Saturday, November 12th, 2011

Illamasqua Android Pure Pigment
Illamasqua Android Pure Pigment

Illamasqua Android Pure Pigment

Illamasqua Android Pure Pigment ($24.00 for 0.04 oz.) is described as a “charcoal with multi-colored shimmer.” It’s a cool color, because it changes depending on the angle and lighting situation. Mostly, it’s a dark, blue-toned charcoal gray base with a bluish-teal flash and multi-colored sparkle. The only shade similar to the general look and feel (and what you see in the swatch) but did not have the multi-colored shimmer of Android was Urban Decay Hijack, which is lighter and less intense.

Pure Pigments are a multi-purpose product that can be used on eyes, cheeks, face, or body (or even hair/nails). Illamasqua says that they can be applied dry or wet (“for bolder color payoff”), but I wouldn’t recommend using them dry. Android applies better dry than some shades, though, but it is very, very sheer and lacks the multi-dimensional shimmer effect. It appears almost brownish-gray with a subtle sheen. I had good luck with this particular shade staying put simply used wet and applied onto the lid, though it started to crease after five hours. I would typically use this with MAC’s Mixing Medium (or an adhesive base of your choice), which would help it bind and adhere and still have the intense look of the damp swatch.

The Glossover

P
product

Android

B+
Illamasqua does some really interesting and complex hues in their Pure Pigment line, and as long as you're willing to use an adhesive base alongside it, they can be great additions to your collection.

Product

8.5/10

Pigmentation

8.5/10

Texture

9.5/10

Longevity

9/10

Application

4/5

Results
Loading ... Loading ...
Dupes
Login or Register to be able to add this to your Vanity or Wishlist! Plus rate and review!

See more photos & swatches! Continue reading →

Saturday, November 12th, 2011

Bobbi Brown Chocolate & Gold Eye Paint Palette
Bobbi Brown Chocolate & Gold Eye Paint Palette

Bobbi Brown Holiday 2011: Chocolate & Gold Eye Paint Palette

Bobbi Brown Chocolate & Gold Eye Paint Palette ($45.00 for 0.12 oz.) is a limited edition, warm-toned palette that features four shades of the brand’s Eye Paints, which seems like a baked eyeshadow formula. If you’re familiar with MAC’s Mineralize Eyeshadows, these perform and feel very alike. The shades the palette contains are: Gold (pale gold), Bronze (beige gold), Chocolate (rich brown with gold pearl), and Black Gold (black with gold pearl).

  • Gold is a light-medium yellowed gold with a frosted, metallic finish. It isn’t an overly warm gold–it’s as close to a neutral gold as you’d get. The color payoff is sheer when it is applied dry, and it intensifies to decent pigmentation when applied wet, but it’s never quite opaque. It’s much smoother when used damp as well and has less fall out when used that way. Bare Escentuals Standing O, MAC Treasure Hunt, and Givenchy Lune Mordoree are all similar.
  • Bronze is a medium-dark gilded bronze with a metallic shimmer-sheen finish. Like Gold, the color payoff is fairly sheer and the shimmer feels and looks chunky when it is applied dry. When it’s applied damp, the product binds together better so it is smoother and more pigmented. It is similar to MAC Retrospeck,
  • Chocolate is a warmed-up chocolate brown with bronze shimmer. The pigmentation is pitiful when it’s applied dry, and it has a very dry, powdery texture. It’s infinitely better when used wet, where it comes together for a really opaque, smooth result. NARS Galapagos is deeper, but they are similar.
  • Black Gold is a blackened brown color base with cool-toned bronze and champagne shimmer. It’s just like Chocolate–dry, sheer payoff when used dry, but it’s intense and smooth when applied wet. Tarina Tarantino Dream is browner, warmer. The base color is a bit similar to MAC Legendary.

My experience with this palette was as poor as it was with Bobbi Brown’s Onyx & Silver variation. First, if you’re a big fan of MAC’s Mineralize Eyeshadows, you may like these more than the overall rating indicates–because I pretty much have the same issues with these as I do with MAC’s, which are fading and fall out.

