We hope you'll consider supporting Temptalia by shopping through our links below. Thanks!
  • MAC CosmeticsEarly access on 12/5 to MAC x Mariah Carey for Obsessed & Devoted members here, starts 12/05 and ends 12/07.
  • Macy's$10 off every $50 cosmetics & fragrance purchase, ends 12/08.
  • Makeup GeekFave Foiled Eyeshadows Set for $24 (regularly $36) while supplies last, ends 12/06.
  • Urban DecayVice 4 for $34 at ULTA, today online, ends 12/05.

bareMinerals The Wild Thing Eyeshadow Quad

bareMinerals The Wild Thing Eyeshadow Quad
bareMinerals The Wild Thing Eyeshadow Quad

bareMinerals Remix: The Wild Thing

bareMinerals The Wild Thing Eyeshadow Quad ($30.00 for 0.17 oz.) is a limited edition palette for spring that features these shades: Sensational (iridescent aqua), Icon (electric chartreuse), Elitist (bronzed taupe), and Controversy (deep marine blue).

Sensational is a pale aqua–that leans a little sea foam green–with an iridescent gold sheen. It had pretty good pigmentation, and it was very soft. It seemed like it might be a smidgen powdery when I swatched it, but I didn’t have any fall out or powderiness when I applied it to my lid. Chanel Riviere is darker, grayer. Giorgio Armani #1 Spring 2012 #2 is lighter. Lancome Fashion Forward is very comparable.

Icon is a yellowed chartreuse with a satiny finish. It had great color payoff and applied smoothly. MAC Brilliantly Lit is a touch brighter (and a cream product). Dior Garden Pastels is darker, greener. NARS Rated R is greener–brighter, less yellow-toned. MAC Bitter is a bit lighter and matte in finish.

Elitist is a subdued khaki brown with a satiny shimmer-sheen. It was finely-milled, smooth when applied, and nicely pigmented. MAC Soba is similar but more matte. theBalm Schitzo is more golden. Giorgio Armani #26 is similar–a bit browner. Dior Golden Savannah is warmer, lighter. (This shade was also in The Star Treatment.)

Controversy is a darkened blue with a frosted, metallic finish. This shade was a bit powdery, but I didn’t encounter any powdery fall out when applied to the lid. Tom Ford Emerald Lust #4 is darker, more of a navy blue. Giorgio Armani Ecailles Black Pearl #1 is a touch greener in its base. MAC Pre-packaged is a bit brighter. bareMinerals Water is similar in color but has more of a satiny finish.

The color composition gave me a summery vibe, but from questions we’ve asked here, most readers don’t seem bound by colors on a season-by-season basis.  The four shades work well together, and Elitist makes it more approachable as a way to tone down some of the colors in it.  When I wore all four shades together, they lasted for nine hours without fading or creasing (no primer required).  I did experience a very slight powderiness in Sensational and Controversy when I swatched them, but it didn’t impact application as there was no powdery fall out or difficulty in achieving smooth, opaque color.

bareMinerals The Wild Thing Eyeshadow Quad

A
9.5
Product
9.5
Pigmentation
9.5
Texture
10
Longevity
5
Application
97%
Total

We hope you'll consider supporting Temptalia by shopping through our links below. Thanks!

Urban Decay Ammo Eyeshadow Palette (2013 Edition)

Urban Decay Ammo Eyeshadow Palette (2013 Edition)
Urban Decay Ammo Eyeshadow Palette (2013 Edition)

Everything Old is New Again

Urban Decay Ammo Eyeshadow Palette (2013 Edition) ($34.00 for 10 x 0.03 oz.) includes ten of Urban Decay’s bestselling eyeshadows, which are: Smog (deep coppery bronze shimmer), Mildew (mossy green shimmer with gold shift), Oil Slick (black matte with silver micro-glitter), Last Call (metallic plum shimmer), Chopper (copper shimmer with silver micro-glitter), Maui Wowie (metallic golden beige shimmer with silver glitter), Shattered (turquoise shimmer with a gold shift), Polyester Bride (white snow shimmer with silver micro-glitter), Grifter (sheer lavender shimmer with silver micro-glitter), and Sin (champagne shimmer).

Smog is a warm, medium-dark bronze with orange undertones and a frosted finish. It had excellent color payoff and a soft, smooth texture. bareMinerals Ritzy is slightly darker. MAC Mulch is redder. MAC Bronze is more metallic.

