Friday, August 19th, 2011


Giorgio Armani Fall 2011 Collection: Jacquard

Jacquard Eye Palette ($59.00) (Limited Edition)

  • 1
  • 2

Blushing Fabric ($38.00)

  • Sienna (04)
  • Raspberry (05)
  • Camel (06) (Limited Edition)
  • Scarletto (07) (Limited Edition)

Eyes to Kill Excess Mascara ($30.00)

  • Blacker than Black (Limited Edition)
  • Night Violet (Limited Edition)

Rouge d’Armani Lipstick ($30.00)

  • 107 Sheer beige (Limited Edition)
  • 108 Sheer pink beige (Limited Edition)
  • 406 Red (Limited Edition)
  • 525 Sheer mauve (Limited Edition)

availability: September 2011, also available now at Neiman Marcus

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Wednesday, August 17th, 2011


Giorgio Armani #402 Gloss d’Armani

Giorgio Armani #402 Gloss d’Armani

Giorgio Armani #402 Gloss d’Armani ($28.00 for 0.22 fl. oz.) is an orange-red with lots of gold shimmer. When worn, it’s semi-opaque–there is a translucency that allows the natural lip color to peek through, but the gloss imparts a fair amount of color. For those with more pigmented lips, it will likely brighten and enhance but provide seemingly sheerer coverage. It’s not quite as red as Chantecaille Glaze. It is rather similar to Hourglass Primal. Chanel Imaginaire is similar but doesn’t have the gold shimmer.

Gloss d’Armani is supposed to last for eight hours (without fading), be moisturizing, and have a smooth, non-sticky texture. Color payoff is indeterminant, because on one hand, Giorgio Armani says “concentrated, high definition color” but then later describes some shades as “sheer chiffon.” For a more in-depth review of Gloss d’Armani, please read my original review here.

Even though I can’t say I’ve experienced the full eight-hour wear Giorgio Armani claims, I do get an impressive five to six hours of wear with every shade I’ve reviewed so far (I think we’re up to three–two more pigmented shades, one sheer shade). #502 wears a solid six hours, but if you desire a really glossy shine, you’ll need to refresh the shine after three hours or so.

The gloss starts off as almost gel-like and non-sticky, but over time, it gets tackier and tackier. It’s not thick and sticky, but I wouldn’t describe it as non-sticky. The initial non-sticky phase allows for the gloss to be evenly distributed across the lips without becoming splotchy, though. I didn’t detect any fragrance or scent.

The Glossover

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product

#402

B+
It may not be as non-sticky and as long-wearing as it claims, but it is one of the longest-wearing glosses I've come across that isn't more of a liquid lipstick. This is truly a gloss from the way it looks to the way it feels.

Product

10/10

Pigmentation

10/10

Texture

8/10

Longevity

7/10

Application

4/5

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Tuesday, July 19th, 2011

Giorgio Armani Eyes to Kill Intense Overall & Round-up

These are all of the shades of Giorgio Armani’s Eye to Kill Intense Eyeshadows that I have.  There is one missing (14), which came out with 13, 15, and 16 for holiday in 2010–unfortunately, it was already unavailable when I started to review these shades earlier this year.  You can view all 15 in their full glory in the Swatch Gallery.

More UniqueBlast of Blue (1), Lust Red (2), Purpura (3), Pulp Fiction (4)

Good AlonePulp Fiction (4), Khaki Pulse (6), Sweet Fire (7), Champagne (8), Rock Sand (9),

Less Unique:  Gold Blitz (5), Sweet Fire (7), Champagne (8), Rock Sand (9), White Punch (11)

Temptalia’s Favorites:  Blast of Blue (1), Lust Red (2)), Purpura (3), Pulp Fiction (4), Khaki Pulse (6), Black (13)

Best Quality:  Blast of Blue (1), Lust Red (2), Gold Blitz (5), Khaki Pulse (6), Black (13), Copper/Black Grey (15)

Reviews, Photos, Swatches

Thursday, July 14th, 2011


Giorgio Armani #502 Gloss d’Armani

Giorgio Armani #502 Gloss d’Armani

Giorgio Armani #502 Gloss d’Armani ($28.00 for 0.22 fl. oz.) is a pink-tinged beige with soft white shimmer–it looks more like slightly milky beige gloss with a healthy dose of shimmer when worn but light on actual color. I imagine it will soften those with naturally more pigmented lips.

Gloss d’Armani is supposed to last for eight hours (without fading), be moisturizing, and have a smooth, non-sticky texture. Color payoff is indeterminant, because on one hand, Giorgio Armani says “concentrated, high definition color” but then later describes some shades as “sheer chiffon.” For a more in-depth review of Gloss d’Armani, please read my original review here.

