Wednesday, March 5th, 2014

theBalm Eyeshadow Pans
theBalm Eyeshadow Pans — #26-44

#25 is medium-dark, cool-toned taupe with a matte finish. It had fairly good color payoff, and the texture was very soft but a little powdery though easy to blend. It wore well for eight hours on me before fading. Guerlain Two VIP #2 (LE) is slightly warmer. MAC Smoked Cocoa #2 (LE, $15.00) is lighter. Maybelline Tough as Taupe (P, $6.99) is darker, cream. MAC Interior Life (LE, $15.00) is darker. bareMinerals Rowdy (P) is more mauve. See comparison swatches.

#26 is a dark, cool-toned gray with a soft, satiny finish. It had good pigmentation, but it was a little on the powdery side, so it looked somewhat dry applied. If you apply over a primer, it seems to smooth out more. The color lasted just over seven and a half hours on me. bareMinerals Panorama (LE) is warmer. theBalmtA4 (LE, $16.00) is very similar. Kat Von D Siouxsie-sioux (P) is warmer. MAC Deep Cravings (LE, $15.00) is more metallic. LORAC Slate (P) is cooler-toned. Disney by Sephora Flotsam (LE) is cooler-toned. Urban Decay Ace (LE, $18.00) is darker. Le Metier de Beaute Genre (LE, $30.00) is darker. See comparison swatches.

#27 is a neutral-to-cool-toned, blackened purple with a satin-matte finish. It had so-so color payoff, but the texture was on the drier side, so the coverage wasn’t even. When worn, the eyeshadow lasted for seven and a half hours on me. MAC Pinkluxe #5 (P) is darker, more shimmery. Disney by Sephora Wonder by Wonder (LE) is lighter. Lancome Zip Me Up (P, $19.00) is cooler-toned. Make Up For Ever #79 (P, $20.00) is very similar. See comparison swatches.

#28 is a muted, warm-toned burgundy with a metallic finish. It had decent pigmentation, but there was a dryness to the texture that didn’t give it the most intense, smoothest finish. It wore well for seven and a half hours before it started to fade. Makeup Geek Burlesque (P, $5.99) is less metallic. Chanel Fatal (837) (LE, $36.00) is a cream product. Chanel Seduction #1 (LE) is warmer. Sleek MakeUP Sunset #7 (P, $9.99) is more metallic. theBalm Alice Copper (P, $16.00) is very similar but has more pigmentation and a better texture. MAC Cranberry (P, $15.00) is lighter. Le Metier de Beaute Crucible (LE, $30.00) is darker. Inglot #452 (P, $6.00) is warmer. See comparison swatches.

#29 is a muted, yellow gold with a soft, frosted finish. The color payoff was okay, but it wasn’t opaque or intensely pigmented. The texture was a little dry and powdery but blendable. On me, it wore well for seven hours before showing signs of fading. theBalm #40 (P, $6.50) is yellower, brighter. theBalm #12 (P, $6.50) is yellower. MAC Golden Hours #3 (LE, $21.00) is similar. MAC Lemon Tart (P, $15.00) is lighter. Kat Von D Sunset Blvd. (LE) is darker. Disney by Sephora Triton (LE) is yellower. MAC Dreammaker (LE, $15.00) is similar. Chanel Blazing Gold (LE, $28.50) is yellower. See comparison swatches

#30 is a dark, olive green with a golden shimmer. It had excellent color payoff, and the texture was soft and fairly smooth. This shade wore well for eight hours on me before it started to fade slightly along the edges. Charlotte Tilbury Smoky Emerald (P) is a cream product, darker. Urban Decay Stash (LE, $18.00) is a little lighter. Dior Bonne Etoile (384) #1 (LE) is similar. MAC Fiction (DC, $15.00) is lighter. bareMinerals Eureka (P) is similar. bareMinerals Speaker Box (LE) is also similar. See comparison swatches.

