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MAC Antonio Lopez 6 Eyes/Teal Eyeshadow Palette

MAC Antonio Lopez 6 Eyes/Teal Eyeshadow Palette
MAC Antonio Lopez 6 Eyes/Teal Eyeshadow Palette

MAC Antonio Lopez 6 Eyes/Teal Eyeshadow Palette ($43.50 for 0.19 oz.) is a new and limited edition palette that launches in-stores on September 12th. It contains six eyeshadows. Like a lot of MAC’s limited edition palettes, it’s a mixed bag. Some shades performed decent to well, others were more disappointing. These perform best over a primer, and I wouldn’t recommend wearing them without one for two reasons: 1) they don’t last well  (six hours), and 2) Colourful Life is prone to staining without a primer.  Even though four of the six shades are decent, one is an abysmal failure and the other is only slightly less worse.

Sex & Disco is described as a “sparkling cool silver [with a Lustre finish].” It’s a lavender-tinted gray with silver sparkle. This shade embodies a true Lustre finish, as it was powdery, glittery, and sheer–it’s the type of texture that doesn’t bind together, so you’re left with sparkle that gets everywhere but the lid. A lot of the fall out ended up underneath the eye during application, but there were still a few stray sparkles after wearing it all day. MAC Time to Tango is darker, purpler. MAC Amethyst is warmer. MAC Silverwear is less sparkly. See comparison swatches.

Colourful Life is described as a “dark teal [with a Veluxe Pearl finish].” It’s a rich, jewel-toned teal that leans green and has a satiny sheen. It had fairly good color payoff, but it has a slightly dry, stiffer texture (doesn’t feel like a Veluxe Pearl). This shade is very prone to staining so I recommend wearing an opaque base underneath to prevent staining the lid (and washing brushes immediately after use). Fyrinnae Gender Bent is bluer. Milani Teal the Truth is bluer. Maybelline Edgy Emerald is lighter. MAC Surf USA is darker, slightly greener. Sugarpill Darling is warmer. Make Up For Ever #168 is greener. See comparison swatches.

Freshwater is described as a “mid-tone sparkling blue with blue pearl [with a Veluxe Pearl finish].” It’s a medium blue with a pearly sheen. It had good color payoff, and the texture was soft, though thinner/not as dense as my permanent pan of Freshwater. This shade is available individually as a permanent product. Disney Royal is more matte. CoverGirl Sapphire Flare is similar, slightly sparkly. Sugarpill Afterparty is brighter. NYX Kiss in Casablanca is darker. See comparison swatches.

Nighttrain is described as a “charcoal grey with crystalline frost [with a Lustre finish].” It’s a blackened gray with silver shimmer and a frosted finish. It had fairly good color payoff, was just slightly dry, and blended out decently. It felt more like a frost than a Lustre finish. It is also a repromote. MAC Deep Cravings is less shimmery. LORAC Slate is bluer. Urban Decay Asphalt is similar. Urban Decay Ace is slightly cooler-toned. Urban Decay Gunmetal is grayer. See comparison swatches.

Sketchbook is described as a “glittery blackened olive [with a Lustre finish].” It’s a dark, warm-toned olive brown with dirty gold sparkle and shimmer. It had a very stiff, dry texture that resulted in sheer, uneven color payoff. With a fluffy brush, I was able to get some color and blendability, but it’s a rather poor shade when all was said and done. It does have a Lustre finish, so the sheerer color payoff isn’t unexpected, but the dry, uneven application was. Dior Bonne Etoile #3 is less sparkly. MAC Gilt by Association is darker. Giorgio Armani #6 is less sparkly. See comparison swatches.

Fashion Legend is described as a “black with pink pearl [with a Lustre finish].” It’s a cool-toned, sooty black with very fine blue, violet, and pink shimmers (which you can’t really discern once applied–just looks like a soft black). It was a little dry but had semi-opaque color. The texture seemed more like a velvet than a lustre. Marc Jacobs The Mod #2 is slightly darker. bareMinerals Lights Down isn’t as cool-toned. See comparison swatches.

