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Tom Ford Emerald Lust Eye Color Quad

Tom Ford Emerald Lust Eyeshadow Palette
Tom Ford Emerald Lust Eyeshadow Palette

Get Whisked Away to Tropical Paradise with Tom Ford

Tom Ford Emerald Lust Eyeshadow Palette ($75.00 for 0.21 oz.) is a new and limited edition palette contains an eyeshadow formula that can be used both wet and dry. It contains four shades in a rather tropical combination.

The first shade is a white-silver with a high frost finish. There’s a residual warmth that makes it more like platinum than anything else. MAC Misty is cooler-toned. Guerlain Les Aquas is a bit cooler-toned. Chanel Infini is similar.

Next, there’s a subdued green with a hint of blue and a very strong frost-metallic finish. It’s more frosted when applied dry and more metallic when applied wet. MAC Sweet & Sour is similar but warmer. Dior Garden Pastels is lighter. Tarina Tarantino Violet Storm is less frosted.

The bottom left shade is a medium-dark blue with the barest hint of green, just enough to make it less than true blue. The finish is fairly metallic both wet and dry. Urban Decay Unhinged is bluer. Urban Decay Deep End is barely darker. Tarina Tarantino Ozma is less blue. theBalm Open to Offers Olwen is similar.

The last shade is a dark navy blue with lighter blue shimmer. It looks more blackened navy blue when used dry. When applied damp, it is much bluer, less black. This shade had decent to good color payoff when used dry but was better applied wet/damp. Guerlain Les Gris is a smidgen teal. MAC Thru the Night is a bit bluer. theBalm Risque Renee is darker. Make Up For Ever #81 is similar.

The formula in this palette (as well as Enchanted) is very different from the brand’s core range of palettes. I haven’t been in love with previous palettes I’ve tried, but this I love. The pigmentation is good across the board, and the texture is soft, buttery, and incredibly smooth. Though you can use them wet as well as dry, all four shades had good color payoff even dry. Using them wet tended to bring out a metallic finish and made them apply even smoother.

These have a a high frost content, and when applied with a damp brush, they tend to be very metallic.  Using all four is a very bright, shimmered, and metallic look, so it may be overkill for some.  When I tried out these eyeshadows, I wore them for nine hours without creasing or fading on bare lids, as well as for ten hours without creasing or fading over a primer.  The texture was what made this palette sing, though–so soft, finely-milled, but not at all powdery, it was easy to blend and apply.

Tom Ford Emerald Lust Eye Color Quad

A
9.5
Product
9.5
Pigmentation
10
Texture
10
Longevity
5
Application
98%
Total

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Chanel Harmonie du Soir Eyeshadow Palette

Chanel Harmonie du Soir Eyeshadow Palette
Chanel Harmonie du Soir Eyeshadow Palette

Chanel Harmonie du Soir Eyeshadow Palette ($65.00 for 0.14 oz.) contains four shades, which are described as “bronze gold, taupe, violet-plum, and pink.” The formula of this palette is different than Chanel’s usual quads, but the palette is much like Topkapi, which came out in July 2011.

The first shade is a golden bronze with a frosted finish. It had full color coverage, and it applied smoothly–almost melted against the skin. Dior Night Golds is similar but lighter. Dior Couture Gold is lighter. Chanel Apparence is lighter, more golden, less warm-toned.

Next, there is a reddened taupe–little hints of brown and gray mix to create a warmed-up taupe with a soft frosted finish. It had lovely color payoff and a soft, smooth application. Urban Decay Rehab is darker, grayer. Urban Decay Midnight Rodeo is similar–slightly more of a gray sheen. MAC Satni Taupe is darker.

On the bottom left, there is a reddened plum with a delicate pink shimmer-sheen. Like the previous shades, it also had excellent pigmentation and a very silky-smooth feel and application. L’Oreal Glistening Garnet is pinker. NARS Charade is more subdued. NARS Grand Palais is darker, browner. Urban Decay Last Call is slightly darker. MAC Cranberry is darker, less pink.

The final sahde is a pale, light pink with yellow undertones and a frosted, metallic finish. It had great color payoff and went on very smoothly. MAC Love Power is darker. theBalm Matt Chung is lighter, less yellow-toned. MAC Young Venus is cool-toned. Dior Garden Pastels is similar. MAC Taupeless is a bit darker. Inglot #356 is less shimmery.

Guerlain Turandot isn’t exactly the same, but they had some at-a-glance similarities. Turandot has a stronger yellowy gold shade, as well as a reddish-brown (instead of the pink in this palette). The plum in Turandot is much more red-toned, less pink. The taupe in Guerlain’s palette is darker, more of a metallic sheen, less gray.

