Tuesday, July 10th, 2012

Revlon Pink Truffle Colorburst Lip Butter
Revlon Pink Truffle Colorburst Lip Butter

Revlon Pink Truffle Colorburst Lip Butter

Revlon Pink Truffle ColorBurst Lip Butter ($7.49 for 0.09 oz.) is a warm rosy pink with subtle white micro-shimmer and a naturally glossy finish. MAC Venus is pinker. Bobbi Brown Nude Rose is a little rosier. Thierry Mugler Feeling is redder and more frosted. Guerlain Cherry Blossom is similar in color but has a frosted finish, so it appears a smidgen lighter.  It’s a nice everyday-appropriate shade with a little more oomph–still, natural-looking and the finish only adds to how effortless it looks.

The color coverage is mostly opaque, though there is some translucency to the color, as you can still see my lip freckle peeking through. This formula is supposed to have sheer to medium color coverage, so this is a wee bit over but not by much.  Lip Butters have a divine consistency that’s really creamy, slick, and easy to apply, but it often comes at the expense of wear.  Pink Truffle was one of the longer-wearing shades I’ve tested from this range–three hours–which is only a little shy of my more typical four hour average for lipsticks. It contains a little less product than the average lipstick (typically 0.10 to 0.12 oz.) and requires more frequent reapplication, but it is a more moisturizing formula.

The Glossover

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Pink Truffle

A-
It's a nice everyday-appropriate shade with a little more oomph--still, natural-looking and the finish only adds to how effortless it looks. I also had much better luck with the wear with this particular shade--a solid three hours!

Product

9/10

Pigmentation

9/10

Texture

10/10

Longevity

7.5/10

Application

5/5

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Wednesday, July 4th, 2012

Milani Caramel Brown Powder Eyeshadow
Milani Caramel Brown Powder Eyeshadow

Milani Caramel Brown Powder Eyeshadow

Milani Caramel Brown Powder Eyeshadow ($4.49 for 0.11 oz.) is a warmed over medium brown with a golden bronze shimmer and sheen. As gorgeous as this shade is, there are several shades that are similar to it (but you can’t beat the price point of Milani!). Urban Decay Chase is slightly more orange-toned. MAC Love Connection is less brown, more red. Buxom Golden Retriever is similar but darker, less golden/shimmered. Urban Decay Suspect is pretty close, though not as warm.

I’ve always had a soft spot for Milani, because they’ve been one of the more reliable budget-friendly brands for years, not just recently, though they’ve been churning out some impressive products in the past year.  Their new range of pressed powder eyeshadows is fantastic overall, and Caramel Brown is no exception.  The texture is soft, buttery, and dense and blends beautifully and melts against the skin like butter.  Milani says they’re crease-proof, “super pigmented,” and blendable; they’re everything and more–but when I test drove Caramel Brown, I did experience some fading along the edges after eight hours (which is still really good–the majority of formulas have some fading after eight hours without aid of a primer), but absolutely no creasing.

I’m drawn to this shade like you wouldn’t believe–I think it’s the balance of warmth, gold, brown, bronze, and shimmer. It’s lovely against warmer complexions, as it brightens without dominating. It can easily be worn on the lid or in the crease, but I really like it softly on the lid with not much else.  Naturally, the strong warm undertones in this hue will flatter warmer complexions overall.  I’m a believer that you can wear anything and everything–it’s all about confidence and how you wear it!

The Glossover

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Milani Caramel Brown Powder Eyeshadow Review, Photos, Swatches

A
It's lovely against warmer complexions, as it brightens without dominating. It can easily be worn on the lid or in the crease, but I really like it softly on the lid with not much else. Naturally, the strong warm undertones in this hue will flatter warmer complexions overall. I'm a believer that you can wear anything and everything--it's all about confidence and how you wear it!

Product

9.5/10

Pigmentation

10/10

Texture

10/10

Longevity

9/10

Application

5/5

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Tuesday, July 3rd, 2012

L'Oreal Perpetual Purple Infallible Eyeshadow
L’Oreal Perpetual Purple Infallible Eyeshadow

L’Oreal Perpetual Purple Infallible Eyeshadow

L’Oreal Perpetual Purple Infallible Eyeshadow ($7.95 for 0.12 oz.) is a darkened violet purple with subtle red undertones and a multi-colored shimmer.  When applied dry, it’s sheer, slightly browner, less violet.  When it’s applied damp/wet, it’s much more intense with a strong violet purple coloring and opaque color payoff. MAC Young Punk is blacker and less violet. Dior Garden Roses is lighter and pinker. MAC Plush is lighter, more red-toned. Urban Decay Delinquent is a little brighter. Urban Decay Psychedelic Sister is very similar, slightly brighter.