Mildew is a mossy green with an olive undertone and subtle forest green shimmer over a frost finish. It seemed a little less pigmented here than I remember the full-size pot, but when I applied it to the lid, I didn’t notice any pigmentation level differences. L’Oreal Golden Emerald is darker, greener, less yellow-toned. Tarina Tarantino Dandy Lion is yellower. theBalm Makeout Mary is very similar. shu uemura Smoky Velvet #2 is a cream version but similar in color.

Oil Slick is a dark black with a teal micro-shimmer–it looks mostly gray-black on the lid and blended out; the shimmer so fine and sparse that it isn’t visible. The color payoff was good, though, and the texture was soft though a little drier than the other shades. bareMinerals Penthouse is a touch darker and more matte. Buxom Black Lab is similar in color but a cream product. MAC Cinderfella has more shimmer. Bobbi Brown Lava is more matte and has larger sparkle.

Last Call is a pinky-plum with red undertones and a frosted, metallic finish. It had great pigmentation and applied smoothly. Chanel Harmonie du Soir #3 is more muted, less pink. L’Oreal Glistening Garnet is lighter, redder, less plum. MAC Stylishly Merry is much pinker.

Chopper is an orange-copper with a frosted, metallic finish. It is supposed to have micro-glitter, which is visible in the pan, but when I swatched it, all of the glitter was swept away. The color payoff of the underlying shade was full and opaque, and it had a smooth texture. bareMinerals Louder is a touch browner. Wet ‘n’ Wild Sparkle ‘Til Morning #6 is a bit more orange, less metallic. Urban Decay Penny Lane is a touch more orange.

Maui Wowie is a pale, not-quite-dirty gold with dark gold micro-glitter and a frosted finish. It had excellent pigmentation, and it was soft and smooth to the touch, but like Chopper, the majority of the micro-glitter disappears. bareMinerals First Class is darker, browner. Chanel Apparence is a cream product, and it is darker. bareMinerals Chart Topper is more muted.

Shattered is a bluish-teal with a green-teal sheen. It has a frosted, somewhat metallic finish. The payoff felt a little weaker here than I remember it being in the past. L’Oreal Endless Sea is similar. Guerlain Les Aquas #2 is lighter.

Polyester Bride is a brightened, creamy white with a frosted, metallic finish and silver micro-glitter. Again, the micro-glitter disappears as you smooth out the color. This shade was less pigmented than the others. bareMinerals Silhouette is very similar, slightly less metallic. Cinderella Midnight Hour is very close in color. Cinderella Ball Gown is also similar.

Grifter is a pink lavender with a frosted, metallic finish and silver micro-glitter. The micro-glitter tends to move around and disappear as you blend out the color. The pigmentation was decent, though Urban Decay did describe it as “sheer,” so it was as expected. Guerlain Attrape-Coeur #4 is less metallic. NARS Marie-Galante #1 is more iridescent.

Sin is a warmed-up champagne beige with a high-shine, metallic finish. It had great pigmentation, and it applied very smoothly and evenly. This color is the closest to a highlight shade in the palette, but it is very, very metallic/frosted on the brow bone. bareMinerals Libation is warmer. Giorgio Armani #8 is pinker. Inglot #397 is comparable.

If you have the original Ammo palette, you’ll have the exact same shades; this palette has a new design and includes all of the same shades but in Urban Decay’s revamped eyeshadow formula. Also, all ten shades are part of the permanent range, so they can be purchased individually if desired. You are almost never better off purchasing singles, because the palette is less than the cost of two individual shades. Chances are low that you’ll actually finish an entire pot of eyeshadow, though the individual eyeshadows are 0.05 oz. and each shade within the palette is 0.03 oz.

If you don’t want to deal with glitter and its fall out, you may want to skip this palette, as five of the ten shades have Urban Decay’s signature micro-glitter. What I will say in regards to the fall out is that 90% of it occurs while you apply it, so after you’ve finished the look, you can remove it and while you will see some stray glitter particles throughout the day (I found some on my nose, below it, and elsewhere on my under eye/upper cheek area), it’s not much.

