Saturday, May 14th, 2011


Giorgio Armani Gloss d’Armani

More than a mere gloss… Concentrated high-definition color, fusing shine, comfort and lasting hold. Giorgio Armani’s color expertise takes a three-dimensional form.

A dress code with 18 captivating color variations: Nude beige, at the heart of Armani’s color DNA, is expressed in luminous half-tones, draping the lips in a sheer chiffon-like veil. From rosewood to raspberry, desaturated pinks add an extra dose of chic to your style. Like moiré silks, the plum shades combine shine and depth of color. An unexpected red shakes things up: Rouge 400, the incendiary signature Rouge d’Armani shade, now in a sheer version for an astonishing, explosive effect. Infused with light, the color melts into a curved, feminine design that echoes Rouge d’Armani’s aesthetic; a couture silhouette in a translucent case with a black lacquer top.

The exclusive Color-Fil Shine technology, allows the texture of Gloss d’Armani to be compared to a weave that gently and lastingly adorns the lips. The secret ingredient: the Color Bond Polymer, already found at the heart of Rouge d’Armani, has the ability to form a supple mesh that traps pigments and pearlescent particles. Thanks to its translucent formula base, the texture gives full expression to color. Mirror oils increase its shine while silicon oil leaves it silky smooth and non-sticky. The comfortable, stay-fast color is like a second skin that remains true for eight hours without fading or migrating. Dress your lips with Gloss d’Armani.

Gloss d’Armani’s velvet applicator is so precise that just a single gesture achieves a flawless result. Impeccably shaped, it hugs curves, beautifully enhances volume and defines contours…instantly and effortlessly, with an expert touch.

availability: On-counter now, 18 shades, $28 each

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Thursday, May 12th, 2011


Giorgio Armani Summer 2011 Collection – Heat

Translucent shaded sienna colors framed in non opaque, luminous bases for infinite layering and blending of earthy colored lights. From the softest, evanescent color veil, to an intense sheer color vibrancy. Incandescent amber eyes. An iridescent light gold blends with rose sand and diluted ochre tones to create a subtil incandescent amber eye. Shaped with earthy brown liner for deep contour intensity. Power color becomes evanescent captivation. Sensuous earth bath for skin and lips. Transparent tanned skin infused with a play of coral and red earthy lights on cheeks and lips.

Eye Quatuor ($59.00)

  • Heat Whitened gold, pink amber, amber, earthy brown

Sheer Bronzer ($49.00)

  • #1 Brown Sand
  • #2 Mauve
  • #5 Golden Sand

Blushing Fabric ($38.00)

  • #4 Sienna
  • #5 Raspberry

Eyes to Kill Waterproof ($30.00)

  • #3 Black Brown

Sheer Lipstick ($27.00)

  • #34 Sienna Red Brick
  • #35 Burnt Coral
  • #36 Sunset Pink
  • #37 Sand Dune Beige

Fluid Shine Nail Polish

  • #48 Sienna Light

availability: Now @ Giorgio Armani Beauty

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Sunday, May 1st, 2011

Giorgio Armani Rock Sand (9) Eyes to Kill Intense Eyeshadow
Giorgio Armani Rock Sand (9) Eyes to Kill Intense Eyeshadow

More Giorgio Armani Eyes to Kill Intense Eyeshadow with #9

Giorgio Armani Rock Sand (9) Eyes to Kill Intense Eyeshadow ($32.00 for 0.14 oz.) is a warm, golden champagne with a little beige and bronze finished with a metallic sheen.  I liked this one better dry than wet, just because it seemed to give a smoother finish when applied dry.  As one of the lighter shades of the line-up, it seems less intense, but in reality, I think it’s merely the color’s natural lightness that gives that illusion, because it covers my skin fully so it’s not sheer.

The eyeshadow can be worn alone, as a base, on top of bases, with other eyeshadows, and so on and so forth.  They’re really versatile products, and when I wore this as a wash (without a base), I had no creasing or fading after twelve hours.  It has a really interesting texture, too, because it almost feels like a cream, kind of wet, very smooth, but it’s a really tightly packed loose powder.  You can use it wet or dry, and you can use fingers or brushes, though I tend to use a brush (I like MAC’s 239 or 242).

Though pricey, each shade comes with 0.14 oz. worth of product, which is a hefty amount (normal eyeshadow averages around 0.05 oz., no matter the price).  The only aspect I didn’t love was the little black stopper inside the jar (once you unscrew the black lid), because my longer fingers felt awkward grabbing it (so I just unscrew it upside down so it falls into the cap).

The Glossover

P
product

#9

A
I only took away half a point from texture since it didn't apply as smoothly wet as it did dry, but it's a really minor thing that I really don't think takes away from how well this wears.

Product

10/10

Pigmentation

10/10

Texture

9.5/10

Longevity

10/10

Application

4/5

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Monday, April 25th, 2011

Giorgio Armani Moonlight (12) Eyes to Kill Intense Eyeshadow
Giorgio Armani Moonlight (12) Eyes to Kill Intense Eyeshadow

Pretty in Pink Turns Silver!

Giorgio Armani Moonlight (12) Eyes to Kill Intense Eyeshadow ($32.00 for 0.14 oz.) is a bright, metallic silver with a subtle blueness.  It’s interesting how it looks pink and silvery-blue in the pot, but once applied, it’s this grayer silver but still with noticeable blue in it.

Recap:

This is a product that lives up to its claims–it wears all day without budging, creasing, or fading–and blends as well on its own as it does with other eyeshadows (or on top of an eyeshadow base). Giorgio Armani describes the Eyes to Kill Intense formula as neither powder nor cream but a hybrid that creates a “smooth, lasting color film” that can be applied wet or dry.  Giorgio Armani explains, “Each shade is intensified with a second pigment for a multi-dimensional effect. In just one swoop, create a wet, shimmering smokey eye … Base color covers eyelid, and second pigment adds drama to the contour.”