L’Oreal says that these wear for up to 24 hours and are long-wearing and intensely pigmented. They’re a hybrid pressed and loose powder; it’s like a very, very finely-milled loose powder that’s been sat on (and in essence, that’s true, because each pot contains a plastic stopper that you can use to press the powder to further compact it). You get the blendability of a loose powder with the ease and convenient of a pressed powder.

I believe this shade is known as Purple Obsession internationally. I have it, and it was actually one of the first shades I tested (many months ago), and I set it aside because it did not work well for me–it did not want to apply evenly at all on the lid, and it was creasing and fading like you wouldn’t believe. When I recently tried Perpetual Purple (and I didn’t know they were the same), I had a similar experience. It fades surprisingly quickly, and when I wore it alone (just by itself), I did have significant creasing after a mere six hours. When I used it in the crease with other Infallible Eyeshadows, it didn’t crease.  The texture of Perpetual Purple was also on the dry side, so it wasn’t as easy to blend or apply.

For a comparison against Giorgio Armani Eyes to Kill Intense, please see this post. As a quick summary, L’Oreal’s colors can be less nuanced/have less depth, and then the wear is can be inconsistent with L’Oreal (some wearing fantastic, others creasing/fading more rapidly). The way I look at it (assuming you wear primer, because then the wear is usually fine), the more the merrier!

Edited:  The picture that showed the wear was MISSING! Now it’s there in all of its disappointing glory.

The Glossover

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Perpetual Purple

D+
Thankfully, L'Oreal's Infallible Eyeshadow range includes more than just this shade (and I wish this hadn't been my first experience with them, because I would have made these more of a priority to begin with), because this one is definitely disappointing. Poor wear: fading, creasing, and poor color payoff.

Product

7/10

Pigmentation

8/10

Texture

8.5/10

Longevity

4/10

Application

3.5/5

Results
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Sunday, July 1st, 2012

L'Oreal Liquid Diamond Infallible Eyeshadow
L’Oreal Liquid Diamond Infallible Eyeshadow

L’Oreal Liquid Diamond Infallible Eyeshadow

L’Oreal Liquid Diamond Infallible Eyeshadow ($7.95 for 0.12 oz.) silvery-gray with a purple tint and a frosted finish. When it’s dry, it’s rather sheer, and when you apply it wet, the finish becomes more metallic and the color payoff is much improved. MAC Hold That Pose! is browner. Guerlain Les Ombres de Nuit is less metallic, browner. MAC Idol Eyes is somewhat similar, but the payoff is so terrible, it’s hard to be sure! What I liked about this shade was that it doesn’t seem to be readily dupeable (at least nothing I could think of). It’s a much more nuanced shade than much of the rest of the color range.

L’Oreal says that these wear for up to 24 hours and are long-wearing and intensely pigmented. They’re a hybrid pressed and loose powder; it’s like a very, very finely-milled loose powder that’s been sat on (and in essence, that’s true, because each pot contains a plastic stopper that you can use to press the powder to further compact it). You get the blendability of a loose powder with the ease and convenient of a pressed powder. With Liquid Diamond, I had minor creasing after ten hours, which didn’t seem to worsen really, even after sixteen hours (see photo below). The color didn’t fade, either, over that sixteen hour time period–all without primer.  When I used primer, the results were better, and I didn’t have any creasing problems.

The way I feel about this product is that the color is unique enough to make sure to use over primer.  Generally, the more unique/appealing a color is to me, the more leeway I’ll give it everywhere else in how much I’m willing to pay, how hard I’m willing to work for it, etc. This opinion/philosophy is not included in the rating, but I thought I’d share.  My recommendation is to use this over a primer and with a damp brush to bring out the color and require less color packing.  I really appreciated that I didn’t have any fall out when I used this wet, even though it’s rather shimmery and didn’t go on as smoothly as some of the other shades in the range.

For a comparison against Giorgio Armani Eyes to Kill Intense, please see this post. As a quick summary, L’Oreal’s colors can be less nuanced/have less depth, and then the wear is can be inconsistent with L’Oreal (some wearing fantastic, others creasing/fading more rapidly). The way I look at it (assuming you wear primer, because then the wear is usually fine), the more the merrier!

The Glossover

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Liquid Diamond

A-
The creasing was very minor and probably not noticeable to anyone but the wearer, and you can solve that problem by wearing a primer underneath (but these are marketed as having up to 24-hour wear, without a primer). It's one of the more nuanced and original shades in the range!