These shades have to be used damp, because the results when used dry are too chunky and sheer. However, when you use them damp, the color result fades over time, even over a primer, and I had a good amount of fall out underneath my eyes after eight hours of wear. I was flabbergasted at how much fading at occurred over eight hours–I thought my eyeshadow was missing on the lid (which is where I used the lighter color, Gold). Those are two big no-nos when it comes to powder eyeshadows as far as I’m concerned.

The Glossover

palette

Chocolate & Gold

D+
Fading and fall out -- two big no-nos when it comes to eyeshadow, and they're too prevalent in this palette to make it worth recommending. As far as baked eyeshadows go, these are some of the more basic shades, so I think using pressed alternatives is your best bet.

Product

6.5/10

Pigmentation

7.5/10

Texture

7.5/10

Longevity

6/10

Application

3/5

Results
Loading ... Loading ...
Login or Register to be able to add this to your Vanity or Wishlist! Plus rate and review!

See more photos & swatches! Continue reading →

Thursday, November 10th, 2011

Tarina Tarantino Dreamy Jewel Eyeshadow Palette
Tarina Tarantino Dreamy Jewel Eyeshadow Palette

Tarina Tarantino Dreamy Jewel Eyeshadow Palette ($32.00 for 0.32 oz.) is part of the newly repackaged and launched beauty line by jewelry designer Tarina Tarantino. The eyeshadow formula in the palettes is supposed to have “intense, shimmery payoff” with “ultra high pigmentation.” The eyeshadows are touted as long-wearing and can be applied wet or dry. Each compact contains a good amount of eyeshadow, too, with each eyeshadow averaging out to 0.064 oz. (the average eyeshadow is around 0.05 oz.). For the price of two high-end eyeshadows, you’ll get five.

The top shade is a rich copper with hints of orange; it’s a lighter, rusted copper shade with a frosted finish. It’s brighter and more orange than a lot of coppery shades I’ve come across. Make Up For Ever #12 is browner, more bronzy. Urban Decay Baked and MAC Amber Lights are also more bronze. The pigmentation is amazing–intense and vibrant–with a dense, buttery texture.

On the left, there’s a frosted white gold with a soft, smooth texture and good color payoff. This shade is common enough that there are a few shades similar to it, including: Givenchy Lune Mysterieuse (yellower), theBalm Tempting Tara, theBalm Envious Erin, Urban Decay Zephyr, and Bare Escentuals Breathtaking.

In the middle, there’s a golden peach, which comes out more like a pale, muted gold than it does a peach. It has a metallic finish; the pigmentation is good but not as intense as the top shade, but it’s still very soft and smooth to the touch. It’s similar to Bobbi Brown Gold Bar.

On the right, there’s a rich, chocolaty brown with a bronze shimmer and sheen. It has a frost finish, rich pigmentation, and a smooth texture. Like the left shade, it is common and these shades are similar: Inglot #409, Inglot #422, and Urban Decay Lost.

The bottom shade is a deep, dark brown with copper and bronze sparkle that tends to sit atop the color rather than completely embedded within it (like a typical frost). When I applied it, I did find that some of the shimmer transferred but it didn’t look quite as noticeable on the eye as it did in the swatch. The color payoff is very intense, though, and it’s so smooth when applied. It’s warmer and more shimmered than MAC Legendary Black.

I wore this palette (all five shades) with the muted gold on the lid, the softest touch of copper on the very outer lower lid, bronzy shade in the crease with the darker brown to add more depth in the crease, and the white gold on the brow bone. I wore it with and without a primer, and the results without a primer lasted for eight hours without creasing or fading but started to show faint signs of creasing by the tenth hour. With a primer, it was unmoved at ten hours.

I was pleasantly surprised by the texture and color payoff of this palette! I didn’t have particularly high expectations (I was thinking middle-of-the-road), but this was really, really good. This particular palette consists of a lot of dupeable shades, so long-time makeup aficionados will likely have similar shades already, but newcomers with warmer skin tones will find many reasons to fall in love with this palette. I’d love it if each shade had a name, though!