The texture of these feels almost like a cream eyeshadow, but it has the thinness of a powder eyeshadow while retaining some of the blendability of the hybrid cream-powder eyeshadow.  It also works well with other eyeshadow (see this look using #6).  It’s almost like a really dense loose powder that’s been pressed down, because if you dig at it, it loosens.

Though pricey, each shade comes with 0.14 oz. worth of product, which is a hefty amount (normal eyeshadow averages around 0.05 oz., no matter the price).  The only aspect I didn’t love was the little black stopper inside the jar (once you unscrew the black lid), because my longer fingers felt awkward grabbing it (so I just unscrew it upside down so it falls into the cap).

The Glossover

P
product

#12

A
It's an eyeshadow you can wear alone, as a base, or on a base, because it's budge-proof, crease-proof, and wears all day long.

Product

9.5/10

Pigmentation

9.5/10

Texture

10/10

Longevity

10/10

Application

5/5

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Sunday, April 17th, 2011

Giorgio Armani Champagne (8) Eyes to Kill Intense Eyeshadow
Giorgio Armani Champagne (8) Eyes to Kill Intense Eyeshadow

More Giorgio Armani Eyes to Kill Intense Eyeshadow with #8

Giorgio Armani Champagne (8) Eyes to Kill Intense Eyeshadow ($32.00 for 0.14 oz.) is a darkened pink-tinged champagne with a bright, metallic sheen.  This is the first Eyes to Kill Intense shade that I felt worked better wet than dry, in terms of color pay off, but I can see many falling in love with the sheerer, dry version for a quick wash of brightness on the lid (especially since these wear all day even without a base).

This is a product that lives up to its claims–it wears all day without budging, creasing, or fading–and blends as well on its own as it does with other eyeshadows (or on top of an eyeshadow base). Giorgio Armani describes the Eyes to Kill Intense formula as neither powder nor cream but a hybrid that creates a “smooth, lasting color film” that can be applied wet or dry.  Giorgio Armani explains, “Each shade is intensified with a second pigment for a multi-dimensional effect. In just one swoop, create a wet, shimmering smokey eye … Base color covers eyelid, and second pigment adds drama to the contour.”

The texture of these feels almost like a cream eyeshadow, but it has the thinness of a powder eyeshadow while retaining some of the blendability of the hybrid cream-powder eyeshadow.  It also works well with other eyeshadow (see this look using #6).  It’s almost like a really dense loose powder that’s been pressed down, because if you dig at it, it loosens.

Though pricey, each shade comes with 0.14 oz. worth of product, which is a hefty amount (normal eyeshadow averages around 0.05 oz., no matter the price).  The only aspect I didn’t love was the little black stopper inside the jar (once you unscrew the black lid), because my longer fingers felt awkward grabbing it (so I just unscrew it upside down so it falls into the cap).

The Glossover

P
product

#8

A
It's an eyeshadow you can wear alone, as a base, or on a base, because it's budge-proof, crease-proof, and wears all day long. I felt like Champagne wasn't as pigmented dry as all the other shades I've tried have been, which was a little disappointing.

Product

9/10

Pigmentation

9/10

Texture

10/10

Longevity

10/10

Application

5/5

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Wednesday, April 13th, 2011

Giorgio Armani Black (13) Eyes to Kill Intense Eyeshadow
Giorgio Armani Black (13) Eyes to Kill Intense Eyeshadow

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Giorgio Armani Black (13) Eyes to Kill Intense Eyeshadow ($32.00 for 0.14 oz.) is a really deep, dark black that is subtly infused with navy blue micro-shimmer. In the pot, it looks black as midnight, but when swatched, the shimmer is just barely visible. It is a blue-based black, and photographs tend to pull blue out of it, but in person, I found it really just looked black.  It’s a nice, rich jet black, and if you’re a fan of the all-black smoky eye, it would be lovely as the star!  I used it as eyeliner on the lower lash line in this look.

This is a product that lives up to its claims–it wears all day without budging, creasing, or fading–and blends as well on its own as it does with other eyeshadows (or on top of an eyeshadow base). Giorgio Armani describes the Eyes to Kill Intense formula as neither powder nor cream but a hybrid that creates a “smooth, lasting color film” that can be applied wet or dry.  Giorgio Armani explains, “Each shade is intensified with a second pigment for a multi-dimensional effect. In just one swoop, create a wet, shimmering smokey eye … Base color covers eyelid, and second pigment adds drama to the contour.”

The texture of these feels almost like a cream eyeshadow, but it has the thinness of a powder eyeshadow while retaining some of the blendability of the hybrid cream-powder eyeshadow.  It also works well with other eyeshadow (see this look using #6). The intensity is insane–whether you use it wet or dry, they pretty much look the same. It’s almost like a really dense loose powder that’s been pressed down, because if you dig at it, it loosens.

Though pricey, each shade comes with 0.14 oz. worth of product, which is a hefty amount (normal eyeshadow averages around 0.05 oz., no matter the price).  The only aspect I didn’t love was the little black stopper inside the jar (once you unscrew the black lid), because my longer fingers felt awkward grabbing it (so I just unscrew it upside down so it falls into the cap).

The Glossover

P
product

#13

A+
It's an eyeshadow you can wear alone, as a base, or on a base, because it's budge-proof, crease-proof, and wears all day long. The pigmentation is rich, and the texture is luxuriously soft and smooth.

Product

10/10

Pigmentation

10/10

Texture

10/10

Longevity

10/10

Application

5/5

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