Thursday, February 7th, 2008

BADGLEY MISCHKA | Tom Pecheux designs the look that focuses on a multi-layered colored eye that goes from brow to lid.  It goes from burgundy to brown to golden bronze with golden pigment just above the pupils.  In fact, it was a rose pink, a new MAC pigment for fall, nameless thus far.  “Then I put a bit of green inthe corners of the eye — just for fun!” he added.  Lips were beige and glossy, rather late seventies a la Lauren Hutton.

Look Breakdown | MAC Select Moisturecover was worked into the skin to help hydrate the skin, followed by a dust of Invisible Set Powder to create a soft, matte finish. Salsa Rose and Devil Powder Blushes were brushed high on the cheek bones with MAC Brush 116.  MAC Tarnish Eye Kohl and Chocolate Brown Pigment were mixed and applied with Brush 275 onto lid in an almond shape. Copper Pigment and Reflects Gold was layered on top to add a touch of shimmer. MAC Newly Minted Eye Shadow was patted into the inner corner of the eye, followed by Mystery Eye Shadow dusted over the lids to finish the look. Lashes were coated with Zoom Black Mascara.  MAC Wildly Lush Plushglass was applied to the lips.

“Mixture of texture and style – colourful, rich, young and playful,” says Tom Pecheux.

MONIQUE LHUILLIER | Val Garland created a look with a full-court, all-color eye socket using a pigment in a heavy grey blue that melded into inky blue, purple, and burgundy.  She described it as, “Quite reflective” and “quite liquidy.”  The rest of the face was neutral bare, with a sheer vino lip.

Look Breakdown | MAC Face and Body Foundation was used to prep the skin, followed by Bamboo Créme Colour base brushed with MAC Brush 188 to lightly shade the cheeks. MAC Smolder Eye Pencil was applied to bottom lash line, as well as inside the water line of the eye. Indigo Eye Pencil was used as a base on the inner and outer corners of the lid, blended up from lash line to brow. Using 239 and 224 Brushes, Blue Pigment was layered on top. MAC Plumed Violet Créme Colour Base was applied to the centre of lid with Brush 272, followed by Violet Pigment layered on top with a 239 Brush. Reflects Blue Pigment was applied to the inner and outer corners of the lid to intensify the colour. Night Moth Eye Pencil was applied to the bottom lash line and blended out with a 239 Brush. Beauty Marked Eye Shadow was pressed into the Night Moth with a 239 Brush to define the eye.  MAC Night Moth Lip Pencil was applied to the lips and blended with Brush 318.

“Marbleizing of three colours – inky blue, rich burgundy and intense purple. Dramatic, but poetic at the same time. The look is a Lolita Lempika painting mixed with a Deborah Turbeville photograph,” says Val Garland.

RODARTE | Kate and Laura Mulleavy’s clothes are froty couture-like confections–completed concotions that are always colorful and textural wonderlands.  James Kaliardos chose a frosted winter lip, using sheer layers of matte and sheen throughout the plains of the face, working with light and texture.

Look Breakdown | Skin was paled down with an application of Face and Body Foundation, followed by White Paintstick. Luna Créme Colour Base was applied with fingers to the bridge of the nose and cupids bow.  Paintsticks in White and Pink Vivid were applied to the lid, followed by Underage Lipgloss. Fuchsia Pigment was brushed onto the outer corners of the eye and under the lower lash line with Brush 210.  Lips were prepped with an application of PRO Lip Erase, then Desire Lipstick was brushed onto the lips.

“Japanese horror movies; ethereal, dark and dreamy – transparent, pale skin, hardcore vamp lips, accentuated cheeks and delicate eyes,” says James Kaliardos.

J. MENDEL | Mendel’s girls are chic, svelte, smart, social, and rich.  Gucci Westman kept their faces matte and clean with a caramel cheek and lip tones with bronze pigment on the lids with just a touch of gray.

Look Breakdown | Makeup artist Gucci Westman used MAC Cosmetics to create a metallic eye to represent the richness of Mendel’s clothes, as well as the legendary site of the show. “I am very inspired by the Plaza. It is fitting for Gilles [Mendel]‘s clothes, with the rich textures in the environment and its gold gilding. Gilles has a lot of brown and gold in the collection and I wanted to extend that into the makeup.” Westman covered lids with a smoky, metallic brown shade and lined eyes with a gold liquid liner. Natural skin and lips kept the focus on eyes, which were without mascara.  (Source:  WWD)

BEHNAZ SARAFPOUR | With Gucci Westman at the helm, she did two-thirds of the models in a gray eye from lid to brow, with the other third in either lime green or fuchsia purple from lid to lash.  She even used the respective colors to “flock” the lashes instead of contrastign with dark mascara.

