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Chanel Mediterranee Stylo Eyeshadows

Chanel Stylo Eyeshadow
Chanel Stylo Eyeshadow

Chanel Stylo Eyeshadow ($34.00 for 0.05 oz.) is a twist-up, cream-based eyeshadow that’s supposed to be lightweight, long-wearing, and cooling when it touches the skin. It’s supposed to give a “shimmering veil of color.” The formula is semi-sheer to semi-opaque in one stroke, and it is buildable to opaque coverage with two to three passes, or you can use a flat, firm synthetic brush, which seems to give mostly opaque coverage more readily. I also find using a brush offers infinitely more precision, maneuverability, and gives a more even layer of coverage. The wear varied from shade to shade; as short as six hours to as long as eight hours. The formula has a fair amount of slip but dries down quickly, and it does have a wet, cool sensation when the eyeshadow hits the lid, though this is lessened if you use a separate applicator. I think this formula works best in more neutral tones, as they’re more forgiving on the skin, but shades like purple and blue don’t work as well when they’re even a little bit uneven.

Chanel Laurier Rose (127) Stylo Eyeshadow ($34.00 for 0.05 oz.) is a rosy copper with warm, orange undertones and a metallic finish. A single pass yielded semi-opaque coverage, and two layers was enough for full opacity. This shade was the easiest shade to use in a large area at full intensity, as it applied evenly. When I tested it, the color wore well for eight hours before it started to crease. See comparison swatches / compare dupes side-by-side.

Chanel Olilvine (137) Stylo Eyeshadow ($34.00 for 0.05 oz.) is a muted, medium olive green with a cooler coloring overall, but the undertone is slightly warm, so it takes on a more neutral appearance. It had semi-sheer pigmentation in one pass, and it was buildable to opaque coverage with three layers. This shade was the hardest to work with, as it had less slip and applied more unevenly as a result. Even when I tried to use a brush, the drying time was too quick, so it had already partially dried on the brush. On me, it started to show signs of creasing after seven hours. See comparison swatches / compare dupes side-by-side.

Chanel Caroube (147) Stylo Eyeshadow ($34.00 for 0.05 oz.) is a cool-toned, muted taupe brown with a pearly sheen and lighter gold shimmer. It has more of a burgundy undertone with a warmer shimmer color. It had semi-opaque pigmentation applied in one go, while it was buildable to full intensity with two layers. This shade lasted for eight hours on me before creasing. See comparison swatches / compare dupes side-by-side.

Chanel Campanule (107) Stylo Eyeshadow ($34.00 for 0.05 oz.) is a slightly muted, cool-toned violet purple with faint sparkle. It had sheer coverage in one pass, and it took four layers to get opaque color (it’s supposed to be sheer, though). The consistency was a little drier compared to most of the other shades, though it was reasonably blendable. It tended to grab my natural creases while I was applying, and it was hard to smooth out the color so that it didn’t emphasize the lines on my eyelid. It started to crease after seven hours on me and had minor fall out. See comparison swatches / compare dupes side-by-side.

Chanel Azulejo (117) Stylo Eyeshadow ($34.00 for 0.05 oz.) is an aqua blue with a subtle, warmer green tint to it and a frosted sheen. It had semi-sheer color coverage in one pass, and it was buildable to semi-opaque coverage with three layers (it didn’t seem to build to fully opaque color for me). It is somewhat blendable on the lid, as I could get the edges, but I couldn’t seem to blend it for an even layer of color. When I wore it, the color started creasing after six hours. See comparison swatches / compare dupes side-by-side.

Chanel Stylo Eyeshadow Laurier Rose (127)
9
Product
9
Pigmentation
9
Texture
8.5
Longevity
5
Application
90%
Total
Chanel Stylo Eyeshadow Olivine (137)
7
Product
10
Pigmentation
7
Texture
7.5
Longevity
4
Application
79%
Total
Chanel Stylo Eyeshadow Caroube (147)
9
Product
10
Pigmentation
9
Texture
8.5
Longevity
5
Application
92%
Total
Chanel Stylo Eyeshadow Campanule (107)
7
Product
9.5
Pigmentation
7.5
Texture
7.5
Longevity
4
Application
79%
Total
Chanel Stylo Eyeshadow Azulejo (117)
8
Product
10
Pigmentation
8
Texture
6.5
Longevity
4.5
Application
82%
Total