There are forty-four shades of eyeshadows available in pan-form from theBalm, which launched at the beginning of this year. They can be purchased at their San Francisco store or by calling 415-817-1800. Each eyeshadow pan is available for $6.50 and comes in a cardboard sleeve. The 9-pan palette is $8.00, while the 16-pan palette is $10. If you fill either the 9- or 16-pan palette up at the time of purchase, they will run you $44.00 (normally, $66.50) and $64.00 (normally, $114.00) respectively. Each palette is made out of thick cardboard–same as theBalm’s eyeshadow palettes have been in the past–and come with full-sized mirrors on the top flap. For more information about sizes, the palettes, and a general overview of the custom palette/eyeshadow pan system, please read this post. You can view swatches all of them in the Swatch Gallery here or view photos and swatches on theBalm’s Eyeshadow Single product page.

The Glossover

P
product

#25

B

Product

8.5/10

Pigmentation

8.5/10

Texture

8/10

Longevity

8.5/10

Application

5/5

Results
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P
product

#26

B

Product

8.5/10

Pigmentation

9.5/10

Texture

8/10

Longevity

8/10

Application

4.5/5

Results
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Dupes
P
product

#27

C

Product

7/10

Pigmentation

7.5/10

Texture

7/10

Longevity

8/10

Application

4/5

Results
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Saturday, March 1st, 2014

theBalm Eyeshadow Pans
theBalm Eyeshadow Pans

#19 is a medium-dark, gray-brown with a golden, frosted sheen. It’s almost too warm to really be considered a taupe. It had fairly good color payoff, and the texture was soft and smooth. It wore well for eight hours before starting to fade. Makeup Geek Moondust (P, $5.99) is darker. MAC Silver Dawn (LE, $19.50) is darker, less metallic. bareMinerals Cheers (V2) (LE) is slightly grayer. Urban Decay Vaporize (LE, $18.00) is darker, cooler-toned. Urban Decay Derailed (LE, $18.00) is darker, cooler-toned. bareMinerals Magnetism (P) is slightly darker. See comparison swatches.

#20 is a medium-dark, smoky mauve with a pearly sheen. It had decent pigmentation, but it was a little powdery. It wore well for seven hours before showing signs of fading. theBalm A1 (LE, $16.00) is very similar but seems a little brighter. Disney by Sephora Carpet (LE) is darker. MAC Tendersmoke (LE, $15.00) is darker. bareMinerals Romp (P) is much darker, cooler-toned. See comparison swatches.

#21 is a medium-dark, coppery orange with a frosted sheen. It had good color payoff, and the texture was soft and smooth. The color wore well for eight hours before starting to fade. Tarina Tarantino Wonderful #3 (P) is darker. MAC A Glimmer of Gold #3 (P, $21.00) is brighter, more metallic. Too Faced Jingle All the Way Eyeshadow #7 (LE, $16.00) is similar. Clarins The Essentials #6 (LE) is darker. LORAC Gold (P) is darker, warmer. theBalm Manic Maribel (LE, $16.00) is similar. Urban Decay Penny Lane (LE, $18.00) is very similar. Urban Decay Chopper (P, $18.00) is slightly darker. bareMinerals Bragging Rights (LE) is slightly brighter. See comparison swatches.

#22 is a brightened, white with subtle warm undertones and a frosted, metallic finish. It had good pigmentation but was a little powdery. This shade lasted eight hours before beginning to show signs of wear. It’s a more basic shade, so there are a lot of similar shades — see comparison swatches.

#23 is a muted, bluish-teal with a frosted finish. It had fairly good color payoff, but the texture could have been smoother. It lasted for seven hours when I tested it. NARS China Seas #1 (P, $24.00) is very similar. Makeup Geek Mermaid (P, $5.99) is also very similar. NARS Bavaria (P, $24.00) is lighter. Urban Decay Deep End (P, $18.00) is darker. Inglot #413 (P, $6.00) is more metallic. See comparison swatches.