Now, the reason there actually isn’t much fall out during wear is simple: hardly any gets transferred to the lid! Ahh, the secret! The reality is that if you like the idea of glittery bits on the lid, you’re just not going to get the effect–they end up looking like the base color sans the glitter applied. The sparkle just doesn’t bind with the eyeshadow, so it sits on top and easily gets brushed elsewhere.  If you want the glitter, your best bet is to use a firm, flat brush and pat it over a sticky base.

Overall, the pigmentation of the shades was good to great, with only Polyester Bride coming in a bit short (Grifter isn’t opaque, but it is supposed to be sheer).  The textures are soft, buttery, and dense, with Oil Slick being a bit drier but seemingly softer/denser than previous iterations of it.  When I wore these shades for eight hours, I had a few sparkles of fall out, but I didn’t have any problems with fading or creasing.

Urban Decay Ammo Eyeshadow Palette (2013 Edition)

B+
9
Product
9
Pigmentation
9
Texture
8
Longevity
4
Application
87%
Total

MAC Pressed Pigments Part Deux

MAC Amethyst Pressed Pigment
MAC Amethyst Pressed Pigment

MAC Pressed Pigments Part Deux

MAC Pressed Pigments ($21.00 for 0.10 oz.) includes nine new shades: Amethyst (purple with silver undertone), Angelic (off white), Blonde Streak (light cream), Blue Willow (light icy blue), Enlightening (deep silver), Flicker (pastel yellow), Jet Couture (charcoal black), Smoky (deep silver blue), and Sweet Acting (mid-tone pink). There are three repromoted shades: Day Gleam (high pearl powder in NC30 shade), Deeply Dashing (high pearl powder in NW55 shade), and Light Touch (high pearl powder in W10 shade). I reviewed those three shades just three months ago when they originally debuted.

Amethyst is a pale lavender with a metallic, sparkling finish. It’s sheer when used damp, more opaque when used wet. Dolce & Gabbana Jewels has a similar coloring but appears darker, as it does not have a metallic finish. MAC Light Violet is a darker lavender.

Angelic is a cool-toned white with a hint of silver. It has a frosted, metallic finish. It is a bit smoother and more metallic than it is sparkly–compared to other shades. The payoff dry is fairly sheer, while damp is better but not fully opaque. MAC She’s Got Class is very similar. shu uemura Smoky Velvet #3 is also similar.

Blonde Streak is a silver-shot off-white; it almost looks creamy at one angle, then looks silvered at another. It has a frosted, metallic finish. shu uemura Smoky Velvet #3 is whiter. MAC She’s Got Class is less metallic. Bobbi Brown Bone is yellower.

Blue Willlow is a bluish-green tinted white with a frosted, metallic finish. This one had a chunkier finish, and it never quite smoothed out, even when applied damp. The payoff was about the same whether used dry or damp. Giorgio Armani #10 is very similar in color.

Enlightening is a light-medium silver with a bright metallic sheen. This had a chunkier texture, so it did not lay down as smoothly as other shades did. Tarte Silver Burst is lighter, less metallic. Bobbi Brown Tinsel is lighter. MAC Misty is a touch lighter. Giorgio Armani #12 is a bit lighter.

Flicker is a yellow-tinged white, but it almost has this silver-ish sparkle. The color payoff was semi-sheer both wet and dry. This didn’t have a really gritty texture but did have a lot of sparkle. Bobbi Brown Bone is warmer. Too Faced Spun Sugar is darker. Tarina Tarantino Elektron is more metallic, less sparkly. Dior Khaki Design #4 is less metallic.

Jet Couture is a dark black with brown undertones and coppery-gold sparkle. It had fair pigmentation when used dry, and it was more intense when used damp. It applied more smoothly than some of the other shades. The only similar shade I cuold think of was Cinderfella, which has a silver sparkle instead.

Smoky is a muted, darkened blue with lots of silver sparkle. It had good pigmentation both dry and wet, though the wet version was smoother. MAC Love Cycle is darker, richer. theBalm Sensational is richer, deeper. MAC Moon’s Reflection is slightly brighter. Urban Decay Mary Jane is more metallic, darker.

Sweet Acting is a light-medium pink with yellow undertones. This one felt the grittiest/chunkiest in texture to me out of the nine new shades. It had decent color payoff both dry and wet, though, with wet making the pink appear darker. MAC Rose Light is a bit darker, less sparkly. Dior Fairy Golds #4 is lighter. MAC Love Power is darker, pinker. Giorgio Armani #7 is darker, more mauve.

