Monday, August 20th, 2012

OCC Nylon Lip Tar
OCC Nylon Lip Tar

Does It Get Any Brighter Than This?

OCC Nylon Lip Tar ($16.00 for 0.33 fl. oz.) is described as a “neon pink.” This color is electric–it’s absolutely a bold, bright neon pink with subtle blue undertones. I really think this is the brightest pink I own. MAC Dear Diary is darker, less bright. MAC Candy Yum Yum is a bit more magenta and less bright but comes the closest.

OCC’s Lip Tars are supposed to have the wear of a lipstick with the ease of a gloss–long-wearing, lightweight, and satin-matte in finish.  Nylon is insane. It’s blindingly bright.  True to form, a little goes a long way for opaque color coverage.  There is a learning curve with Lip Tar, but if you apply with a brush, you’ll learn quickly and easily. It’s just such a pigmented formula that if you over-apply, you’ll end up with too much product, which will end up on your teeth and will be prone to feathering.

The texture is a creamy liquid, not so thin that it’s watery, but not thick or heavy. On the lips, it feels lightweight and sets after a couple of minutes to the satin-matte finish (initially, it may look a wee bit glossy, depending on how much product you’ve applied).  When I wore this, it lasted for eight and a half hours–and there was still a pink-y stain left behind.  (It stained my arm when I did a swatch for it, and it couldn’t have been on my arm for longer than a few minutes.)  It lasted through a meal and two coffees. The best part, aside from the awesome wear, was that it wasn’t drying.

Quick note: this launches tomorrow on Sephora, so you won’t see it up ’til then. :)

The Glossover

P
product

Nylon

A
If you want blindingly neon pink lips, Nylon should make your list of shades you have to check out. It is crazy-insane-bright, and it wears for hours and hours!

Product

10/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

4/5

Results
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Monday, August 20th, 2012


OCC + Nylon Magazine Nylon Lip Tar

Heralded in the September Issue of NYLON MAGAZINE as the Best Lipstick of 2012, OCC Lip Tar has eclipsed its cult-status and has officially been cemented as a staple in every makeup junkie’s cosmetic arsenal. To celebrate, OCC has partnered with NYLON MAGAZINE to introduce an extraordinary new neon pink, Pantone™-matched to the NYLON logo, aptly christened “NYLON”.

A stunning new innovation in lip colour, OCC LIP TAR is liquefied lipstick. It combines the longevity of a lipstick with the ease of application of a gloss. Packed with highly emollient naturally-derived ingredients including Hemp Oil, whose Omega-3 EFAs allow LIP TAR to go on slick and moist, but set to a satinmatte finish. Just the tiniest drop is needed to provide fullest coverage possible while remaining featherweight light and ultra-longwearing.

NYLON LIP TAR is available August 21st, exclusively at Sephora.com, and in select Sephora Locations beginning on September 17th! Nylon Lip Tar will retail for $16.00.

Saturday, August 4th, 2012

5 Juicy Tangerine-Hued Eyeshadows

My favorite way to wear tangerines (or oranges in general) is to combine them with other bright sunset-ish shades–think magentas, coppers, fuchsias, and yellows/golds.

How do you wear shades like these?

Saturday, July 28th, 2012

Reach for Olympic Gold with 5 Favorites

I thought it would be fun to celebrate the London Olympics with a few posts inspired by the colors of the medals handed out (gold, silver, and bronze). This post features five of my favorite gold-colored products!

What’s your favorite gold-colored beauty product?

Thursday, July 5th, 2012


OCC Skin: Conceal

OCC Skin: Conceal (Concealer)

OCC Skin: Conceal ($20.00 for 8.5 grams) recently launched with twelve shades (which is impressive for a concealer range). There are six yellow-based shades and six red-based shades. Each concealer is packaged in a clear plastic screw-top jar, and inside is the concealer. The concealer is in a hardened block, but it’s creamy to the touch and as you dip your brush in it. The texture isn’t too creamy, which can lead to a lot of settling or sliding around during the day, but it isn’t so dry that it’s difficult to blend out. It has amazing opaque coverage; it will hide just about anything, and it never feels heavy, looks cakey, or requires a lot of product. Just a quick pat of concealer on any area will conceal most imperfections.