Look Breakdown | MAC Select Moistureblend Foundation was blended with a 217 Brush where needed. MAC Canary Yellow and Bitter Eye Shadows were applied with a 252 Brush from lash line to just above the crease and also along the lower lash line. The eye shadows were blended in a round shape, around the eye with a 224 Brush. MAC Myth Lipstick was applied with fingers.

“It’s a fun season to be bold and get your rocks off as an artist. It’s all about enjoying colour, textures and freedom of expression,” says Gucci Westman.

Check out more beauty shots from the shows! Continue reading →

Wednesday, February 6th, 2008

BABY PHAT | Skin was concealed with Select Cover-up in appropriate shades. Mineralized Skinfinish Natural was applied with 129 Brush. MAC Blushcreme in Sweet William was touched over high planes of cheekbones using fingers and MAC Pink Swoon Powder Blush was lightly dusted on top.  MAC Eye Shadow in Hand Written was buffed onto lids and bottom lash line using 224 Brush. Reflects Glitter in Antiqued Gold was pressed onto lids and bottom lash line as a second layer with 242 Brush. MAC Lip Pencil in Redd was applied all over lip and Lady Danger Lipstick was layered on top.

“1920s Clara Bow, flapper kind-of-a-look,” says Christopher Ardoff.

NICOLE MILLER | MAC Moisture Lush Cream was applied to the skin and Face and Body Foundation was then layered on top. Blot Powder Loose was dusted over face where needed and Sculpting Powder in Sculpt was brushed onto cheeks to contour. Loose Beauty Powder in Daisy Dust was dusted over cheekbones to highlight. MAC Sketch Eye Shadow was blended all over eyelid to create a soft shape. MAC Blue Brown Pigment was applied to the outer eyelid and Reflects in Blackened Red was layered over. Old Gold Pigment was applied to the center and inner corners of the eye and Reflects Antiqued Gold was layered on top. Blooz Eye Kohl was blended out onto top and bottom lash lines. Deep Blue-Green Pigment was layered on top inner lash line and bottom lash line and Reflects Purely Purple was layered over top, outer lash line. Lips were lined with MAC Lip Pencil in Whirl and conditioned with Lip Conditioner.

“80′s Glamour – soft, pretty, drama with a modern twist,” says Romy Soleimani.

JASON WU | MAC Studio Moisture Fix was applied to the skin and MAC Select Moisturecover was pressed on top. Sculpt and Shape Powder was brushed onto the face for carved-out looking features and a polished, perfect complexion. MAC Eye Shadows in Smut and Print were washed over the lid with a 217 Brush. Reflects Glitter in Gold was pressed onto the inner corner and the outer corner of the eyelids. MAC Lipstick in Media was pressed onto moisturized lips to create a stain with soft edges. Lillicent Blushcreme was placed on top to finish off the perfect, mauve, everyday lip.

“A modern day Jean Seberg going to a fabulous party downtown,” says Romy Soleimani.

Tuesday, February 5th, 2008

Check out MAC Cosmetics site for Fafi:  http://www.maccosmetics.com/fafi!

More photos… Continue reading →

Tuesday, February 5th, 2008

Don’t speak. Lips are in danger of all manner of delicious indiscretion. Seductive in colour, shine and staying power. Seven new Slimshine Lipstick shades and 13 bring-back shades invite colourful, ultra-glossy conversations. People will talk.  $14.50

  • Think Tan Deep reddish brown with gold (frost)
  • Assertive Rusty brown with gold pearl (frost)
  • Voile Canary yellow with gold pearl (frost)
  • Missy Creamy pastel coral (cream)
  • Grenadine Creamy deep blue red (cream)
  • Rock Out Clean bright blue pink with gold pearl (frost)
  • Intimidate Creamy plummy pink (cream)
  • Bare Light neutral pink with subtle gold pearl (frost)
  • Pleasing Midtone violet with red and gold pearl (frost)
  • Long Stem Rose Light baby pink with subtle gold pearl (frost)
  • Scant Midtone dirty plum with gold pearl (frost)
  • Mousse Midtone caramel brown (cream)
  • Lovey-Dove Midtone terracotta with bronze pearl (frost)
  • Prudeaux Dark rich burgundy plum (cream)
  • Ultra-Elegant Light neutral beige (cream)
  • Funshine Shimmery soft apricot pink (frost)
  • Urgent! Classic midtone red (frost)
  • Cocoamour Neutral cool brown with matching pearl (frost)
  • Most Wanted Intense purplish red with metallic golden shimmer (frost)
  • Gaily Soft midtone berry pink with pearl (frost)

Now available on www.maccosmetics.com.