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Charlotte Tilbury Eyes to Mesmerise Cream Eyeshadows

Charlotte Tilbury Eyes to Mesmerise Cream Eyeshadow
Charlotte Tilbury Eyes to Mesmerise Cream Eyeshadow

Charlotte Tilbury Eyes to Mesmerise Cream Eyeshadow ($32.00 for 0.24 oz.) is a newly released formula that features six shades ranging from neutral to a pop of teal, though five of the six are more neutral/earthy tones that tend to learn warm-toned. It’s supposed to be long-wearing, with a “glide-on” consistency with “soft-focus illuminating pigments” that will “smooth over lines and imperfections.” The eyeshadows are absolutely gorgeous applied, and they’re very pigmented but are easily blended out for a sheerer wash of color, but they have wear problems.

The formula is emollient enough that the dry down time is on the long side, which makes it prone to creasing as it dries down. I tried smoothing out the color after the initial dry down, but it still faintly creased within a few hours. As they wore on, you could just see where the color has separated at the crease line slightly, but it was just puzzling how quick it was to start creasing but how slowly it progressed after that. I tried applying a lighter wash of color, so it could dry down more quickly and just have less product available for creasing, but it still creased in a similar timeframe. They worked better as eyeliner, though if you have any fine lines close to the lash line, it may settle or pull into them. The finish is incredibly lovely; it’s very summer-sheen and luminous without emphasizing or thickening on the lid–I just wish they were actually long-wearing. The formula was very reminiscent of Tom Ford’s Cream Color for Eyes in terms of texture and finish, but it fell short when it came to wear. What’s odd about the formula is that the creasing never got really bad–it was faintly visible but never easily detected, and at a glance, it’s barely noticeable for the first six hours or so unless you look closely. It was such a bizarre experience for me, because usually when something creases–especially so early on–it is a total disaster and goes downhill fast.

The only way I could prevent creasing was to apply an eyeshadow primer and dust translucent powder over the lid, then apply the cream eyeshadow, which held the initial creasing at bay until six to seven hours OR dust translucent powder on top of the cream eyeshadow, which would prevent creasing for seven to eight hours.

Charlotte Tilbury Bette Eyes to Mesmerise Cream Eyeshadow ($32.00 for 0.24 oz.) is described as a “rich, burnished, amber-gold.” it’s a medium-dark, golden bronze with warm, yellow undertones and a metallic shimmer-sheen finish. It was intensely pigmented with a creamy, blendable texture that applied evenly and smoothly to the lid. It could easily be worn as an opaque layer of product or sheered out as a wash. I could see very faint signs of creasing after four hours of wear that got a tiny bit worse after a full eight hours, but it was surprising how well it held up despite the early-on creasing. Applied only on the lid, it wore for eight hours without issue (effectively, no creases to settle into!). See comparison swatches / compare dupes side-by-side.

Charlotte Tilbury Cleopatra Eyes to Mesmerise Cream Eyeshadow ($32.00 for 0.24 oz.) is described as a “vibrant peacock.” It’s a rich, blackened teal with lighter emerald green and bluish-teal shimmer that gives it a more metallic finish when applied at full opacity. It has a more pearly sheen when applied as a sheerer, thinner layer of product. It was richly pigmented, and a little goes a very long way, but it started to crease after four hours of wear and worsened as time went, though the creasing was always faint to light. See comparison swatches / compare dupes side-by-side.

Charlotte Tilbury Marie Antoinette Eyes to Mesmerise Cream Eyeshadow ($32.00 for 0.24 oz.) is described as an “antique oyster gold.” It’s a coppery bronze with warm, reddish undertones and a metallic sheen. It had fairly good color payoff with a creamy, blendable consistency that was particularly prone to creasing while drying down. Even when trying to control and prevent that initial creasing, I still had very faint creasing begin after three and a half hours of wear, which got a little worse by the eight-hour mark but except for a very fine line of separation in my crease, the color hadn’t faded or smudged. See comparison swatches / compare dupes side-by-side.