Product

9.5/10

Pigmentation

9/10

Texture

10/10

Longevity

9/10

Application

4/5

Results
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Monday, June 25th, 2012

L'Oreal Glistening Garnet Infallible Eyeshadow
L’Oreal Glistening Garnet Infallible Eyeshadow

L’Oreal Glistening Garnet Infallible Eyeshadow

L’Oreal Glistening Garnet Infallible Eyeshadow ($7.95 for 0.12 oz.) is a berry-tinted pink with a soft, frosted finish. When applied dry, it has a slightly more subdued, redder appearance–it’s not quite opaque. When applied damp, it takes on a pinker hue and the frosted finish is more pronounced, and the color itself is opaque. At a glance, you’d think it was similar to MAC Cranberry, but it’s not at all–Cranberry is much, much darker, more of a burgundy (so it has more brown in it than pink). MAC Moon Rose is pinker. Milani Pink Twice is pinker as well.

If you’re familiar with Giorgio Armani Eyes to Kill Intense, these are very similar. I found the biggest difference between the two was in the texture of the formula and the overall appearance of the colors–L’Oreal Infallibles are more one-dimensional, less nuanced, whereas you’ll see an interplay of colors with the Eyes to Kill Intense. L’Oreal owns both brands, so I imagine there was some trickle-down effect in the technology once Giorgio Armani rolled it out.  It’s not really a negative that these are more what-you-see-is-what-you-get in color.  The Eyes to Kill Intense shades can look really stunning in the pot and look a little less complex when swatched.

The texture of Glistening Garnet is soft, smooth, and finely-milled.  It’s a compacted loose powder–you could break it up if you really wanted to, but it arrives already pretty solid, and there’s a little topper inside that you can use to press and compact the powder should it loosen over time.  It can be used wet or dry, though the payoff was significantly better when used wet–but other shades in the line-up were better dry than this one, so it seemed like it fell a little short as far as pigmentation went for dry use.

I originally tested a few shades of the formula that the lovely ladies at Beaut.ie sent me from Ireland, because these weren’t available in the states at the time (and L’Oreal told me they weren’t going to be released here). A few months later, L’Oreal did end up releasing them state-side. I had some trouble with the original shades I tried, so I can’t say that all of the shades perform consistently or as well as this shade did.

Glistening Garnet, however, did perform well, and I didn’t have any trouble using it. Even after 16 hours (without primer!), I didn’t have any creasing, though there was some slight, but noticeable, fading along the outer corner. The only thing I have to note is that I needed to use it wet to make an impact; if you use it over a primer, you might be able to skip that step, but I still preferred applying with a damp brush. I used a small eyeshadow brush (like the MAC 239) to apply it to the lid.

L’Oreal does state that these are supposed to wear for up to 24-hours, which is the same claim Giorgio Armani made. I’m not really comfortable wearing makeup that long personally, so it will take me some time before I work up the courage to test it for that long! The longest I’ve tested these has been 16 hours.

The Glossover

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Glistening Garnet

A
It's a great standalone product, but if you weren't able to pull the trigger on the $32 Giorgio Armani Eyes to Kill Intense but have always wanted to try one, L'Oreal Infallibles make an excellent, budget-friendly option.

Product

9.5/10

Pigmentation

9/10

Texture

10/10

Longevity

9.5/10

Application

4/5

Results
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Monday, June 18th, 2012

Milani Champagne Toast Shadow Eyez
Milani Champagne Toast Shadow Eyez

Milani Champagne Toast Shadow Eyez

Milani Champagne Toast Shadow Eyez ($6.99 for 0.10 oz.) is a warm champagne beige with a highly reflective, metallic finish. MAC Summer Haze is darker and more of a frosted than metallic finish. Make Up For Ever #13 is darker, less champagne. Urban Decay Sin is a touch darker and less metallic. Cle de Peau #207 is lighter. Inglot #397 is very similar but slightly less warm-toned.

Milani’s Shadow Eyez formula is touted to last for twelve hours and be water-resistant and crease-proof. Champagne Toast was the second shade I tested wear on, and it was phenomenal–it looked as good after ten and twelve hours as it did when I initially applied it.  The pigmentation was also top notch, because it was totally opaque in one pass.  It has a creamy texture that glides across the lid without a single tug or pull, and it deposits smooth, even color.

The Glossover

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Champagne Toast

A+
Champagne Toast is an excellent all-around pencil and shade to have in your arsensal. It works well for brightening eyes with little effort, but it can also brighten eyes by using it on the lower lash line to add some metallic sheen.

Product

10/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

5/5

Results
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