#24 is a light-medium, warm-toned beige with a matte finish. It had excellent pigmentation, and the texture was really soft and finely-milled; a smidgen powdery but very blendable. It wore well for seven and a half hours on me. Tarte Sand Out from the Crowd (LE) is very similar. Too Faced White Chocolate (P, $16.00) is less warm-toned. theBalm B1 (LE, $16.00) is very similar. Urban Decay Bleach (LE, $18.00) is similar. MAC Brule (P, $15.00) is not as beige. See comparison swatches.

There are forty-four shades of eyeshadows available in pan-form from theBalm, which launched at the beginning of this year. They can be purchased at their San Francisco store or by calling 415-817-1800. Each eyeshadow pan is available for $6.50 and comes in a cardboard sleeve. The 9-pan palette is $8.00, while the 16-pan palette is $10. If you fill either the 9- or 16-pan palette up at the time of purchase, they will run you $44.00 (normally, $66.50) and $64.00 (normally, $114.00) respectively. Each palette is made out of thick cardboard–same as theBalm’s eyeshadow palettes have been in the past–and come with full-sized mirrors on the top flap. For more information about sizes, the palettes, and a general overview of the custom palette/eyeshadow pan system, please read this post. You can view swatches all of them in the Swatch Gallery here or view photos and swatches on theBalm’s Eyeshadow Single product page.

The Glossover

P
product

#19

B+

Product

9/10

Pigmentation

8.5/10

Texture

9/10

Longevity

8.5/10

Application

4.5/5

Results
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P
product

#20

B

Product

8.5/10

Pigmentation

8.5/10

Texture

8.5/10

Longevity

7.5/10

Application

4.5/5

Results
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Dupes
P
product

#21

A

Product

9/10

Pigmentation

10/10

Texture

9.5/10

Longevity

8.5/10

Application

5/5

Results
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Wednesday, February 26th, 2014

theBalm Eyeshadow Pans
theBalm Eyeshadow Pans

#13 is a dark, muted reddish burgundy with a satin-matte finish. It had fairly good color payoff, but the texture was somewhat powdery. It wore well for eight hours before showing signs of fading. Tom Ford Beauty Orchid Haze #4 (P) is purpler. Laura Mercier Kir Royal (P, $22.00) is more shimmery. MAC Festive Delight (LE, $15.00) is brighter. Chanel Eclosion #4 (P) is brighter, purpler, more shimmery. Le Metier de Beaute Crucible (LE, $30.00) is more shimmery. See comparison swatches.

#14 is a light, peachy-beige with warm undertones and a frosted finish. It had good pigmentation, and the texture was soft, smooth, and buttery. The color lasted well for eight and a half hours before beginning to fade. theBalm #4 (P, $6.50) is a smidgen warmer. Dior Pastel Fontanges #5 (LE) is pinker. NARS Jezebel (P) is warmer. Kat Von D Precious (LE) is similar. theBalm D2 (LE, $16.00) is similar. Tom Ford Beauty In the Pink #2 (LE) is darker. LORAC Champagne (P) is lighter. MAC Summer Honey (LE, $21.00) is more shimmery. theBalm Stubborn (P, $16.00) is darker. MAC Hush (P, $15.00) is less shimmery. Chanel Raffinement #2 (P) is less warm-toned. See comparison swatches.

#15 is a purple-shimmered, blackened eggplant–it ends up looking like a sooty, warm-toned gray with flecks of plummy-purple shimmer on top. The texture was dry and powdery, which resulted in uneven, semi-sheer color payoff. When applied to the lid, it had some slight fading after seven hours of wear. This one was difficult to dupe, partially because the color doesn’t quite translate from the pan to the swatch. Guerlain Crazy Paris #5 (LE) is purpler. MAC Beautymarked (P, $15.00) is darker. MAC Graphology (DC, $15.00) is darker, purpler. See comparison swatches.