Charlotte Tilbury Mona Lisa Eyes to Mesmerise Cream Eyeshadow ($32.00 for 0.24 oz.) is described as a “wisteria-chocolate bronze.” It’s a dark, chocolate brown with warm, plum and bronze shimmer with a slightly red, plummy tone to it. It looks rather brown in the pot and swatched, but as it is diffused and sheered out, it has a reddish tone to it. The pigmentation is off-the-charts, and you need so little product to get really opaque coverage out of it. This one seemed to dry down slightly faster than other shades, but again, there was very faint creasing noticeable by the four-hour mark, and then it got only a little worse over time. See comparison swatches / compare dupes side-by-side.

Charlotte Tilbury Norma Jean Eyes to Mesmerise Cream Eyeshadow ($32.00 for 0.24 oz.) is described as a “sparkling-pink champagne.” It’s a light, golden beige with warm undertones and a sparkling, metallic sheen. It had rich color payoff that applies evenly and smoothly at full intensity, if desired. The finish becomes more sparkly and less pearly when applied as a sheerer wash of color. The drying time on this one seemed slightly longer than the average on these, which meant it was very prone to creasing while it was drying down. I tried to keep my eyes closed while it was drying and tried to pat it into place to minimize that initial creasing (which should be unnecessary!), and when I was successful, there was still that faint line of creasing after four hours of wear. That faint line got slightly worse as the day wore on. When I used it as a brow bone highlighter, it lasted for eight hours without fading or breaking down. See comparison swatches / compare dupes side-by-side.

Charlotte Tilbury Veruschka Eyes to Mesmerise Cream Eyeshadow ($32.00 for 0.24 oz.) is described as a “minky-mossy golden grey-green.” It’s a medium-dark, muted olive green with warm, bronze and antique gold sparkle and shimmer. It had a little more slip than other shades, which made it apply with less intensity in a single layer, though it was buildable to fully opaque color. I had faint creasing within four hours of wear, which slowly worsened over time. See comparison swatches / compare dupes side-by-side.

Charlotte Tilbury Eyes to Mesmerise Long-Lasting Cream Eyeshadow Bette
Bette
Bette
8
Product
10
Pigmentation
9
Texture
6
Longevity
4.5
Application
83%
Total
Charlotte Tilbury Eyes to Mesmerise Long-Lasting Cream Eyeshadow Cleopatra
Cleopatra
Cleopatra
8
Product
10
Pigmentation
9
Texture
6.5
Longevity
4.5
Application
84%
Total
Charlotte Tilbury Eyes to Mesmerise Long-Lasting Cream Eyeshadow Marie Antoinette
8
Product
9
Pigmentation
9
Texture
6
Longevity
4
Application
80%
Total
Charlotte Tilbury Eyes to Mesmerise Long-Lasting Cream Eyeshadow Mona Lisa
Mona Lisa
Mona Lisa
8.5
Product
10
Pigmentation
9
Texture
6
Longevity
4.5
Application
84%
Total
Charlotte Tilbury Eyes to Mesmerise Long-Lasting Cream Eyeshadow Norma Jean
Norma Jean
Norma Jean
8
Product
10
Pigmentation
9
Texture
6
Longevity
4
Application
82%
Total
Charlotte Tilbury Eyes to Mesmerise Long-Lasting Cream Eyeshadow Veruschka
Veruschka
Veruschka
8
Product
9
Pigmentation
8
Texture
6
Longevity
4
Application
78%
Total

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ColourPop Sugar, Empire, Rex, Krinkle, Etiquette, Friskie Super Shock Shadows

ColourPop Empire Super Shock Eyeshadow
ColourPop Empire Super Shock Eyeshadow

Here are reviews for eight of ColourPop Super Shock Shadows ($5.00 for 0.07 oz.) — a few of these are discontinued/were limited edition, but they were incorporated into the looks initially, so hopefully the dupes will help or otherwise inspire you on how to wear them if you picked them up during the holidays. Perhaps we’ll see a few come back this holiday!

ColourPop Sugar Super Shock Shadow ($5.00 for 0.07 oz.) is described as a “metallic silvery blue with … glitter.” It’s a light-medium, silvery-gray with a bluish-tint and sparkle that has a more metallic finish. It had semi-opaque pigmentation that went on fairly smoothly, though it didn’t build too well as it tends to thicken up on the lid when layered. It lasted for ten hours without creasing but had some fall out. See comparison swatches / compare dupes side-by-side.