Tuesday, February 5th, 2008

A new ultra-charged formula from the innovative, skin-brightening Lightful collection. Lightful Ultramoisture Creme: instantly hydrates and adds glow to the skin. For ongoing brightness wear solo or layered over Lightful Essence.

Lightful Ultramoisture Creme
A lightweight creme with the freshness of a gel that provides intensive hydration and high-level skin-brightening. Instantly creates a soft, luminous, natural-looking glow. US$36.00

Lightful Cleanser
Everyday cleanser with a soft foamy smooth-on, rinse-off action. Efficiently removes makeup. Cleanses, calms, refreshes and balances the skin. Manages oily areas, soothes dry skin, and helps reduce redness. US$22.00

Lightful Softening Lotion
An ultra-fluid lotion that refreshes the skin, making it feel softer, moister, more refreshed. Imparts gentle radiance to the skin. With ongoing use, brightens the skin, evens out skin tones, and helps reduce the look of skin discolouration. $28.00

Lightful Essence
Highly concentrated, lightweight gel that easily absorbs into the skin without surface residue. Calms, refines and moisturizes the skin. Clarifies the look of the skin: adds soft radiance. US$40.00

Now available on www.maccosmetics.com.

Tuesday, February 5th, 2008

CAROLINA HERRERA | “Eclectic” is a way to describe the new fall aesthetic, but “texture” is also coming into play along with “color.” At the show, Diane Kendal went for a big pop of color on the lips to get a “really dark stained mouth.” She started with a brown base with a burgundy base layered on top, dusted lightly with powder, and then coating with a brown-burgundy lipstick. Finally, she dotted black pigment on the center of the lower lip for a “bitten effect.” She then used the same burgundy base to smudge onto cheeks and finished with a flourish of mascara. “It’s all about a strong mouth. It’s sophisticated, but playful at the same time,” says Diane Kendal.

Look breakdown | MAC Studio Tech Foundation was applied where needed for fresh, moisturized skin. Burgundy Paintstick was blended onto the apples of the cheeks with fingers. A small about of MAC Fluidline in Blacktrack was applied to the lash line with Brush 210. Eye lashes were curled and coated with Plush Lash Mascara in Black – heavy on the top lashes and light on the bottom lashes. A mixture of MAC Lip Pencils in Nightmoth and Chestnut were sheared out on the lips and Media Lipstick was layered over. A touch of MAC Créme Colour Base in Black was blended into the center of the lips with Brush 316.

MALADRINO | Tom Pecheux went with green eyes to keep with the show’s theme of green and organic. He used a dark green, lime green, and moss green to create a rounded eye up to the crease of the eye. The models had bare cheeks and a matte nude lip that was created by MAC’s Lip Erase that Pecheux described as “it’s like a concealer and lipstick in one.”  “Very organic. Very green. Reminiscent of leaves,” says Tom Pecheux.

Look breakdown | For very matte skin, MAC Studio Fix Fluid was applied to the face, followed by Blot Powder Loose. Using MAC Brush 224, Bitter Eye Shadow was applied very lightly all over lids and softly in the crease. Velvet Moss Eye Shadow was brushed onto the lower lash line, followed by Tealo Powerpoint Eye Pencil layered gently over lower lash line. Using MAC Brush 224, Bitter Eye Shadow was applied very lightly all over lids and softly in the crease. Velvet Moss Eye Shadow was brushed onto the lower lash line, followed by Tealo Powerpoint Eye Pencil layered gently over lower lash line. Lips were conditioned with Lip Conditioner to help with texture, followed by Lip Erase.

LUCA LUCA | Again, Tom Pecheux created a look that represented the Luca Luca lady who is “cash–and sass,” so he opted for gold on the lid and crease. The lips were a sheer coral so keep the emphasis on the eyes with everything else more understated.  “Sophisticated glam rock,” says Tom Pecheux.

Look Breakdown | MAC Studio Fix Fluid was applied where needed on the face, followed by Select Sheer Loose Powder. MAC Carbon and Ground Brown Eye Shadows were blended from lash line to just above the crease for a smoky eye. Satin Taupe Eye Shadow was placed in the corners of the eyes brushed out and up towards the brows with Brush 224. MAC 7 Lashes were applied, followed by MAC PRO Lash in Black. A sheer lip was created with applying MAC Lust is Lush Lipgelee.

PORTS 1961 | Isabelle LaPage created a look that represented the pink skin of a Scottish girl, only she went with played down lips using burgundy pigmented mixed with MAC’s Matte Gel. She kept eyes glossy with high shine by using a berry lip gelee. She placed clear plastic pieces on top, “so it was little like a cherry popsicle highlighted the eyes.”

For more beauty shots, Continue reading →