Tuesday, December 4th, 2012

Too Faced Spun Sugar Glamour to Go Palette
Too Faced Spun Sugar Glamour to Go Palette

Spin, Spin Sugar

Too Faced Spun Sugar Glamour to Go Palette ($22.00 for 0.418 oz.) contains eight eyeshadows (0.03 oz. each), one highlighter (.076 oz.), one bronzer (0.076 oz.), and one lipgloss (0.026 oz.). It’s a holiday palette designed to include a range of “holiday metallics.”

#1 is a shimmering champagne gold with a bright, metallic finish. It has a similar effect to a glittery shade without the mess. The color payoff was good, and it applied smoothly. Tarte Sunshine State is yellower. MAC Retrospeck is warmer, yellower. Chanel Apparence is also warmer, darker. bareMinerals Chart Topper is darker.

#2 is a softened orange with gold shimmer. It had good pigmentation and applied smoothly. bareMinerals Golden Iris is darker. Tarte Golden Gate Bridge is a touch darker. Tarte Canary Diamond is browner. Guerlain Turandot is slightly more orange. Milani Gold Dust is very similar.

#3 is a sparkling pink-tinted white. It had so-so color payoff, but I didn’t have any fall out problems with it. MAC She’s Got Class is less pink-tinged but similar in finish. Tarte Iceland Air is similar in color but less sparkly. MAC Crystal Avalanche is similar, less metallic. Tom Ford Cobalt Rush is a bit darker.

#4 is a gray-ish mauve with a bright, metallic sheen. It had decent pigmentation and applied smoothly. Tarte Next Level Lilac is more matte, so it is also darker in appearance. MAC Cloudy Afternoon is darker. Urban Decay Bust is several shades darker.

#5 is a shimmering, pale yellow. It had good color payoff and went on smoothly without being powdery. shu uemura Smoky Velvet is more sparkling, a little darker. Buxom Poodle is more metallic and in a cream form. Bobbi Brown Gold is very similar.

#6 is a medium-dark chocolate brown with subtle warm undertones and a bronze shimmer. It had great pigmentation and felt smooth and soft to the touch.Wet ‘n’ Wild Sparkle ‘Til Morning is a touch darker, less shimmery. MAC Carbonized has less shimmer, slightly darker. NARS Galapagos is a bit less bronze.

#7 is a light-medium gray with a silver sheen. It had so-so color payoff, and it was a touch dry to work with. Giorgio Armani #12 is darker, but it is similar when sheered out.

#8 is a soft black with fine silver shimmer. The pigmentation was weak in this shade, and it looked dry, slightly chalky, when applied. shu uemura Smoky Velvet is darker. Bobbi Brown Onyx is similar. MAC Black Tied is also similar.

The Highlighter is a white gold with a shimmer-sheen finish. Tarte Angelic is a smidgen yellower but not by much. Illamasqua Aurora is a touch lighter and in a cream form. NARS Albatross has a similar sheen, but it has a whiter base.

The Lipgloss included in the palette is pretty much clear and there’s almost no visible shimmer when applied. It made me do a double-take, because at least in the pan, you could see shimmer. Being next to two face powders is unfortunate, as it’s easy to kick up excess powder with larger blush/bronzer brushes (with eyeshadow brushes, it’s just as possible, but I think you have more control). So, you can use any clear gloss as a substitute, really!

The Bronzer is a medium-dark tan with strong orange-brown undertones and a sprinkling of gold sparkle. The texture was a little powdery but dry–I had a tough time getting this shade to deposit color, let alone blending it out. Tarte Park Ave. Princess is similar but has more golden shimmer/sheen. Urban Decay Toasted is similar but has no shimmer/sparkle.

OVERALL, this palette is best purchased if you like the eyeshadows.  The lipgloss and bronzer are disappointing, while the highlighter is better it was a touch dry in texture.  Too Faced’s Candlelight on its own is much better.  The eyeshadows are fairly pigmented, though the last two shades were on the weaker side, and the really sparkly white was a little sheer, too.  None were flops, though, and the other five shades were rather nice to work with.  If you cut the palette in half, you’ll see two very distinct quads of colors–one set is warm, the other is cooler-toned.  It’s like, not love.

When I tested out the eyeshadows, they lasted eight hours with very minor fading when used without a primer; with a primer, they lasted a full eight hours.  I didn’t have any fall out, despite using the sparkly shades, which was a pleasant surprise.  The highlighter wore for seven hours, while the bronzer was faded after six hours.  The price point is nice, though, because it’s not to pricey and makes for an easy gift to give without breaking the bank, but it still feels like a nice gift to give (more to it than just a lipstick!).  I just wish the whole palette performed better.