The Glossover

palette

Dreamy

A+

I was pleasantly surprised by the texture and color payoff of this palette! I didn't have particularly high expectations (I was thinking middle-of-the-road), but this was really, really good. This particular palette consists of a lot of dupeable shades, so long-time makeup aficionados will likely have similar shades already, but newcomers with warmer skin tones will find many reasons to fall in love with this palette.

Product

10/10

Pigmentation

9.5/10

Texture

10/10

Longevity

10/10

Application

5/5

Results
Loading ... Loading ...
Login or Register to be able to add this to your Vanity or Wishlist! Plus rate and review!

See more photos & swatches! Continue reading →

Wednesday, November 9th, 2011

Bobbi Brown Onyx & Silver Eye Paint Palette
Bobbi Brown Onyx & Silver Eye Paint Palette

Bobbi Brown Onyx & Silver Eye Paint Palette ($45.00 for 0.12 oz.) contains four shades of Bobbi Brown’s Long-Wear Eye Paints. They’re designed to not only wear for hours but are “densely pigmented” and “can be applied wet or dry” with a “lustrous, highly-reflective finish.”

It includes these shades: Tinsel (light silver), Silver (blue silver), Lava (black with silver pearl), and Blue Onyx (deep indigo blue)

  • Tinsel is a bright silver with silvery-white glitter and a metallic finish. It’s sheer both dry and wet, and it doesn’t come together smoothly even when applied wet–I had a lot of fall out with this shade. It’s a bit lighter than MAC Filament.
  • Silver is a dark silver-shimmered gray with subtle brow undertones and a bluish sheen. It has decent color payoff when applied dry but becomes opaque, deep, and smooth when applied damp. It reminded me of theBalm Muppetational, which is a bit lighter. MAC Tundra is also similar in both color and finish.
  • Lava is a matte black with silver sparkle and teal shimmer layered on top. It’s a better version of Bobbi Brown Onyx. It’s in the same vein as shades like MAC Black Tied and Lancome The New Black (which is the best of this type). When applied dry, the sparkle is less noticeable, and it appears as more of a black-brown with a dry, almost chalky look. When applied damp, it’s much more intense, more like a black, and the sparkle comes out more. I did experience some fall out with this shade.
  • Blue Onyx is a blackened blue with an indigo blue shimmer and sheen. It’s more of a satiny finish than metallic as described. This shade was very, very sheer when applied dry, and it doesn’t look all that blue either. When I dampened the product, it came out more vibrant and the blue came to the forefront. It reminded me of MAC Blue Storm. Givenchy Lune Mordoree is also similar but a touch purpler.

If you’re a fan of MAC’s Mineralize Eyeshadows, you’ll probably like Bobbi Brown’s Long-Wear Eye Paints, because they’re really similar. They have the feel, look, and wear of baked eyeshadows. If you use them dry, expect sheerer color payoff, while dampening the shade will greatly intensify the pigmentation and smooth out the texture. The colors are prone to fading during wear if you use them damp/wet during application; of course, they will always dry a little more muted than when they are initially applied wet since it does not stay perpetually wet, but it fades even more.

Tinsel had a ton of fall out; it was difficult to apply from the get-go because of the amount of excess that littered my under eye area, but I had continual fall out throughout the day because it just doesn’t bind together. You’d really need a sticky base to get it to adhere to minimize the fall out. I had similar issues with Lava but to a lesser degree; I didn’t have too much fall out during application, but I did find the silver sparkles transferred to parts unknown as the day wore on.

The Glossover

palette

Bobbi Brown Onyx & Silver Eye Paint Palette Review, Photos, Swatches

D+
Fading and fall out -- two big no-nos when it comes to eyeshadow, and they're too prevalent in this palette to make it worth recommending. As far as baked eyeshadows go, these are some of the more basic shades, so I think using pressed alternatives is your best bet.

Product

6.5/10

Pigmentation

8/10

Texture

7.5/10

Longevity

6/10

Application

3/5

Results
Loading ... Loading ...
Dupes
Login or Register to be able to add this to your Vanity or Wishlist! Plus rate and review!