MAC Eyeshadow Palette Antonio Lopez 6 Eyes/Teal
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Also In This Review

D+

Sex & Disco

Limited Edition
Read Review
B+

Colourful Life

Limited Edition
Read Review
A-
A-

Nighttrain

Limited Edition
Read Review
F

Sketchbook

Limited Edition
Read Review
B-

Fashion Legend

Limited Edition
Read Review
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Wet ‘n’ Wild A Regular at the Factory Color Icon Eyeshadow Trio

Wet 'n' Wild A Regular at the Factory Color Icon Eyeshadow Trio
Wet ‘n’ Wild A Regular at the Factory Color Icon Eyeshadow Trio

Wet ‘n’ Wild A Regular at the Factory Color Icon Eyeshadow Trio ($2.99 for 0.12 oz.) is a limited edition palette for summer, so you’ll have to hunt around your local drugstores for this one (I’ve yet to spot any of the Pop Art displays in my area, which means it hasn’t arrived yet or it has already sold out!). This was one of the “better” trios I tested, though it was still underwhelming, due to the incredible powderiness across the shades. These absolutely need to be worn over a primer, because they are prone to fading and creasing–they lasted a mere four hours before fading significantly without a primer–and even over primer, they didn’t last beyond eight hours.  They’re powdery, easily sheered out (but harder to build up), prone to fading, and really do not show why Color Icon eyeshadows were so coveted when they first debuted. (And Color Icon is a formula touted as highly pigmented and long-wearing.)

A Regular at the Factory #1 is a muted, light-medium yellow with a mostly matte finish. This shade was powdery, slightly chalky, so it was prone to sheering out when applied. It’s best to pat and pack it on and only blend the very edges as necessary. NARS Misfit #1 is less yellow. Make Up For Ever #102 is lighter. See comparison swatches.

A Regular at the Factory #2 is a medium, cyan blue with a matte finish. It had so-so color payoff as it was powdery, so the color didn’t bind well together, which gave it a slightly uneven appearance. Again, pat and pack on the eyeshadow to maximize the color and minimize the fall out–and if you have a slightly tacky base, even better. NARS Mad, Mad World #1 is darker. Milani Olympian Blue is much darker. MAC Electric Eel is slightly darker. Make Up For Ever #72 is similar. Make Up For Ever #118 is lighter. Inglot #371 is very similar. See comparison swatches.

A Regular at the Factory #3 is a brightened, medium orange with yellow undertones and a mostly matte finish. It had fairly good pigmentation, and it was the least powdery of the three. Fyrinnae Pyromantic Erotica is more shimmery. Disney Rajah is darker. Illamasqua Vulgar is slightly lighter. See comparison swatches.

Wet 'n' Wild Color Icon Eyeshadow Trio A Regular at the Factory
6.5
Product
8.5
Pigmentation
7.5
Texture
6
Longevity
3.5
Application
71%
Total
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Also In This Review

NARS Transvaal, Solomon Islands, Ubangi Eye Paints

NARS Transvaal Eye Paint
NARS Transvaal Eye Paint

NARS Transvaal Eye Paint ($25.00 for 0.08 oz.) is described as a “grey.” It’s a medium-dark, neutral-cool gray with a mostly matte finish. It was intensely pigmented and very creamy. NARS Madison Ave. is bluer, darker. Maybelline Audacious Asphalt is shimmery, warmer. See comparison swatches.

Solomon Islands is described as “turquoise blue.” It’s a medium-dark blue with a hint of teal/green to give it a more turquoise coloring. It has a matte finish and rich color payoff. MAC Mountain Air is darker and pearly, but it was the only turquoise-ish cream eyeshadow/eyeliner I could think of to compare. See comparison swatches.

Ubangi is described as a “black with blue shimmer.” It’s a cool-toned black with medium blue and navy blue micro-shimmer. This particular shade had a very slippery consistency–it was wetter than the others–and the color payoff was less intense as it had a tendency to sheer out. Urban Decay Sabbath is bluer. MAC Night Trail is similar. MAC Petrol Blue is lighter, bluer. MAC Waveline is lighter, less shimmery. bareMinerals Noon is more muted. See comparison swatches.