The Glossover

coming-soon

Too Faced Spun Sugar Glamour to Go Palette Review, Photos, Swatches

B
This palette is best purchased if you like the eyeshadows. The lipgloss and bronzer are disappointing, while the highlighter is better it was a touch dry in texture.

Product

8/10

Pigmentation

8.5/10

Texture

9/10

Longevity

8/10

Application

4/5

Results
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Sunday, December 2nd, 2012

NARS Debbie Harry Eye & Cheek Palette
NARS Debbie Harry Eye & Cheek Palette

Another Disappointment from the NARS & Andy Warhol Collection

NARS Debbie Harry Eye & Cheek Palette ($65.00 for 0.42 oz.) consists of one blush, one highlighter, and four eyeshadows, tucked into a matte black palette with a full-size mirror on the interior. Each shade sits in its own pan and well.

Shimmering Pink Champagne is a soft, rosy plum with silver sparkle. The sparkle is very, very loose and doesn’t bind at all to the underlying color, so it either doesn’t translate to the cheek or disappears throughout the day. It had a very dry, stiff texture, though the color payoff was so-so. It wore for seven hours when I tested it. NARS Oasis is a bit more muted, less pink. theBalm Cabana Boy has a soft sheen. MAC Plum Foolery is less pink, more frosted.

Brilliant Cream is a shimmery, pale beige. It had good color payoff, and it wasn’t dry–a little powdery–but not dry, at least. It was also blendable on, and it lasted for six and a half hours. NARS Albatross has a golden sheen. theBalm Promiscuous Pearl is more beige. MAC Snowglobe is similar.

Twinkling Purple is an eggplant purple with a matte finish. It was dry, powdery, and had dismal color payoff. Tarte Napa Grapes is more intense. Guerlain Boulevard du Montparnasse has a satiny sheen. BareMinerals Nightcap is very similar (more pigmented). MAC Fig. 1 is purpler (also more pigmented).

Sparkling Turquoise is an aqua-green with a satiny sheen. It had so-so color payoff, but this one was such a pain in the behind to use. It was very soft, powdery, and prone to pulling a disappearing act if you made any attempt to blend it. Sugarpill Mochi is very similar in color.

White Shimmer is a shimmery white with silver sparkle (that doesn’t bind with the base color, so it gets lost). There are so many shimmery white eyeshadows on the market, so there is no shortage of dupes. MAC She’s Got Class, Cinderella Ball Gown, MAC How to Marry, and MAC Crystal Avalanche are all very similar–just to name a few.

Starry Black is a matte black (with silver sparkle, but it never shows up and doesn’t even make it onto the swatch!). This shade had the best payoff of the four eyeshadows! It was stiff and a bit dry, but it wasn’t powdery. Like the white eyeshadow, matte black eyeshadows are numerous (it’s a classic, basic shade, and everyone should have at least one!). When you put out core/basic shades, you have to do them well, because there are too many options available to settle for less.

Technically, all four eyeshadows had silver sparkles in them, but they come loose as soon as the brush hits the pan–they just flake away or get caught in the bristles of your brush. It was a disappointing palette and not worth the $65 I spent on it. I had hoped that this palette would be better than the other Warhol palettes, because each product was in a separate well, but it was not meant to be. It’s hard for me to comprehend how the textures and payoff throughout the collection were so far off the norm for NARS.

Dry and powdery is one of the more frustrating textures to work, because you don’t even get the blendability and payoff that really soft eyeshadows (which can be powdery) have to their advantage.  The highlighter was the best product in the palette, but there was a general theme: poor color payoff, dry/stiff/powdery textures, and fading throughout the day.  Despite layering the eyeshadows over NARS’ own eyeshadow primer, these were looking very faded after eight hours (and without a primer, they had disappeared after six and a half).

P.S. — There is no step-by-step for this palette, because I tested and took photos prior to starting those!

The Glossover

palette

Debbie Harry

F
The highlighter was the best product in the palette, but there was a general theme: poor color payoff, dry/stiff/powdery textures, and fading throughout the day.

