Dust Powder Eyeshadow
Milani Gold Dust Powder Eyeshadow

Follow the Trail of Gold Dust to Find Your Way Home

Milani Gold Dust Powder Eyeshadow ($4.49 for 0.11 oz.) is a warm gold with orange tones and a frosted, metallic finish. Giorgio Armani #1 is similar, slightly darker. Clarins Enchanted Summer contains a gold that is similar but also a little darker. Dior Couture Gold has a slightly lighter shade. Milani Drenched in Gold is less orange-toned.

The color payoff is decent to good, and it will apply mostly opaque to lid with a little packing of color but not too much is required.  In my use of this shade, what I liked least was the texture, which was on the powdery side with some dryness (it’s quite apparent in the swatch).  I wish it had a better or more binding ingredients, so it would stick together better.  This would make it apply more smoothly, though the powdery texture makes it easy to blend–but there is a little fall out during application, and the color can be sheered out too easily if you are not careful.  It managed eight hours of wear without a primer and only showed some very subtle fading along the inner corner.

Milani Eyeshadow Caramel Brown
8.5
Product
8.5
Pigmentation
8.5
Texture
8.5
Longevity
4
Application
84%
Total

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Bobbi Brown Blue Moon Long-Wear Cream Shadow

Bobbi Brown Blue Moon Long-Wear Cream Shadow
Bobbi Brown Blue Moon Long-Wear Cream Shadow

Bobbi Brown Blue Moon Long-Wear Cream Shadow ($24.00 for 0.12 oz.) is described as a “shimmering bright blue.” It’s a medium blue with a very subtle sheen. Make Up For Ever #25 is lighter, frostier. Maybelline Tenacious Teal is a little more aqua-blue in comparison. MAC Blue Candy is lighter. Wet ‘n’ Wild Fly me to the Moon is a step or two darker.

This shade goes on very sheerly, and it was difficult to build up the intensity. If you take a ton of product, you can get opaque color, but applying and smoothing it out on the lid ends up in as a rather patchy result. The best method that worked for me was to apply one layer, wait about 15-30 seconds, then apply a second, wait another 15-30 seconds, and apply a thrid, and possibly a fouth, layer. The problem with that method was there was some faint but noticeable creasing after six hours. When I used a sheer layer, there was very minor creasing–after eight hours, though.  Blue Moon had a soft, creamy texture that blended easily so long as you went for a sheer application.

Bobbi Brown Long-Wear Cream Eyeshadow Blue Moon
Blue Moon
Blue Moon
8
Product
8.5
Pigmentation
9.5
Texture
7
Longevity
3
Application
80%
Total

Giorgio Armani #28 Eyes to Kill Intense Eyeshadow

Giorgio Armani #28 Eyes to Kill Intense Eyeshadow
Giorgio Armani #28 Eyes to Kill Intense Eyeshadow

#28 is More Dazzling Than It Lets On

Giorgio Armani #28 Eyes to Kill Intense Eyeshadow ($32.00 for 0.14 oz.) is medium-dark, sparkling copper-tinged bronze. MAC Coil has more copper color in it. MAC Havana is darker. Benefit Dandy Brandy is similar but less shimmery. Make Up For Ever #15 is similar in color when sheered out. MAC Roasted Chestnut is a bit darker and more red-toned. MAC Buckwheat is a smidgen darker. Inglot #421 is richer, darker.

This particular shade had larger shimmer particles than a lot of the other Eyes to Kill Intense Eyeshadows have, which results in a greater sparkle effect, though it’s not quite as smooth. When applied dry, it doesn’t bind together as well as I’d like to see, and it comes out looking a little faded compared to the pot color and the way it looks when applied dampened. It takes on a darker brown base color when it is applied wet, though the color will stay looking the same way even when it dries down.