#502 certainly falls under “sheer chiffon,” I’d say! There is plenty of shimmer, though, so it gives the illusion of more color than it actually is. It always seems counter-intuitive to rank a sheer product with full marks on pigmentation, but if it’s supposed to be “sheer chiffon,” this lives up to the claim. This was the second shade I tried, and I alternated between this shade and #505 (the one I first reviewed) during testing, because it was such a light shade. I often test the light and darks of a new formula, because you do tend to get better wear out of more pigmented shades compared to sheerer ones.

To my complete surprise, #502 wears nearly as well as the more pigmented #505. Neither wears for as long as the brand claims, but #502 wore for five hours, and there was still residual shimmer an hour or so later. I would say reapplication was needed by five hours, though, and if you wanted to maintain the glossiness of the look, more along the lines of two and a half. Just as I did with #505, though, it’s non-sticky for only part of the time. It starts off as almost gel-like and non-sticky, but over time, it gets tackier and tackier. It’s not thick and sticky, but I wouldn’t describe it as non-sticky at all. I didn’t detect any fragrance or scent.

It’s one of my new favorites in gloss, just because six hours of wear for a gloss is excellent–as a reviewer, it’s almost painful to have to knock it down so severely because of their very specific claim of eight-hours of wear.

The Glossover

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product

#502

B
The shortcomings in wear (five hours compared to the eight hours claimed) and sticky texture (compared to the non-sticky texture promised) bring down the overall score for this product, but it's one of the longest-wearing glosses I've come across that is actually moisturizing and comfortable to wear.

Product

10/10

Pigmentation

10/10

Texture

8/10

Longevity

6/10

Application

4/5

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Wednesday, July 13th, 2011


Giorgio Armani Pulp Fiction (4) Eyes to Kill Intense Eyeshadow

Giorgio Armani Pulp Fiction (4) Eyes to Kill Intense Eyeshadow

Giorgio Armani Pulp Fiction (4) Eyes to Kill Intense Eyeshadow ($32.00 for 0.14 oz.) is a muted gray with a hint of brown and burgundy shimmer. theBalm’s Come Hither was the closest shade I could think of that was similar. It’s less brown, more obviously purple. It’s a complex mix of brown, gray, burgundy. When used wet, it appears browner, less gray, so it looks a touch darker.  The color payoff is good but not fully opaque when dry or wet, and it doesn’t apply quite as evenly as other shades in the range.

The texture of the Eyes to Kill Intense Eyeshadows is interesting; it’s a really compacted loose powder, but it’s so finely milled that it almost feels like a hybrid cream-powder. Each pot contains 0.14 oz. worth of product, which is a good amount, given that most pressed eyeshadows average around 0.05 oz. I have worn around half of the range alone on lids with 12+ hours of wear without creasing, smudging, or fading.

The Glossover

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product

#4

B+
I like the complexity of the color, because you can see the different shades coming together and creating something with curves and secrets, but it could be a touch more pigmented and even in application.

Product

8.5/10

Pigmentation

9/10

Texture

8.5/10

Longevity

10/10

Application

4/5

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Monday, July 11th, 2011


Giorgio Armani Silver/Black Grey (16) Eyes to Kill Intense Eyeshadow

Giorgio Armani Silver/Black Grey (16) Eyes to Kill Intense Eyeshadow

Giorgio Armani Silver/Black Grey (16) Eyes to Kill Intense Eyeshadow ($32.00 for 0.14 oz.) is a darkened silvery gray with a bright, foil-like metallic sheen. It has an almost green-teal pull of color. It doesn’t look pure silver on me, which is what I was expecting. #16 worked well both wet and dry; there was hardly any difference between the two–the finish is slightly more metallic and smoothed out when used wet, but it’s hard to distinguish the difference on the eye.  It’s not quite as smooth or as nicely textured as a few of the other shades, though.

The texture of the Eyes to Kill Intense Eyeshadows is interesting; it’s a really compacted loose powder, but it’s so finely milled that it almost feels like a hybrid cream-powder. Each pot contains 0.14 oz. worth of product, which is a good amount, given that most pressed eyeshadows average around 0.05 oz. I have worn around half of the range alone on lids with 12+ hours of wear without creasing, smudging, or fading.

The Glossover

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product

#16

A-
It's a good mix of metallic, foil-like silver and darker, smokier gray. Those two shades work well together to create something that's both highly metallic but less bright than pure silver.

Product

9/10

Pigmentation

9/10

Texture

9/10

Longevity

10/10

Application

4/5

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