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NARS Tatar Eye Paint

NARS Tatar Eye Paint
NARS Tatar Eye Paint

NARS Tatar Eye Paint ($25.00 for 0.08 oz.) is described as a “black with purple shimmer.” It’s a subtly violet-tinted black with violet, purple, and fuchsia micro-shimmer–which translates as a shimmery, blackened purple. Urban Decay Delinquent appears lighter with larger purple sparkle. MAC Permaplum is lighter, less shimmery. Estee Lauder Blackened Plum is matte. Bobbi Brown Twilight Night is slightly warmer. See comparison swatches.

I was worried this was going to perform like Ubangi, but this didn’t have as much slip (a good thing!), so while it was creamy and easy to spread out, it didn’t sheer out right off the bat. It ended up being more like Snake Eyes in terms of consistency and wear.  As an eyeliner, it applies pretty much with opaque color without skipping or dragging, and as an eyeshadow, it goes on mostly opaque with just a little sheerness.  The formula is buildable, so you can achieve full color coverage by lightly patting on a second layer in the places that need it.  It held up better on the lash line–nine hours without fading or smudging–than on the lid, which is wear it had some slight creasing after eight hours of wear.

You can view all of the other shades of Eye Paint here (which have all been previously reviewed).

NARS Eye Paint Tatar
Tatar

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All About Cream Foundation with Uzo, NARS International Lead Makeup Stylist

NARS Mesopotamia Eye Paint
NARS Radiant Cream Compact Foundation — Light

NARS Radiant Cream Compact Foundation looks to make cream foundation modern by using the latest and greatest technology to create a cream foundation that has a lightweight, luminous finish that can be applied wet or dry with buildable coverage. It’s a formula that is designed to blend seamlessly (which is the aspect that encouraged me to write-up a how-to on contouring and highlighting with cream foundation) while enhancing the skin’s natural radiance.

If it’s been on your radar or wishlist, check out the NARS + Temptalia Foundation Matrix to find your shade match!

It’s been awhile since I’ve reached for a cream foundation, because they’ve often felt too heavy and provided too much coverage in the past, and cream foundation has come a long way over the years–so I was incredibly curious to learn more about NARS’ take on it. What better way to learn more about it and how best to incorporate cream foundation into your beauty routine than getting the scoop from NARS’ International Lead Makeup Stylist Uzo! She began as a resident makeup artist and has since worked with such high profile clients as Drew Barrymore, Naomi Campbell, Olivia Munn, and Molly Sims and creates looks for designers, like Marc Jacobs, at New York Fashion Week.

NARS Mesopotamia Eye Paint
Uzo, NARS International Lead Makeup Stylist

TEMPTALIA: First things first, what’s your favorite way to apply Radiant Cream Compact Foundation (RCCF)? What are your go-to tools?
UZO: I really like to use my fingers to apply RCCF. Nothing beats using the fingertips to blend this luxurious cream seamlessly into the skin to give the complexion that natural, radiant finish. RCCF is packaged with a sponge that can be used wet or dry, and is great for both application and blending. The sponge really helps for a quick and smooth application, but I always go back and use my fingertips to diffuse product to perfection. I use a concealer brush to blend product around the eye area with more precision. I may also use a foundation brush when I want to sweep on deeper shades of the foundation on the cheeks and jaw line for contouring.

NARS Mesopotamia Eye Paint
NARS Radiant Cream Compact Foundation — Medium

TEMPTALIA: Have you found an unusual but incredible way to use the new formula?
UZO: Although, RCCF was designed to make skin look its absolute best when used alone, I will play with different formulas when I want to make skin look super-glamorous and red carpet-ready. I use a liquid foundation, first, to create a smooth, even and radiant canvas and then blend a little amount of RCCF on to the cheeks and forehead to give skin more coverage. Skin looks luxe and super-polished and never cakey or heavily made up.

Check out the rest of the interview! 

NARS Interstellar, Mozambique, Black Valley Eye Paints

NARS Mozambique Eye Paint
NARS Interstellar Eye Paint

NARS Interstellar Eye Paint ($25.00 for 0.08 oz.) is described as a “silver.” It’s a bright, metallic silver. It had fairly good color payoff, but it was more prone to sheering out than some of the other shades. This is one of the less unique shades in the range, and you can find many silver eyeliners/cream eyeshadows on the market. Maybelline Cool Crush is slightly cooler-toned. Bobbi Brown Chrome is similar. Urban Decay Cuff is darker. Maybelline Silver Strike is similar. MAC Tundra is darker. Buxom Chihuahua is similar. See comparison swatches.

Mozambique is described as “olive.” It’s a mossy, yellow-toned, medium-dark green with a mostly matte finish. It was very, very creamy and pigmented. I felt like this one was prone to sheering out, though, on the lid because of how much slip it had.  I couldn’t think of any eyeliner or cream eyeshadow dupes for this shade–everything was either much darker or much less yellow.