Please refer to my original review here for a more in-depth look at the formula as a whole. To recap, Eye Paints are designed to be a long-wearing, highly-pigmented gel formula that can be used as an eyeshadow or as an eyeliner. I applied each shade using NARS’ #38 brush to mimic applying it as an eyeliner (narrow swatch) and then applied the same color with the horizontal edge of the #38 to mimic applying it as an all-over lid color (wide swatch). The formua’s strength is its creaminess and intense color payoff, but it dries and sets very quickly so it can be difficult to blend the shades together or soften the edges if you do not work quickly.

As a cream eyeshadow, the wear is just okay; there is some fading apparent after six to seven hours, and Ubangi seemed more prone to fading than the other two shades. I did not experience creasing with any of these shades. When worn as an eyeliner, Solomon Islands did not fade or migrate, and it seemed to last quite well over a nine-hour period. These definitely perform best as eyeliners, less so as cream eyeshadows. If you want to use them as a base, they wear well with powder eyeshadow on top–no creasing or fading after ten hours of wear.

NARS Eye Paint Transvaal
Transvaal
NARS Eye Paint Solomon Islands
NARS Eye Paint Ubangi
Ubangi

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NARS Iskandar, Mesopotamia, Snake Eyes Eye Paints

NARS Iskandar Eye Paint
NARS Iskandar Eye Paint

NARS Eye Paints ($25.00 for 0.08 oz.) is supposed to be a long-wearing, highly-pigmented gel formula that can be used as an eyeshadow or eyeliner. The consistency is very creamy, and just about every single shade I tried was incredibly pigmented. These dry down very, very quickly, so you have to work fast, and they take some work to blend with each other as a result. Using one or two isn’t so bad, but add a third into the mix, and it can be troublesome. The edges need to be blended almost immediately, or else layered with a similar-colored eyeshadow to help diffuse the drier edge. Yesterday, I wore these primarily as eyeshadows (but also two as eyeliner on the lower lash line) over bare lids. I experienced very slight creasing after seven hours of wear as well as some slight fading, which worsened and was noticeable after eight and a half hours of wear. As an eyeliner, they lasted better and did not fade or migrate over a nine hour period.

Iskandar was the easiest to apply and blend out, while Mesopotamia was the one that set the quickest and was most difficult to blend. I like a fairly flat, somewhat narrow, brush with a little thickness and a domed edge for applying these (I used MAC’s 242), because it’s useful for placing dense color but also has enough density and thickness that it can blend out the edges, too. Today, I’m testing a couple other shades for wear (alone) but as well as with eyeshadow on top (so more as a base) to see how they perform that way. Tomorrow, I’ll try them over NARS’ Smudge Proof Primer to wrap everything up with a neat little bow.  One last thing: the size on these is slightly smaller than average gel eyeliners (usually around 0.10 oz. or so).

Iskandar is described as “gold.” It’s a rich, medium-dark gold with orange and bronze undertones and a copper and gold shimmer. It has a frosted, metallic finish. The color payoff was rich and opaque whether applied as an eyeliner or as an eyeshadow–I used NARS’ #38 brush for the thinner swatch and then turned it horizontally for the larger swatch. NARS Campo de Fiori is similar. Maybelline Bold Gold is less warm-toned. MAC Going for the Gold is darker. Illamasqua Alchemy is yellower. See comparison swatches.

Mesopotamia is described as “brown.” It’s a deep brown with subtle warm, red undertones and a matte finish. It is richly pigmented and applied smoothly. Bobbi Brown Chocolate is warmer. Urban Decay Demolition is similar. MAC rich Experience is also similar. Buxom Two by Four is slightly warmer. See comparison swatches.