ColourPop Snow Flurry Super Shock Shadow ($5.00 for 0.07 oz.) is an antique gold with warm undertones and a metallic sheen. It had mostly opaque color coverage that was fairly smooth and blendable on the skin. On me, it wore well for ten hours without creasing or fading. This shade was limited edition. See comparison swatches / compare dupes side-by-side.

ColourPop Empire Super Shock Shadow ($5.00 for 0.07 oz.) is described as a “fiercely rich emerald green.” It’s a medium-dark, emerald green with subtle warm undertones with cooler-toned green sparkle. It had semi-opaque pigmentation that was buildable to mostly opaque coverage. It was a little more emollient than other shades, so it was more prone to sheering out. The color lasted for ten hours without fading or creasing. See comparison swatches / compare dupes side-by-side.

ColourPop Rex Super Shock Shadow ($5.00 for 0.07 oz.) is described as a “black drenched with multiple shades of blue glitter.” It’s a medium-dark black with light blue and navy blue micro-glitter. It had so-so color payoff–the black base was noticeably sheer. The upside is the cream-based formula holds the glitter better than a powder would have, but this shade was difficult to work with as it tended to look uneven applied. I had noticeable fall out over time with this shade, though the color didn’t crease for ten hours. See comparison swatches / compare dupes side-by-side.

ColourPop Sleigh Super Shock Shadow ($5.00 for 0.07 oz.) is described as a “icy sage sprinkled with tons of multicolored glitter.” It’s a muted, light-medium antique gold with silver and gold micro-glitter. It had good color payoff and applied easily, though it is pretty glittery so it doesn’t go on quite as smoothly as other shades. The color stayed in place for ten hours but had some fall out over time. See comparison swatches / compare dupes side-by-side.

ColourPop Krinkle Super Shock Shadow ($5.00 for 0.07 oz.) is described as a “smoky blue loaded with silver and gold glitter in a metallic finish.” It’s a muted, medium-dark gray-ish blue with gold and silver glitter. The texture of this is creamier than a lot of the other shades in the formula, but it is very sparkly, which gives it a more textured feel and a tendency to apply a little unevenly. The effect is pretty cool in person, but it’s one of those textures that doesn’t photograph as well. It had semi-opaque pigmentation that is best applied with only light blending or else the glitter gets everywhere. The underlying bluish coloring lasted for ten hours, but I had some fall out over time. See comparison swatches / compare dupes side-by-side.

ColourPop Etiquette Super Shock Shadow ($5.00 for 0.07 oz.) is described as a “true royal blue in a pearlized finish.” It’s a brightened, medium-dark navy blue with a pearly sheen. It had mostly opaque pigmentation that went on smoothly and evenly, while the color stayed on for ten hours without creasing or fading. See comparison swatches / compare dupes side-by-side.

ColourPop Friskie Super Shock Shadow ($5.00 for 0.07 oz.) is described as a “rich black doused with high levels of silver glitter and hints of pink glitter.” It’s a medium-dark black with silver glitter. The base was semi-sheer, which made this shade difficult to apply evenly. When blending, the glitter tended to lift and clump together at times. This was one that really was better applied by patting on with a fingertip rather than a brush. I had some fall out over time, though I didn’t have any creasing over ten hours. See comparison swatches / compare dupes side-by-side.

Colour Pop Super Shock Shadow Sugar
Sugar
Sugar
B-

Permanent

7.5
Product
8
Pigmentation
7.5
Texture
8.5
Longevity
4.5
Application
80%
Total
Colour Pop Super Shock Shadow Snow Flurry
Snow Flurry
Snow Flurry
A-

Limited Edition

9
Product
9
Pigmentation
9
Texture
10
Longevity
4.5
Application
92%
Total
Colour Pop Super Shock Shadow Empire
Empire
Empire
B+

Discontinued

8.5
Product
8.5
Pigmentation
8.5
Texture
10
Longevity
4.5
Application
89%
Total
Colour Pop Super Shock Shadow Rex
Rex
Rex
C-