Black Valley is described as “black.” It’s a rich, deep dark black with a matte finish. It is, obviously, a shade that you can find in many brands’ gel eyeliner ranges, so it’s not unique. It just comes down to whether the formula is better for you than others, so while it’s not particularly exciting, it makes sense for every brand to do their version of it since it is a basic. Here are many black eyeliners/black cream eyeshadows from other brands.

Please refer to my original review here for a more in-depth look at the formula as a whole. To recap, Eye Paints are designed to be a long-wearing, highly-pigmented gel formula that can be used as an eyeshadow or as an eyeliner. I applied each shade using NARS’ #38 brush to mimic applying it as an eyeliner (narrow swatch) and then applied the same color with the horizontal edge of the #38 to mimic applying it as an all-over lid color (wide swatch). The formua’s strength is its creaminess and intense color payoff, but it dries and sets very quickly so it can be difficult to blend the shades together or soften the edges if you do not work quickly.

I’m waiting on Tatar in the mail, so I’ll have a review of that shade later next week, but these are the least three shades I tested and found they were in line with the rest of the range. I layered powder eyeshadow over Iskandar and Mozambique (an Inglot gold eyeshadow and MAC Velvet Moss, which I believe is discontinued–I was just aiming to get as close to the base color). Layering powder over the Eye Paints seemed to be the best way to use them all over the eye, as it maximized the wear time–ten to twelve hours with very minimal fading and no creasing–while creating a perfectly even surface once the powder eyeshadows were layered on top. Alone, I had noticeable fading with Mozambique after six and a half hours (Iskandar holds up better–the shimmery shades have been slightly more fade-resistant for longer compared to the more matte shades) but no creasing. It was significantly faded after ten hours. Black Valley and Interstellar wear best as eyeliners, getting to eight hours of wear with no fading or migrating. On the lid, Black Valley manages well for seven hours but starts to fade from there, and it did crease just slightly after eight hours, while Interstellar lasts with just slight fading at eight hours but no creasing.

NARS Eye Paint Mozambique
Mozambique
NARS Eye Paint Interstellar
Interstellar
NARS Eye Paint Black Valley
Black Valley

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NARS Transvaal, Solomon Islands, Ubangi Eye Paints

NARS Transvaal Eye Paint
NARS Transvaal Eye Paint

NARS Transvaal Eye Paint ($25.00 for 0.08 oz.) is described as a “grey.” It’s a medium-dark, neutral-cool gray with a mostly matte finish. It was intensely pigmented and very creamy. NARS Madison Ave. is bluer, darker. Maybelline Audacious Asphalt is shimmery, warmer. See comparison swatches.

Solomon Islands is described as “turquoise blue.” It’s a medium-dark blue with a hint of teal/green to give it a more turquoise coloring. It has a matte finish and rich color payoff. MAC Mountain Air is darker and pearly, but it was the only turquoise-ish cream eyeshadow/eyeliner I could think of to compare. See comparison swatches.

Ubangi is described as a “black with blue shimmer.” It’s a cool-toned black with medium blue and navy blue micro-shimmer. This particular shade had a very slippery consistency–it was wetter than the others–and the color payoff was less intense as it had a tendency to sheer out. Urban Decay Sabbath is bluer. MAC Night Trail is similar. MAC Petrol Blue is lighter, bluer. MAC Waveline is lighter, less shimmery. bareMinerals Noon is more muted. See comparison swatches.

Please refer to my original review here for a more in-depth look at the formula as a whole. To recap, Eye Paints are designed to be a long-wearing, highly-pigmented gel formula that can be used as an eyeshadow or as an eyeliner. I applied each shade using NARS’ #38 brush to mimic applying it as an eyeliner (narrow swatch) and then applied the same color with the horizontal edge of the #38 to mimic applying it as an all-over lid color (wide swatch). The formua’s strength is its creaminess and intense color payoff, but it dries and sets very quickly so it can be difficult to blend the shades together or soften the edges if you do not work quickly.

As a cream eyeshadow, the wear is just okay; there is some fading apparent after six to seven hours, and Ubangi seemed more prone to fading than the other two shades. I did not experience creasing with any of these shades. When worn as an eyeliner, Solomon Islands did not fade or migrate, and it seemed to last quite well over a nine-hour period. These definitely perform best as eyeliners, less so as cream eyeshadows. If you want to use them as a base, they wear well with powder eyeshadow on top–no creasing or fading after ten hours of wear.

NARS Eye Paint Transvaal
Transvaal
NARS Eye Paint Solomon Islands
NARS Eye Paint Ubangi
Ubangi

See more photos & swatches!

