Wednesday, March 12th, 2014

Inglot #103 Lipstick
Inglot #103 Lipstick

Inglot Lipstick ($12.00 for 0.16 oz.) is described as a “classic” formula that’s long-wearing and hydrating–a short ‘n’ sweet description to be sure! I just wrapped up testing two shades, and the formula on both was lightly creamy with enough slip to apply without dragging, richly pigmented, and long-wearing (but worth noting is that both shades I tried were on the brighter and deeper end of the spectrum, lighter shades may or may not wear as well). At best, very lightly hydrating but not drying. I didn’t notice any added scent, but I did detect a slight waxiness. Bonus: each lipstick is 0.16 oz., which is quite generous (lipsticks typically range from 0.10 to 0.12 oz.).

Inglot #103 Lipstick Cream ($12.00 for 0.16 oz.) is a vibrant, orange-red with a soft sheen and warm undertones. It had rich, full color coverage and applied evenly. This shade wore well for six hours. Givenchy Carmin Escarpin (306) (P, $36.00) is darker, more muted. NARS Short Circuit (LE, $26.00) is very similar. Dior Trafalgar (844) (P, $34.00) is also very similar. MAC Tomango (LE, $16.00) is matte. Urban Decay Bang (P, $22.00) is a smidgen lighter. Maybelline Orange Edge (LE, $7.49) is similar. Maybelline Vibrant Mandarin (P, $7.49) is a touch redder. MAC Sail La Vie (LE, $16.00) is slightly darker. MAC Neon Orange (LE, $16.00) is brighter. MAC Morange (P, $16.00) is brighter. Buxom Rogue (P, $21.00) is similar. See comparison swatches.

Inglot #293 Lipstick Cream ($12.00 for 0.16 oz.) is a deep, dark muted berry with cool undertones and a luminous sheen. The consistency of this shade was slightly more emollient and had more slip than #103, and I think it shows in the finish, which looks a bit wetter. It had mostly opaque pigmentation applied to lips, but there was a touch of translucency that kept it from looking heavy. The most noteworthy part about this color was how evenly it applied, as this is a color that can often look splotchy. When I tried this shade, it wore well for six hours and left behind a stain. Laura Mercier Merlot (P, $26.00) is much lighter, warmer. Guerlain Flirt (LE, $35.00) is lighter, more shimmery. Guerlain Gigolo (LE, $49.50) is redder. Guerlain Bee (LE, $49.50) is much lighter. Guerlain Nuit d’Amour (LE, $35.00) is lighter. See comparison swatches.

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#103 Lipstick Cream

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9/10

Pigmentation

10/10

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9/10

Longevity

10/10

Application

5/5

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product

#293 Lipstick Cream

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Product

9/10

Pigmentation

10/10

Texture

9.5/10

Longevity

10/10

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5/5

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Wednesday, March 12th, 2014

Maybelline Just Pinched Pink (10) Master Glaze Glisten Blush Stick
Maybelline Just Pinched Pink (10) Master Glaze Glisten Blush Stick

Maybelline Just Pinched Pink (10) Master Glaze Glisten Blush Stick ($8.99 for 0.24 oz.) is a medium, rosy pink with soft, warm undertones and a luminous sheen. Tarina Tarantino Parasol (P, $25.00) is more shimmery, powder. Chanel Revelation (63) (P, $38.00) is lighter. theBalm Houndstooth (P, $22.00) is slightly darker, powder. See comparison swatches.

The Master Glaze formula is supposed to give cheeks a “dewy and gently glazed” look with “the sheerest color.” The texture is moderately creamy, so it glides across the skin easily, but it can sometimes feel a little oily on the skin. It never fully dries down, so there’s dewy sheen that straddles the line between luminous and oily. You can minimize some of the oiliness (and also prolong the wear) by applying translucent setting or finishing powder on top. The color coverage was more buildable than it was “the sheerest color,” though it can easily be worn as a sheer pop of rosy pink as it is very blendable, and the color wore well for six hours before there was noticeable fading. It doesn’t build up to truly opaque color, though, as it takes a fairly thick layer to do so, which just doesn’t wear or feel right as a blush (very slippery and seems to look patchy within an hour).

The Glossover

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Just Pinched Pink (10)

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8.5/10

Pigmentation

10/10

Texture

8.5/10

Longevity

6.5/10

Application

5/5

Results
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Wednesday, March 12th, 2014

Sleek MakeUP Acid Eyeshadow Palette
Sleek MakeUP Acid Eyeshadow Palette

Sleek MakeUP Acid Eyeshadow Palette ($11.99 for 0.36 oz.) consists of twelve eyeshadows with a neon theme. This palette has been restricted for purchase through Sleek MakeUP directly due to the neon pigments used in some of the eyeshadows, as they are not FDA approved for use on the immediate eye area. Sleek MakeUP is a UK-based brand, and the palette and its shades are considered eye-safe in the EU and Canada. At present, I didn’t see any information indicating any of this or that it might not be deliverable to the U.S.; I was able to get all the way to payment info and didn’t see anything rejecting me, but it might happen on the final step.

