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Guerlain Wulong Meteorites Pressed Powder

Guerlain Wulong Meteorites Pressed Powder
Guerlain Wulong Meteorites Pressed Powder

If You’d Like a Little Luxury in Your Makeup Bag…

Guerlain Wulong Meteorites Pressed Powder ($170.00 for 0.26 oz.) is really meant to be the creme de la creme of luxury compacts and powders. This holiday’s refillable compact is a black lacquered metal case that has a lot of heft–the whole compact clocks in at just under 5 oz. The top of the compact is raised with Guerlain’s signature rosette, and the interior of the rosette is made up of gold mother-of-pearl.

Wulong is a sheer veil of warm, golden ivory glow. It’s glow in a compact, really, but in a subtle, barely-there way. According to Guerlain, the powder “combines six shades to ensure a pure, flawless and luminous complexion regardless of skin tone.” It is subtler compared to Perles du Dragon. I used it dusted all over my face as a finishing powder, though I also used it to set my makeup when I tested it (so you would only see the effect of this product). Without the powder, my foundation only lasts around eight hours, and while it’s good, it’s not pristine after eight hours. With the powder, my foundation lasted well into the tenth hour, and I didn’t get any afternoon or evening shininess on my t-zone.

The effect of Wulong is lightly mattifying but mostly softening and diffusing; it makes my pores (almost) disappear and softens lines.  It’s kind of like real-life Photoshop for your skin.  What it does is similar to what regular Meteorites do, but the compact version is more travel friendly.  I applied it with a large tapered brush like MAC’s 184.  The texture is softer than silk, smoother than butter; it’s finely-milled to the point where it melts against the skin.  It never looks powdery or cakey, and on my medium skin tone, it’s not at all ashy.

I’m not certain that the actual shade of Wulong will be later available in a refill, but Mythic Voyage is at present  and the refill is $55, to give you an idea of the cost of the product compared to the cost of the product and compact. I haven’t tried Mythic to my memory, so I don’t know how comparable it is. I would expect a similar effect overall, because the formula is so transparent and finely-milled.  The back of Wulong says “Refillable with Mythic 01.” You might also consider Guerlain’s Illuminating & Mattifying Pressed Powders, which are also part of the Meteorites family, though those are more matte than Wulong.

There’s no planet where I would feel comfortable saying this is a must-have–not at $170–but it’s a lovely product that performs well by making my skin look 15-20% better than it is and extending the wear of my base.  I’d be more apt to purchase a refill and skip the compact to save $115.  The compact is gorgeous.  It’s exactly what luxury beauty packaging should be.  I’m just not that much of a packaging junkie, but I routinely use pressed Meteorites to finish my foundation.  Wulong is one piece I’ll treasure and enjoy for years.  It’s very much a collector’s item, and I can see why some Guerlain collectors make sure they’re first in line for these compacts.

Guerlain Meteorites Voyage Powder Wulong
Wulong
Wulong
10
Product
10
Pigmentation
10
Texture
10
Longevity
5
Application
100%
Total

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Guerlain Altoum (700) Shine Automatique Lipstick

Guerlain Altoum (700) Shine Automatique Lipstick
Guerlain Altoum (700) Shine Automatique Lipstick

A Lipstick Meant for Layering

Guerlain Altoum (700) Shine Automatique Lipstick ($35.00 for 0.12 oz.) is described as a “gold with tone-on-tone sparkle” and is supposed to be used to illuminate lips with a veil of sparkle or used as a layering base/top coat with another lip product. The base is mostly clear, perhaps just enough to give it a warm tone, but it is predominantly composed of lots and lots of gold sparkle and shimmer ranging from medium to micro in size. MAC Ruffian Gold is similar, slightly less yellow-y. Dior Or Etoile paler and more uniform in the size of the shimmer (which is fairly fine). I was also reminded of Bobbi Brown Canary, which is a gloss.

I love that Guerlain made sure to describe this exactly as it is:  a sheer veil of shimmer that’s designed more as a layering shade than a standalone shade in the Shine Automatique line–a range that is typically semi-opaque to opaque in color.  It has a healthy dose of sparkle, and I like using it as a base shade rather than a top coat, only because it tends to be easier to apply that way. I’ll apply Altoum first, and then I’ll apply a more opaque lipstick on top.  If you use a lip brush, then I like using Altoum second, since you can pat it on.