I double-checked my press materials, and these are listed as “limited edition,” but the MAC website indicates they are permanent. I did a Live Chat with MAC online, and I was told that the Pressed Pigments are permanent. More interestingly, both the press release and the description online says, “Gorgeous eyes, from sheer and ethereal for day to intense and illuminating for evening.” It is further described as an “intensely creamy highlighter offering extreme pearlescence.” It can be applied dry “for a high shine” or dampened “for a dramatic wet look.”

They’re less of an utter and abject failure as a for-eyes-only product, than when they launched as the highlighter counterpart to MAC’s contouring Sculpting Creams. Some of these shades work better than others, and ultimately, it comes down to how smoothly they can be pressed into submission. The grittier, sparklier the shade, the worse it performs. With a really tacky base, you can absolutely get these to cooperate better. Dry, they’re a catastrophe of glitter fall out. I’m pretty sure more ends up below my eye than on it, no matter whether I’ve taken the 215 brush (which is what is sold alongside these shades) and done my utmost to “crush” and “press” the pigments on a separate stainless steel palette. The only way I can get the color to apply and transfer to some degree is with a fairly damp brush.

For testing, I used Blonde Streak on the inner lid and (lightly) on brow bone, Smoky on the middle of the lid, and Jet Couture on the outer lid. These are definitely products to be applied prior to foundation, because clean-up is absolutely necessary! I found that the fall out really need to be fully wiped away (I used Lancome Bi-Facil on a cotton round), rather than lightly dusted off. Throughout the day, over the course of eight hours, there was fall out. My eye was watering a lot while I wore these to test, because the fall out was getting into my eyes (or onto my lashes, and then into my eye). By the time I removed these, my eyes were bloodshot and a bit irritated.

If I use a glitter adhesive, it will hold on better and help to minimize the fall out, so if the finish of these is up your alley, I’d recommend doing something like that, rather than wearing it as MAC states–dry or damp–because neither work well. (But that is the criteria that I am rating on.) This is the type of product that is more specialized and will be loved by some, hated by others; I think they could be marketed better–and now would be a great time to make Mixing Medium available across counters and stores as a great side product. (Even with MAC opening Pro products online, it is not actually available to regular customers online at this time.) Though, Mixing Medium, from my experience, isn’t tacky enough with these guys–I like Lit Cosmetics, LA Splash, or lash glue better. You really need something wet and tacky that says, “COME TO MAMA!” to holds that glitter tight.

Loose glitter is rarely designed to be applied all on its own–this product just needs help in the form of major adhesion. A lot of glitter is like that but let’s call a spade a spade! But as is, these remain on my naughty list.  I love glitter and sparkle, especially on the eyes, but I want it to remain there!  I don’t want to find sparkle in my nose. The better performing shades were Angelic and Smoky, as they bound better and applied more smoothly; Jet Couture was the most unique.

P.S. — Does anyone else wonder what makes MAC decide to make a new formula permanent? Sometimes you’ll hear almost nothing but major raves for a new formula but you’ll never see it again… then a product like this, which is polarizing, is made permanent three months after it first launches (which likely means it was decided earlier on, though).

MAC Pressed Pigments Part Deux

D-
6
Product
8
Pigmentation
7
Texture
4
Longevity
2.5
Application
61%
Total

We hope you'll consider supporting Temptalia by shopping through our links below. Thanks!

MAC Apres Chic Mineralize Eyeshadows

MAC Fireside Mineralize Eyeshadow
MAC Fireside Mineralize Eyeshadow

MAC Apres Chic: Mineralize Eyeshadows

MAC Apres Chic Mineralize Eyeshadows ($21.00 for 0.07 oz.) includes five new (and limited edition) shades: Fireside (deep plum with purple veining), Frost at Midnight (deep blue/grey with grey veining), Ice (light peach base with white veining), Silver Birch (grey base with peach veining), and Winter Pursuit (copper base with grey veining).

Fireside is a reddish-brown base with a bluish-teal duochrome. The color payoff dry is lackluster, so I’d recommend using it with a damp or wet brush, where it is more pigmented. This color is one of the more popular shades that brands seem to have–MAC has two within the permanent range (Blue Brown pigment, Club eyeshadow). Wet ‘n’ Wild Comfort Zone #8 has a very similar shade with a stronger duochrome. bareMinerals Mirage is a bit darker but similar. MAC Double Feature #5 included a similar shade. Urban Decay Lounge is very similar–same amount of red in the base color as well as duochrome. Of all of those, I prefer bareMinerals’ formula with Urban Decay’s as a second-place finish.