With Urban Decay’s Electric Palette due out next week, I thought now would be a good time to review this palette from Sleek. There is slight overlap (Savage and Jilted), but there are some differences as well; I think if you’re looking for more of a genuinely neon and matte palette, the Acid palette is a better option, though I’m not keen on the quality of the palette. The quality of the Acid palette is more hit or miss with the more matte, neon-hued shades–they have a chalkier texture that prevents them from binding and yielding really good pigmentation. The more frosted, shimmery shades are really lovely to work with, as they have almost creamy textures and fantastic color payoff.

Acid #1 is a vibrant, fuchsia-magenta with cool, blue undertones and a frosted finish. It had excellent color payoff, and this shade is prone to staining but wears without fading or creasing for eight hours. Urban Decay Jilted (P) is very similar. Sugarpill Smitten (LE, $12.00) is lighter. Too Faced Totally Fetch (LE, $16.00) is lighter, pinker. Fyrinnae Superstar (P, $6.80) is lighter. Urban Decay Junkshow (LE, $18.00) is very similar. Make Up For Ever #26 (P, $20.00) is matte, more magenta. See comparison swatches.

Acid #2 is a neutral-to-warm white with a matte finish. The texture was somewhat dry and stiff to work with, which resulted in semi-sheer color payoff. It wore well for six and a half hours before it started to fade. As it is a basic shade, there are plenty of variations available — see comparison swatches.

Acid #3 is a bright pop of neon yellow–think highlighter yellow–that leans almost a little green-ish. It had a matte finish with semi-sheer color payoff. It pops a lot more if patted over a white base, but the chalky, powdery texture keeps it from being easily used on its own or over a regular primer. This shade stains somewhat, and it lasts about seven hours before there’s noticeable fading and light creasing. MAC Bright Yellow (P, $15.00) is warmer, more muted. Inglot #370 (P, $6.00) is warmer. See comparison swatches.

Acid #4 is a brightened, tangerine orange with a matte finish. The texture was soft–just a smidgen powdery–and very blendable, while the pigmentation was good. This shade wore well for eight hours before showing slight signs of fading. Wet ‘n’ Wild A Regular at the Factory #3 (LE, $2.29) is a touch darker. Fyrinnae Pyromantic Erotica (P, $6.80) is more shimmery. Illamasqua Vulgar (P) is very similar. Inglot #123R Top (P, $6.00) is more orange, less yellow. See comparison swatches.

Acid #5 is a vibrant, medium-dark cornflower blue with a frosted finish. It had excellent color payoff, and the texture was soft and buttery. This shade wore well for eight and a half hours. Tarina Tarantino Violet Storm #3 (LE) is less frosted, so it appears darker. See comparison swatches.

Acid #6 is a light-medium, sky blue with a glittery, frosted finish. The texture was chunky, so it didn’t apply smoothly, though it still managed to have fairly good pigmentation. It wore well for about eight hours, but I had noticeable fall out. NARS South Pacific #2 (P, $24.00) is more muted, less frosted. MAC Styledriven (P, $21.00) is lighter, less frosted. MAC Divine Blue (LE, $19.50) is more muted. Make Up For Ever #25 (P, $23.00) is a cream product, less glittery. See comparison swatches.

Acid #7 is a medium-dark, magenta purple with a matte finish. The texture was really dry and stiff to work with, so it was difficult to get good color payoff and blending was challenging. It started to show signs of fading after seven hours of wear. Too Faced Ooh la Orchid (LE, $16.00) is darker, purpler. Marc Jacobs Beauty The Tease #6 (P) is darker. Urban Decay Infamous (LE, $18.00) is more shimmery. NARS Fashion Rebel #2 (LE, $24.00) is warmer, more muted. MAC Infra-violet (LE, $18.50) is more shimmery. bareMinerals Statement (LE) is darker. Bobbi Brown Ultra Violet (LE, $21.00) is darker. See comparison swatches.

Acid #8 is a light-medium, yellow-toned green with a chartreuse sheen. It had so-so pigmentation, and the texture wasn’t as stiff as the previous shade, but it wasn’t as smooth or as easy to use as a really nice eyeshadow is. The color began fading at the eight-hour mark. MAC Chartreuse Bouquet (LE, $21.00) is more shimmery, lighter. Wet ‘n’ Wild I’m Seeing Triples Browbone (LE, $2.29) is less warm-toned. NARS Rated R #1 (P, $24.00) is lighter, brighter. bareMinerals Icon (LE) is lighter. See comparison swatches.

