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OCC Overlook Loose Colour Concentrate

OCC Overlook Loose Colour Concentrate
OCC Overlook Loose Colour Concentrate

Don’t Overlook This Plum

OCC Overlook Loose Colour Concentrate ($12.50 for 2.5g) is described as a “deep plum shimmer.” It’s a red-toned medium-dark plum with a soft, frosted finish. When applied dry, it has a more subdued finish–less of a sheen–than it does when used damp, where the frosted sheen comes forth. Urban Decay Last Call is redder, less purple. Guerlain Boulevard du Montparnasse is darker, more purple, less of a sheen. Le Metier de Beaute Fig is darker, more burgundy. MAC Plum Dressing is a smidgen darker and less frosted. NARS Caravaggio is lighter, more purple.

It has a soft, silky-smooth texture with a finely-milled powder consistency.  It’s opaque whether it’s used dry or wet, though there is a notable difference in the finish depending on the application method.  Because it’s so finely-milled, it applies evenly and melts against the skin like butter.  I tried it on the eye without a primer, and I didn’t have any creasing or fading even after a full eight hours of wear.

Obsessive Compulsive Cosmetics Loose Colour Concentrate Overlook
Overlook
Overlook
10
Product
10
Pigmentation
10
Texture
10
Longevity
4.5
Application
99%
Total

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Guerlain Turandot Eyeshadow Palette

Guerlain Turandot Eyeshadow Palette
Guerlain Turandot Eyeshadow Palette

It Is… Love!

For the holidays, Guerlain Turandot Eyeshadow Palette ($59.00 for 0.25 oz.) features four eyeshadows–two matte and two iridescent shades. It should start popping up retailers and counters in October.

The first shade is a light-medium golden orange–more like an orange-toned gold than your expected yellowy gold. It has a soft, frosted finish with a silky-smooth, finely-milled consistency that applies beautifully on the skin. The pigmentation was true-to-pan, and it didn’t require any layering or packaging to achieve opaque color. Milani Gold Dust is a smidgen darker and has a more metallic finish. Clarins Enchanted Summer is darker, less orange. Giorgio Armani #1 is similar, slightly less orange. MAC Goldmine is much yellower.

Next, there is a rusted, reddish-brown with a satiny finish. It had good pigmentation, and it was very soft to the touch and easy to blend on the eye. NARS Self Portrait 3 is lighter. MAC Magnetic Attraction is similar but has more gold shimmer. MAC In the Sun is redder. NARS California is richer, more orange. MAC Mythical is lighter. Guerlain Les Fauves has a shade that’s a bit darker, browner.

Below, there is a darker, muted reddish-plum with a hint of brown. The finish has a slight sheen to it, but it is mostly matte. The color payoff was good, and the texture was soft, blendable, and easy to apply. MAC In the Sun is shimmery. Le Metier de Beaute Bordeaux reminded me–just barely–of this shade, but it is much darker, more burgundy. theBalm Racy Kacy is more orange/brown.

The last shade in the palette is a gray-tinged medium-dark brown with subtle warm undertones and a frosted sheen. It had a soft, buttery texture that made opaque color a breeze to achieve. Dior Fairy Golds has a very similar shade in it. Urban Decay Barlust is darker. MAC Havana is warmer. MAC Chestnut is warmer.

Turandot is a warm-toned palette that combines surprisingly well; I thought the shades might not offer enough contrast, but they can and do.  The two middle shades are similar but have different undertones, so they’re noticeably different when placed near each other.  I would not say that any of these shades are particularly unique, so the color combination could be replicated with products you may already own.  It’s, of course, nice to have them all in a single palette.  I don’t think I would have thought to put these particular shades together.  It does seem a little autumnal in color, even if it is for the holidays.

The quality is good across the board, with the two more matte shades having just slightly less color payoff compared to the shimmery shades.  They held up well on the eye, all four shades lasting for ten hours without any fading or creasing, both over a primer and without one. It’s one of my personal favorite palettes that have come out in the past year!

Guerlain Turandot Eyeshadow Palette

A
9.5
Product
9.5
Pigmentation
10
Texture
10
Longevity
5
Application
98%
Total

OCC Technoir Loose Colour Concentrate

OCC Technoir Loose Colour Concentrate
OCC Technoir Loose Colour Concentrate

It’s Blue! It’s Purple! Maybe It’s Both…

OCC Technoir Loose Colour Concentrate ($12.50 for 2.5g) is described as a “purpled navy shimmer.” It’s a bluish-violet with navy blue and violet shimmer. There was an almost duo-chrome-like finish to it. Giorgio Armani Ecailles is similar but has a more satiny finish. MAC Wintersky is lighter. Estee Lauder Untamed Violet is darker, more purple. Burberry Midnight Blue is similar, slightly bluer. MAC Naval Blue is darker, bluer.