As sheer shades often wear off quickly, I wasn’t all that surprised to find that this shade didn’t last as long as other Shine Automatique shades: four hours overall, but there were a few pieces of shimmer that lingered for longer.  It was slightly hydrating but not as moisturizing as other shades.  I could also feel the texture of the sparkle from the get-go.

Guerlain Shine Automatique Lip Color Altoum
Altoum
Altoum
9
Product
10
Pigmentation
9
Texture
8.5
Longevity
5
Application
92%
Total

Guerlain Lou-Ling (760) Shine Automatique Lipstick

Guerlain Lou-Ling (760) Shine Automatique Lipstick
Guerlain Lou-Ling (760) Shine Automatique Lipstick

A Holiday Pink That Sparkles

Guerlain Lou-Ling (760) Shine Automatique Lipstick ($35.00 for 0.12 oz.) is described as an “enchanting plum set off with a golden sparkle.” It’s a pop of raspberry pink with a subtle shimmer-sheen finish. There is noticeable fuchsia and gold sparkle within the color. Tarina Tarantino Floriculture is similar, slightly pinker. Revlon Raspberry Pie is less red, pinker, cooler-toned. Guerlain Girly is redder. MAC Quite the Thing is cooler-toned and more fuchsia. MAC Scandelicious is similar but doesn’t have the sparkle.

It looked rather sheer when swatched, but applied to lips, the color opacity is nearly opaque–it was a little surprising, actually!  Shine Automatique is a long-wearing and hydrating with “bold” coverage.  Lou-Ling wore for six hours and left behind a light stain, and while there’s noticeable sparkle, it didn’t travel during the time I wore it but there was an ever-so-noticeable grit after three hours of wear.  It was comfortable to wear and apply–creamy and slick enough to glide on without pulling or tugging but no feathering or bleeding–and my lips felt hydrated during and post-wear.  It is scented with Guerlain’s signature violet fragrance.

Guerlain Shine Automatique Lip Color Lou-Ling
Lou-Ling
Lou-Ling
9.5
Product
10
Pigmentation
9
Texture
10
Longevity
5
Application
97%
Total

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Guerlain Orgueil Rouge G L’Extrait

Guerlain Orgueil Rouge G L'Extrait
Guerlain Orgueil Rouge G L’Extrait

A Stunning Berry That Wears All Day

Guerlain Orgueil Rouge G L’Extrait ($48.00 for 0.20 oz.) is described as a “plum.” What a pedestrian description! This shade is so much more complex. It’s a rich, deepened scarlet red with ruby red micro-shimmer. There’s just a hint of berry in the overall color, especially from afar. While it is not a dupe, it’s a cooler-toned, more berry-hued version of Chanel Dragon. MAC Good to Be Bad is browner and has no shimmer. MAC What a Joy! is more berry-hued. Guerlain Gigolo is deeper, darker, but it is rather close.

The way Rouge G L’Extrait feels on the lips is hard to describe; it’s not quite a full-on second-skin feel, which I always think of as a lip color that clings, almost like cling wrap. This has more movement in a way; you can press your lips together and you don’t feel them sticking together. Orgueil wore for eight hours and was still wearable for another hour or so. It can be reapplied, because it doesn’t flake off or wear away unevenly like some other long-wearing formulas can. This formula has more transfer than those, so there are trade-offs. I can wear it for eight hours, and my lips aren’t dry at all. The color is very pigmented, and a little goes a long way.

Guerlain Rouge G de Guerlain L’Extrait Orgueil
Orgueil
Orgueil
10
Product
10
Pigmentation
9.5
Texture
10
Longevity
4
Application
97%
Total

Guerlain Perles du Dragon Meteorites

Guerlain Perles du Dragon Meteorites
Guerlain Perles du Dragon Meteorites

You Have to Try It to Appreciate It!

Guerlain Perles du Dragon Meteorites ($58.00 for 1.05 oz.) is a “harmony of six shades of pearls in an intense, iridescent monochrome palette.” It is supposed to “cloak the face in incredible radiance” with “pale pink and beige [to] even out the complexion” and “white and gold [to] illuminate” as well as “plum and rosewood [to] brighten.”

