Too Faced Everything Nice Palette
Too Faced Everything Nice Palette ($56.00 for 1.76 oz.) contains twenty eyeshadows and four bronzer/blushes. It comes with a glittery, pink pouch, three short-handled brushes, and a deluxe-sized Better Than Sex Mascara. It’s new and limited edition for the holidays. It’s slim with a variety of neutrals and jewel-tones, matte and frosts, which makes it a more versatile, travel-friendly palette (though Too Faced could use more satin/pearl finishes in the range).
Overall, it’s a decent palette, and there’s a lot of value packed into it–the eyeshadows are 0.06 oz. each, which is larger than the average full-sized eyeshadow (e.g. MAC/Urban Decay are 0.05 oz. in full-size). The quality was present with the majority of the shades, though there were a few misses and so-so shades. Most of the shades wore well for eight hours, with a couple wearing less or more than that (noted below if it was shorter or longer).
I would have loved to have seen a cooler-toned shade for cheeks, because I think the four included run warmer. The brushes aren’t really useful, but they might work in a pinch, as the shapes seem really specific and less universal. Avid Too Faced fans will likely see the repetitive nature of the brand coming through in this palette, which is often the case with any brand that releases mega-sized palettes regularly. One thing I was happy to see is that Too Faced re-used some of the colors from previously-released palettes that weren’t just renamed, though there were still some shades that seemed to be repeats with new names.
Turtle Dove is a brightened, neutral ivory white with a matte finish. It had fairly good color payoff that went on smoothly without being powdery. This is a shade that Too Faced has done in a lot of palettes with different names (not all of them are exactly the same, but there are many that are very similar). See comparison swatches / view dupes.
Dream On is a light, yellowed beige with warm undertones and a matte finish. It had nice pigmentation but had a moderately powdery textures, so you’ll want to be careful when applying. See comparison swatches / view dupes.
After Hours is a warm, golden, medium-dark brown with a frosted, metallic finish. It had a very soft texture, but it sometimes looked clumpy applied, so it needs to be pressed against the skin to smooth it out, but it does have good color payoff. I had some fall out during wear with this shade. See comparison swatches / view dupes.
Fawned of You is a medium, caramel brown with soft, warm undertones and a matte finish. It had so-so color payoff, and it is definitely a shade that would benefit from a good primer underneath, so it would adhere better to the skin. The texture was soft, silky, and just a smidgen powdery. See comparison swatches / view dupes.
Knockout is a dark brown with warm, reddish undertones and a matte finish. This shade looks a lot less warm-toned applied than it looks in the pan. It had good pigmentation, and the texture was soft but not powdery. See comparison swatches / view dupes.
Paper Roses #2 is a light, warm-toned pink-peach with a soft, frosted finish. It had good color payoff with a slightly powdery texture, but it was blendable and easy to apply. And just to be clear, there was a shade called Paper Roses in another palette, but the two are nothing alike (it actually made me wonder if this shade and Kindness is Free were mislabeled). See comparison swatches / view dupes.
Kindness is Free is a light-medium, yellow-toned pink with a frosted sheen. It had semi-opaque pigmentation, and it had a slightly dry, thinner texture. I found the intensity applied was always less than in the pan–it just didn’t want to go on boldly. I would recommend using only with a primer. It had a tendency to fade a bit faster, by seven and a half hours. See comparison swatches / view dupes.
Mauvelous #2 is a silver-shot mauve with flecks of copper sparkle. This shade felt like they used sparkle, rather than larger glittery particles, and it was a lot less noticeable than the last one I remember, but it was also noticeably lighter. It had decent color payoff, but there was still fall out as none of the sparkle really binds with the actual color. See comparison swatches / view dupes.
Be You is a subtly warm-toned, muted, dusty purple with a matte finish. The texture was soft but powdery, and I noticed that this one didn’t layer or build-up well. It was harder to blend than I thought it would be, as it had a tendency to stick where it initially applied without budging much further. See comparison swatches / view dupes.
Don’t Settle is a muted, medium-dark brown with subtle, yellow-olive undertones and a metallic finish. It had good pigmentation, while the texture was a little dry, it still applied fairly well. See comparison swatches / view dupes.
Totally Fetch is a bright, fuchsia pink with cool undertones and a pearly sheen. It had great, opaque pigmentation that went on smoothly. It seemed to have a higher sheen than the one in the Pretty Rebel palette. See comparison swatches / view dupes.
Live It Up is a medium-dark, lightly cool-toned purple with silver/purple sparkle. The sparkle just goes everywhere but where you’d like it, as it doesn’t bind with the actual color. What little bit may transfer onto lids during application drops below the lid within the next couple of hours. It had semi-sheer color coverage, though the texture wasn’t stiff, it was just thin. See comparison swatches / view dupes.
Head Over Heels is a glittery, blackened navy blue with purple and lighter blue flecks of glitter. It had sheer color payoff, and the texture had an almost wet-like feel to it. The glitter seemed to be more prominent when applied to the lid, but this was a one-way trip to Fall Out City. See comparison swatches / view dupes.
Chocolate Moon is a dark, blackened brown with subtle, cool undertones and gold sparkle over a matte finish. Again, the sparkle doesn’t bind with the color, so most of it is lost between the brush/underneath the eye. It had decent pigmentation, though the texture was a little dry and less blendable than desired. See comparison swatches / view dupes.
Sweet Pink is a medium, lightly warmed-up pink with a fine, golden shimmer. It had good color payoff, and it was blendable and didn’t emphasize pores when applied. It wore well for eight hours before fading along the edges. See comparison swatches / view dupes.
Papa Don’t Peach is a muted, medium peach with warm, orange undertones and a frosted sheen. It had great pigmentation, while the texture was slightly powdery, it was easily blended on the skin without emphaizing the skin’s texture. It lasted for eight hours before fading. See comparison swatches / view dupes.
Chocolate Soleil is a medium-dark, tan brown with warm, yellow-ish undertones and a satin-matte finish. It’s a permanent product in Too Faced’s range, and it’s in nearly every holiday palette from them this year (and was often included in their various palette/sets released in the past). The texture is soft, silky, lightly powdery, but blendable and fairly pigmented. It lasts about eight hours on me. See comparison swatches / view dupes.
Inner Light is an iridescent pink-peach with a strong, golden frosted sheen. It had fairly good color payoff, though the finish tended to emphasize pores slightly. See comparison swatches / view dupes.