Acid #9 is a neon magenta with cool undertones and a matte finish. The texture was dry, chalky, and powdery, and the resulting color payoff was semi-sheer and uneven, which made this shade difficult to use. It will stain the skin, and it wears seven hours before I noticed some fading and creasing. Urban Decay Savage (P) is very similar. MAC Magenta Madness (LE, $21.00) is slightly darker. Sugarpill Dollipop (P, $12.00) is more muted, less magenta. Make Up For Ever #75 (P, $20.00) is darker. See comparison swatches.

Acid #10 is a neon, light-medium green with a matte finish. Unfortunately, the texture was dry and chalky, which meant the pigmentation was semi-sheer and less blendable. The color managed to stay on for about seven hours, but it also stained. MAC Wondergrass (LE, $15.00) is darker, more muted, shimmery. Illamasqua Fledgling (P) is much darker. See comparison swatches.

Acid #11 is a medium, cool-toned silver-shimmered gray with a frosted finish. It had good color payoff, and the texture was fairly smooth but a little dry. It wore well for eight hours before lightly creasing. Another more basic shade with lots of similar shades — see comparison swatches.

Acid #12 is a deep, dark black with a matte finish and subtle warm undertones. It was soft, though powdery, so it was more blendable and buildable in color. It wore well for almost nine hours before starting to fade along the edges. Like the white eyeshadow in the palette, it’s a basic shade, so you’ll find plenty of options available — see comparison swatches.

The Glossover

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palette

Acid

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Product

7.5/10

Pigmentation

7.5/10

Texture

7.5/10

Longevity

8/10

Application

4.5/5

Results
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product

Acid #1

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Product

10/10

Pigmentation

10/10

Texture

9.5/10

Longevity

9/10

Application

5/5

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Acid #2

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6.5/10

Pigmentation

6/10

Texture

6.5/10

Longevity

6.5/10

Application

4/5

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Monday, March 10th, 2014

Physicians Formula Natural Nude Wear Nude Glow Blush
Physicians Formula Natural Nude Wear Nude Glow Blush

Physicians Formula Natural Nude Wear Nude Glow Blush ($12.99 for 0.24 oz.) is a light pink with warm, yellow undertones and a soft sheen. Chanel Sakura (87) (LE, $43.00) is darker, more matte. Hourglass Radiant Magenta (P, $35.00) is much darker, more luminous applied. Giorgio Armani Eccentrico (LE, $88.00) is more shimmery, cooler-toned. Physicians Formula Natural (P, $11.99) is darker. MAC Royal Sunset (LE, $21.00) is warmer. MAC Stunner (LE, $21.00) is darker. MAC Easy Manner (LE, $21.00) is darker. See comparison swatches.

The formula is supposed to provide a “beautiful bare skin effect” with a “skin-glowing finish.” It’s a product that is best for light-medium or fairer complexions, as I really had to layer it several times to even get any visible color to show up in photographs on my medium complexion. The texture is very soft and velvety, but it was somewhat powdery–almost chalky at times–yet not dry or really difficult to work with, but it was dense and powdery. It was contradictory, as it felt lovely in one sense but yet had that powdery, chalky feel as well. On drier skin, I think it will actually look powdery if applied with more than a sheer layer. It looked almost matte applied to the skin; it was surprisingly less luminous/glowy than described or even when you look at it when swatched. It kind of delivers on its promise, but it seems to fall a little short–it’s really not bringing out the natural luminosity of bare skin. On me, it wore well for seven hours but had completely faded after eight and a half hours (nothing was left). To be clear, the color payoff is in line with the description, but I think it lacks the right finish/texture to give it that “skin-glowing finish,” and instead looked more powdery than anything.

The Glossover

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Natural

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Product

7.5/10

Pigmentation

9.5/10

Texture

7.5/10

Longevity

7/10

Application

4.5/5

Results
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Saturday, March 8th, 2014

theBalm Eyeshadow Pans
theBalm Eyeshadow Pans

#31 is a light, cool-toned, silver-shot white with a frosted finish. It had so-so color payoff, while the texture was soft, it was also powdery and felt almost dry. It wore well for seven and a half hours on me. Tom Ford Beauty Ice Queen #1 (P) is lighter. MAC A Waft of Grey #1 (P, $21.00) is darker. Dior Lune (001) (P, $30.00) is a cream product. Disney by Sephora Midnight Hour #1 (LE) is brighter. theBalm Metal-ica (P, $16.00) is similar. NARS Self Portrait 2 #2 (LE, $24.00) is similar. See comparison swatches.