#16 is a medium-dark, olive green with warm undertones and a golden sheen. It had fairly good pigmentation, and the texture was soft but not powdery. It lasted for eight hours before starting to fade along the edges. Tarina Tarantino Dandy Lion (LE) is darker. Makeup Geek Kryptonite (P, $6.99) is also darker. Urban Decay Jealous #1 (LE, $18.00) is darker. Urban Decay Mildew (P, $18.00) is darker. Dior Garden Pastels #1 (LE) is lighter. Inglot #412 (P, $6.00) is lighter. See comparison swatches.

#17 is a muted, medium-dark blue with a frosted finish. It had good color payoff, and the texture was soft, smooth, and blendable. The color wore well for just over eight hours before I saw some fading on the edges. Ulta Teal (P, $10.00) is brighter, lighter. L’Oreal Timeless Blue Spark (760) (P, $7.99) is brighter, lighter. bareMinerals Controversy (LE) is brighter. bareMinerals Vapor (P, $16.00) is lighter. See comparison swatches.

#18 is a light beige with warm undertones and a frosted finish. It had excellent pigmentation, and the consistency was really soft, smooth, and buttery. It wore well for eight and a half hours before it seemed to fade. Tarina Tarantino Jasper (P) is similar. bareMinerals Celebrate (LE) is lighter. MAC Tenderly (LE, $15.00) is less frosted. NARS Mississippi Mermaid (LE, $24.00) is pinker. theBalm D2 (LE, $16.00) is similar. LORAC Nude (P) is pinker. MAC Butternutty (LE) is a cream product. Dior Fairy Golds #1 (LE) is pinker. See comparison swatches.

There are forty-four shades of eyeshadows available in pan-form from theBalm, which launched at the beginning of this year. They can be purchased at their San Francisco store or by calling 415-817-1800. Each eyeshadow pan is available for $6.50 and comes in a cardboard sleeve. The 9-pan palette is $8.00, while the 16-pan palette is $10. If you fill either the 9- or 16-pan palette up at the time of purchase, they will run you $44.00 (normally, $66.50) and $64.00 (normally, $114.00) respectively. Each palette is made out of thick cardboard–same as theBalm’s eyeshadow palettes have been in the past–and come with full-sized mirrors on the top flap. For more information about sizes, the palettes, and a general overview of the custom palette/eyeshadow pan system, please read this post. You can view swatches all of them in the Swatch Gallery here or view photos and swatches on theBalm’s Eyeshadow Single product page.

The Glossover

P
product

#13

C+

Product

7.5/10

Pigmentation

7/10

Texture

7.5/10

Longevity

8.5/10

Application

4/5

Results
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P
product

#14

A

Product

9/10

Pigmentation

9.5/10

Texture

9.5/10

Longevity

9/10

Application

5/5

Results
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Dupes
P
product

#15

F

Product

5/10

Pigmentation

5/10

Texture

5.5/10

Longevity

7/10

Application

4/5

Results
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Friday, February 21st, 2014

theBalm Eyeshadow Pans
theBalm Eyeshadow Pans

Here are the next six shades from the forty-four new eyeshadows available in pan-form from theBalm, which launched at the beginning of this year. For more information about sizes, the palettes, and a general overview of the custom palette/eyeshadow pan system, please read this post. You can view swatches all of them in the Swatch Gallery here or view photos and swatches on theBalm’s Eyeshadow Single product page. .

They can be purchased at their San Francisco store or by calling 415-817-1800. Each eyeshadow pan is available for $6.50 and comes in a cardboard sleeve. The 9-pan palette is $8.00, while the 16-pan palette is $10. If you fill either the 9- or 16-pan palette up at the time of purchase, they will run you $44.00 (normally, $66.50) and $64.00 (normally, $114.00) respectively. Each palette is made out of thick cardboard–same as theBalm’s eyeshadow palettes have been in the past–and come with full-sized mirrors on the top flap.