The formula in this palette is excellent; soft, buttery textures combined with excellent color payoff and beautiful long-wear. If Chanel changed all of their quads to this formula, I’d be in serious danger–or at least my wallet would be! What’s great is that soft, smooth, dense consistency isn’t powdery at all–just fabulous color and smooth application.  I wore the palette without a base, and it wore for a full eight hours without any creasing or fading.  When I wore it over a primer, I achieved the same results.  The colors apply true-to-pan, don’t require any packing to get there, and they’re extremely blendable.

Now, I would like to point out that 0.14 oz. isn’t a lot of product, and it’s less than their regular eyeshadow quads ads well.

Chanel Harmonie du Soir Eyeshadow Palette

A+
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

MAC Marilyn Monroe Eyeshadows

MAC How to Marry Eyeshadow
MAC How to Marry Eyeshadow

A Story of Four Misses

MAC Marilyn Monroe Eyeshadows ($21.00 for 0.10 oz.) include these four shades How to Marry (soft white), Preferred Blonde (pale champagne beige), Showgirl (dark blue grey), and Silver Screen (true silver). All four are supposed to have a veluxe pearl finish, and they are double the size of a regular MAC eyeshadow.

How to Marry is a pale, cool-toned white with so-so color payoff and a frosted finish. MAC Crystal Avalanche is very, very similar–and it has better color payoff and is part of the permanent range! Maybelline Too Cool is similar but a cream product. theBalm Sassy is similar. Bobbi Brown White is matte. Bare Escentuals Cheers is also similar.

Preferred Blonde is a warm white with a hint of champagne and a frosted finish. It has semi-sheer color payoff. MAC White Frost is whiter. theBalm Envious Erin is warmer. MAC Dazzlelight is a smidgen more beige. MAC Vanilla is not as shimmery.

Showgirl is a medium-dark navy blue with a hint of purple and a silver shimmer. It has so-so pigmentation, but it is a little dry and stiff. MAC Bright Moon is more metallic. MAC Frozen Blue is lighter. theBalm Matt Horowitz is a bit darker. Tom Ford Cobalt Rush is more purple.

Silver Screen is a sheer silver-white with a frosted finish. If it was more opaque, you could get more of a metallic sheen out of it. Buxom Sheepdog is very close but cream. Tarina Tarantino Lovely has a very similar shade. MAC Filament is similar but it also has some quality issues. MAC Misty is similar but more metallic.

Three of the four really look very similar, and even on, it was hard to tell where one shade ended and the other began. The dusty, powdery quality of the texture of these made it difficult to apply and made them prone to fading and fall out post-application. I tried applying them over bare lids, over primer (NARS Smudgeproof), and used damp.  I really couldn’t get half-decent payoff without using a primer and using them wet and packing the color on. “Highly pigmented powder” they are not.  Here’s my thinking: if you dig the colors, consider creating a quad using these four permanent MAC eyeshadows: Crystal Avalanche, Dazzlelight, Contrast, and Electra.

On a different note, I think the composition of these four was disappointing. I would have loved to have seen a matte shade or two, which would have fit with the theme, and it would have made for more versatile and dynamic looks. I didn’t feel like these shades went well with the lipsticks (the bluish-gray was definitely throwing everything off), and it was frost overload.

Keep in mind, online retailers like Nordstrom, Macy’s, Dillard’s, and Bloomingdale’s will also launch the collection online. These retailers typically launch close in time to the in-store release date (October 4th).

MAC Marilyn Monroe Eyeshadows

D
6
Product
6.5
Pigmentation
7
Texture
6.5
Longevity
3
Application
64%
Total

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Chanel Apparence Illusion d’Ombre Eyeshadow

Chanel Apparence Illusion d'Ombre Eyeshadow
Chanel Apparence Illusion d’Ombre Eyeshadow

Chanel Apparence Illusion d’Ombre Eyeshadow ($36.00 for 0.14 oz.) is a new and limited edition “gold bronze” releasing just in time for the holidays. It’s a shimmering, pale bronze with a subtle golden warmth. The finish is strongly metallic with a fair bit of sparkle. Bobbi Brown Bronze is similar, slightly darker, and has chunky sparkle. Urban Decay Maui Wowie is a smidgen darker and has glitter. Giorgio Armani #18 is yellower.

Illusion d’Ombre is a long-wearing eyeshadow with a gel texture and can be worn as an eyeshadow or as an eyeliner.  It feels spongy; you can see in my pot that it’s pulled away from the sides, but a simple push of the product with a spatula spread it back into place.  Upon touch, it hadn’t dried out or anything, either (in case you were curious!).  When applied, it has a slight translucent quality to the overall color, which actually makes it look nice as a wash, but it’s not fully opaque.  It also appears lighter on than it does in the pot, which is a result of the high sheen finish.