Product

5/10

Pigmentation

5/10

Texture

6/10

Longevity

6/10

Application

2.5/5

Results
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Friday, November 30th, 2012

Bobbi Brown 24 Karat Shimmer Brick
Bobbi Brown 24 Karat Shimmer Brick

Bobbi Brown 24 Karat Shimmer Brick ($42.00 for 0.40 oz.) is described as “gold pearlescent shimmer” to give the skin a “lit-from-within glow.” It’s a warm, champagne-shimmered gold that’s just a little muted by beige hues, so it’s not a strong, yellow-toned gold, but it is still very warm. The individual shades are shimmering white, golden beige, slightly darker golden beige, pale gold with orange tint, and warm rose–all five shades have a high frost finish. Tarte Angelic is lighter, more of a white gold. theBalm Solid Gold is similar but lighter, less beige, more gold. Chanel Shimmering Tweed is a darker gold. Bobbi Brown Beach is a little darker–a touch of bronze. I don’t have it, but I’m thinking that Bobbi Brown’s Beige Shimmer Brick might compare well with this, too.

Shimmer Bricks are incredibly shimmery highlighters–quite literally, they are compact bricks chocked full of shimmer!  If you prefer your highlighters with subtle, barely-there shimmer, this product line is not for you. On the other hand, if you’re all about shimmer, glitz, and glam…  Because of the heavy frost content, these do emphasize pores and texture just slightly, but they give off a very beautiful and exceptional glow–it’s the kind of trade-off where you’ll still come out looking absolutely radiant, because the only one who’ll notice the emphasis is you when you have your face four inches away from the mirror.

On my skin tone, 24 Karat is very my-skin-but-better as a highlighter.  It adds a little warmth, but it also evens out my coloring a bit.  On lighter complexions, I could see it adding more of a bronzy glow–not too bronzy, though–and on darker complexions, a very gilded highlight.  If you have a lot of natural pink in your complexion and often find gold turns to orange on you, I fear this might do the same, you may want to try it in person first.  As a bonus, Shimmer Bricks can also be used as eyeshadows if desired.  When I wore this, it lasted for just over seven hours well; by the eighth hour, it was a little faded in places.  The texture was soft and finely-milled; these always feel so much smoother than you’d imagine.

The Glossover

P
product

24 Karat

B+
Because of the heavy frost content, these do emphasize pores and texture just slightly, but they give off a very beautiful and exceptional glow--it's the kind of trade-off where you'll still come out looking absolutely radiant, because the only one who'll notice the emphasis is you when you have your face four inches away from the mirror.

Product

9/10

Pigmentation

10/10

Texture

9/10

Longevity

8/10

Application

4/5

Results
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Dupes
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Thursday, November 29th, 2012

Clarins Odyssey Face Palette
Clarins Odyssey Face Palette

More Lightweight Pressed Powder Than Goddess Glow

Clarins Odyssey Face Palette ($55.00 for 0.30 oz.) is described as a “shimmering, lightweight pressed powder [that] brings a goddess glow to face, neck, and decolette.” Clarins says it is “the must-have holiday accessory for all skin tones.” It’s a softened peach with strong orange undertones (no pink) and a mostly matte finish. There’s a sparkling gold overlay that brushes away in one use. NARS Sex Appeal is pinker.

What is most remarkable about this product is how utterly finely-milled the powder is. It feels like a mixture of silk, butter, and cream. It’s incredibly soft, indeed lightweight, and easy to blend. The powder sits well on skin and never looks powdery. I didn’t detect any luminosity or shimmer when applied, because the only “shimmer” I saw at all was the overspray. Beneath the overspray is really a rather matte powder, and it can help with keeping oiliness at bay if you are prone to it. When I wore it on my cheeks, it lasted for eight hours. I used it later on my t-zone, and it did help minimize some of the oiliness I see after eight hours.

Those with very pale complexions might use this as a blusher or a bronzer, while medium skin tones can easily use this as a finishing or setting powder. I’m not certain how this well this will work on darker complexions, because while it doesn’t seem to have a white base, it is quite pale, so there’s potential for it to turn ashy–Clarins did, very specifically, say it’s for all skin tones. With a very fluffy brush, lighter complexions could also use this as a finishing powder that will add some natural warmth and golden tones to the skin.  I think with a touch more luminosity, this product would have been truly exceptional.

The Glossover

coming-soon

Clarins Odyssey Face Palette Review, Photos, Swatches

A
I think with a touch more luminosity, this product would have been truly exceptional. For some, this will work well to do light bronzing without turning orange or to help set a finished makeup look.