#28 has a drier texture–you can even tell in the pot, as it arrived kind of crumbled along the edges.  You can use the plastic stopper included in the pot to press it back down, but it’s not as well-bound as the other shades.  As a result, the color just doesn’t adhere as well when used dry. It takes some added moisture to make it come together. When I wore it to test the wear, it managed a full eight hours without fading or creasing, and I didn’t see any fall out underneath my eye, despite the sparkly finish.

Giorgio Armani Eyes to Kill Intense Waterproof Eyeshadow #28
#28
#28
8.5
Product
8.5
Pigmentation
9
Texture
10
Longevity
4
Application
89%
Total

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Dior Khaki Design Eyeshadow Palette

Dior Khaki Design Eyeshadow Palette
Dior Khaki Design Eyeshadow Palette

Camouflage Your Eyes with These Jungle Hues

Dior Khaki Design Eyeshadow Palette ($59.00 for 0.21 oz.) consists of four eyeshadows and one cream eyeliner, and all of these are in hues of greens, khakis, and olives. This eyeshadow palette is designed to be layered, as each shade has a different texture. It comes with a plastic insert that shows the labeling of what each shade is. Four of the shades can be treated as eyeshadows, while the fifth shade is a cream eyeliner.

The first shade, located on the upper left, is a darkened olive green with a subtle gray-tint that gives it that subdued color. It has noticeable brown undertones and a soft dusting of shimmer. The color payoff was good, and the texture was soft and smooth. NARS High Society is duller, grayer. Girogio Armani #25 has a blacker base and a ton more shimmer. Bare Escentuals Speaker Box is more shimmered. Giorgio Armani Green Jacquard is similar but less pigmented. MAC Femme Noir is greener, richer. Make Up For Ever #47 is greener.

The second shade, located on the upper right, is a sheer golden shimmer, which is noted as a “shine.” It can be layered over one of the other eyeshadows to add shimmer/sheen. The shimmer in it is finer than Dior Golden Savannah. Giorgio Armani #1 is more pigmented but similar in color–perhaps a touch browner. Giorgio Armani #18 is yellower. Tarina Tarantino Dreamy is similar but more like a regular eyeshadow, so it is opaque.

The third shade, located in the center, is an olive brown with a hint of green and a golden bronze shimmer. It has so-so color payoff; it’s a bit sheer, and it doesn’t build color well. theBalm Wocka, Wocka is similar but looks richer, as it is more pigmented. Bare Escentuals Spectacular is similar but more metallic in finish. MAC Sumptuous Olive is yellower. Inglot #419 is similar but very frosted.

The fourth shade, located on the bottom left, is a pale white gold with a frosted, metallic finish. The color is semi-sheer–it delivers more payoff than the upper right shade. Dior Couture Gold is chunkier and a smidgen yellower. MAC Carefree is similar in color but has more of matte finish. Bare Escentuals One Hit Wonder is also similar but a bit starker. Bare Escentuals Breathtaking is similar but has a less metallic finish.

The final shade, located on the bottom right, is a cream eyeliner that’s a blackened brown with a hint of teal shimmer.  The cream eyeliner has good color payoff, and it has a creamy consistency once you break through the initial surface.  It had so-so wear; it seemed a little faded and definitely migrated after six hours.

All of the shades had a soft, finely-milled texture that felt like butter and silk.  I liked the variation between finishes and light/dark within the palette, as it is more versatile–though I think it could have done with one more medium-colored eyeshadow instead of two pale/white golds that look more similar than not.  You would think that the Shine finish would have fall out problems, but it’s actually very easy to wear. I patted it over the darkest green eyeshadow, and I didn’t experience any fall out during the day.  When I wore the palette together, the eyeshadows wore for eight hours with very minor fading along the edges.