The texture is soft, finely-milled, and applies smoothly without effort.  When applied dry, it has a softer, more subdued appearance and had good color payoff.  When applied wet, it was slightly richer in color, and it was fully pigmented.  I wore it on the lid for eight hours without a primer and did not experience any fading or creasing during that time period.  This shade will look bluer or more purple depending on what you use with it, but alone, it looks more purple than blue, but it’s not full-on purple.

Obsessive Compulsive Cosmetics Loose Colour Concentrate Technoir
Technoir
Technoir
9.5
Product
9
Pigmentation
10
Texture
10
Longevity
4
Application
94%
Total

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NARS 413BLKR Eyeshadow Duo

NARS 413BLKR Eyeshadow Duo
NARS 413BLKR Eyeshadow Duo

Beautiful Combination, Less Lovely Execution

NARS 413BLKR Eyeshadow Duo ($34.00 for 0.14 oz.) is described as a “shimmering amethyst” and “black with red pearl.” This duo was launched to celebrate Fashion’s Night Out this year.

The shade on the left is a grayish-mauve with a satiny sheen. The color payoff is so-so to good; it seemed to have more color when applied to the lid, but it wasn’t quite fully pigmented. The texture, however, was very soft and finely-milled. NARS Flower 1 is a bit less plum, more purple. Giorgio Armani #27 is more metallic and darker. MAC Universal Appeal is warmer, pinker. NARS Charade is darker and more matte. MAC Hypnotizing is a smidgen grayer. Tarina Tarantino Fantastical is very similar. NARS Lhasa is darker. Wet ‘n’ Wild We’re Blasting Off is similar.

The shade on the right is a blackened burgundy with red sparkle. The base color has a matte finish, and the sparkles get lost between the pan, your brush, and your eye for the most part. It has a slightly dry, stiff texture that doesn’t make blending effortless–it takes some work, but it’s doable–and the color tends to look browner the more you blend it out. Tarina Tarantino Saw Dust Heart is quite similar when applied. Wet ‘n’ Wild We’re Blasting Off is similar. Giorgio Armani #2 has a similar composition, but it has a lot more shimmer.

It’s saddening that both shades were somewhat problematic (but the darker one was more so), because they look stunning together in the compact. There’s a lot of contrast but still common threads between both shades, so they would work well for a plummy smoky eye.  It’s decent but not the best duo by NARS.  I wore both shades together, and I had minor fading with the darker shade after eight hours without a primer (but the lighter shade was fine).  When I used a primer, both shades wore without fading or creasing for eight hours.

NARS 413BLKR Eyeshadow Duo

B
8.5
Product
9
Pigmentation
9
Texture
8
Longevity
4
Application
86%
Total

Dior Fairy Golds Eyeshadow Palette

Dior Fairy Golds Eyeshadow Palette
Dior Fairy Golds Eyeshadow Palette

Take Flight with These Fairy Golds

Dior Fairy Golds Eyeshadow Palette ($59.00 for 0.21 oz.) is a limited edition palette for the holidays that consists of five shades of eyeshadow. It will be available in October.

The first shade (on the upper left) is a pale pink-tinged beige with a frosted finish. It had good color payoff, and the texture was soft and finely-milled. Urban Decay Sellout is similar. Milani Champagne Toast is a bit warmer, darker. MAC Summer haze is browner. Urban Decay Booty Call has more of a matte finish.

The next shade (on the upper right) is a dirty champagne with a sparkly, almost glittery, finish and a metallic sheen. It was fairly true-to-pan in color and payoff. Despite its glitter-content, it applied well enough (could have been a little smoother) and didn’t have much fall out during application, and I only saw one or two stray particles after eight hours of wear. Urban Decay Echo is darker. Giorgoi Armani #1 Madreperla is more muted, less metallic. MAC Retrospeck is similar.

The center shade is a pink-tinged white with a bright, metallic finish and some larger shimmer/glitter particles. It had decent to good pigmentation and applied smoothly. This shade has less glitter compared to the golden shade. I did not experience any fall out with it. Dior Garden Roses is a less metallic variation. Tarina Tarantino Diamond Dusk is darker, pinker. MAC Fresh Ice is a bit darker. Giorgio Armani #11 is very comparable.