Product

9.5/10

Pigmentation

9.5/10

Texture

10/10

Longevity

9/10

Application

5/5

Results
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Dupes
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Sunday, November 25th, 2012

bareMinerals The Shining Moment Luminizer
bareMinerals The Shining Moment Luminizer

For Just One Shining Moment You’ll Glow

bareMinerals The Shining Moment Luminizer ($26.00 for 0.30 oz.) is described as a “golden champagne.” It’s a light-medium yellow gold with a pearly sheen. Chanel Routes des Indes de Chanel is extremely similar. Guerlain Terracotta Sun in the City is darker, more orange-gold.

On warmer complexions, this will be incredibly complimentary. On cooler complexions, I think it will still work, but there’s a chance it might turn orange-y so you may want to try before you buy. It read true yellow gold without any orange/red tones when I swatched it and looked at it in the pan.  The texture is similar to the Ready eyeshadows, though this felt not quite as dense/buttery.

It was very finely-milled, soft to the touch, and blended beautifully on the skin.  It gave a glowing sheen, and it didn’t emphasize pores or the texture of the skin.  The payoff was true-to-pan, so depending on your application, it could be applied heavily or lightly, because it would smooth and even out easily.  It lasted nine hours without fading when I tested the wear. bareMinerals continues to impress me with their Ready range; the wear is impeccable, rich in pigmentation, and extremely blendable and easy to use.

The Glossover

LE
product

The Shining Moment

Temptalia Recommends
A+
bareMinerals continues to impress me with their Ready range; the wear is impeccable, rich in pigmentation, and extremely blendable and easy to use.

Product

10/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

5/5

Results
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Dupes
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Sunday, November 18th, 2012

Giorgio Armani Moonlight White Palette
Giorgio Armani Moonlight White Palette

Not Enough Smoke in This Smoky Eyed Palette

Giorgio Armani Moonlight White Palette ($88.00 for 0.41 oz.) is a face palette that contains one highlighter, two eyeshadows, and one lip color. The shades are described as, “White shimmer highlighting powder is paired with a gradation of grey eyeshadows to create a wash of color, finish with the red lip wax for a sophisticated winter style.”

The highlighter is a pure snowy white with a silver-white shimmer. This one was a bit more sparkly compared to the Moonlight Beige palette. The texture, while finely-milled and soft to the touch, wasn’t as blendable–perhaps easier to notice given how stark this looked against my skin tone in particular. It will look best on very, very pale complexions. The closest dupe I could think of was Benefit High Beam, which is pinker.

The lip wax is a darkened pink-red with a natural sheen. On lips, it looks more red than pink and yielded semi-opaque color coverage. It has a thin consistency, so it looked a lot like a stain when applied to the lips. MAC Fire Sign is a little brighter, but it has a similar look and feel on. NARS Flamenco is also very similar, perhaps a touch more pigmented.

The first eyeshadow is a light-medium gray with a soft shimmer. It had decent to good pigmentation, and while finely-milled, was just a bit powdery. NARS Self Portrait 2 is darker. NARS Ramatuelle is shimmery and lighter. Guerlain Les Gris is more frosted. MAC Silver Gull is similar. Guerlain Les Ombres de Nuit is frosty.

The second eyeshadow is a medium-dark, faded gray with a mostly matte finish, though it is sprinkled with sparkle–you just don’t see it show up or at a distance. The color payoff here was weak; it had a faded, almost dry quality to the end result. bareMinerals Chateau is more pigmented, more matte. MAC Scene is very similar, just more pigmented. Chanel Gris Exquis is similar but has no sparkle.

My biggest problem with this palette is in the composition, all quality comments aside. There’s simply not enough contrast between the two eyeshadows for a really great smoky eye. I felt like the colors together ended up looking so much like the other–instantly muddied (if mud was gray). I was originally interested to see how Giorgio Armani took a rather bold pairing (smoky eyes and red lips), but I can see now that the grays are subdued enough that the lips are more of a focal point.

The highlighter lasted just over seven hours, and after eight, there was some slight fading.  The lip wax lasted four hours, but it was a little drying to wear. Both eyeshadows were prone to blending out and disappearing (the lighter shade did this in a particularly frustrating fashion!), but once applied, they didn’t seem to fade much more. The eyeshadows appeared a little faded after eight hours without a primer (but no fading with a primer).

The Glossover

palette

Moonlight White

C+
At this price point, the quality needs to be upped quite a bit! Even if the quality was better, though, I don't think it's as versatile as it could be. Maybe with more pigmentation, you could achieve greater contrast between the two eyeshadows, but as is, they run together.

Product

7/10

Pigmentation

8/10

Texture

8.5/10

Longevity

8/10

Application

3.5/5

Results
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