Permanent

6
Product
6.5
Pigmentation
8
Texture
8
Longevity
4
Application
72%
Total
Colour Pop Super Shock Shadow Sleigh
Sleigh
Sleigh
A-

Limited Edition

9
Product
9
Pigmentation
9
Texture
9
Longevity
5
Application
91%
Total
Colour Pop Super Shock Shadow Krinkle
Krinkle
Krinkle
B

Discontinued

8
Product
8.5
Pigmentation
8
Texture
8.5
Longevity
4.5
Application
83%
Total
Colour Pop Super Shock Shadow Etiquette
Etiquette
Etiquette
A

Discontinued

9
Product
9
Pigmentation
9
Texture
10
Longevity
5
Application
93%
Total
Colour Pop Super Shock Shadow Friskie
Friskie
Friskie
D

Permanent

6
Product
5
Pigmentation
6.5
Texture
8
Longevity
4
Application
66%
Total

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YSL Grey Splash, Eau d’Argent, Misty Green, Wet Blue Full Metal Shadows

YSL Grey Splash (01) Full Metal Shadow
YSL Grey Splash (01) Full Metal Shadow

YSL Grey Splash (01) Full Metal Shadow ($30.00 for 0.15 fl. oz.) is a medium-dark gray with a metallic sheen. It was sheer with a thin, watery consistency that made it difficult to layer or apply evenly. The only way it worked decently (well, that’s probably a stretch) was to apply a thin layer with my fingertip and keep it as a sheer wash of color. One out of four pulls seemed to grab enough of the actual color product to apply semi-opaque coverage (that’s the lucky one you see as it is applied on my lid), and from there, it started to flake away after six and a half hours. Literal chunks of silver-gray pulling away from the skin and leaving gaping holes behind. See comparison swatches / compare dupes side-by-side.

YSL Eau d’Argent (02) Full Metal Shadow ($30.00 for 0.15 fl. oz.) is a brightened white with sparkle and finer silvery-white shimmer. It is sheer, watery, and thin. It flakes off easily, wears poorly, and is incredibly challenging to build-up. I would apply a layer, let it sit, wait for it to dry… wait a little longer, just to be safe, and try applying another layer, but to even out the layers, it ends up causing the underlying dried layer to flake away. It had already half-flaked off after a mere two hours of wear. See comparison swatches / compare dupes side-by-side.

YSL Misty Green (09) Full Metal Shadow ($30.00 for 0.15 fl. oz.) is a muted, medium grassy green with warm, yellow undertones and a golden, pearly sheen. The finish was a lot less metallic than the others, and my experience with this formula has shown that the less metallic, the better-performing. This shade wore well for ten hours, and it didn’t flake off, just slightly creased. It was semi-opaque applied to the lid and didn’t totally sheer out when blended, though there was some emphasis of lid texture. See comparison swatches / compare dupes side-by-side.

YSL Wet Blue (10) Full Metal Shadow ($30.00 for 0.15 fl. oz.) is a muted, medium-dark blue with a silver-ish sheen and overall frosted finish. It had more opaque color coverage if you can manage to apply with your fingertip just-so, but in practice, I found it difficult to really get consistently opaque, even color–especially when blending, it seemed to flake off as it dried down fairly quickly. It started to crease and flake after eight hours (not even close to the 16-hour wear it is marketed as!). See comparison swatches / compare dupes side-by-side.

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Guerlain Blue Ocean & White Sand Summer Shadows

Guerlain Blue Ocean Summer Shadow
Guerlain Blue Ocean Summer Shadow

Guerlain Summer Shadow ($32.00 for 0.25 fl. oz.) is supposed to be a waterproof liquid eyeshadow formula that “goes on smooth and effortlessly, and dries instantly.” I found it impossible to apply the aqua shade evenly, so it always looked slightly sheer and patchy, and aqua isn’t the type of color that is forgiving if it isn’t even. The formula does dry down fairly quickly, and it doesn’t blend out well once it dries, so you have to work quickly (one eye at a time is what I would recommend). The applicator will over-apply and create more streaks than using your fingertip or a flat, synthetic brush (I used MAC’s 242). The lighter shade was more functional, as when it was sheerer, I didn’t notice any patchiness, and it seemed to apply with less water in its base, so it didn’t streak as much when initially applied either. The wear time was decent but not impressive enough to make up for the difficult/below average application. The formula was also not at all waterproof; a splash (as in, a few droplets) of water caused the eyeshadow to liquefy and dissolve–no rubbing or anything.