When I took it for a test-drive, it lasted for a full eight hours without creasing or fading, and perhaps, more importantly, I didn’t experience any fall out. There’s a sparkle to it that’s not obvious but noticeable, on top of the metallic finish. I think so long as you weren’t looking for fully opaque color, you’ll like this. I can see a lot of Chanel fans more than happy with this shade release.

Chanel Illusion d’Ombre Long Wear Luminous Eyeshadow Apparence
Apparence
Apparence
9.5
Product
9
Pigmentation
10
Texture
10
Longevity
4.5
Application
96%
Total

OCC Overlook Loose Colour Concentrate

OCC Overlook Loose Colour Concentrate
OCC Overlook Loose Colour Concentrate

Don’t Overlook This Plum

OCC Overlook Loose Colour Concentrate ($12.50 for 2.5g) is described as a “deep plum shimmer.” It’s a red-toned medium-dark plum with a soft, frosted finish. When applied dry, it has a more subdued finish–less of a sheen–than it does when used damp, where the frosted sheen comes forth. Urban Decay Last Call is redder, less purple. Guerlain Boulevard du Montparnasse is darker, more purple, less of a sheen. Le Metier de Beaute Fig is darker, more burgundy. MAC Plum Dressing is a smidgen darker and less frosted. NARS Caravaggio is lighter, more purple.

It has a soft, silky-smooth texture with a finely-milled powder consistency.  It’s opaque whether it’s used dry or wet, though there is a notable difference in the finish depending on the application method.  Because it’s so finely-milled, it applies evenly and melts against the skin like butter.  I tried it on the eye without a primer, and I didn’t have any creasing or fading even after a full eight hours of wear.

Obsessive Compulsive Cosmetics Loose Colour Concentrate Overlook
Overlook
Overlook
10
Product
10
Pigmentation
10
Texture
10
Longevity
4.5
Application
99%
Total

Guerlain Turandot Eyeshadow Palette

Guerlain Turandot Eyeshadow Palette
Guerlain Turandot Eyeshadow Palette

It Is… Love!

For the holidays, Guerlain Turandot Eyeshadow Palette ($59.00 for 0.25 oz.) features four eyeshadows–two matte and two iridescent shades. It should start popping up retailers and counters in October.

The first shade is a light-medium golden orange–more like an orange-toned gold than your expected yellowy gold. It has a soft, frosted finish with a silky-smooth, finely-milled consistency that applies beautifully on the skin. The pigmentation was true-to-pan, and it didn’t require any layering or packaging to achieve opaque color. Milani Gold Dust is a smidgen darker and has a more metallic finish. Clarins Enchanted Summer is darker, less orange. Giorgio Armani #1 is similar, slightly less orange. MAC Goldmine is much yellower.

Next, there is a rusted, reddish-brown with a satiny finish. It had good pigmentation, and it was very soft to the touch and easy to blend on the eye. NARS Self Portrait 3 is lighter. MAC Magnetic Attraction is similar but has more gold shimmer. MAC In the Sun is redder. NARS California is richer, more orange. MAC Mythical is lighter. Guerlain Les Fauves has a shade that’s a bit darker, browner.

Below, there is a darker, muted reddish-plum with a hint of brown. The finish has a slight sheen to it, but it is mostly matte. The color payoff was good, and the texture was soft, blendable, and easy to apply. MAC In the Sun is shimmery. Le Metier de Beaute Bordeaux reminded me–just barely–of this shade, but it is much darker, more burgundy. theBalm Racy Kacy is more orange/brown.

The last shade in the palette is a gray-tinged medium-dark brown with subtle warm undertones and a frosted sheen. It had a soft, buttery texture that made opaque color a breeze to achieve. Dior Fairy Golds has a very similar shade in it. Urban Decay Barlust is darker. MAC Havana is warmer. MAC Chestnut is warmer.

Turandot is a warm-toned palette that combines surprisingly well; I thought the shades might not offer enough contrast, but they can and do.  The two middle shades are similar but have different undertones, so they’re noticeably different when placed near each other.  I would not say that any of these shades are particularly unique, so the color combination could be replicated with products you may already own.  It’s, of course, nice to have them all in a single palette.  I don’t think I would have thought to put these particular shades together.  It does seem a little autumnal in color, even if it is for the holidays.

The quality is good across the board, with the two more matte shades having just slightly less color payoff compared to the shimmery shades.  They held up well on the eye, all four shades lasting for ten hours without any fading or creasing, both over a primer and without one. It’s one of my personal favorite palettes that have come out in the past year!

Guerlain Turandot Eyeshadow Palette

A
9.5
Product
9.5
Pigmentation
10
Texture
10
Longevity
5
Application
98%
Total

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