See more photos & swatches! Continue reading →

Tuesday, November 8th, 2011

theBalm Nude 'tude Eyeshadow Palette
theBalm Nude ‘tude Eyeshadow Palette

theBalm Nude ‘tude Eyeshadow Palette

theBalm Nude ‘tude Eyeshadow Palette ($36.00 for 0.382 oz.) contains twelve eyeshadows inside a slim palette with a dual-ended eyeshadow/liner brush. There are two variations, though both have the same eyeshadows inside–one is “Feeling Naughty” (which is the one pictured in this post) which features nude women with eyeshadows covering various parts, while the other is “Feeling Nice” that has no nude women at all. Each eyeshadow is about 0.032 oz.

  • Sassy is a frosted white with good color payoff and a buttery, smooth texture. It reminded me of MAC Forgery but with a much, much better texture. theBalm Lab Coat is also similar but has a more metallic finish.
  • Stubborn is a light-medium peach with a soft frost finish. It looks lighter swatched than in the pan because of the frosted finish. It’s a frosted version of MAC Nubile. Urban Decay Scratch is pinker.
  • Snobby is a gold shimmered medium-dark yellow. This shade was a bit sheer and dry, yet powdery; it didn’t bind as well as I’ve come to expect from theBalm. It’s a lighter version of Chanel Blazing Gold. It is similar to Urban Decay Eldorado.
  • Stand-offish is a light-medium bronze-shimmered brown with warm, red undertones and a frost-metallic finish. It was smooth and had good color payoff. Urban Decay Spotlight is similar in lightness but is much cooler-toned–way less golden.
  • Selfish is a frosted taupe–it’s brown and gray; very mushroom-like. It was very smooth and easy to work with, plus it had good pigmentation. It’s much warmer and browner compared to Urban Decay Mushroom. It’s more like a frostier version of Bare Escentuals Wanderlust. NARS Grand Palais is a bit warmer. MAC Satin Taupe is redder and darker.
  • Sophisticated is a dark brown with subtle warm undertones and a bronze shimmer. It had nice pigmentation and applied smoothly. It is a bit cooler-toned compared to Urban Decay Darkhorse with less of a gold shimmer/sheen, but they are similar.
  • Sultry is a warmed-up, medium brown with a satiny finish. It has a very soft texture, which makes it easy to blend, but it is just on the edge of being too soft so it can sheer out if you are heavy-handed. It is a little lighter than Urban Decay Buck. Bare Escentuals Namaste is darker and redder. MAC Moleskin is more red-toned. MAC Wedge is a touch darker.
  • Schitzo is a warm, golden bronze-brown with a soft, pearly finish. It’s less than a frost, more than a satin. The texture is very, very smooth with good color payoff. MAC Amber Lights is a shade that gives me a similar vibe in terms of color, but the finish makes them so distinct (plus, Amber Lights has much more copper). MAC Tempting has a darker overall color but similar golden bronze sheen. The brown shade from Wet ‘n’ Wild Comfort Zone is similar, actually.
  • Sexy is rich burgundy with hints of red and brown and a matte finish. It has good color payoff (especially for a matte); the texture is a good balance between soft and matte–not too dry that it’s stiff, but not so soft that it’s powdery. MAC Festive Delight is much redder and lighter. Make Up For Ever #131 is less brown.
  • Serious is a medium-dark black with a matte finish. It had surprisingly good pigmentation for a matte black, though it could be more intense–it looks much blacker in the pan than it does swatched out. MAC Carbon is less pigmented/intense. Make Up For Ever #4 is much darker.
  • Silly is a red-tinted brown with flecks of copper sparkle. This shade was the most disappointing in the palette–the payoff was very soft and sheer; it seemed more like a layering shade than something that could stand on its own. This was the only shade I had concerns with fall out. Bobbi Brown Black Ruby Sparkle Eye Palette has a slightly similar shade, though it’s glittery and more ruby-shimmered.
  • Sleek is a dark black-brown with a matte finish. It is more intense than Serious, actually! It had good color payoff and was soft enough to blend but not powdery. I couldn’t think of a dupe for this–I had a lot of darker browns but nothing as dark as this.

