Tuesday, March 22nd, 2011

theBalm Curvy Cami Eyeshadow
theBalm Curvy Cami Eyeshadow

theBalm Curvy Cami Eyeshadow

theBalm Curvy Cami Eyeshadow ($16.00 for 0.12 oz.) is described as a “plum shimmer with gold flecks.”  It’s a medium-dark plum with subtle red-mauve undertones and even subtler gold shimmer.  I love how it is a red-based purple without being obvious, which makes it easier to wear and more universally suitable.

my thoughts on the formula: Curvy Cami has a very soft, silky texture, but it is a touch powdery and doesn’t seem as pigment-packed as other theBalm eyeshadows I’ve tested.  It is easy to blend because of the soft texture.  Worth noting, too, is individual eyeshadows come with 0.12 oz., which is just over double the average eyeshdaow–and at a rather affordable price tag.

The Glossover

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theBalm Curvy Cami Eyeshadow Review, Photos, Swatches

B
It’s a nice, softened plum with some darkness but without being blackberry or vampy. I do wish it was a bit more pigmented, since it seems a little sheer.

Product

8/10

Pigmentation

8/10

Texture

8.5/10

Longevity

9/10

Application

4/5

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Tuesday, March 22nd, 2011

Giorgio Armani #507 Rouge d'Armani Lipstick
Giorgio Armani #507 Rouge d’Armani Lipstick

Giorgio Armani #507 Rouge d’Armani Lipstick

Giorgio Armani #507 Rouge d’Armani Lipstick ($30.00 for 0.14 oz.) is a rosy pink with a naturally glossy finish and nearly opaque color coverage.  This shade felt even creamier than other Rouge d’Armani shades I’ve tried but still wore a solid six hours.

my thoughts on the formula: The formula itself is moisturizing, long-wearing (six to eight hours), and comfortable to wear. It’s not clingy nor heavy, and there’s enough slip to give it that creamy look where the color nearly melts against your lips. Rouge d’Armani Lipsticks are also scent- and taste-free (and no waxy scent, either!). It comes in a sleek, glossy black case with a magnetic enclosure to ensure your lipstick is closed at all times.

The Glossover

coming-soon

Giorgio Armani #507 Rouge d'Armani Lipstick Review, Photos, Swatches

A
This is a lovely warmer pink with subtle yellow undertones making it extremely wearable on warmer complexions but still suitable on cooler and neutral skin tones.

Product

9.5/10

Pigmentation

9.5/10

Texture

9.5/10

Longevity

9.5/10

Application

4/5

Results
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Monday, March 21st, 2011


Revlon Carnation (025) ColorBurst Lipstick

Revlon Carnation ColorBurst Lipstick

Revlon Carnation (025) ColorBurst Lipstick ($8.99 for 0.13 oz.) is a medium-dark, blue-based pink with a soft, frosted finish and subtle fuchsia-magenta shimmer. It’s nearly opaque in color, and it doesn’t feel heavy to wear, despite the creaminess and pigmented formula.

my thoughts on the formula: Revlon’s ColorBurst lipsticks glide on easily, have decent color pay off (inevitably, pigmentation does vary from shade to shade–some are semi-sheer, others more opaque), and are scent-free. They are comfortable to wear without clinging to lips, though I don’t find them moisturizing. The biggest downside is they only last two to three hours (lipsticks wear an average of four hours on me), so the wear time could be improved.

The lipstick is packaged in a matte black case with a quilted pattern on the front and the Revlon logo/print embellished on the lipstick itself.  I like the matte finish, because it doesn’t hold fingerprints, and because it’s not rubberized (like NARS), it doesn’t hold onto dust and powder remnants either.

The Glossover

DC
product

Carnation

B-
I wish these wore a little longer!  The length of wear is the most glaring downside to the product, and it's a shame, because I love how these are unscented (no cloying, synthetically sweet scent that so often plagues more affordable lipstick brands).  I will admit that I personally had trouble shelling out $8.99 for one, though.

Product

8.5/10

Pigmentation

9/10

Texture

8.5/10

Longevity

7/10

Application

4/5

Results
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Monday, March 21st, 2011

Chanel Coco Mademoiselle with Keira Knightley

Three years after the first commercial film, Knightley reprises her role as COCO MADEMOISELLE, a modern day Coco Chanel whose mystery, daring and rebelliousness are at the heart of her charm.

While the first film featured long evening gowns, the second takes on a more urban feel, with Knightley appearing on the streets of Paris in a chic, beige motorcycle jumpsuit designed for her by Karl Lagerfeld. Filmed in legendary locations across the City of Light – from Place Vendome to Place de la Concorde, the film is a collaboration between Knightley and Joe Wright, a creative relationship that began with Wright’s directorial debut, the Oscar®-nominated film Pride & Prejudice, and continued with the Oscar®-nominated Atonement.

“For me, Gabrielle Chanel is an icon and there was an incredible power emanating from all the photos of her,” states Knightley. “When I began to delve into her history more closely, I was obviously fascinated by her immense talent as a designer, but more than that, by her singular background.”