Guerlain Blue Ocean Summer Shadow ($32.00 for 0.25 fl. oz.) is described as an “aqua.” It’s a cool-toned aqua base with warmer, green-ish gold shimmer that gives it an overall warmer tone when applied. It was semi-sheer, and it was slightly buildable, but it is very easy to lift the product that you applied (and let dry down) with a second layer, so I don’t recommend attempting to build unless you have time to fix and/or start over. The texture was slightly watery and thin, which may have contributed to how streakily it applied. It lasted for eight hours before creasing. Anastasia Aqua (LE, $12.00) is a powder. Marc Jacobs Beauty The Siren #5 (LE) is darker, more shimmery, powder. theBalm #36 (P, $6.50) is lighter, powder. Kat Von D Archangel (LE) is lighter, powder. theBalm B2 (LE, $16.00) is lighter, powder. CoverGirl Turquoise Glow (325) (LE, $4.99) is more shimmery, cooler-toned, powder. Make Up For Ever #53 (LE, $23.00) is more shimmery, lighter. MAC Aqua (P, $16.00) is lighter, brighter, less shimmery, powder. Sugarpill Mochi (P, $12.00) is darker, less shimmery, powder. Inglot #345 (P, $6.00) is less shimmery, powder. See comparison swatches / compare dupes side-by-side.

Guerlain White Sand Summer Shadow ($32.00 for 0.25 fl. oz.) is described as an “beige.” It’s a gold-shimmered, warm beige with a frosted sheen. It was more semi-sheer to semi-opaque but went on evenly as the base seemed less watery. It wore well for nine hours before creasing. Surratt Beauty Soie (P, $20.00) is a powder. Giorgio Armani Gold Ashes (12) (P, $38.00) is slightly lighter. Colour Pop XO (P, $5.00) is darker, warmer. Makeup Geek Shimma Shimma (P, $5.99) is a powder. Charlotte Tilbury Fallen Angel #1 (LE) is lighter, powder. MAC Satin Ochre (Left) (LE) is lighter, powder. Anastasia Blush (LE, $12.00) is a powder. MAC Just Gleaming (LE, $19.50) is lighter, powder. Charlotte Tilbury The Rebel #1 (P) is a powder. Tom Ford Beauty Nude Dip #1 (LE) is a powder. MAC Amberluxe #1 (P) is a powder. MAC Fabulous Three #1 (LE) is a powder. Tarina Tarantino Elektron (P) is lighter, powder. Chanel Quadrille #2 (LE) is lighter, powder. Kat Von D Galore (LE) is powder. Disney by Sephora Sea Shells (LE) is lighter, powder. Benefit Bikini-tini (P, $10.00) is slightly darker. See comparison swatches / compare dupes side-by-side.

Guerlain Summer Shadow Blue Ocean
Blue Ocean
Blue Ocean
5
Product
6.5
Pigmentation
7
Texture
6.5
Longevity
3.5
Application
63%
Total
Guerlain Summer Shadow White Sand
White Sand
White Sand
6.5
Product
7.5
Pigmentation
8
Texture
7.5
Longevity
4.5
Application
76%
Total

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YSL Taupe Drop, Aquatic Copper, Dewy Gold Full Metal Shadows