#7 is a golden peach with warm undertones and a frosted finish. It had good color payoff with a soft texture that was easy to blend and work with on the eye. It wore well for eight hours before gradually fading. Tarina Tarantino Delightful #4 (P) is lighter. bareMinerals Ball Gown (LE) is warmer. Clarins The Essentials #3 (LE) is similar. Too Faced Cheers! (LE, $16.00) is a smidgen lighter. LORAC Light Bronze (P) is less frosted. Disney by Sephora Splendid (LE) is lighter. MAC All That Glitters (P, $15.00) is darker. See comparison swatches.

#8 is a dark brown with subtle warm undertones and a sprinkling of gold sparkle. The texture was dry, so it didn’t bind or adhere well to the skin, which resulted in semi-sheer to semi-opaque color payoff. It performs better with a base, as it will give it something to adhere to. On my eyes, it lasted for seven hours before looking faded. theBalm #1 (P, $6.50) is darker, warmer. bareMinerals Toasted Espresso (LE, $14.00) is more frosted. Makeup Geek Bada-Bing (P, $5.99) is warmer, darker. See comparison swatches. I thought it might be a replacement for B4, but it seems like it lacks a little bit of that gold sparkle/shimmer.

#9 is a deep, dark black with a mostly matte finish. It was intensely pigmented but had a soft, blendable texture. A little will go a long way, so depending on the look, you might want to use a light hand! It wore well for eight hours before fading. It seems like it is Serious with an even softer texture. There are many deep, dark blacks, so it is easily duped — see comparison swatches.

#10 is a golden, medium-dark brown with a soft, frosted finish and warm undertones. It had excellent color payoff, and the texture was really soft, buttery, and smooth. It wore well for just over eight hours. MAC Golden Hours #1 (LE, $21.00) is darker. MAC A Medley of Mauves #4 (P, $21.00) is less frosted. Too Faced Hazelnut (P, $16.00) is darker. Dior Golden Flower #4 (LE) is more golden. Too Faced Buttered Rum (LE, $16.00) is more metallic, lighter. Urban Decay Ambush (LE, $18.00) is darker. Too Faced Gangsta (LE, $16.00) is slightly darker. See comparison swatches.

#11 is a bright white with a metallic finish. It had fairly good color payoff, but it wasn’t as opaque as you’d expect, though it was buildable. The texture was soft and smooth, and the color lasted for eight hours before beginning to fade. As you might expect with a basic shade like this, there are tons of possible dupes — see comparison swatches. It seems very comparable to theBalm Sassy as well.

#12 is a slightly muted, light-medium yellow gold with a pearly sheen. It had so-so pigmentation, and it was somewhat powdery to work with. It showed signs of fading after seven and a half hours of wear. theBalm #29 (P, $6.50) is less shimmery, more orange-tinged. theBalm #40 (P, $6.50) is a little brighter but surprisingly similar. MAC Lemon Tart (P, $15.00) is similar. MAC Captivating #1 (LE, $21.00) is lighter, more frosted. theBalm D1 (LE, $16.00) seems to have a smoother sheen but color-wise, very similar. theBalm Snobby (P, $16.00) is a little lighter. MAC Dreammaker (LE, $15.00) is darker. See comparison swatches.

The Glossover

P
product

#7

A-

Product

9/10

Pigmentation

9/10

Texture

9/10

Longevity

8.5/10

Application

5/5

Results
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P
product

#8

D+

Product

7/10

Pigmentation

6.5/10

Texture

6/10

Longevity

7.5/10

Application

4/5

Results
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P
product

#9

A

Product

10/10

Pigmentation

10/10

Texture

10/10

Longevity

8.5/10

Application

5/5

Results
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Thursday, February 20th, 2014