Dior Khaki Design Eyeshadow Palette

B+
9
Product
8.5
Pigmentation
10
Texture
8.5
Longevity
4
Application
89%
Total

Bobbi Brown Slate Eyeshadow

Bobbi Brown Slate Eyeshadow
Bobbi Brown Slate Eyeshadow

Contour with a Clean Slate

Bobbi Brown Slate Eyeshadow ($21.00 for 0.08 oz.) is described as a “medium grey.” It’s a softened gray-tinged taupe brown with a matte finish. MAC Omega is lighter, warmer. theBalm Celebrational is darker and has a satiny sheen. Bare Escentuals Vow is a few shades darekr and has a strong red undertone. MAC Twilight Falls is frosted and darker. MAC EarthlyM is a little browner and has a shimmery finish. Inglot #360 is a bit darker and less gray, but it was the closest I could think of.

This hue is part of Bobbi Brown’s permanent matte eyeshadow range.  The pigmentation is true-to-pan, but it looks soft, almost sheer, but not really.  I think the matte finish, combined with the soft texture and muted color, might give off that impression.  This kind of shade works well as a contouring shade (great for defining the crease or layered to add definition over another crease color) on light to medium-dark skin tones.  Darker complexions may like this has a general lid shade but will not see as much contouring with it as it starts to blend in more with the skin color on the darker end of the spectrum.

It has a soft texture that’s not too dense or buttery but not horribly dry and stiff and firm. There are two distinct matte formulas:  one is softer, more buttery/dense (but often can be powdery) and the other is firmer, drier, but so long as it’s soft and not stiff, it will work quite nicely and deliver great color payoff, blendability, and wear.  The same is true for eyeshadows, but I’ve noticed the distinction is much stronger within the matte category.  Slate is dry but soft, so it isn’t powdery and blends out easily–but not so easily that you have to go back and add more color.  It wore for eight hours (without a primer as well as with a primer) without creasing or fading.

Bobbi Brown Eye Shadow Slate
Slate
Slate
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

L’Oreal Endless Sea Infallible Eyeshadow

L'Oreal Endless Sea Infallible Eyeshadow
L’Oreal Endless Sea Infallible Eyeshadow

Swimming in an Endless Sea of Disappointment

L’Oreal Endless Sea Infallible Eyeshadow ($7.95 for 0.12 oz.) is a faded cool-toned blue with a hint of aqua-teal. MAC Sky is similar but has a stronger golden sheen. Tarina Tarantino Ozma is much more teal and darker. Urban Decay Shattered is grayer. Guerlain Les Aquas is lighter, bluer. Urban Decay Aquarius is very similar, slightly more aqua than blue. Inglot #413 is more teal.

The shade that most immediately caught my eye when I first received the new shades was Endless Sea, but it was a complete disappointment.  The color payoff is severely lacking, both when used dry as well as wet; as is typically the case, it is more pigmented when used damp–decent pigmentation–it’s still not where it should be. It’s not the rich, intense color that L’Oreal advertises for the formula.

The texture feels a little drier than some of the other shades I’ve tested, which might account for the poor pigmentation.  It doesn’t bind together as smoothly (even when applied dampened), so it has a tendency to look patchy upon application.  I applied Endless Sea on the lid (next to Golden Emerald, which was superb), and it was sad and faded after ten hours.  

Most formulas have a couple of misses, and this one is indeed one of them, but there are some very lovely shades, like Golden Emerald and Smoldering Plum (both reviewed earlier this past week). A cheap product doesn’t mean it’s a bad product–but a cheap product that’s bad is still a waste of your hard-earned money, so I’d avoid this one and opt for one of the better pigmented and better wearing shades mentioned earlier.

For a comparison against Giorgio Armani Eyes to Kill Intense, please see this post. As a quick summary, L’Oreal’s colors can be less nuanced/have less depth, and then the wear seems to be a little more inconsistent with L’Oreal (some wearing fantastically, others creasing/fading more rapidly). The way I look at it (assuming you wear primer, because then the wear is usually fine), the more the merrier!  There doesn’t seem to be a lot of overlap between the color ranges, though–they’re not putting out dupes so much as different shades in a similar formula.

L'Oreal Infallible 24-Hour Eyeshadow Endless Sea
6
Product
6
Pigmentation
8.5
Texture
5
Longevity
4
Application
66%
Total

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