When applied or swatched, it’s an iridescent pale shimmer-sheen. It’s very subtle and true-to-form as far as Meteorites go. Meteorites are best described as an illuminating powder, which isn’t as shimmery as your typical highlighter, or as a finishing powder. The effect of the pearls is your-face-but-better; it’s something that’s hard to detect visually, but it’s that something extra that instantly brightens, softens, and adds a soft glow to the face. It’s the difference between a smile and a smile that reaches your eyes.

It’s when I wear one of Guerlain’s Meteorite products (pearls or pressed) that I most often see comments about my skin looking better, nicer, or that I look like I have a “glow.” I dusted it lightly on cheekbones, the bridge of my nose, and above my cupid’s bow in the photos below. I could still detect the slight glowy sheen after eight hours. Because the effect is subtle, it can be worn as a finishing powder and dusted all-over the face rather than to add a subtle highlight to certain areas of the face.  I wore again all-over and felt it added an extra hour or so of wear to my foundation.

The one thing about Meteorites is that as lovely as they look in the metal tin, they tend to look very similar on.  It’s also not necessary to own every. single. one. that comes out from a practical standpoint. There are many who collect them as much for the product inside as for the distinct packaging.

This is one of the harder products to review, because it’s hard to capture exactly what it does that makes it such a worthwhile product.  It’s pricey, but you’ll get a ton of product for your investment–a whopping 1.05 oz.–and one tin will last you quite sometime, even with regular usage.   It is violet-scented, and it’s not a subtle fragrance, but it is the same one common to Guerlain’s powder products.

Guerlain Meteorites Illuminating Sparkle Powder Perles du Dragon
9.5
Product
10
Pigmentation
10
Texture
9.5
Longevity
5
Application
98%
Total

Guerlain Turandot Eyeshadow Palette

Guerlain Turandot Eyeshadow Palette
Guerlain Turandot Eyeshadow Palette

It Is… Love!

For the holidays, Guerlain Turandot Eyeshadow Palette ($59.00 for 0.25 oz.) features four eyeshadows–two matte and two iridescent shades. It should start popping up retailers and counters in October.

The first shade is a light-medium golden orange–more like an orange-toned gold than your expected yellowy gold. It has a soft, frosted finish with a silky-smooth, finely-milled consistency that applies beautifully on the skin. The pigmentation was true-to-pan, and it didn’t require any layering or packaging to achieve opaque color. Milani Gold Dust is a smidgen darker and has a more metallic finish. Clarins Enchanted Summer is darker, less orange. Giorgio Armani #1 is similar, slightly less orange. MAC Goldmine is much yellower.

Next, there is a rusted, reddish-brown with a satiny finish. It had good pigmentation, and it was very soft to the touch and easy to blend on the eye. NARS Self Portrait 3 is lighter. MAC Magnetic Attraction is similar but has more gold shimmer. MAC In the Sun is redder. NARS California is richer, more orange. MAC Mythical is lighter. Guerlain Les Fauves has a shade that’s a bit darker, browner.

Below, there is a darker, muted reddish-plum with a hint of brown. The finish has a slight sheen to it, but it is mostly matte. The color payoff was good, and the texture was soft, blendable, and easy to apply. MAC In the Sun is shimmery. Le Metier de Beaute Bordeaux reminded me–just barely–of this shade, but it is much darker, more burgundy. theBalm Racy Kacy is more orange/brown.

The last shade in the palette is a gray-tinged medium-dark brown with subtle warm undertones and a frosted sheen. It had a soft, buttery texture that made opaque color a breeze to achieve. Dior Fairy Golds has a very similar shade in it. Urban Decay Barlust is darker. MAC Havana is warmer. MAC Chestnut is warmer.

Turandot is a warm-toned palette that combines surprisingly well; I thought the shades might not offer enough contrast, but they can and do.  The two middle shades are similar but have different undertones, so they’re noticeably different when placed near each other.  I would not say that any of these shades are particularly unique, so the color combination could be replicated with products you may already own.  It’s, of course, nice to have them all in a single palette.  I don’t think I would have thought to put these particular shades together.  It does seem a little autumnal in color, even if it is for the holidays.

The quality is good across the board, with the two more matte shades having just slightly less color payoff compared to the shimmery shades.  They held up well on the eye, all four shades lasting for ten hours without any fading or creasing, both over a primer and without one. It’s one of my personal favorite palettes that have come out in the past year!

Guerlain Turandot Eyeshadow Palette

A
9.5
Product
9.5
Pigmentation
10
Texture
10
Longevity
5
Application
98%
Total

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