YSL Taupe Drop (03) Full Metal Shadow
YSL Taupe Drop (03) Full Metal Shadow

YSL Taupe Drop (03) Full Metal Shadow ($30.00 for 0.15 fl. oz.) is a subtly warm-toned, purpled taupe with a hint of brown and a metallic sheen. It had good color payoff, and it didn’t seem too watery whenever I tried getting color off of the applicator (because the formula has been finicky, I did ten pulls and swatches to check for consistency). This shade applied more smoothly, and I think it is because the finish is smoother–more pearled/stronger sheen–than frosted or sparkling, so it didn’t thicken on the lid. I still think application is best with a separate brush, as the doe foot really doesn’t provide control or precision at all (contrary to what they may market it as). It lasted for ten hours (out of the 16 claimed), which is good wear in the grander scheme of things but does fall short based on the description. Maybelline Black Orchid (130) (LE, $6.99) is slightly darker. Giorgio Armani Shadow (07) (P, $38.00) is darker, cooler-toned. Kat Von D Darkstar (LE) is darker, powder. Colour Pop Meow (P, $5.00) is darker. Gucci Beauty Sasso (P, $37.00) is lighter, powder. Giorgio Armani Organica (Left) (LE) is darker, cooler-toned, powder. Chanel Tisse Gabrielle #3 (P) is darker, powder. MAC Ebony Blend #3 (LE) is darker, powder. Laura Mercier Violet Steel (LE, $23.00) is darker, less shimmery, powder. bareMinerals Pewter (LE, $14.00) is cooler-toned, powder. Anastasia Antique (LE, $12.00) is darker, powder. MAC Phresh Out #4 (LE) is warmer, powder. Marc Jacobs Beauty The Starlet #1 (P) is purpler, warmer, powder. MAC Stolen Moment (LE, $19.50) is darker, powder. MAC Electroplate (LE, $21.00) is darker. Giorgio Armani #4 (P, $33.00) is darker, powder. Chanel Illusoire (P, $36.00) is darker. Make Up For Ever #2 (P, $23.00) is darker. See comparison swatches / compare dupes side-by-side.

YSL Aquatic Copper (07) Full Metal Shadow ($30.00 for 0.15 fl. oz.) is a warm-toned bronze brown with copper and gold sparkle. It had a more frosted, textured finish, and it was watery yet dried down to a more uneven, flaky finish that was difficult to blend without lifting parts of the actual color (you can see how it blending in the crease caused it to lift in the photos below). It was consistently watery more often than not, and I highly recommend using a brush to apply, as it will soak up some of the excess water before it hits your eyelid, which will give you better color payoff and more even application. I had large chunks of the product flaking off within six hours of wear; I was beyond disappointed in this one. Tarte Pretty (LE) is darker, powder. Too Faced Frosting (P, $16.00) is a powder. Colour Pop On the Rocks (P, $5.00) is less sparkly. Burberry Gold #2 (LE) is powder. Tarte Bronze Cuff (LE) is less sparkly, powder. Kat Von D Nephilim (LE) is lighter, powder. Anastasia Gilded (LE, $12.00) is less sparkly, powder. Tom Ford Beauty Spice (LE, $42.00) is less sparkly. Anastasia Topaz (P, $12.00) is lighter, powder. Tarte Keepsake Frame (LE) is ligher, powder. Make Up For Ever D652 Celestial Earth (P, $21.00) is powder. Too Faced Tiger’s Eye (LE, $16.00) is powder. MAC Her Cocoa #3 (LE, $16.00) is darker, powder. Too Faced Gangsta (LE, $16.00) is darker, powder. See comparison swatches / compare dupes side-by-side.

YSL Dewy Gold (08) Full Metal Shadow ($30.00 for 0.15 fl. oz.) is a light-medium, yellow gold with a sparkling, metallic sheen. This shade was very watery, and it never seemed to have much of a base color. I tried to layer and build up the color, but it was always on the semi-sheer side. I didn’t have flaking issues, at least, though it was creased within eight and a half hours of wear. MAC Bao Bao’s Jewels #2 (LE) is darker, powder. LORAC Unlimited (P) is darker, powder. Makeup Geek Magic Act (P, $9.99) is a powder. Colour Pop Get Lucky (P, $5.00) is darker. Guerlain Petrouchka #2 (LE) is a powder. Too Faced Honey Pot (LE, $16.00) is a powder. Cle de Peau Stellar Gaze #1 (P) is a powder. Ardency Inn Sunday (P, $21.00) is a powder. Stila Vitality (P) is darker, powder. Divergent Golden Honesty (LE) is a powder. Ulta Gold (P, $10.00) is darker, powder. Sleek MakeUP Meet in Madrid (LE, $9.99) is less yellow, powder. L’Oreal Eternal Sunshine (P, $7.99) is a powder. See comparison swatches / compare dupes side-by-side.

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