Y2 was a good match for me and most of my face; if I want to be really perfect in color, I mix a little of Y1 in, but usually, Y2 is very, very close. I’ve been reaching for this a lot in the past few weeks, because it’s quick, easy to use, and lasts all day. It doesn’t slide around, separate, or crease during the day. I very rarely use concealer, though I’ve been reconsidering as the older I get, the less sleep I get (I wake up 3-4 times a night and get about 3-4 hours total), I have found it has impacted my under-eye areas. I’ve used this underneath the eyes, but I’ve primarily been using this to conceal little imperfections on the skin before running to the store. I love that it looks as natural as my real skin, because I’m not wearing any foundation or tinted moisturizer – just the concealer patted on the areas I needed and out the door.

My preferred application method is definitely fingertips. It warms up the product just a wee bit, and it helps blend the product in effortlessly. I have used OCC’s Concealer Brush (which is what is recommended by the brand), and it works well, but the brush itself sometimes feels too big. I like smaller, more precise brushes for concealer work myself, and then I like a fluffier brush to blend out the concealer (something like MAC’s 217). One thing about application is less is so much more; a little goes a long way–and I’m serious!–use much less than you think. Even if you use fingertips, and you hardly see any on your finger, go with it. You’d be surprised!

I really appreciate OCC’s commitment to their customer base (both professional and consumer) and quality; these concealers took two years to develop to be David’s (the founder) “perfect” concealer. It’s not too creamy, lasts all day long, doesn’t crease, and works even when my skin is a little dry. The coverage is fantastic; totally opaque but can be sheered out if you need lighter coverage.

Shades as described by OCC:

  • R0 is the palest red-based skin tone.
  • R1 is a pale red-based skin tone.
  • R2 is a medium-light red-based skin tone.
  • R3 is a medium-dark red-based skin tone.
  • R4 is a dark red-based skin tone.
  • R5 is the darkest red-based skin tone.
  • Y0 is the palest yellow-based skin tone.
  • Y1 is a pale yellow-based skin tone.
  • Y2 is a medium-light yellow-based skin tone.
  • Y3 is a medium-dark yellow-based skin tone.
  • Y4 is a dark yellow-based skin tone.
  • Y5 is the darkest yellow-based skin tone.

The Glossover

coming-soon

OCC Skin: Conceal (Concealer) Review, Photos, Swatches

A+
There's so much to love about this concealer: a great balance between creamy and stiff so it wears well and all-day without creasing or sliding around underneath the eye, opaque coverage that's still able to be blended out, and a large color range.

Product

10/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

5/5

Results
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Saturday, June 23rd, 2012

OCC Triptych Loose Colour Concentrate
OCC Triptych Loose Colour Concentrate

OCC Triptych Loose Colour Concentrate

OCC Triptych Loose Colour Concentrate ($12.00 for 0.088 oz. / 2.5 grams) is described as a “sleek, regal gold.” It’s a rich, vibrant shade of yellow gold with a frosted, metallic finish. The metallic finish comes out more strongly when it is applied damp/wet. Tarina Tarantino Mr. Gold/Mr. Silver is less metallic, less yellow. NARS Paramaribo is darker. Bare Escentuals Remix is less yellow. MAC Goldmine is more orange. Inglot #430 is slightly darker. Urban Decay Honey is very similar but less metallic.

I’m all over this kind of color.  Urban Decay’s Honey is one of my all-time favorite golds, and it’s been discontinued, so having a dupe is excellent.  The texture is so, so soft–the powder of OCC’s Loose Colour Concentrates is extremely finely-milled.  It applies well both wet and dry, and it gets a little smoother and more metallic when applied wet as compared to the dry application.  This shade is lovely with warm browns, coppers, and burgundies.  Triptych wears really well, too, without primer–a solid eight hours without creasing or fading.

The Glossover

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product

Triptych

A
What makes this such a great gold eyeshadow is the depth--it has really rich, luxurious color that gives it brightness, intensity, and vibrancy.

Product

9.5/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

4.5/5

Results
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