It’s packaged in theBalm’s usual cardboard outfit, which makes it lightweight and droppable (I dropped it from four feet over tile and everything was pristine). It has an outer sleeve of thick cardstock that has the exact same design as the actual palette, which can be kept or recycled; it’s kind of like a protector–think the jacket of a hardcover book. Inside, there’s a full-length mirror that spans the inside of the lid, and then below are the twelve eyeshadows and dual-ended brush. The palette has a strong enough magnet that the palette seemed to have no problem staying closed.

Overall, the quality is high and consistent with theBalm’s eyeshadow formula (which is one of my favorites). I only had major issues with Silly, which was much sheerer and drier than any of the other eleven shades, and then very minor issues with the softness (which led to slight sheerness) of Sultry. When applied, the concerns I had about Sultry disappeared, though, while Silly just never quite worked out. The other ten eyeshadows, though, were excellent–soft, smooth, buttery, and pigmented.

This palette is similar in size to Urban Decay’s Naked Eyeshadow Palette, and the theme of nudes/neutrals is similar, but there isn’t much overlap in the shades themselves. This palette is $12 less but each shadow is also less (0.032 oz. vs. 0.05 oz. in the Naked palette), and while you do get a brush in this palette like Naked, you don’t get a miniature-sized primer. Let’s just assume that you really care most about the eyeshadow portion and anything else is a bonus; Naked is $80/oz. while Nude ‘tude is $94/oz. They’re both great deals either way, but Naked is still more bang for your buck; note, of course, if you’re more concerned about total cost (for those who are unlikely to finish an eyeshadow pan), then Nude ‘tude is 25% less at $36.

I think a comparison between the two is valid, but the colors are not the same, so they are still two different palettes more than they are the same. Those who wished there was more color variation, less warm-toned shades, or more matte finishes in the Naked palette might find this one more to their liking.

The Glossover

coming-soon

Nude' Tude

A
This is a great palette that's neutral, not necessarily nude--it has really wearable colors but enough shade variation to yield many looks and not just ones that are all brown. The darker shades can also double as eyeliner in a hurry.

Product

10/10

Pigmentation

9.5/10

Texture

9.5/10

Longevity

10/10

Application

4.5/5

Results
Loading ... Loading ...
Login or Register to be able to add this to your Vanity or Wishlist! Plus rate and review!

See more photos & swatches! Continue reading →

Tuesday, November 8th, 2011


Illamasqua Queen of the Night Pure Pigment

Illamasqua Queen of the Night Pure Pigment

Illamasqua Queen of the Night Pure Pigment (£15.50 for 0.04 oz.) is a limited edition shade launched to celebrate the brand’s first fragrance, Freak. It’s described as a “blackened plum shimmer,” which is an apt description! It’s a dark plum with a hint of brown underlying all the plummy purple goodness wrapped in a frosted finish. It’s sheerer when applied dry–the brown is more prevalent–and much more intense (and better!) when applied damp. The product binds together better with a little liquid, which yields a much more opaque, smoother color result. Bare Escentuals Romp is lighter, less blackened, and frostier–that was the only shade I felt came close, but it’s not a dupe.

Pure Pigments are loose colors that can be applied on the eyes, cheeks, face, or body. It can be used dry or applied wet for a “bolder colour pay-off.” Illamasqua recommends using it over a cream texture to intensify the color and hold the color in place. Queen of the Night will hold in place dry, but it lacks a lot of the intensity, so I’d recommend using it wet to achieve true-to-pan color.

The Glossover

P
product

Queen of the Night

B+
It's just different enough to stand out in a sea of eggplant and plummy purples. I like the softer, frosted finish, which gives it shimmer and sheen without being metallic.

Product

8.5/10

Pigmentation

8.5/10

Texture

9.5/10

Longevity

9/10

Application

4/5

Results
Loading ... Loading ...
Dupes
Login or Register to be able to add this to your Vanity or Wishlist! Plus rate and review!

See more photos & swatches! Continue reading →