Frost at Midnight is a navy blue with a purplish tint. It has a frosted finish, and the pigmentation is better wet than dry, where it is rather sheer and faded. This shade had the worst pigmentation out of the five; it was still lacking in intensity when used damp. MAC Hint of Sapphire is darker, grayer. Inglot #434 is more muted, less blue. Cinderella Midnight is darker.

Ice is a warm, pale champagne-shimmered peach with a very high-frost, high-metallic finish. It had so-so pigmentation when used dry, but it has some powderiness and fall out problems if you use it wet, compared to damp, where it binds together better. MAC A Natural Flirt is warmer, pinker. NARS Ramatuelle is less metallic. bareMinerals Mixologist is very similar–more metallic than frosted.

Silver Birch is a dirty pewter; it has gray, gold, and brownish-black in it. This shade had the most nuance to it, out of the five, but the payoff was weak when used dry. When applied damp, it was nicely pigmented and applied more smoothly. MAC Modern Pewter is lighter, warmer. Wet ‘n’ Wild Dancing in the Clouds is lighter, more golden.

Winter Pursuit is a warm, medium-dark copper that has a rosy-red tint that gives it a more muted appearance–not so orange-copper. It has a very frosted, metallic-like finish. This shade had the best color payoff of the five–it could be used both wet and dry, though dry is so-so in payoff. MAC Star Myth is more orange. MAC Magnetic Attraction is redder. MAC Mythical is a bit redder.

Long-time readers will know that I LOVE looking and photographing Mineralize Eyeshadows, but I’m not a fan of them in practice. They tend to have fall out problems, and they usually fade more quickly, with or without a primer. The Mineralize Eyeshadows we’ve seen over the past couple of years are definitely improved compared to the initial release, but I still have both problems. These shades gave me the same two problems, though fall out was less than usual. When I use these wet, as I did with all of the shades I wore (Ice, Silver Birch, and Frost at Midnight), there was noticeable fading within three hours. Frost at Midnight looked mostly gray by eight hours, while the lightest shade, Ice was barely visible.  Finally, Silver Birch had faded but was still visible.

Silver Birch was the most interesting/unique out of the five. At a glance, Fireside seems really interesting, and the color is beautiful and lovely, but it’s a commonly produced shade by a variety of brands. As always, if you don’t have the wear problems I encounter with the Mineralize Eyeshadows, then the biggest drawback of these becomes the weak color payoff when used dry (so omitting wear, these would be more like a B-rated product). The texture was soft but some shades were less smooth, as the sparkle was more noticeable.

MAC Apres Chic Mineralize Eyeshadows

B-
8.5
Product
7.5
Pigmentation
9
Texture
7
Longevity
4
Application
80%
Total

MAC Strength: Inner Strength Eyeshadow Quad

MAC Inner Strength Eyeshadow Quad
MAC Inner Strength Eyeshadow Quad

MAC Strength: Inner Strength Eyeshadow Quad

MAC Inner Strength Eyeshadow Quad ($40.00 for 0.21 oz.) consists of three new shades and one repromote: Lithe Spirit (palest white pink), Inner Strength (light cool mauve taupe), Fabulous Fit (mid-tone cool grey), and Heatherbelles (deep charcoal).  This is a rather cool-toned quad, more so than All Woman, with the only warmth coming from Inner Strength, which isn’t all that warm, so if you like cooler tones, you’ll be in luck with this color composition!

Lithe Spirit is a cool-toned white with a matte finish. It is listed as a satin finish, but I didn’t see much sheen in it (or any). It had good pigmentation, but it was a touch powdery. Urban Decay Venus is a touch warmer and more shimmery. MAC Vanilla is warmer.

Inner Strength is a warm peach with subtle pink undertones and a barely-there sheen, though it is listed as a matte. It had good color payoff, and it was soft to the touch. Too Faced Peach Fuzz has gold sparkle. Urban Decay Freestyle has less pink. MAC Nubile is similar in color but is a cream product.

