MAC Trend F/W ’09 Collection Review: Tone: Grey Eyeshadow Quad
MAC Trend F/W Collectionlaunches in-store today across North America locations, and the collection includes four lipsticks, three lipglasses, an eyeshadow quad, and a fragrance. The Tone: Grey Eyeshadow Quad consists of four eyeshadows, all cool-toned with a mixture of finishes.
Tone: Grey Eyeshadow Quad ($36.00 U.S. / $43.00 CDN)
A Warmer White is a cool-toned satiny white that casts a bit green. The pigmentation is decent and doesn’t come off looking too stark or chalky.
Tone: Grey is a soft, medium grey with a satin finish that has a cool blue-gray sheen. The pigmentation level is decent, though not intense; the shade itself is a bit muted.
The Right Smoke is a bright medium-dark blue with a soft blue sheen and has a frost finish. This is like a bluer Deep Truth (or if you mixed Freshwater and Deep Truth together). I’m so tired of seeing this blue, I can’t even tell you how much! This shade is the most pigmented of the four.
Waft is a dirty taupe grey–kind of pewter, but not quite–with a taupe sheen and a frost finish. Like the other shadows in this quad, it has decent color pay off, but it’s not intensely pigmented.
The eyeshadow quad actually reminds me of the Gentle Fume eyeshadow quad from Smoke Signals. It isn’t the same, but at first glance, it definitely was reminiscent of it (it doesn’t help that Waft was also in the Gentle Fume quad!). The quad is a nice pairing of shadows for smoky looks with a cool-toned theme. I don’t think this quad is particularly unique or a must-have, because you could easily create the same kind of quad with existing MAC shades that would just as easily suit you.
For those looking for dupes, A Warmer White is similar to Gesso (but without the barely-there-green tint); Tone: Grey is similar to Scene; The Right Smoke is similar to Deep Truth; and Waft is similar to Print (but without the frost or taupe — add a touch of Satin Taupe to fix that).
To get an idea on what kind of look you could create with this quad, check out this silver, gray, and blue look I did using the Gentle Fume eyeshadow quad.
Ease of Use: 8/10
Recommendation: If you don’t have similar shades and are looking for a cool-toned, slightly blue-leaning smoky palette, you’d like this!
“A summer trip to Moracco in 1972. Dark, sexy and glamorous.” — James Kaliardos
Get the Look
EYE: Waveline Fluidline Eye Liner – applied to the eye lid in an elongated winged shape and under the eye as a base . Deep Truth Frost Eye Shadow and Fly-by-Blu Pearlglide Eye Liner layered over to add colour and sparkle. Blacktrack Fluidline – applied to darken the crease. Light Violet Crushed Metal Pigment – brushed into the inner corners of the eye. Light Beige Crushed Metal Pigment – to highlight the brow bone. Blackdazzle Dazzlelash – swept through eyelashes. 44 lash – applied to exaggerate the eye.
FACE: Mineralize SPF 15 Foundation – to prep the skin. Florida and Joie de Vivre Cremeblushes – to contour and tan the skin. Crushed Metal Pigment in Dark Pink – to highlight the high planes of the cheek.
LIP: Love Nectar Lustreglass – brushed onto lips for a sparkly, peach lip.
To read about the MAC Rodarte Collection, please visit this post. It has a full, thriving discussion and debate that’s on-going as well as official statements from MAC Cosmetics and Rodarte.
MAC @ Rodarte
M∙A∙C Senior Artist, Chantel Miller designed the Maori-inspired geometric tattoo makeup seen on the runways at the Rodarte Spring/Summer 2010 runway show today. Chantel worked in close collaboration with designers Kate and Laura Mulleavy and key makeup artist James Kaliardos (for M∙A∙C) over the course of 4 weeks to create the full-sleeve, half-sleeve and neck tattoo designs, which are meant to evoke the feeling of a futuristic tribe.
“The idea for the tattoos stemmed from Kate and Laura’s desire to celebrate makeup as art not only for the face, but also for the body in a similar way that Indian culture uses henna. They want women to look at makeup as an accessory for an outfit the way you would a bracelet or a necklace,” said Chantel Miller.
Get the Look
The morning of the show, Chantel, who specializes in body painting, spent 4 intensive hours with a team of 40 artists hand painting the elaborate body art. Each model received a customized combination of the designs depending on which look they were wearing in the show. There were; 4 different full-sleeve, 1 neck and 8 half-sleeve designs. To get the look Chantel recommends trying a combination of the below products. She says, “Application is key to creating a body-art look like this, so the brushes play an essential part.”
“A mix of Degas ballerinas and Jean Shrimpton from the 1960s. Graceful and delicate like a watercolour painting, colours blended like hydrangeas.” – Stephane Marais
Get the Look
EYE: White Pigment – applied to eyelid. Dazzlelight Eye Shadow – layered over lids for a transparent, sparkle. Lingering Brow Pencil – blended into crease to enhance and contour the eye. Fibre Rich Mascara – generously app lied to top and bottom lashes to create a fake lashlook. Clear Brow Set – to set brows.
FACE: Face and Body Foundation – app lied to skin for a dewy, sheer finish. Prep + Prime Powder – to set. Pro Paintstick in Magenta and Dolly Mix Blush – mixed and blended onto cheeks with fingertips. White Frost Eye Shadow – dusted over tops of cheekbones to highlight.
LIP: Syrup Lipstick – patted onto lips. Plumful Lipstick – blended with fingertips onto the corners of lips to add volume and contour.
“The inspiration is old Hollywood black and white photos, tone on tone, shadows, no lines.” – Gordon Espinet
Get the Look
EYE: Copperplate Eye Shadow – blended softly into socket and under lower lash line.
FACE: Face and Body Foundation – applied in a sheer layer over the skin. Studio Finish Concealer – applied where needed. Taupe Blush – brushed onto cheekbones. Copperplate Eye Shadow – swept under cheekbones.
LIP: Stone Lip Pencil – used to lightly line the lips. Soothing Beige Lip Conditioner- patted lightly onto lip.