Snake Eyes is described as “black with green shimmer.” It’s a deep black with brown undertones with emerald green pearl. It had fairly good color payoff but to make the pearl stand out, two layers are needed. Urban Decay Loaded is lighter. MAC Dark Envy is greener. MAC My Next Indulgence is lighter. See comparison swatches.

NARS Eye Paint Iskandar
Iskandar
NARS Eye Paint Mesopotamia
Mesopotamia
NARS Eye Paint Snake Eyes
Snake Eyes

MAC Beluga, Divine Decadence, Gilty Morsel, Palace Pedigreed Eyeshadows

MAC Beluga Eyeshadow
MAC Beluga Eyeshadow

MAC’s Indulge Collection (online now, in-stores on August 22nd for North America locations) features eight eyeshadows. Beluga was the hardest to apply and use, as it was stiff and harder to blend around the edges, while Gilty Morsel has sparkle that doesn’t really bind with the base color, so there is fall out during application, and even though I’ve only been wearing the eyeshadows for around five hours (so far), there is noticeable (currently minor, though) fall out from it. I’ll update this post with actual wear times after I’ve finished wearing them later today, so the longevity ratings are based on my average experience with MAC’s eyeshadows (with wear in relation to finish, color, and quality). I’m four hours in, so far so good. 🙂

MAC Beluga Eyeshadow ($15.00 for 0.05 oz.) is described as a “dark charcoal with multi-dimensional pearl [with a Veluxe finish].” It’s a cool-toned, dark brown with flecks of green sparkle. It had so-so color payoff, but the texture was noticeably dry and more difficult to blend out on the skin as it was stiff. Disney Cinders is warmer. MAC Mystery is lighter, more matte. MAC Black Magique is more matte. See comparison swatches.

Divine Decadence Eyeshadow ($15.00 for 0.05 oz.) is described as a “soft bronze [with a Veluxe finish].” It’s a rich, copper-shimmered bronze with warm, red and copper undertones and a frosted finish. This was, by far, the very best of the collection: intensely pigmented with a creamy, buttery texture that felt like silk. MAC Copper Strip is less frosted. NARS Isolde #2 is slightly more copper-hued. MAC Antiqued is similar. See comparison swatches.

Gilty Morsel Eyeshadow ($15.00 for 0.05 oz.) is described as a “glittery light gold [with a Lustre finish].” It’s a pale, light-medium gold with yellow undertones and flecks of pale gold sparkle. It performs a lot like most Lustre finishes, which means it has a slightly dry, gritty texture and sheerer color payoff so it looks more like a wash of color than anything else. Chanel Convoitise is a cream product. MAC Greenluxe #2 is more metallic. Disney Sand in the Glass is less sparkly. Giorgio Armani #18 is yellower. Chanel Pearl River #2 is less sparkly. Buxom Poodle is a cream. See comparison swatches.

Palace Pedigreed Eyeshadow ($15.00 for 0.05 oz.) is described as a “dark plum [with a Satin finish].” It’s a deep plum with strong red undertones and a barley-there satin sheen. Though the texture was a little dry and thin, it still yielded a good amount of color. I didn’t have any trouble getting the color to show up, and it was buildable to fully opaque color coverage. The texture makes it slightly harder to blend, but it is much, much improved from the last time I tried it. Chanel Delicatesse #4 is warmer. MAC Double Feature #1 #2 is similar, purpler. MAC Plum Dressing is brighter. Guerlain Boulevard du Montparnasse is purpler. Le Metier de Beaute Fig is warmer, browner. Make Up For Ever #160 is very similar–slightly darker. See comparison swatches.