Fabulous Fit is a light gray with blue undertones and has a matte finish. It was a bit weak on pigmentation, and it had a drier texture that made blending harder. Estee Lasuder Modern Mercury is more metallic. MAC Scene is darker. Chanel Gris Exquis is also darker. Inglot #339 is somewhat darker but closest with respect to its cool undertone.

Heather Belles is a dark gray with a mostly matte finish but there’s a touch of sheen; the sheen becomes more apparent when blended out. It has a satin finish, and the color payoff is so-so–it is a stiffer, drier shade. Urban Decay Ace is more shimmery. Guerlain Les Gris is matte. Estee Lauder Black Chrome is darker.

The quality of Inner Strength as a quad is below-average to average.  It’s not impressive, and it’s not the most heinous release we’ve seen from MAC.  It’s middle-of-the-road.  The problem with this palette is in the textures, which tended to be a bit dry and stiff (in the case of Fabulous Fit and Heatherbelles).  Lithe Spirit was somewhat powdery, which can have a tendency to make such a pale color look chalky on darker complexions.  Inner Strength was the best-performing shade here, as it wasn’t so soft that it was powdery, but it wasn’t too dry or firm that you couldn’t get color payoff out of it.  The shades lasted for seven and a half hours and looked just a smidgen faded after eight hours.

MAC Strength: Inner Strength Eyeshadow Quad

C
7
Product
7.5
Pigmentation
7
Texture
8
Longevity
3.5
Application
73%
Total

Chanel Raffinement Eyeshadow Quad

Chanel Raffinement Eyeshadow Quad
Chanel Raffinement Eyeshadow Quad

Chanel Raffinement Eyeshadow Quad ($58.00 for 0.24 oz.) is described as a palette of “rich mauve, pearly pink beige, shimmering lilac, and deep eggplant.”  It’s a new for spring but will be joining the permanent range.

The first shade (top, left) is a medium-dark brown with hints of plum/mauve and a frosted finish. It had nice color payoff, and it applied smoothly and evenly. Chanel Variation has a darker brown. MAC Smut is a richer version of this shade. Urban Decay Stray Dog is similar, perhaps a bit warmer.

The second shade (top, right) is a pale, peachy beige with a frosted sheen and subtle warm undertones. The pigmentation was lovely, and it applied nicely. MAC A Natural Flirt is warmer, more shimmer. MAC Double Feature #5 is similar but less frosted. Urban Decay Sellout is similar–a little darker. Illamasqua Slink is a touch warmer.

The third shade (bottom, left) is a medium-dark cognac brown–a little orange-red to it but very, very subtle and slight, so it doesn’t take on an overly warm coloring. It had fantastic color payoff, and it was really soft, finely-milled, and smooth when applied. Too Faced Hot Cocoa is lighter. Illamasqua Focus is a cream product, and it is redder. Tom Ford Platinum is similar but a cream product. Urban Decay Wreckage is less red-toned.

The fourth shade (bottom, right) is a deep, dark reddened brown with a satiny sheen–just a step or two above matte. This shade packed quite the punch of pigment; really don’t need much to define the crease at alL! It blended out easily, which is absolutely necessary with anything that’s very pigmented and/or dark in color. Make Up For Ever #162 is matte, slightly richer/more intense. theBalm Presto is a bit darker. MAC Embark is matte and browner. Chanel Ebloui is more shimmery, a touch lighter, and a cream. It compares favorably with Tom Ford Enchanted.

I can see some looking at this quad and going, “Borrrrring!” and others reaching for it all the time. That’s the problem with basics and essentials–they tend to be kind of boring, but they work well and are still shades that most core collections have. I think it is wearable on both cooler and warmer complexions, and the colors offer a good range of light/dark for contrast.  The depth and richness of the darkest shade makes this quad as wearable for work as it does for evening, because it’s so rich, it can really add definition, darkness, and general smokiness for an evening look.

The quality of the quad is lovely, with all four shades having great color payoff, soft, smooth textures, and tip-top wear of eight hours (without a primer) and no signs of fading or creasing.  There was only a very, very slight excess of powder in a couple of shades but so slight–it’s really being nit-picky. All in all, while dupable, a very wearable, easy-to-use quad that will be a nice travel pick as well as a go-to for anyone who is need of more work-friendly shades.

Chanel Raffinement Eyeshadow Quad

A
10
Product
10
Pigmentation
9.5
Texture
9
Longevity
5
Application
97%
Total

Subscribe

Join our newsletter and never miss a post!