theBalm Eyeshadow Pans
theBalm Eyeshadow Pans

There are forty-four shades of eyeshadows available in pan-form from theBalm, which launched at the beginning of this year. They can be purchased at their San Francisco store or by calling 415-817-1800. Each eyeshadow pan is available for $6.50 and comes in a cardboard sleeve. The 9-pan palette is $8.00, while the 16-pan palette is $10. If you fill either the 9- or 16-pan palette up at the time of purchase, they will run you $44.00 (normally, $66.50) and $64.00 (normally, $114.00) respectively. Each palette is made out of thick cardboard–same as theBalm’s eyeshadow palettes have been in the past–and come with full-sized mirrors on the top flap. For more information about sizes, the palettes, and a general overview of the custom palette/eyeshadow pan system, please read this post. You can view swatches of all of them in the Swatch Gallery here or view photos and swatches on theBalm’s Eyeshadow Single product page. .

#1 is a warm-toned, dark brown with gold micro-glitter and copper sparkle over a satin-matte finish. It had really good color payoff, and the texture was fairly soft and smooth, but you could feel some of the sparkle separate from the base color, so there was fall out during application. I noticed some minor fall out during wear, but only some of the sparkle translates onto the lid so there’s less that falls out over time. The color lasted for eight hours before gradually fading. Makeup Geek Bada-Bing (P, $5.99) is grayer. Chanel Seduction #4 (LE) is less sparkly, more frosted. MAC Constructivist (P, $18.50) is darker, cream product. NARS Surabaya #2 (P, $24.00) is lighter, warmer. NARS Mekong (P, $24.00) is darker, cooler-toned. MAC Carbonized (LE, $15.00) is darker. bareMinerals Pumped (LE) is warmer. See comparison swatches. This seemed really close to Silly, but #1 had a better texture and more pigmentation.

#2 is a silver-sparkled, cool-toned pinky-purple. The texture was dry, powdery, and almost gritty–I could really feel the powder and sparkle in it. It had semi-sheer color payoff, and it was difficult to apply. It’s a shade that really has to have a sticky, almost white-tinged base to work in any usable capacity. What color I managed to get onto the lid lasted for six hours before I saw noticeable fading. Laura Mercier African Violet (P, $23.00) is cooler-toned with a golden sheen. MAC Swelter (LE, $15.00) is cooler-toned, more muted. Buxom Schnauzer (P, $18.00) is a cream product. Inglot #445 (P, $6.00) is cooler-toned, frosted. See comparison swatches.

#3 is a muted, dark green with cool undertones and a fine, emerald green micro-shimmer and satin finish. It had good color payoff, and the texture was soft and fairly smooth. It wore well for eight hours before showing signs of fading. Tarina Tarantino Very Wicked (LE) is more frosted. Makeup Geek Envy (P, $5.99) is very similar. Urban Decay Damaged (LE, $18.00) is brighter. Make Up For Ever #80 (P, $20.00) is brighter. See comparison swatches.

#4 is a softened, pink-tinged peach with a frosted finish and warm undertones. It had excellent color payoff, and the texture was soft and smooth without being powdery. This shade lasted for eight hours before it started to fade. This seemed really similar to theBalm Stubborn, though it appeared slightly lighter in the pan but the swatches were nearly identical. Kat Von D Precious (LE) is similar. LORAC Champagne (P) is lighter. MAC A Natural Flirt (LE, $19.50) is warmer.Le Metier de Beaute Nouvelle (LE, $30.00) is pinker. See comparison swatches.

#5 is a deep, dark, muted cool-toned purple with a satin finish. It had fantastic pigmentation, and the texture was very soft and finely-milled but slightly powdery. The color wore well for eight and a half hours when I tested it. theBalm The Stroke (P, $16.00) is very similar, if not identical, but the color payoff was weaker. MAC Double Feature #8 #2 (LE, $15.00) is darker. See comparison swatches.

#6 is a muted, coppery brown with warm, orange undertones and a pearly finish. It had excellent pigmentation, and the texture was soft, buttery, and smooth. The color lasted for just over eight hours when I wore it. Kat Von D Dog Roses (LE) is brighter. Too Faced Jingle All the Way Eyeshadow #3 (LE, $16.00) is more frosted. Anastasia Rum Cake (LE) is slightly more frosted. NARS Isolde #2 (P, $24.00) is darker. See comparison swatches.

