Lancôme’s 2011 Fall Color Collection, named after its original Parisian boutique at 29 St. Honoré , revisits the classic femme fatale era when timeless cult makeup products were born. This seductive color statement captures the glamour of the 1940s with luscious red lips and seductive smokey eyes. All limited edition.
Blush Multilumiere ($40.00)
Maison Lancome
Color Design 5 Pan Shadow & Liner Palette ($48.00)
Lancome Heat Wave Color Design Eyeshadow Palette ($42.00 for 0.11 oz.) includes four warm, summery hues in one, limited edition palette. The shades don’t really have names, just color descriptions on the back with a finish listed underneath.
Beige is a pale, white gold with stronge ryellow undertones. This has a shimmer finish. There is a touch of sheerness, and it has more of a metallic sheen amongst the shimmer as well. It’s yellower than MAC Nylon.
Peachy Keen is a soft, orange-peach. This has a sheen finish. The color payoff was good, and the shadow itself applied very smoothly. Bare Escentuals Sundance seemed the most similar, but it’s more orange, not quite as dark.
Copper is a coppery bronze. This has a metallic finish. The shade itself is very smooth and nicely pigmented. It is similar to MAC’s Amber Lights.
Dark Brown is a medium-dark brown with bronze shimmer. This has a metallic finish. Despite being labeled a metallic finished eyeshadow, it is more shimmer than metallic sheen. The brown shade from Givenchy Candide Garden was the one that seemed similar, though it is a little darker and redder.
Most of the eyeshadows felt really soft and smooth to the touch; Beige was the only one that had a shimmery finish and felt less smooth compared to the other three–I wouldn’t call it gritty or glittery at all, though! It was also the only one that had good pigmentation, as ooposed to great, which the other three shades did have. This is a palette that coordinates really well for warmer skin tones. It’s has summer bronze written all over it. I do think that one would find the golden shade a touch too metallic to use as a regular brow highlighter, but it works well on the inner tearduct. The gradient in light to dark here is also useful, because it allows you to blend and layer the shades to create more variance between the hues.
The shades are housed in a metallic copper palette that’s slim and square, but what I did like about it was the inclusion of a miniature eyeshadow brush–an actual brush. It’s by no means the best eyeshadow brush I’ve used, but it will get the job done decently. It’s also nice to see a brush instead of a sponge-tipped applicator. There is also a full-sized mirror when you open up the palette.
For warmer skin tones, this palette is perfect for summer--the hues are on point for the shades of summer. Depending on how you use the palette, you might miss having a more toned-down highlighter shade.
Product
9/10
Pigmentation
9/10
Texture
9/10
Longevity
9.5/10
Application
4/5
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Lancôme is a long-time sponsor of Chris Benz’s fashion shows, and I’m sure many of you remember their first collaboration–Chris & Tell–a Pout-a-Porter designer lipstick. Now, Lancôme and Chris Benz have partnered on a limited edition gift with purchase sold exclusively at Saks Fifth Avenue from June 14th through June 25th.
The gift with purchase includes Définicils Precious Cells Mascara and Absolue Hand, plus you get to choose a moisturizer from Absolue Premium BX or Absolue Precious Cells, and whether you want to go pink (L’Absolu Rouge in Pink Sapphire, Juicy Tubes in Moulin Rose & Blush Subtil in Rose Fresque) or coral (L’Absolu Rouge in Fleur Impressioniste, Juicy Tubes in Coral Rush & Blush Subtil in Shimmer Coral Sunset).
For those in NYC, Chris Benz will be stopping by Saks Fifth Avenue on June 23rd from 5 to 7 PM.
The all-over base shade is a soft pinked champagne beige with soft gold micro-shimmer. Next, the lid shade is a soft coral-orange with faint gold micro-shimmer–this is the only coral shade of the five but love how it doesn’t lean too orange. The crease shade is a red-based, warm medium-dark chocolate brown with very subtle bronze micro-shimmer. Though I can’t imagine anyone highlighting their brow with it, the highlighter shade is a smoky brown taupe with gray tones and a metallic finish. The liner shade is a dark, smoldering brown with bronze flecks of shimmer that works well wet or dry; when used wet, the color is richer and the shade has more of a metallic finish.
my thoughts on the formula: The texture of Lancome’s eyeshadows are very smooth–soft, silky–and all of these shades were excellent in terms of pigmentation. The rich colors, blendable texture, and mix of textures gave this palette a cohesive feel.
I’m disappointed in the quantity provided in the palette, though. Lancome’s Color Design Quads come in at 0.16 oz. and their Color Design Eyeshadow singles at 0.0458 oz., which works out to be $263/oz. and $371/oz. respectively. This palette is $340/oz., which makes it more expensive ($48 vs. $42) with less product (0.141 oz. vs. 0.16 oz) than the Color Design Quads.
Sometimes products are discontinued or limited edition, which means that a product may no longer be available at one or more retailers so you may need to shop around for those hard-to-find shades! We try to update products as they become discontinued, and if you discover a product has been discontinued, please help us help others by letting us know.
Disclosure: Temptalia uses affiliate links, which give us a small commission when you make a purchase (given to us by the retailer, at no cost to you). Your purchases help to support the site!
Lancome Midnight Rush Eye & Shadow Palette ($48.00 for 0.141 oz.) is a blue-themed eyeshadow palette with five shades in total. It consists of an all-over base, lid, crease, highlighter, and liner color.
The all-over base shade is a creamy, muted white with a semi-matte finish; it’s very pigmented and so soft to use–not chalky at all. The lid shade is a navy blue with a low-frost finish; it is easy to overblend this shade into something very sheer. The crease shade is a grayish, black navy blue but really doesn’t yield much color when used; such a shame that it performs so poorly. The highlighter shade is a silvered pewter with a frost finish; nicely pigmented and smooth, with the metallicness of its finish accentuated when used wet. The liner shade is a dark black with a hint of blue and navy blue and silver shimmer; it worked well both wet and dry, though dry is a little more intense.
my thoughts on the formula: The texture of Lancome’s eyeshadows are very smooth–soft, silky–and all of these shades were excellent in terms of pigmentation. I only had minor fall out concerns with the highlighter shade, so I would recommend using it with a damp brush.
I’m disappointed in the quantity provided in the palette, though. Lancome’s Color Design Quads come in at 0.16 oz. and their Color Design Eyeshadow singles at 0.0458 oz., which works out to be $263/oz. and $371/oz. respectively. This palette is $340/oz., which makes it more expensive ($48 vs. $42) with less product (0.141 oz. vs. 0.16 oz) than the Color Design Quads.
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Product: 25/30
Value: 7/10
Ease of Use: 4/5
Packaging: 4/5
final thoughts: The crease shade gave me trouble, much as it did in the Teal Fury palette. I’m not sure what it is about the formula of that finish that results in poorer color pay off. Midnight Rush is reminiscent of Guerlain’s 2 Place Vendome Palette, with three of the five being quite similar.