NARS Iskandar, Mesopotamia, Snake Eyes Eye Paints

NARS Iskandar Eye Paint
NARS Iskandar Eye Paint

NARS Eye Paints ($25.00 for 0.08 oz.) is supposed to be a long-wearing, highly-pigmented gel formula that can be used as an eyeshadow or eyeliner. The consistency is very creamy, and just about every single shade I tried was incredibly pigmented. These dry down very, very quickly, so you have to work fast, and they take some work to blend with each other as a result. Using one or two isn’t so bad, but add a third into the mix, and it can be troublesome. The edges need to be blended almost immediately, or else layered with a similar-colored eyeshadow to help diffuse the drier edge. Yesterday, I wore these primarily as eyeshadows (but also two as eyeliner on the lower lash line) over bare lids. I experienced very slight creasing after seven hours of wear as well as some slight fading, which worsened and was noticeable after eight and a half hours of wear. As an eyeliner, they lasted better and did not fade or migrate over a nine hour period.

Iskandar was the easiest to apply and blend out, while Mesopotamia was the one that set the quickest and was most difficult to blend. I like a fairly flat, somewhat narrow, brush with a little thickness and a domed edge for applying these (I used MAC’s 242), because it’s useful for placing dense color but also has enough density and thickness that it can blend out the edges, too. Today, I’m testing a couple other shades for wear (alone) but as well as with eyeshadow on top (so more as a base) to see how they perform that way. Tomorrow, I’ll try them over NARS’ Smudge Proof Primer to wrap everything up with a neat little bow.  One last thing: the size on these is slightly smaller than average gel eyeliners (usually around 0.10 oz. or so).

Iskandar is described as “gold.” It’s a rich, medium-dark gold with orange and bronze undertones and a copper and gold shimmer. It has a frosted, metallic finish. The color payoff was rich and opaque whether applied as an eyeliner or as an eyeshadow–I used NARS’ #38 brush for the thinner swatch and then turned it horizontally for the larger swatch. NARS Campo de Fiori is similar. Maybelline Bold Gold is less warm-toned. MAC Going for the Gold is darker. Illamasqua Alchemy is yellower. See comparison swatches.

Mesopotamia is described as “brown.” It’s a deep brown with subtle warm, red undertones and a matte finish. It is richly pigmented and applied smoothly. Bobbi Brown Chocolate is warmer. Urban Decay Demolition is similar. MAC rich Experience is also similar. Buxom Two by Four is slightly warmer. See comparison swatches.

Snake Eyes is described as “black with green shimmer.” It’s a deep black with brown undertones with emerald green pearl. It had fairly good color payoff but to make the pearl stand out, two layers are needed. Urban Decay Loaded is lighter. MAC Dark Envy is greener. MAC My Next Indulgence is lighter. See comparison swatches.

NARS Eye Paint Iskandar
Iskandar
NARS Eye Paint Mesopotamia
Mesopotamia
NARS Eye Paint Snake Eyes
Snake Eyes

How to Contour & Highlight with Cream Foundation


Before Contouring / After Contouring with NARS Radiant Cream Compact Foundation

Contouring with cream foundation is an easy way to achieve seamless, blended contours and highlights because you’re using products designed to work together in order to create a canvas that transitions from shadow to skin to highlight beautifully. Highlighting and contouring bring back definition and shape to the face, especially after you’ve created a beautiful, flawless blank canvas with your foundation. Because foundations are one color, and depending on the coverage, they can leave the face looking flat and shapeless.

More of us are familiar with highlighters–shimmering powders and creams patted along the high planes of the face to reflect light–but contouring can be a more difficult and daunting task. The best part about makeup, though, is freedom of choice; you can go as defined as you’d like, so you don’t have to go for a dramatic contour and highlight but something subtle that just defines and helps lift the face. I’ve tried to show a more dramatic contour (but you could go further and make it even more dramatic) so that you can clearly see the differences before and after.

Don’t be afraid if you’re new to contouring!  Uzo, NARS International Lead Stylist, recommends beginners to use cream foundations for contouring “because they are easier to blend” as “powders in an unskilled hand can make contouring look harsh and un-blended while liquids don’t give enough definition. It is not about having a stripe of darker, un-diffused color along the sides of the face but subtly blended dimension that defines the cheekbones (and jaw line).”

With the full range of NARS Radiant Cream CompactAdvertisement at my disposal, I matched my skin tone match to Santa Fe, which is described as a “medium with peachy undertone,” and it is categorized as “Medium 2.” This is the product I used to create the blank canvas (as my regular foundation) to even out my skin color and cover any blemishes and imperfections.

Find your shade match using our NARS + Temptalia Foundation Matrix–just enter your current foundation and out pops your new shade match!

To highlight, I chose Siberia. Generally, your highlight shade should be two to four shades lighter than your actual skin color. To contour, I used Cadiz along with Benares. I opted for two, because I wanted a subtler contour on areas like my nose and eyes, but I wanted a deeper, more dramatic contour for slimming and defining my cheekbones and jawline. Generally, you will want to select a shade that is two to four shades darker than your natural complexion and opt for a shade that has similar undertones to your skin tone or one that is more neutral.

Now, get the step-by-step! 

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