The Glossover

P
product

#1

B+

Product

8.5/10

Pigmentation

9/10

Texture

9/10

Longevity

8/10

Application

4.5/5

Results
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P
product

#2

F

Product

4/10

Pigmentation

5/10

Texture

4/10

Longevity

6/10

Application

2.5/5

Results
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Dupes
P
product

#3

B+

Product

9/10

Pigmentation

9/10

Texture

8.5/10

Longevity

8.5/10

Application

5/5

Results
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Wednesday, February 19th, 2014

theBalm Eyeshadow Pans
theBalm Eyeshadow Pans

Just in time for the new year, theBalm Eyeshadow Pans ($6.50 for 0.12 oz. each) launched so that you can customize your own palettes. It also coincided with the opening of their store in San Francisco. Right now, these can only be purchased through their store, though you can place phone orders (415-817-1800). Each eyeshadow pan is available for $6.50 and comes in a cardboard sleeve. The 9-pan palette is $8.00, while the 16-pan palette is $10. If you fill either the 9- or 16-pan palette up at the time of purchase, they will run you $44.00 (normally, $66.50) and $64.00 (normally, $114.00) respectively. I love the concept, and it’s very affordable, whether you fill at the time of purchase or as you go over time. There are five different designs to choose from for the 9-pan palettes and five for the 16-pan palettes. Each palette is made out of thick cardboard–same as theBalm’s eyeshadow palettes have been in the past–and come with full-sized mirrors on the top flap.

Aside from availability/distribution being limited, these are all numbered–none of them have names–and there is overlap with previously released shades (I asked and this was confirmed), but there is no chart or information regarding which shades are from what previous palettes. It would have been nice to know, so if there was a shade you really had your eye on from a palette, whether to replenish or purchase for the first time, it would be easy to do so. It would also help anyone avoid duplicates if they’re a regular theBalm palette buyer. theBalm is also a brand that seems to use names everywhere else in their range, so I would have liked to see these also have names. When I was opening each of these, the majority of the original labels were lifted off by the exterior packaging, so I had to add my own labels and handwrite the numbers on the back of each–the label just has the number, but it’s not something the customer should have to deal with when purchasing a product.

I’ve been testing these since late December, and I’ve now finished testing every single shade for wear, so you’ll see reviews moving forward. This is the first of several posts–there are forty-four shades!–and can be considered the overview. The eyeshadow pans contain 0.12 oz. (I’m not entirely sure how they crammed so much product in the pan), but the pan itself is not oversized–it is the same size as brands like MAC, Urban Decay, Makeup Geek, etc. They fit into MAC palettes (old and new), but they don’t seem to stick; I can turn my new MAC palette upside down, give it a tap, and the eyeshadow will pop out. However, they work well in Z Palettes and do not require additional magnets.

It will take me some time to actually write-up and post individual reviews, so I have gone ahead and added all of the photos and swatches for the forty-four shades in the meanwhile. You can view swatches of all of them in the Swatch Gallery here or view photos and swatches on theBalm’s Eyeshadow Single product page. In general, I like them, but some shades are powdery so they perform best over an eyeshadow primer and/or need to be patted, rather than swept, on to minimize excessive powdery fall out during application. Pigmentation and texture were also good with there being a few misses, and the texture was typically soft, slightly powdery, and occasionally, a few shades had a drier texture that was powdery but not stiff. Individual reviews (along with dupes and all that good stuff) to come! :)

The Glossover

product

Eyeshadow Single

In general, I like them, but some shades are powdery so they perform best over an eyeshadow primer and/or need to be patted, rather than swept, on to minimize excessive powdery fall out during application. Pigmentation and texture were also good with there being a few misses, and the texture was typically soft, slightly powdery, and occasionally, a few shades had a drier texture that was powdery but not stiff.

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