The fourth shade (on the bottom left) is a lightened, pink-mauve with a frosted finish. It had good color payoff and applied easily. Urban Decay Provocateur is darker, glittery. MAC Invincible Light is pinker. MAC Star Crystal is very similar. Urban Decay Midnight Cowboy

The last shade (on the bottom right) is a medium-dark brown with red-orange undertones and a pearly finish. It had excellent pigmentation, and it was soft and finely-milled. Urban Decay Lost is a bit darker. MAC Havana is warmer but very close. Benefit Dandy Brandy is just a touch lighter. MAC Roasted Chestnut is similar but frosted. MAC Buckwheat is very comparable.

I was surprised to find this palette rather warm-toned, as the other holiday palette was very warm-toned as well. This isn’t cool-toned at all, though it’s not as warm as Night Golds. However, it is frostier, because it has two sparkly/glitter shades. I think it could benefit from having one matte or near-matte finish in it. When I tested the wear, I had no fading or creasing after eight hours (both with and without primer), and there were only a couple of stray particles from the glittery shades below my lid.

Dior Fairy Golds Eyeshadow Palette

A-
9
Product
9
Pigmentation
9
Texture
9
Longevity
4.5
Application
90%
Total

Dior Night Golds Eyeshadow Palette

Dior Night Golds Eyeshadow Palette
Dior Night Golds Eyeshadow Palette

This’ll Make You Do a Double Take

Dior Night Golds Eyeshadow Palette ($59.00 for 0.21 oz.) is a limited edition palette for the holidays that consists of five shades of eyeshadow. It will be available in October.

The first shade is a warm, subdued white-beige with a frosted finish. It had good color payoff and was very soft, smooth, and finely-milled. This shade was a little stark as a highlighter against my medium-colored skin (no effect on rating, just a note). MAC White Frost is similar but not as warm-toned. theBalm Tempting Tara is more metallic. theBalm Envious Erin is a smidgen golden. Tarina Tarantino Lovely is similar.

Next (on the upper right), there is a light-medium copper-shimmered bronze with a strong metallic finish and larger shimmer particles. It almost looks wet when applied and smoothed out. It had decent to good pigmentation. When I applied it on the lid, I didn’t experience any post-application fall out and only had some fall out during application. Urban Decay Penny Lane is more orange, slightly darker. Bare Escentuals Golden Iris is darker and more orange. Tarina Tarantino Wonderful is darker. Bare Escentuals Louder is a touch more bronze.

The center shade is a rich, burgundy-tinged deep brown with flecks of champagne sparkle. The color was very intense and easy to apply, and it went on smoothly. Guerlain Emilio Pucci is a bit darker, richer. Tarina Tarantino Wonderful is browner, less burgundy. Urban Decay Busted is a bit lighter. Dior Couture Gold had a shade that looked similar but performed much worse. NARS Ponderosa is similar but a cream. Wet ‘n’ Wild We’re Blasting Off is more purple. Wet ‘n’ Wild Comfort Zone is similar. MAC Smut is a touch blacker.

The fourth shade (on the lower left) is a lightened yellowy gold with a frosted, metallic finish. The texture was soft, buttery , and it applied smoothly with excellent color payoff. MAC Sweet & Sour is a bit darker. Dior Couture Gold is similar. Urban Decay Blunt is similar, perhaps a touch lighter.

The last shade (on the lower right) is a pale champagne-bronze with a metallic finish. It looks almost taupe-like in the pan, but it doesn’t seem to have much gray in it when swatched. It had a soft, finely-milled texture that translated into a nicely pigmented shade. Dior Couture Gold is darker. Bobbi Brown Bronze is more antique gold-hued. Urban Decay Echo Beach is darker, less golden. Dior Couture Gold is more yellow/orange. Bobbi Brown Desert Sand is similar.

All in all, this palette is definitely similar to last year’s Couture Gold — dupe for dupe? No, not exactly, but there are certainly some overlapping shades and similarities. At a glance, the only difference is instead of a sparkly light gold, there’s a sparkly copper. I like this year’s better, as the quality across the five shades is much higher across the board with none of these shades having problems.  When I tested the palette on the eye, it wore for eight hours with no creasing or fading.

Dior Night Golds Eyeshadow Palette

A-
9
Product
9
Pigmentation
9.5
Texture
9
Longevity
4.5
Application
91%
Total

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