The commercial film’s soundtrack, “It’s a Man’s, Man’s, Man’s World” by James Brown is performed by the soulful voice of Grammy® award winner, Joss Stone and was published by Warner Chappell.

Coco Mademoiselle is a fresh oriental scent created by CHANEL master perfumer Jacques Polge in 2001. The fragrance represents the ever-evolving spirit of Coco Chanel in this feminine, sexy, young and exciting fragrance.

See photos & behind-the scenes shots! Continue reading →

Sunday, March 20th, 2011


Phoebe, Mitzi, Lolly

Zoya Mod Mattes Swatches, Reviews, Photos

Zoya Mod Mattes Collection includes three limited edition, matte shades for summer. These shades include: Phoebe (shimmered blue with a matte finish), Mitzi (chartreuse with a matte finish), and Lolly (pink with a matte finish).

  • Phoebe is a bright cerulean blue with very faint white micro-shimmer and has a matte finish. It was opaque in two coats.
  • Mitzi is a bright yellow-based chartreuse green with a matte finish. I used three coats, but I still could not get a nice smooth, even finish. This shade was the hardest to apply without getting an uneven surface.
  • Lolly is a medium-dark pink–almost neon but not quite there–with a matte finish. I used two coats for opaque color, and this shade applied the smoothest of three, because it was also the most pigmented.

Make sure you check out the swatches for my final attempt with Mitzi–hopefully you can see the difference between the variations of coat thickness and use.

my thoughts on the formula: I had a lot of trouble with these; I could not figure out the trick to an even, smooth finish. I expected some of the contouring of my natural nails to peek through but didn’t expect so much unevenness as a reslt of the polish drying down. Even though the shades are opaque on the nail, they look almost streaky.   After five or six attempts, I did find that thick coats were key–one thinner coat followed by a much thicker coat (and maybe even another) gave it a must smoother finish.  Mattes, without a top coat, tend to wear for shorter periods of time; I wore Mitzi for three days before it chipped a bit (no top coat).

The Glossover

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Zoya Mod Mattes Swatches, Reviews, Photos

C+
I love the colors themselves, because they're gorgeous and perfect for summer, but I couldn't get the formula to work on me.Lolly was the best, followed by Phoebe, with Mitzi being the most difficult. If Phoebe was more pigmented, I think it would be as easy to work with as Zoya's Matte Velvet shades.  These take patience and some willingness to trial through to find a method that works.

Product

7.5/10

Pigmentation

8.5/10

Texture

7.5/10

Longevity

8/10

Application

3.5/5

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Sunday, March 20th, 2011


Areej, Breezi, Kieko

Zoya Summertime Swatches, Reviews, Photos

Zoya Summertime Collection includes six cream finish shades for the summer. The shades include: Areej (pink with an opaque cream finish), Breezi (soft, dusty medium cerulean blue with an opaque cream finish), Kieko (warm, red toned dusty oilght purple with berry tones with an opaque cream finish), Mira (blue-toned medium purple with dusty lavender tone an an opaque cream finish), Sooki (bright, clean, crisp cool cherry red cream with subtle jelly finish), and Tamsen (medium warm brick red with strong orange tones with an opaque cream finish).

  • Areej is a medium-dark magenta pink with a creamy finish. I used two coats. It reminded me of Barielle’s Daring Dahlia without the shimmer.
  • Breezi is a medium-dark cerulean blue with a creamy finish. I used three coats. It is a dustier, more muted version of SpaRitual’s Crystal Eyes. It is darker and more muted than Zoya’s Robyn.
  • Kieko is a medium magenta-tinged purple with red undertones and a creamy finish. I used two coats. It seemed similar to an older limited edition shade by MAC called For Fun.
  • Mira is a dusty grape purple with a blue-base and creamy finish. I used two coats. It darker and less blue-based than Orly Charged Up and SpaRitual Illume.
  • Sooki is a bright cherry red with a creamy finish. I used two coats, but it was almost opaque in one. It’s similar to China Glaze Cherry Pie without the shimmer and China Glaze Hey Sailor.
  • Tamsen is a rich, orange-based red with a creamy finish. I used two coats. Essie’s Red Nouveau and Rescue Beauty Lounge Chinoise are a touch lighter and China Glaze Ruby Deer and Butter London Pillar Box Red are quite similar.

my thoughts on the formula: Zoya’s cream formula is beautiful here–thin without being runny or watery or too sheer. With the exception of Breezi, they applied in two coats for a creamy, opaque look.

The Glossover

zoyaSummertime

Zoya Summertime Swatches, Reviews, Photos

A
The six shades are a little reminiscent of last year's Flash collection, but upon a closer look, they aren't very similar.  I did find that Sooki and Tamsen are similar to each other, with Tamsen only slightly more orange-based, and as they are both red creams, easy shades to dupe.

Product

9.5/10

Pigmentation

9.5/10

Texture

9.5/10

Longevity

9.5/10

Application

4/5

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