#32 is a cool-toned, medium pinky-mauve with a frosted, metallic finish. It had decent pigmentation, and the texture was on the powdery side. It lasted just over seven hours on me. theBalm A1 (LE, $16.00) is very similar. Urban Decay Bordello (P, $18.00) is darker. See comparison swatches.

#33 is a cool-toned, violet purple with an iridescent sheen. It had moderate color payoff, but it was not as intense as it looked in the pan when swatched. It wasn’t powdery, though, and the texture was smooth. It wore well for seven and a half hours without fading or creasing. theBalm A2 (LE, $16.00) is warmer-toned. Urban Decay Betrayal (LE, $18.00) is lighter. Urban Decay Omen (P, $18.00) is similar. See comparison swatches.

#34 is a cool-toned, silvery white with a frosted finish. It’s a little lighter and brighter than #31, but it has much, much better color payoff. The texture was soft, smooth, and buttery. This color managed eight hours on me. Tarina Tarantino Lovely #1 (P) is similar. theBalm A3 (LE, $16.00) is very similar (if not the same). theBalm Metal-ica (P, $16.00) is a smidgen darker. See comparison swatches.

#35 is a medium-dark black with soft, micro-shimmer. It had decent pigmentation, but the texture was on the powdery side, which gave it a more muted color when applied. It wore well for eight hours before fading. Ulta Night Sky (P, $10.00) has a stronger sheen. MAC A Waft of Grey #4 (P, $21.00) is very similar. See comparison swatches.

#36 is an iridescent, aqua green with hints of gold in its sheen. It was semi-sheer, and the texture was a little stiffer to work with. The color lasted for seven and a half hours on me. theBalm B2 (LE, $16.00) is very close but better quality. CoverGirl Turquoise Glow (325) (LE, $4.99) is more frosted. MAC Lucky in Love (LE, $21.00) is more frosted, darker. See comparison swatches.

There are forty-four shades of eyeshadows available in pan-form from theBalm, which launched at the beginning of this year. They can be purchased at their San Francisco store or by calling 415-817-1800. Each eyeshadow pan is available for $6.50 and comes in a cardboard sleeve. The 9-pan palette is $8.00, while the 16-pan palette is $10. If you fill either the 9- or 16-pan palette up at the time of purchase, they will run you $44.00 (normally, $66.50) and $64.00 (normally, $114.00) respectively. Each palette is made out of thick cardboard–same as theBalm’s eyeshadow palettes have been in the past–and come with full-sized mirrors on the top flap. For more information about sizes, the palettes, and a general overview of the custom palette/eyeshadow pan system, please read this post. You can view swatches all of them in the Swatch Gallery here or view photos and swatches on theBalm’s Eyeshadow Single product page.

The Glossover

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#31

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Product

7/10

Pigmentation

7.5/10

Texture

7/10

Longevity

8/10

Application

4.5/5

Results
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#32

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Product

7.5/10

Pigmentation

8/10

Texture

7.5/10

Longevity

7.5/10

Application

4.5/5

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#33

C+

Product

7.5/10

Pigmentation

7.5/10

Texture

8/10

Longevity

8/10

Application

4.5/5

Results
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Friday, March 7th, 2014

Maybelline On Fire Red ColorSensational Vivid Lipcolor
Maybelline On Fire Red ColorSensational Vivid Lipcolor

Maybelline On Fire Red ColorSensational Vivid Lipcolor ($7.49 for 0.15 oz.) is a vibrant, medium-dark red with rosy pink tones and a soft, blue undertone. Tom Ford Beauty Vampire Kiss (LE, $45.00) is less glossy. Chanel La Precieuse (317) (LE, $34.00) is more matte. MAC Prepare for Pleasure (LE, $16.00) is cooler-toned. MAC Glam (DC, $16.00) is darker, less glossy. MAC Ronnie Red (LE, $16.00) is less glossy. Buxom Scoundrel (P, $21.00) is slightly cooler-toned. See comparison swatches.

It’s a bold, bright traffic-stopping red with a naturally glossy, lightly luminous, finish. The color payoff was incredibly rich and opaque, while the finish gave it a juicy, plump look on the lips. It wears as long as six hours on me and leaves behind a noticeable red stain that lingers for another couple of hours. The formula is lightly creamy, comfortable to wear, and lightly hydrating. The Vivids range is one of my favorite lipstick formulas, especially for bold, creamy color, and On Fire Red is just one more shade worth checking out if you’re on the hunt for a cooler-toned red.

The Glossover

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product

On Fire Red

Temptalia Recommends
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Product

9.5/10

Pigmentation

10/10

Texture

9.5/10

Longevity

10/10

Application

5/5

Results
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