MAC Eyeshadow Beluga
Beluga
Beluga
8
Product
8.5
Pigmentation
7
Texture
8.5
Longevity
4
Application
80%
Total
MAC Eyeshadow Divine Decadence
10
Product
10
Pigmentation
10
Texture
9
Longevity
5
Application
98%
Total
MAC Eyeshadow Gilty Morsel
Gilty Morsel
Gilty Morsel
8
Product
8.5
Pigmentation
7.5
Texture
7
Longevity
4
Application
78%
Total
MAC Eyeshadow Palace Pedigreed
8.5
Product
9
Pigmentation
8.5
Texture
8.5
Longevity
4.5
Application
87%
Total

MAC Deep Cravings, Eat, Love, Sex & the Oyster, Three Ring Yellow Eyeshadows

MAC Deep Cravings Eyeshadow
MAC Deep Cravings Eyeshadow

MAC’s Indulge Collection (online now, in-stores on August 22nd for North America locations) features eight eyeshadows. On the whole, these four performed better than many past recent releases, even if they aren’t perfect, they were all fairly easy to work with. The “worst” one of these four was Sex & the Oyster as the texture was noticeably dry, while Three Ring Yellow was buttery and incredibly pigmented. I’ll update this post with actual wear times after I’ve finished wearing them later today, so the longevity ratings are based on my average experience with MAC’s eyeshadows (with wear in relation to finish, color, and quality). I’m four hours in, so far so good. 🙂

MAC Deep Cravings Eyeshadow ($15.00 for 0.04 oz.) is described as a “dark shimmery grey [with a Veluxe Pearl finish].” It’s a dark, charcoal gray with a pearly sheen–it has a very light dusting of pink and copper micro-shimmer. It had good color payoff, and it applied smoothly. The texture was good, but it did feel slightly dry–not as buttery or as soft as other VPs (which is something I’ve noticed in general with recent VP releases). LORAC Slate is lighter, bluer. Disney Flotsam is lighter, also bluer. Urban Decay Ace is very similar. MAC For Effect is similar but a cream. Bobbi Brown Gunmetal is similar. See comparison swatches.

Eat, Love Eyeshadow ($15.00 for 0.05 oz.) is described as a “deep emerald [with a Satin finish].” It’s a deep, blackened green with faint emerald green sparkles–it is more like a green-tinted black with brownish undertones. On the lid, it tends to look more like a matte finish, as the satin is very subtle. It had good color payoff, and the texture was only slightly dry. Fyrinnae Jaguar is bluer. Urban Decay Loaded is also bluer. MAC Dark Indulgence is greener. OCC Poison is lighter. Make Up For Ever #80 is lighter, greener. Bobbi Brown Forest is lighter, cream. See comparison swatches.

Sex & the Oyster Eyeshadow ($15.00 for 0.04 oz.) is described as a “mid-tone greyed blue green [with a Veluxe Pearl finish].” It’s a smoky, bluish-green-tinted light gray. It looks bluer in the pot, but applied, it seemed to take on a grayer coloring overall. It had good pigmentation, and the texture was somewhat dry and almost crumbly but not quite. Disney Destined is lighter, warmer. Urban Decay Hijack is darker (this was the first shade that came to mind, actually!). MAC Emerald Dusk is darker, bluer. MAC Water is greener. See comparison swatches.

Three Ring Yellow Eyeshadow ($15.00 for 0.04 oz.) is described as a “bright sulfur green yellow [with a Veluxe Pearl finish].” It’s a green-tinged, medium yellow with a frosted finish. The color payoff was excellent, and the texture was soft, smooth, and easy to work with. This is a repromote, and it was also one of the best-performing shades of the collection. Fyrinnae Banan Mochi is warmer. NARS Rated R #1 is greener. MAC Double Feature #2 #1 is more shimmery. MAC Colour Added is similar. MAC Brilliantly Lit is a cream product. See comparison swatches.

MAC Eyeshadow Deep Cravings
9.5
Product
10
Pigmentation
9
Texture
9
Longevity
5
Application
94%
Total
MAC Eyeshadow Eat, Love
Eat, Love
Eat, Love
9
Product
9
Pigmentation
9
Texture
9
Longevity
5
Application
91%
Total
MAC Eyeshadow Sex & the Oyster
8.5
Product
9
Pigmentation
8
Texture
8.5
Longevity
4.5
Application
86%
Total
MAC Eyeshadow Three Ring Yellow
9.5
Product
10
Pigmentation
10
Texture
9
Longevity
5
Application
97%
Total

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